Category Archives: Interview

Actress/Producer Brooke Lewis talks new films, career and life coaching

LewisWhen it comes to Hollywood actresses, you’d be hard pressed to find one who is as confident, inspiring or more hardworking than Brooke Lewis. Because whether she’s acting or producing, this beautiful Philadelphia, PA native has made a name for herself in the film and television world.

As an actress, Brooke has appeared in many different genres of film but is perhaps best known for her work in thrillers and mob themed stories like “iMurders” and “Sinatra Club” as well as for the comedic portrayal of her vampire “alter-ego”, Ms. Vampy.

If all that weren’t enough, Brooke is also a board certified life coach; using her talent and experience to encourage her clients to become more courageously confident and to discover their own inner voice.

Brooke has another busy year ahead of her with passion projects like “The Mourning” as well as the sequel to the hugely successful film, “Starship: Rising”. I had the pleasure of speaking with her about her upcoming roles as well as her work as an actress and life coach!

Tell me a little about your background.

I’m one of those people who knew what they wanted to do in life early on. As a child, I was very sensitive and a bit insecure. It wasn’t until I started taking drama classes that I discovered that acting was a great outlet for me to express myself and feel emotion. I started my career back East in Philadelphia where I did a lot of theater work. Then I went to New York where I did a few off Broadway shows like Tony n’ Tina’s Wedding before finally making the move to LA.

What can you tell me about your new film, “The Mourning”?

It’s a labor of love project. I first met Marc Clebanoff [writer/director] a few years ago when we did an action film called “Break” with Michael Madsen and David Carradine. I did a supporting role in the film and had a lot of fun. The two of us went on to do a few other films together and we eventually became good friends. In 2011, Mark and Michael Walton came to me and said that they wrote a great supporting role for me in a new film they were working on. It’s a drama with a sci-fi twist where I got to play a tremendous supporting role along with Louis Mandylor, who’s a tremendous actor. It has everything that makes for a great gritty indie film and it was a blast working with true artists who were really committed to the project!

What attracted you to the script?

By nature, I’ve always been a big fan of thrillers, but the thing I loved the most about it is that it’s a love story. Every good film starts with a good script and this is one of the most beautiful stories about love, life and how things change.

How would you describe the story of “The Mourning”?

It’s the story about a young guy who lives in a small town. He and his best friend go off to the Gulf War and without giving too much away, one of them comes back and the other one doesn’t. Now it’s twenty years later (present day) and this person who’s been missing suddenly reappears.

You have another film that’s about to be released, “Starship: Apocalypse”. What can you tell me about that?

Neil Johnson is another director who has been a blessing to work with. The first film, “Starship: Rising” came out last year and was a huge hit overseas. The sequel is a fun, spaceship driven, full blown sci-fi piece that I had the best time working on. I play Staris, who is a bad-ass fighter pilot. She’s strong and sassy and fights for what she believes in. She has integrity and will keep to her beliefs in order to protect her federation. She is one of my favorite roles.

How did you become involved in life coaching?

I’ve always been the kind of person my friends and associates would come to looking for advice and shortly after the economy crashed a few years ago I decided to explore that different side of me. I was so inspired by helping teens and young actresses that I took a year and a half off, went back to school, took the boards and became a certified life coach. I’ve since launched my business, Be You Be Fearless Life Coach. I really love what I do!

BrookeLewis

What other projects are you working on right now?

Director Greg Lamberson came to me about a new film he was working on called “Killer Rack” and told me that he needed me for a specific role. I was a bit skeptical at first but after reading the script was just blown away! It’s comedy at its best with a twinge of horror. Yes, it is literally about a killer rack of boobs, but here’s the catch. I’m all about coaching female empowerment and body image and this film has a great subtext and message to it. It’s a supernatural comedy about what happens when you get plastic surgery because you think it’s going to make you happy but then things go terribly wrong!

What’s the best advice you can give to young actors and actresses who may want to follow in your footsteps?

I tell young actors every day that if there’s anything in this world that fulfills them other than acting then they should go do it, because acting is such a challenging process. But if you’re like me and it’s the only thing you’re passionate about and the only thing that fills that place in your soul, then you definitely have to do it!

