Mötley Crüe recently announced the details of their final round of North American dates.
The tour—Crüe’s last, ever—will conclude on New Year’s Eve in their hometown of Los Angeles, the same city where they began their career more than 34 years ago.
Vince Neil, Mick Mars, Nikki Sixx and Tommy Lee first announced plans for their two-year-long Final Tour last year, when they signed a “cessation of touring” document. It was an agreement that solidified the end of their touring career.
To celebrate their legacy and thank their fans, Mötley Crüe are offering exclusive VIP packages for their final tour dates; these packages include opportunities to meet the band and offer up-close-and-personal views of the show from a newly designed stage setup.
In addition to accumulating worldwide album sales in excess of 80 million units over the course of three decades, Mötley Crüe also have garnered three Grammy nominations, four best-selling books and a star on the Hollywood Walk of Fame.
I recently spoke with guitarist Mick Mars about the final Mötley Crüe shows, new music and more.
GUITAR WORLD: With these last few tour dates in LA being announced, has it begun to sink in that this is the last go-around for Mötley Crüe?
Yes, absolutely. This is it. We’re done after this one. I think ending in LA is kind of like coming full circle. Although the place we actually started in, [the Starwood] is torn down and the venues we’re playing now are a lot bigger than when we started! [laughs].
What will you miss about not touring with Mötley Crüe?
It’s a bittersweet thing, but all four of us are still in business together as a corporation. So we’ll still see each other. And even though I may not see the guys on stage, I’ll still be touring myself.
What were some of the challenges the band faced coming up in the LA scene?
From what I recall, a lot of the LA bands that were going around at the time were trying to copy Quiet Riot, who were already signed. So it really came pretty easily for us because we came out with a different look and sound. We were something that was different.
You can check out the rest of my
Interview with Mick Mars By Clicking Here!
Twenty-five years ago, two long-haired blond twins set the world on fire with their debut album, After the Rain.
At a time when glam metal was giving way to grunge, Nelson touched a nerve with the album’s hook-laden title track and “(Can’t Live Without Your) Love and Affection,” a Number 1 single.
Today, Gunnar and Matthew Nelson are still going strong. They perform full-band shows as Nelson, pay tribute to their father with their Ricky Nelson Remembered shows and take part in all-star Scrap Metal performances across the country.
While Nelson’s upcoming album, Peace Out [set to be released May 19] might be considered the rock band’s swan song, it might also be their best album, ever. Peace Out is an infectious collection of songs showcasing the maturity of the songwriting as well as Gunnar’s guitar prowess.
Next year, Gunnar and Matthew will begin a new duo project focusing on guitars and vocals. So if Peace Out truly is the end of the rock version of Nelson, Gunnar and Matthew are certainly going out in style.
I recently spoke with Gunnar about Peace Out and his gear and got his thoughts on the 25th anniversary of After the Rain.
GUITAR WORLD: How does Peace Out compare to some of Nelson’s previous records?
Honestly, if I were to recommend a Nelson record to someone who has never heard the band before, it wouldn’t be our first record [After the Rain]. It would be this one. This one features the best of the songwriting, guitar work and vocals. Most of all, the theme of the record is positive, and that’s what this band is 25 years in. When most everyone else is trying to be tough and rock, we want to make people feel good about listening to music.
You can read the rest of my
Interview with Gunnar Nelson by Clicking Here!
Everyone knows that senior prom is supposed to be a night of elegance, rejoicing and celebrating with good friends. But when a psychotic killer hijacks a group of teens’ stretch limousine on their way to the event, the group’s night of celebration unexpectedly turns into one of desperation and despair.
Directed by Kazeem Molake, “Prom Ride” is a new horror/thriller that will be released just in time for this year’s prom season. With a talented cast of actors combined with shooting a majority of the film within the confines of a limo, it offers a unique take on the horror genre.
For multi-talented actress Deanna Pak, “Prom Ride” is another opportunity to flex her creative muscle. Pak plays the role of Junie, one of the “less experienced” members of the entourage who still wants to be cool with all of the popular girls.
I recently spoke with Pak about her role in “Prom Ride”, her career and more in this exclusive interview!
What attracted you to the story of “Prom Ride”?
For me, it was a story that was entertaining and scary at the same time. It was also unique in the sense that some parts use iPhone footage while others use the master shot. So it tells the story but also tells our version of it as well. It has a glimpse of found footage in addition to the horror and I thought that was really cool.
