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New York Groove (Part 2): The Thing About Subways

The MTA system of New York City can be a bit daunting for the amateur subway commuter. It’s easy to find yourself lost somewhere in Gotham City if you happen to choose the wrong letter of the alphabet when boarding a train. Maybe it’s the small town boy in me but no matter how confident I am that I have chosen wisely I always find myself second guessing the decision I made the second the doors close.

I suppose that even the most seasoned of riders does a double-check every now and again just to make sure they’re heading in the right direction. For someone like me, a person who rarely visits the big city or rides a subway for that matter, it’s even more distressing. The thing is when you’re trying to make it to an appointment at the casting offices for Wooster Street Social Club (or anywhere else downtown for that matter) you definitely don’t want to wind up going uptown to Central Park. And this was no ordinary visit to the Big Apple to sight see either. My promptness was even more necessary because in this case producers and film crews were involved.

You see I was a man on a mission to get my first tattoo filmed for the second season of NY Ink and could hardly afford to be late for such a surreal and unique experience. So I took comfort in the fact that every street name I read on the subterranean wall at every stop matched the one I had on my pre-printed schedule.

Before too long the train came to a stop at the Canal Street station and I hurriedly departed. After quickly readjusting the backpack I was carrying over my shoulder I made the walk up the concrete staircase and into the bright morning sunshine on the Avenue of The Americas. The hustle and bustle of traffic and people mindlessly walking in step to get to their destinations reminded me that I was not in the small town of Easton, Pennsylvania anymore. This was the big time.

Me and Tommy Montoya

I pulled out my phone to check the time and was relieved to see that I still had an hour before I needed to be at the studio. It’s times like these, the in between arrival and actual appointment times, when nothing but coffee will suffice and I quickly spotted a Starbucks and made my way inside.

A contented smile came across my face as I sat down with my Venti bold. My biggest challenge upon arriving in NYC was to take the A-Train (or 8th Avenue Express) down to Canal and into the heart of SOHO with time to spare.

Mission accomplished.

Next: The Tattoo Pre-Production

New York Groove (Part 1)

“Back in the New York Groove” was a song written by Russ Ballard that first appeared on the 1975 album “Keep Us Off The Streets” by the British glam band Hello. As a musician I know this because well, I looked it up.

Who would have thought that three years after it first appeared on vinyl that song would indirectly become part of my life?

It was 1978. The year the members of KISS, the biggest band in the world at the time and with enough glitz, makeup and pyrotechnic prowess to make even the great Liberace and his golden candelabra melt, all simultaneously released their own solo albums as a gimmick. “New York Groove” was a song covered by guitarist Ace Frehley on his solo album of the same name.

As a nine-year old boy, KISS was the world to me and Ace was always my favorite member of the band. Not just because he had the coolest face makeup but also for the way his sunburst Les Paul guitars would literally catch fire during his solos. Ace’s antics were one of the main reasons I picked up a guitar with the dream to “Shout it Out Loud” and “Rock and Roll All Nite”. As far as I was concerned Ace Frehley was synonymous with rock and roll and suffice to say, his solo album quickly wore out on my turn table.

So it’s kind of ironic how thirty-three years later that particular song, New York Groove, was selected to be the theme for NY Ink, the reality-based television series on TLC. For those who may not be aware, NY Ink follows the trials and tribulations of famed tattoo artist Ami James as he attempts to make a go of a tattoo studio in the SOHO district of New York City.

What’s even more surprising is the notion that the melody for “New York Groove” kept running through my head as I looked out the window of the bus that was carrying me to New York City to get my first tattoo from Megan Massacre, tell my own musical “story” and have the segment recorded for the second season of NY Ink.

In my family being of age and still a tattoo virgin is frowned upon. The inside joke being: “You can’t consider yourself a “Wood” if you don’t have at least a little ink”. Most of my relatives have been tattooed at some point or another but I never was. Quite frankly, I would have been perfectly content with being the only black sheep in the family.

It wasn’t until I stumbled upon NY Ink that I began to give being tattooed serious consideration. The artwork and stories I had heard really had a profound impact on me. More so than any “cool” factor would in me getting needled. And my own story would sure be one for the books.

From an early age I was a guitarist with a dream to be a rock star. You know, right up there in the same league as KISS, Survivor, and Bon Jovi. Yeah, that was going to be me.

I even remember writing  journal entries about “making it” while in high school. At one point I’d pretend my journal was a Rolling Stone magazine interview. I’d write questions that I’d want the interviewer to ask me and then answer them in full ‘rock and roll’ mode. I’d muse about who I’d be collaborating with, the up coming summer tour I was about to embark upon and what I did when throngs of female fans sought my attention. Little did I know at the time that one day the dream was going to come true but in a most unusual way. I couldn’t wait to tell the story and have it memorialized.

Me and Ami James

As the bus slowly rolled into the Port Authority Station a feeling of excitement and anticipation filled me. I slowly departed and made my way into Manhattan not really sure if I was more excited to tell the story, get my first tattoo from an artist I greatly admire or the fact that my experience was going to be filmed and possibly air on a television show.

In any case all I did know was that Ace would have been pleased. Today was going to be an interesting day.

Next: The Thing About Subways

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