Photos by: Roger A. Scheck

‘Aerosmith Rocks Donington’: Bassist Tom Hamilton Talks New Film/DVD, Gear and Memorable Moments

When Fathom Events, Cinema 1 and Eagle Rock Entertainment decided to partner up to present a monthly classic music series, they figured what better way to kick things off than by bringing in one of the most beloved rock bands of all time: Aerosmith.

Aerosmith band lineup

Taken from the band’s headlining appearance at last year’s Download Fest at Donington Park in Leicestershire, England, Aerosmith Rocks Donington is a one-night-only concert event that will screen on 300 theaters nationwide 7 p.m. today, Thursday, February 26.

The Donington show once again finds the band at the top of their game. It features a 19-song set that features many of band’s iconic hits, including “Sweet Emotion,” “Walk This Way,” “Dream On,” “Love in a Elevator,” “Janie’s Got a Gun,” “Don’t Wanna Miss a Thing” and “Dude Looks Like a Lady.”

Aerosmith is one of the biggest rock bands of all time. Together, Steven Tyler, Joe Perry, Tom Hamilton, Brad Whitford and Joey Kramer have sold more than 150 million albums worldwide in addition to receiving four Grammys and being inducted into the Rock and Roll Hall of Fame.

In addition to releasing a DVD of the live show this spring, Aerosmith also has announced they will hit the road this summer.

I spoke with bassist Tom Hamilton about Aerosmith Rocks Donington, music, gear and some of his most memorable moments.

GUITAR WORLD: How did this live project begin?

It’s something that’s been building for a long time. This isn’t the first time we’ve filmed a show and presented it, but the ability to capture it and have it sound great and have the visuals for it be really strong has gotten better and better over the years.

Our feelings about playing at Donington is what really inspired us. We’ve played there several times in the past. It’s a festival that’s been going on for years and is very historic. So we got together with Dick Carruthers, who’s one of the best rock filmmakers around, and said, “Ok, let’s see how good we can make it!”

As a performer, do you feel a sense of added pressure knowing that this is live and there’s no going back?

Of course. Knowing it’s live always makes your brain concentrate a little more on making it work. We knew going in that we were filming and that we had a great director and great cameras. But we always try to out do ourselves every night, whether we’re recording or not. For us, it was more of an opportunity to make something exciting!

You can read the rest of my gw_logoInterview with Tom Hamilton by Clicking Here!

‘Fear Clinic’: Actress Fiona Dourif talks new horror film, career

Fiona Dourif (Photo by: bluestella photography)

Fiona Dourif (Photo by: bluestella photography)

When five survivors of a horrifying tragedy experience trauma-induced phobias a year after the event, they seek treatment from Dr. Andover (Robert Englund) in hopes of finding the answers they need to get cured.

Fear Clinic” is a new horror/thriller based on the hugely popular  FEARnet web series which also stars Fiona Dourif (“Curse of Chucky”), Thomas Dekker (“Backstrom”, “Terminator: The Sara Connor Chronicles”) and Cory Taylor of Slipknot and Stone Sour.

Dourif plays the role of Sara; one of the five survivors of the tragedy whose own worsening symptoms have led her to seek refuge in Andover’s hyperbaric Fear Clinic chamber.

Dourif is no stranger to the horror world, having already appeared in such films as 2013’s “Curse of Chucky”. Horror enthusiasts also know that Dourif’s father, Brad Dourif, is a legend in the genre for his portrayal as the voice of Chucky in the original “Child’s Play” film and it’s subsequent sequels.

By putting a face to an emotion, “Fear Clinic” has a plot that is surprisingly dark and equally as visceral. It’s a film that also lends itself well to becoming a franchise, as there are many more avenues of phobia that can be explored.

I recently spoke to Fiona Dourif about “Fear Clinic”, her career and what she thinks makes horror such a great genre.

How did you become involved in “Fear Clinic”?

I originally got a call from my manager and was given a skeleton of the script of the story. I immediately thought the concept was really cool. Two weeks later, I was on a plane to Ohio!

What was it about it that attracted you to the story?