How did you become involved in the project?
It was through a typical audition process. I remember we started shooting up towards the end of 2013. The original goal was to release it last prom season but special effects weren’t quite complete. So they decided to wait until now!
How would you describe the story of “Prom Ride”?
It’s the story about a group of teens who are all best friends going to prom. One of the friends gets the group a huge, amazing stretch limousine to take them all there. On the way, someone hijacks the limo and we all become trapped inside trying to survive. Whoever is behind it then pits us against each other and threatens to kill us if we don’t comply. So needless to say, things get pretty crazy inside of the limo! [laughs].
What can you tell me about your character, Junie?
Junie is more of the innocent girl of the bunch. She and her date both had a crush on each other for the longest time and finally get together to go to the prom together. But she also has a few secrets she keeps to herself.
What was the chemistry like on set?
It was amazing. We spent so much time together rehearsing and then it was somewhere around ten straight days filming in the limo, so it became like family. We were all friends and that made it so much fun.
What was it like working with Kazeem?
Working with Kazeem was a great experience. The thing I love about him is that he knew exactly what he wanted and was able to get it across in a very constructive way so that we would all look as good as possible.
What can you tell me about your background?
I started dancing when I was twelve and it became my main focus. Then in high school, I decided to try acting in school plays and Community Theater in addition to dance production. The part I love the most about dancing and acting is being able to tell a story. By the time I was in my second year of college I realized that acting was something I seriously wanted to pursue and I’ve been doing it ever since.
Are there any other projects you’re currently working on?
Right now I’m currently involved in a martial arts/horror film. The director is a good friend of mine and it’s going to be a lot more action than I’ve ever done before. They have a strong cast and I’m very excited about it.
Is there a bit of advice you can share with aspiring actors? Something you’ve learned along the way?
Be yourself and be happy with who you are. That energy alone will take you a long way. Of course, your craft is very important and you should continue to master it but learn and study as much as you can about the business. Focus on the things you want to do and then work from there. Being a student forever is my best advice. Never stop learning.
What excites you the most about the release of “Prom Ride”?
I expect people will love this film. It’s a really fun movie to watch. For me to be able to be a part of this project was great. I loved the creative they way they shot most of the film from inside of the limo. The whole thing was a great experience!
“Prom Ride” will be released on April 24th
Sara Castro is making a difference, both in life and in the entertainment world. Since her arrival to the LA scene, the beautiful actress has sought to become a beacon of hope and positivity in the roles that she plays and in the life that she leads.
Whether it’s portraying a young mother with a belief in miracles in the film, “The Shift” or donating her personal time and energy to various charitable causes, Castro’s mission is to become an inspiration to others as well as lending a hand to those that are less fortunate.
Born and raised in Chicago to Colombian parents, Castro has been performing ever since she was a little girl. And with no less than two new film projects already in the works this year, Castro’s star will only continue to rise.
I recently had the chance to speak with this amazingly talented woman about her life, career and passion as well as her upcoming projects!
Did you always know that you wanted to be an actress?
I’ve always been involved in the arts in some way when I was growing up. Whether it was singing, acting or dancing. I even remember going to the movies a lot when I was growing up and always walking out feeling like I was one of the characters. I’d also make it a point to look around during the movie and see how people were paying attention to the film and how it had moved them. That’s what made me think it would be something cool to do.
What made you decide to make the move to California?
I did plays while I was in school and took some acting classes in college but eventually got a degree in liberal arts and journalism. I did a lot of short and independent films back home as well as anything that involved singing and dancing. But the thing that actually brought me to California was journalism. One day, I decided to make the move by myself.
What was it like suddenly finding yourself alone in California?
It was scary because I had come from a very big family and had always been protected by them. But I knew that I had to take that leap of faith and journalism was a way to get me out of my comfort zone, which was being at home. I’m so happy about that because I don’t know any other way I could have done it. But once I got here, I realized that journalism wasn’t for me and what I needed to do was move to LA in order to do what was next. I’ve been here ever since.
I’d like to ask you about one of your recent projects, “The Shift”. What can you tell me about the film and your role?
It was a wonderful experience. It’s a real heart wrenching movie and a wake-up call. You walk out of it wondering what you would do if you were in that same situation. It’s a story about dying with dignity. A topic that’s been in the news a lot lately and this movie really makes you think about it. I play the role of Carmen, the mother of an eight-year-old girl who’s dying of cancer. Carmen is very religious and believes in miracles, but that presents a struggle with a certain nurse who believes that a patient shouldn’t have to go through pain.
What attracts you to a project or script?
It’s the message and how authentic and real it is. I look for roles that have lots of substance and can challenge me. I love it when people can see me in a character and empathize with it. I want to send out good messages that make people reflect in good ways. Roles like that are very empowering.
What other projects are you working on right now?
I have two films that I’ll be shooting this year. The first is called “Outcall” where I play Francesca. She’s a girl putting herself through law school but at the same time is working as a call girl for the most powerful Madame in LA. One day, the cops go up to her and tell her to cooperate with them to help bring down the Madam or else. It’s a really cool, intense and action oriented plot.
The other film is “The Long Way” which is the story about a guy who drives from a small town in Oregon to LA to pursue his dream of becoming a writer. Along the way, he happens to run into my character, Angie; a real wild child who teaches him a thing or two about life.
Both films are going to be directed by Richard Friedman, who’s a veteran TV and film director. I’ve worked with him a few times in the past and he’s so amazingly talented.
Can you tell me a little about your philanthropy?
Paying it forward is so important to me. I come from a third world country (Columbia) and whenever I go visit, I see how there are less fortunate people there and it really hits home. I love helping kids and other people who need assistance. Autism is another big deal for me as well as helping the homeless.
What excites you the most about the year ahead? What are you most looking forward to?
I look forward to the opportunity of inspiring other women. I come from a single parent home where my mom has always been a pillar for me. She really motivated me throughout my life to work hard and smart and I want to be able to do the same for other women.
Is there a bit of advice you can give to someone who has dreams similar to yours?
Believe in something bigger than yourself and know that there is a powerful force somewhere in the universe that’s guiding you. It will humble and ground you and help guide you. Be persistent, always put in 120% and never let anyone say that you can’t fulfill your dream. For me, what drives me the most me is how wonderful I feel on set and being part of a project that grows into something beautiful.
Visit Sara Castro’s Official Website By Clicking Here!
10,000 Light Years Ago is the superb new studio album by legendary Moody Blues bassist John Lodge.
It’s Lodge’s first album of new solo material since 1977’s Natural Avenue.
The album contains some of Lodge’s most personal songs and even features guest performances by former Moody Blues members Ray Thomas and Mike Pinder.
I recently spoke with Lodge about the new album and some highlights from his career with the Moody Blues.
GUITAR WORLD: It’s been quite a while since your last solo album. What spawned this project?
I’ve been thinking about making an album for a few years now. It was based on a thought process I had where the future is always in reach but the past is gone forever. But I didn’t want to make an album that was retrospective. I wanted to make one that was about who I am today.
How would you describe the album as a whole?
I always look at the song “10,000 Light Years Ago.” When I wrote that song, I knew that’s what the album was going to be called. Then when I looked at the lyrics, it really told me what I wanted to write about. Standing there fearlessly and thinking about what’s going on in the world. To me, it’s an eclectic collection of songs that all end up 10,000 light years ago. Everything from the past has made me what I am today.
Let’s discuss a few tracks from the new album, starting with “In My Mind.” How was that song conceived?
I remember I had a flute line going through my head along with chords that kept getting bigger and bigger. I wanted the keyboards to create this audio/visual universe and for the guitars to run through it all. Then I wanted it all to easily come back down into a very easy, close lyric and twelve-string playing away and then building back up. It was a visual image in my mind.
You can read the rest of my
Interview with John Lodge by Clicking Here!
Just wanted to pass along a quick note out to everyone. If you’re on Facebook, my new page has all of my recent articles, interviews and rants in one location.
There you’ll find links to all of my Guitar World and AXS articles and interviews that I’m not permitted to cross post.
Here’s a sample list of some of my recent AXS interviews:
- Kristian Bush (Sugarland) on his debut solo album, “Southern Gravity” which was released on April 7th.
- Rock And Roll Hall of Famer John Oates on his new live album with Daryl Hall called “Live In Dublin”
- Comedian Ron White on his career and upcoming projects.
- Thompson Square guitarist Keifer Thompson on the duo’s infectious new single, “Trans Am”.
- Y&T guitarist Dave Meniketti on his career and upcoming documentary.
- Radio host Kerri Kasem on her famous father, Casey Kasem and mission to end elder abuse.
All of these and much more are available on my Facebook page. Please take a look and if you like what you see, give it a “like” and help spread the word!