I liked the whole concept of cerebrally confronting your fears by acting them out. The whole idea that there’s nothing to fear but fear itself. I thought that was really cool and it comes across well in the finished film.

How would you describe the story of “Fear Clinic”?

A shortened version might be this – a doctor has come up with an instrument where you can confront your fears and be free of them. But then…. there are some problems! [laughs].

What was it like working with Robert England?

Robert is one of the most pleasant people to work with. He’s personable and cool and elevated everyone’s spirit a lot. He really held the ship together.

What was the filming process like?

It was mostly shot in one location. There were long days where we all hunkered down in what used to be an old folks home in a small town in Ohio. It was also used as a church that had services on Sunday mornings.

Fear Clinic

Fear Clinic

What makes horror so great?

There’s something tingly and exciting about fear. In some weird way, it’s also kind of sexy. It’s simple and extreme and makes you feel present. Horror also has an awesome fan base. They’re so loyal and are always excited.

What was it like growing up for you with your dad being the voice of Chucky?

Nothing but cool! Even though I wasn’t really into school as a teenager one of the coolest things about me in high school was being able to tell everyone that I was the ‘Seed of Chucky’! [laughs]. Then when I got the chance to be a part of it as an adult it was mind-blowing. I feel so lucky to be a part of that legacy.

Was acting something that you always wanted to pursue?

My dad put a moratorium on it as a kid, which looking back now was probably a good idea. Although I did produce a few History Channel documentaries in my twenties, it wasn’t until I realized the only reason I wasn’t acting was because I was afraid was when I made the switch. That’s when I said, “Ok. Let’s give this a try!” 

Are there any other projects you’re currently working on?

It’s what we call pilot season right now and shows are getting cast so I’ve been very busy. There are a few films in the air right now, but nothing is set in stone just yet. Although it does look like “Chucky 7” is going to happen. I love Don Mancini [creator of Child’s Play franchise] and would do that series for the rest of my life if they’ll have me. Right now, I’m just putting one foot in front of the other. We’ll see what happens!

Last question: Does Fiona Dourif have any fear or phobias?

You know, I’m really scared of aliens! [laughs]. Growing up, my mom made her living as a psychic and she really believed in them. She would often say that aliens are here, they’re all over the place and they’re going to get me! To this day it still freaks me out! [laughs].

Fear Clinic is available now on DVD/Blu-Raya

Filmmaker Anna Martemucci Talks ‘Hollidaysburg’, New Projects

photo 1In the Starz original docu-series, “The Chair”, executive producer Chris Moore (“Project Greenlight” “Good Will Hunting”) gives two first-time filmmakers the opportunity to create their own feature-length film.

Both “rookie” directors are given the exact same script and budget as well as having the final say on all aspects of the film. It was a challenge that filmmaker Anna Martemucci was more than up for, and her finished film is an out of the park home run.

Told from a balanced perspective, “Hollidaysburg” is a beautifully shot, funny, coming of age story about a group of friends who come home for Thanksgiving break after their first semester at college.

In addition to “Hollidaysburg” Martemucci (along with husband Victor Quinaz), have already completed two other films: 2013’s “Breakup At A Wedding” and “Periods”, a collection of twelve short films put together in a Monty Python-esque fashion that was released last December.

I recently spoke with Martemucci about “Hollidaysburg”, her time on “The Chair” as well as some of her current and upcoming projects.

How did you become involved in “The Chair” docu-series?

Chris Moore had seen our first movie, “Breakup At a Wedding”. It was a film my husband, Victor directed and one that I co-wrote, produced and also acted in. I got to work with Victor side by side on the project, so it’s a movie that really means a lot to me. Chris hired us to do some work for him as writers on a web series that he was producing and it was on the set of the series that the idea of me doing “The Chair” began. 

What attracted you to the project and influenced the direction you wanted to go?

The thing that really attracted me to the project was the idea that I would be able to make a teen movie that was set in Pennsylvania. Those two elements sold me right away. It was then just a matter of me knowing what I could to bring to the project as a director. I tend to write from an autobiographical place so I really wanted to make it personal and specific. I knew that I would have to do a major overhaul on the script in order to make it my own, so that’s what I did!

How would you describe “Hollidaysburg”?

It’s a coming of age comedy that deals with sex from a feminine point of view. Even though our main character is a dude, I really wanted to offer something that I haven’t seen before in the genre and something that was a more balanced gender look at sexual coming of age. 

Did you look at your role on “The Chair” as a competition or was the plan always about creating a work of art?

From the beginning I looked at it as an opportunity to make a film. It’s very rare that someone will come to you and say, “I have the budget for you to do a film. Go do it!” There was so much to think about and I was given all of the control. I was completely focused on making the best movie possible within the crazy constraints of budget and time. I kept pushing the envelope to make sure that the movie I was making was something I believed in.

What were some of the challenges you faced making “Hollidaysburg”?

One of the biggest challenges was finding the right actors and getting Carnegie Mellon University to release our two female leads. They were two active students at the time of our shooting. Aside from those things, it was brutally cold and there were always periods where there was a lot of snow, and then times when there wasn’t any snow. We worried about continuity a lot. Keeping everyone warm was also a struggle, for sure! [laughs].

photo 5

Is “Hollidaysburg” reflective of the type of films you’d like to make?

One of the most beautiful things about the whole experience was coming into a directorial voice that I had been honing for a long time and then getting the chance to speak in that voice cinematically. Seeing the final product and getting to share it with people was huge for me. It was a major transformation for me as a writer who did a lot of things with her husband into becoming a director. Although I love to do comedy and drama and films that are somewhere in between, the voice of “Hollidaysburg” is very much consistent with my voice as a filmmaker.

What other projects are you currently working on?

It’s great to have partners who keep things moving. Victor, Phil Quinaz and I just finished another movie a few weeks ago that’s very exciting. We’ve also completed a film called “Periods”, which is the feature film version of our short film series. It’s a journey through time that God himself takes you on. Kind of in the vein of Monty Python’s “Meaning of Life” or “Mel Brooks’ History of The World Part 1”. It’s got a lot of “Hollidaysburg” actors in it plus great cameos from such recognizable guys as Zachary Quinto, Penn Badgley, and Willy Garson.

What excites you the most about the future?

I’m looking forward to making more movies and would also love to see “Hollidaysburg” reach a larger audience, which is something that we’re working on. I’m so proud of this film. I know that more opportunities will come my way. This was a huge experience for me and I’m just excited to keep making films with this voice of mine.

Hollidaysburg, Periods and Breakup At A Wedding
are all available on iTunes or at Amazon.com

The Chair is available now on DVD

Micky Dolenz Talks Music, Monkees, Jimi Hendrix and The Beatles

MickyDolenz1Fifty years ago, Micky Dolenz’s agent called him about an audition for a new pilot about music and comedy.

It was the beginning of a journey that would take Dolenz, Davy Jones, Michael Nesmith and Peter Tork to the world of super-stardom.

Although the show would last only two seasons, the impact the Monkees had on music cannot be ignored. Their first four albums went to Number 1 and included such hits as “Last Train to Clarksville,” “I’m a Believer,” “(I’m Not Your) Steppin’ Stone” and “Pleasant Valley Sunday.”

The Monkees have sold more than 65 million units worldwide, easily putting them on par with the biggest artists of all time and making a case for their placement in the Rock and Roll Hall of Fame.

Dolenz has seen a lot of musical history up close, including touring with Jimi Hendrix and sitting in while the Beatles were working on the Sgt. Pepper’s Lonely Heart’s Club Band album. Dolenz’s 2012 album, Remember, contains an acoustic-driven version of a Beatles song he heard in those sessions.

I recently spoke with Dolenz about the Monkees, his career and a some of his side projects.

GUITAR WORLD: When you first got word about The Monkees, as in the show itself, did you have any idea how huge it would become?

The Monkees was actually the second TV series I had. I had done a show called “Circus Boy” in the Fifties and had gone to school for architectural drafting. My plan was to become an architect when the Monkees audition came along. But when I read the pilot script and went in for the first interview, I remember thinking it might be something special. There were other shows about music at the time and a few other pilots I had been up for, but I remember telling everyone I knew that I really hoped I get this one.