Thanks so much for reading my articles and interviews!
For his new album, A Fool to Care, Boz Scaggs once again teams up with producer Steve Jordan and puts his distinctive spin on a host of classic songs—plus a handful of new originals.
The album, the follow-up to 2013’s Memphis, features a guest appearance by Bonnie Raitt, who duets with Scaggs and adds her characteristic slide guitar to “Hell to Pay.” The song, which Scaggs wrote himself, is a knowing indictment of corruption on a personal and political level.
I recently spoke with Scaggs about his new album, recording with Duane Allman several decades ago—and about his 50 years in the music biz.
GUITAR WORLD: How would you describe your new album, A Fool to Care?
That’s an enormous question. It took four days to record and probably 50 years to conceive. When we started talking about doing this album, we considered a theme being the music I was inspired by [when I was] growing up. That led to some discussion about the material. We really wanted to focus on music out of Louisiana and Texas, but then we started talking about other songs we like. Guys like Curtis Mayfield came up. Then the interest broadened and we started picking them out of the air.
There’s a song by the Band on there and others by the Spinners and Al Green. Then there were a few songs that a friend of mine wrote and one I wrote one myself. It’s all styles of music that I love. We had an open ticket to do anything we wanted to do. If it felt good, we took a swing at it.
Read the rest of my
Interview with Boz Scaggs by Clicking Here!
Desperately wanting to act from the time she was very young, filmmaker Anna Martemucci has been quietly making a name for herself in the entertainment world by doing things her own way. Whether it’s through her fictional writing, acting in short videos or producing and directing feature length films like “Breakup At A Wedding” and “Hollidaysburg”, Martemucci’s drive to succeed and ability to express herself creatively has paid dividends.
Martemucci’s new vision, “The Genderton Project” is a cross-dressing comedy series that explores gender roles, sexuality, and sexual politics through a kaleidoscope of three intertwining story lines and eras. Uniquely interesting is the fact that in “The Genderton Project”, men’s roles will be played by women and the women’s roles will be played by men. To that end, Martemucci and her partners at Periods. Films have launched an Indigogo campaign where fans and film lovers can go to help fund the project and choose from a multitude of “gifts” as a thank-you for supporting the cause.
In addition to using the money raised for production costs, Martemucci plans to donate 2% of the total funds to the Human Rights Campaign.
I recently caught up with Martemucci to find out more about “The Genderton Project” and how film fans can support this creative, new endeavor!
How did this idea for The Genderton Project begin?
The whole thing started because my partners, Philip and Victor Quinaz and I (Periods. Films) fell in love with Drew Droege after watching his Chloe Sevigny videos. We were obsessively quoting his videos for a year or so and then once we moved to LA, Victor decided to email him. We met, fell in love and figured we should make something together. Rather than making a baby, “The Genderton Project” was born!
How would you describe the stories/episodes?
We like to say that it’s a little like Portlandia meets The Hours. It’s ridiculous comedy plus extremely curated cinematic images. The thing that always pops into my head is the idea of “what if we made a ridiculous comedy that looks like Todd Haynes’s Mildred Pierce on HBO?” That might be kind of an obscure reference but that’s what I envision for one of the vignettes. Where Drew Droege plays an devoted 1960’s housewife dying from loneliness.
What can you tell me about the cast and your characters?
I can tell you that we are using some of our most favorite performers from the NY and LA comedy scenes. We’ve amassed quite a pool of talent over the years. In addition to our star Drew, we’ve brought on John Milhiser (SNL), Mary Grill (Breakup at a Wedding, Veep, The Mindy Project), Jonny Lisecki (Gayby), Cass Bugge (Key & Peele, The Brink), Jenn Schatz (30 Rock), Matt Hobby (Hart of Dixie, Mom), Beth Crosby (Jessica & Hunter), Philip Quinaz (Breakup at a Wedding, Hollidaysburg, The Chair), Shira Weitz (Brunch on Sundays) and Mel Shimkovitz (Transparent).
You’ve had quite a bit of success with your films “Hollidaysburg”, “Breakup At A Wedding” and “Periods”. What made you decide to go the Indigogo route for “The Genderton Project”?
It might be hard to believe but there is a huge gulf between artistic and financial success. So we don’t have an income to show for the artistic success we’ve been lucky enough to forge! I have a day job and am hoping to make rent this month. And though this is a project we’ve believed in from the beginning; artistically, we’ve shopped it around with tons of enthusiasm and Hollywood was well, interested, but we most definitely heard the words “too gay” come out of more than one person’s mouth. Rather than that unfortunate statement, we like to think of the project as something that’s just a little too groundbreaking for what Hollywood is currently churning out. The executives and producers who dole out money for projects are very single-minded about making their money back. That’s why we decided to take it to the Internet and to the PEOPLE! We felt this was the kind of project that should exist, NOW and not whether or not executives at film and TV companies were ready to put money behind it. The people doling out Hollywood dollars, (God love ’em) have been very wrong before.
How can people help with funding and what are some of the perks supporters can receive?
You can help by contributing to the project and becoming a backer! Join us! Just visit here.
We have a lot of tantalizing perks, like a naked picture of Drew Droege (where we’ll mail you a beautiful female nude with Drew’s head superimposed on her neck). And on the more expensive side are workshops with our filmmaking gang, a custom oil painting by me and even a walk-on role on “The Genderton Project”!
What are you plans for “The Genderton Project” once it’s successfully funded? Do you see it as a more long ranged project?
Our plan is to start production very soon after we’re funded and plan to debut the finished project this summer. The project might go to film festivals, it might act as a TV pilot/ proof of concept for a series or it could end up as a stand-alone piece. We’ve designed it and wrote it with all of those possibilities in mind.
Why do you think people should support “The Genderton Project” in this campaign?
Gender roles and how they define how we live our lives and interact with one another is a hot-button issue right now, and one that’s consumed me for a long time. I’ve been fascinated with the way that being female has defined my life choices and the way that I’m perceived. I’m also obsessed by the idea of maleness and how different or the same my life would be if I was born a male.
I’ve also been frustrated with the portrayal of both women and men in mainstream Hollywood storytelling, and the clichés that tend to dominate many of the narratives we consume on a mass level. Gender roles are strange little boxes that society puts us in. With this project, we’re seeking to upend the way we’ve always seen gender portrayed in cinematic works by creating a cinematic world in which gender means something else entirely, or rather, a world where it ceases to have any meaning. By swapping every character’s gender with that of the actor cast to portray them ,we are calling attention to the rigidity of gender roles in our mainstream stories, and how ridiculous gender stereotyping can be.
We hope this technique will call attention to the sheer humanity of the characters within each storyline. After all, we’re all human and we all bleed red. Shouldn’t our stories at least attempt to reflect the complexity of the human spirit in the same way that life does?
It’s going to be a worthwhile, wacky journey and hope people come with us for this wild ride! It won’t be boring, we can promise you that!
After narrowly escaping from an ancient burial ground buried under the marshes of Cape Cod, a group of friends emerge from the thick darkness, tattered and bloody. They soon stumble upon an empty Cape Cod vacation house and break in to take shelter. But whatever was in the marsh is still after them and the group soon learns that the evil that’s hunting them isn’t the only thing that wants them dead.
Shot in state-of-the-art 4K Ultra HD resolution, “Muck” is the debut film by writer/director Steve Wolsh. The film stars horror icon, Kane Hodder [“Friday The 13th series], as well as 2012 Playboy Playmate of the Year, Jaclyn Swedberg.
What makes “Muck” so interesting is the fact that it’s actually the second film in a horror-fueled trilogy. Although releasing the second film of a three-part series first may cause some confusion, there is more than enough suspense, gore and beautiful women in this first “chapter” to lay a foundation for what will surely become one of horror’s most engaging film trilogies.
I recently spoke with writer/director Steve Wolsh about his vision for “Muck” in this exclusive interview.
What made you decide to take on the role of filmmaker for this project?
I’ve always wanted to make films but always held a real job as well as having other responsibilities. I was about to turn thirty and finally realized that this was the time. So I quit my job, sold everything and made a movie. Even though I had a limited budget I really wanted to do something that was different and unique. It’s three stories and 347 pages of script with “Muck” being the middle 86 pages. It was the part of the story I wanted to tell first. Then we’ll do the prequel and then the sequel.
What inspired the story?
I wanted to tell a story in Cape Cod because that’s where the house I own is (which is also the one used in the film). I wanted a certain look and feel and that was motivated by the idea of telling a story in an unnatural way. I just started writing and at some point had all the ingredients for a trilogy. Even though this film is the middle part, everything will eventually make sense. There are so many options for characters and things we can do. It’s more than you get from your typical horror film, and all of that flowed into “Muck”.