Read the rest of my
gw_logoInterview with Micky Dolenz by Clicking Here!

Revolution Saints: Jack Blades Talks New Album with Doug Aldrich and Deen Castronova

RevolutionSaintsConsidering their resumes, which read like a who’s who of hard rock and metal, calling Revolution Saints a supergroup is something of an understatement.

The creative trifecta of Deen Castronovo (Journey, Bad English), Jack Blades (Night Ranger, Damn Yankees) and Doug Aldrich (Whitesnake, Burning Rain) has put together an inspired collection of songs packed with monster vocals, driving rhythms and (of course) a blistering guitar attack.

Their debut self-titled album, which will be released February 24, also features appearances by Castronovo’s fellow Journey bandmates, Neal Schon and Arnel Pineda.

I recently caught up with bassist Jack Blade to talk about Revolution Saints, Night Ranger and more.

GUITAR WORLD: How did the Revolution Saints project come together?

It was actually the brainchild of the head of Frontiers Records. He really wanted to give Deen a platform where he could be the lead singer. He talked to Deen about it, and then Deen called me up and asked me if I wanted to be a part of it. I was immediately on board. Then someone mentioned Doug Aldrich. I’ve always been a big fan of Doug’s. He’s such a great guitar player. Boom! There it was!

The new album has elements from all of your other bands, yet has its own unique freshness. How would describe the new album?

It’s pretty hard rocking. Good, classic hard rock with balls is basically what the whole thing is about. I think when you have individuals like us, you can’t help but be who you are. It is who we are in all of those bands we’ve been a part of. But Deen’s voice is so pure and clean on this album. It’s just wonderful.

You can read the rest of my
gw_logoInterview with Jack Blades by Clicking Here!

Interview: Producers Christa Campbell & Lati Grobman discuss ‘Experimenter’

Lati Grobman & Christa Campbell

Lati Grobman & Christa Campbell

Producers Christa Campbell and Lati Grobman are making a name for themselves in Hollywood and people are starting to take notice.

Want proof? Since combining years of individual acting and behind the scenes experience to form their own company; Campbell-Grobman Films, the duo has achieved success in a variety of film genres and documentaries as well as being named one of 10 Producers To Watch by Variety. What’s even more special is the fact that Campbell and Grobman are involved in a new film project, “Experimenter”, that will be screened at this year’s Sundance Film Festival!

Directed by Michal Almereyda, “Experimenter” tells the story of famed social psychologist Stanley Milgram who, in 1961 conducted a series of radical behavior experiments that tested ordinary humans willingness to obey authority and the shocking results. The film stars Peter Scarsgaard, Winona Ryder, John Leguizamo, Kellan Lutz, Jim Gaffigan, and Taryn Manning.

In addition to the screening at Sundance, Campbell and Grobman have many other projects in various stages of development, including “Leatherface” – a prequel to “The Texas Chainsaw Massacre” as well as the Jennifer Aniston/Owen Wilson comedy, “She’s Funny That Way”.

I recently spoke with Christa Campbell and Lati Grobman and asked them about “Experimenter” and some of their other upcoming projects!

What does having one of your films screened at The Sundance Film Festival mean to you?

Christa: It’s been a dream of ours for quite a while. Sundance is one of the best festivals ever and for us to have one of our films there this year is just amazing!

Lati: I remember when I was a young filmmaker (or even as just a film fan), I would often go to Sundance but never thought it would happen for me in my lifetime. It really is a dream come true!

What can you tell me about your film, “Experimenter”?

Grobman: It’s a story of an evidence of the human kind that asks the question: “To what extent will we go to listen to authority?” It’s really scary. Here you have someone who is a very nice and decent person but is also doing these horrific things. You start thinking to yourself, how could these things happen?

It would be like asking the question, “How did some of the things in World War II happen?” On the outside, it was obvious that the SS Officers were terrible. But some of the most horrific things about World War II were the people who were living there at the time. The ones who knew that their neighbors were disappearing and being killed but did nothing about it. Those are the kind of people who are the scariest. The ones who don’t take action. This movie is a little piece of life showing what we’re capable of.