How would describe this story of “Muck”?
It’s almost like a bad dream, because there’s no beginning and no end. And even though you may not understand it at first, you’ll want to watch it again. It pays homage to old school horror by taking some of the things that you’ve seen before but exaggerating them. For example: in some typical horror films there always seems to be a hot girl walking around in her underwear. That’s when I thought, “Ok. What if we had a chick walking in her underwear from the opening scene?” [laughs]. Those are some of the things that we did.
How did Kane Hodder get involved in the project?
He was the very first person I wanted. I really wanted to start a franchise and there was no better way to do that than by getting Kane Hodder. What makes “Muck” work was not only the vision of the movie, but also the continuity. Kane read the script, loved it and wanted to be a part of it. He came out for three days, filmed for one and went through six hours of makeup. He was a blast to work it.
You wore so many hats on this project [writer, director, producer]. Did you encounter many challenges during the filming process?
There were many, but this was something that I’ve always wanted to do. Some days you get kicked in and some days everything goes right. You take the good with the bad and learn how to navigate. There was no rulebook. You just have to do it.
One of the things that makes “Muck” so interesting is your desire to not to use any CGI for effects. Why did you decide to go that route?
As a horror fan, I think people enjoy it more without CGI. It reminds them more of the old school horror. The idea of having fake blood come up through a pitchfork and then spraying out looks much better than filming a scene and then adding imaginary blood afterwards. The challenge of figuring out how to do it also makes it more fun. Like, how do we drag someone off the balcony by a rope and then fall 35 feet? Or how to we drag a naked girl up the stairs with a real axe? [laughs].
What can you tell me about the prequel, “Muck: Feast of Saint Patrick”?
In a lot of ways, it’s nothing like “Muck” because there are certainly other things to be worried about in the marsh. In “Muck”, you also don’t see the characters of Desiree, Noah, Billy and Kylee as normal. You only see them as freaked out and hurt. In the next film, you’ll get to meet them and know them better. What’s interesting is that you’ve never seen a horror movie where you see people die, but know that they’re still “safe”. Some people may love it or hate it because they might not understand it, but I’m slow plating you. There are things best left to the imagination. You’ll appreciate it more when you find out the answers. It’s three films worth of movie but I’m not giving it to you all at once. When you watch the prequel and then watch “Muck” again, you’ll have a better understanding of what’s going on. And when it’s all over, it’s going to be something bigger than you get with typical horror.
Now that “Muck” is completed, what are you most looking forward to?
I’m looking forward to getting to work on the next movie. I’m ready to get back at it and take all of the things I’ve learned from this one into the next. That’s going to be exciting. I’m really proud of the fact that this movie exists. It feels really gratifying to know that my movie is in stores in places I’ve never been to. The fact that “Muck” exists and is part of the universe forever is the thing I’m most proud of.
“Muck” is now available on DVD and Blu-Ray from Anchor Bay Entertainment.
Modern rock/electronica band Seek Irony arose out of Tel Aviv, Israel’s burgeoning music scene.
But it wasn’t until founding members—and brothers—Kﬁr and Rom Gov relocated to Austin, Texas, that things really began to change.
Shortly after their arrival, the brothers welcomed several new band members, including Berklee-trained guitarist Alex Campbell.
As evidenced by the band’s recently released debut album, Tech N’ Roll, Campbell’s arrival takes Seek Irony to a different level altogether. “Devil in Me” and “Skin 2 Skin” reflect dark themes while still tastefully showcasing the band’s ability to combine electronic elements with inspired, hard-rock riffs.
Seek Irony features Kfir Gov (vocals), Rom Gov (drums), Mikael Oganes (synths), Adam Donovan (bass) and Alex Campbell (guitar).
I recently caught up with Campbell to ask him about Tech N’ Roll, gear and more!
GUITAR WORLD: How did you get involved with Seek Irony?
Back In 2013, I was doing a solo band while I was on a break from school. I was unsure if I was going back to Berklee and ultimately decided to audition for the band. I went down and met Rom and Kfir, and we really hit it off. They gave me music to learn; I auditioned, got the gig and have been full time ever since.
How did you approach recording for the band’s new album, Tech N’ Roll?
Rom and I come from a Dream Theater world in our approach to our instruments. My focus was to maintain that understanding on the guitar and translate some of that into the new music. It’s driven and heavy and a good mixture of hard rock and electronica.
Read the rest of my
Interview with Alex Campbell by Clicking Here!