Experimenter

What was the casting process like for “Experimenter”?

Campbell – Peter Scarsgaard is a friend of Mike Almereyda (director) and the two of them had been attached to the film for a few years. They had passion for getting the film made and about getting Winona Ryder involved. Lati and I then called up Kellan Lutz and asked him if he’d be interested in doing the movie. Kellan read the script and within an hour called us said, “Absolutely! I’m in!” You always hope that you get the people you want and hope that they will have the same passion as you and in this case, we got both!

You’ve both done a lot of work separately in front of the camera as well as behind the scenes. When did you decide to team up and work together?

Campbell: Lati and I have been friends for a long time. She had been producing movies for many years and I was an actress at the time we became friends. Eventually, there came a point where I started producing without actually realizing it.

Grobman: Christa was actually producing movies but not taking any credit for her work. I remember there was this one movie where she had put the cast together, got the financing and even some of the product placement. Basically, she had pretty much done everything. I said, “Christa, you realize that you made this movie happen and deserve producer credit, right?” That’s when she said, “Oh, no! I just want to act. That’s all I care about.” I remember telling her that whether she knew it or not, she was the producer of the movie.” She wound up not taking credit for that film but then she started to get the “bug”. Christa is one of those people who once they get a passion for something; they go all the way with it! That’s how it all started.

As producers, what do you look for in a project?

Grobman: We both have our personal preferences. Christa is a big fan of horror and I’m more into documentaries. Both of us love good action movies and thrillers. But it’s not necessarily about what genre we love. Sometimes, it’s about the deal.

Campbell: The cool thing about the two of us working together is that we can split our time. Lati is currently closing two of our documentary deals and I’m focusing more on “Texas Chainsaw Massacre”.

What other projects are you working on?

Campbell: Right now, we’re doing “Texas Chainsaw Massacre (Leatherface)”. We’re prepping to shoot with directors Alexandre Bustillo and Julien Maury; who worked on the film, “Inside”. We’ll be shooting that in Bulgaria. We also have a Jennifer Aniston and Owen Wilson movie (“She’s Funny That Way”) that will be coming out. “Shut In” was a little horror movie we did with Steven Schneider from Paranormal Activity. We’re in post-production with that and will be hitting the festival scene very soon. All of our movies are in different stages. Then of course, we have “Experimenter” at Sundance!

What excites you the most about the year ahead and the next phase of your careers?

Campbell: Just having the opportunity to make the films that we love and travel the world is what excites us. It can be challenging at times but we both have the kind of personality that wants to take it on. Some of the deals we’ve made have been amazing.

Grobman:  Every day and every deal is a challenge and you definitely have to earn it with a lot of sweat and tears. But even though it may not be as glamorous behind the scenes, whenever you get the chance to walk the carpet it’s just wonderful!

Guitarist The Commander-In-Chief Discusses ‘2 Guitars: The Classical Crossover Album’

Commander-Photo by Jeff Xander

Guitar fans might remember seven-string guitarist the Commander-In-Chief from her Zigeunerweisen Op. 20 guitar-duel video, which she made with classically trained guitarist Thomas Valeur.

That video, which was premiered on GuitarWorld.com, was one of the site’s 10 most-watched videos of 2013.

Late last year, the Commander teamed up with another classical guitarist, Craig Ogden, for a new album of guitar-driven goodness—2 Guitars: The Classical Crossover Album—that takes metal virtuosity back to its classical roots.

Ogden, the principal lecturer on guitar at the Royal Northern College of Music in Manchester, England, was recently featured as one of the top classical guitarists of all time by ClassicFM.

In addition to inspired versions of Caprice No. 24 by Niccolo Paganini (the Italian composer whose music has influenced scores of guitarists, including Yngwie Malmsteen) and an instrumental version of Carlos Gardel and Alfredo LePera’s tango, “Por una Cabeza,” 2 Guitars also showcases the Commander’s vocal skills on an original song, “Let It Go.”

We also should add that the Commander’s Caprice No. 24 video was one of GuitarWorld.com’s 10 most-watched videos of 2014.

I recently caught up with the Commander and asked her about her new album with Ogden, her gear and more.

GUITAR WORLD: What made you decide to do a project like this?

After the guitar duel, I noticed a lot of comments from people asking about the next one. I had only planned on doing one, but everyone kept saying how they couldn’t wait for more. So I thought it’d be cool to do another one.

The piece I found was the massive “Introduction and Rondo Capriccioso” [by Camille Saint-Saëns]. Once I checked it out, I knew it was going to take me a while to learn. So rather than just doing one piece and video at a time, we decided to instead make an entire album.

You can read the rest of my
gw_logoInterview with The Commander in Chief
By Clicking Here!

 

‘Work': Bon Jovi Tour Photographer David Bergman Discusses New Coffee Table Book

The first concert I ever attended was a Scorpions show in 1984. I remember this event because, at the time, I was excited about checking out the openers, a young, up-and-coming band called Bon Jovi.

Little did I know I’d also be bearing witness to what would become one of rock’s biggest juggernauts.

Photo: David Bergman

Photo: David Bergman

Tour photographer David Bergman has spent the last three and a half years working as Bon Jovi’s official tour photographer. With carte blanche access, Bergman has been able to travel the world with the band and document their activities—as well as their shows—with his camera.

Bergman has combined a collection of his photographs into one masterful coffee table book that’s appropriately titled Work. The book, an over-sized, 5-pound, 210-page hardcover tome, offers a behind-the-scenes look at one of the world’s top touring bands.

In addition to being an in-demand touring and sports photographer, Bergman also runs tourphotographer.com, which lets fans go online and buy high-quality image prints shot at the shows they’ve attended.

I recently spoke with Bergman to find out more about Work and his time spent on tour with Bon Jovi.

GUITAR WORLD: How did this book project come about?

Since the beginning of 2011, I’ve photographed every single Bon Jovi live show, which is quite a lot when you think about it. Last year alone, they did 102 shows on six continents. After every show, I would do an edit and narrow it down to the best of the best from each performance.

Over time, I started to develop this massive archive, somewhere in the range of 800,000 images, many of which no one had ever seen. So I brought it to the band. The idea of doing a book was something we had been talking about for quite a while. They’ve done book projects over the years but nothing quite like this. By the end of this last tour, we decided the time was finally right and started putting it together.

Photo: David Bergman

Photo: David Bergman

You can read the rest of my
gw_logoInterview with David Bergman by Clicking Here!

‘Only to Rise’: George Lynch Talks New Album with Michael Sweet, Plus Lynch Mob and Dokken

Sweet-LynchWhen most people discuss potential supergroups, the last combination of artists they toss around are Michael Sweet of Stryper and George Lynch of Lynch Mob, Shadow Train and Dokken.

Yet these two masters of shred have joined forces for Only to Rise, the debut album from their new project, Sweet & Lynch, that will be released January 27.

Joining the Sweet & Lynch adventure are bassist James Lomenzo [Megadeth, White Lion] and drummer Brian Tichy [Whitesnake, Foreigner, Ozzy Osbourne].

From the opening notes of the “The Wish” to songs like “Dying Rose,” “Love Stays” and “September,” it’s evident the blend of Sweet’s unmistakable voice and Lynch’s signature guitar tone has yielded exceptional results.

I recently caught up with Lynch to find out more about Only to Rise and get an update on the new Lynch Mob record, Sun Red Sun, and his Shadow Nation documentary and Shadow Train band projects. Lynch also puts to rest any rumors of a Dokken reunion.

GUITAR WORLD: How did the collaboration with Michael Sweet begin?

Lynch Mob and Stryper share an agent, and we’ve done a few tours together. During a few of those dates here and there, Michael and I would hang out and casually start talking about the idea of working together. We enjoyed each other’s company and had mutual respect for each other musically and as people. It was a good fit. So when the opportunity from Frontiers Records came along to do this record, it was an easy decision. Just a handshake and off to the races!

Read the rest of my
gw_logoInterview with George Lynch by Clicking Here!

Follow

Get every new post delivered to your Inbox.

Join 249 other followers

%d bloggers like this: