AXS TV’s popular music countdown series, “The Top Ten Revealed,” returns for an amazing 12-episode third season, which premieres on Sunday, April 19 at 8 p.m. ET / 5 p.m. PT.
The new season, executive produced and hosted by Katie Daryl, begins with the best “Rockin’ ROCK Songs” and is highlighted by tracks from Def Leppard, Scorpions, Twisted Sister and more. Returning musical experts for season three include Sebastian Bach, Lita Ford, Dee Snider and Kevin Cronin, as well as newcomers Mark McGrath, Carnie Wilson and Puddle of Mudd frontman, Wes Scantlin.
Even better is that The Top Ten Revealed is expanding its musical pallete with a treasure trove of goodness filled with new genres along with more honest opinion, fun facts and behind the scenes stories that have made the series a fan favorite.
The Top Ten Revealed Season 3 Schedule:
April 19: Rockin’ ROCK Titles April 26: Epic Songs of ‘74 May 3: Rockin’ Siblings May 10: 80s Break Up Songs May 17: Epic Songs of ‘69 May 31: Songs Stuck at #2 June 7: Soul Songs of the 60s June 14: Yacht Rock June 21: MORE Hits That Were Covers June 28: 70s Folk Songs July 12: Epic Songs of ‘84 July 19: Going Crazy Songs
I recently spoke with Katie Daryl about the new season of “The Top Ten Revealed” and more in this exclusive new interview.
What can fans expect from the new season of “The Top Ten Revealed?”
Katie Daryl: This season is great because we’re introducing new experts like Mark McGrath, Carnie Wilson and Wes Scantlin from Puddle of Mudd and mixing them in with our classic rock favorites — Dee Snider, Sebastian Bach, Lita Ford and Kevin Cronin from REO Speedwagon. The new topics are also neat. We still have our traditional 70’s and classic rock, but we’re also dabbling into new topics that are genre specific. We’ve even got a Yacht Rock list. It’s very exciting.
What categorizes a song as “Yacht Rock?”
KD: It’s funny because a lot of our experts came into the room asking that same question. One of them said it best. It’s a bouncy song that feels like the rhythm of the ocean. Also, if the song is literally talking about sailing and yachts (ala Christopher Cross’ “Sailing”) then it probably made the cut.
One of the coolest, and most revealing, classic rock series has got to be AXS TV’s new star-studded “Mixtape,” which airs Thursday nights at 8:30pE/5:30pP.
Dubbed the story of a musical artist’s life through the songs that they love each of the eight-episode series shines a light on a different rock icon as they sit down to discuss some of their favorite songs of all time. In doing so, they not only share a personal playlist of music that shaped their lives but also tell stories of how the songs impacted their own musical trajectory. They also reveal things about themselves you may never have heard before.
The debut season includes appearances by such legendary artists as Mick Jones & Kelly Hansen (Foreigner), Kevin Cronin and Dave Amato (REO Speedwagon), Rick Springfield, Don McLean, Robby Krieger (The Doors) and Micky Dolenz (The Monkees). For fans of the classic rock genre this is a series and musical celebration that is not to be missed.
I recently spoke to executive producer and Natalie Barandes (Founder/Creative Chief Joy Factory) about “Mixtape,” her career and much more in this exclusive new interview.
What inspired the new AXS TV series, “Mixtape?” How did it all come about?
Natalie Barandes: I have a friend from high school who I used to trade mix tapes with. She’s always been a collector and one day she brought me over a stack of them. They had so much great music on them. I remember listening to them and seeing the variation of how it went from one song to the next to the next. It was a story of my life. That’s when I thought this could be a great format to profile a musical artist and the songs they grew up with and loved. We could understand them on a whole different level.
What’s the format of the show?
NB: Every episode has the same four-chapter format: Influences, The Rise, then the Deep Dive, which is a defining moment that usually has a nugget you may not know about. It ends with Today and Tomorrow, which is what’s going on with the artist right now and what they’re listening to.
What were some of the interesting things you discovered while working on the show?
NB: When you look at the artists in the series as a whole you see a lot of similarities in age and musical influences, but then you realize how different their career trajectories became. For example, Mick Jones [Foreigner] talks about Buddy Holly and then so does Don McLean. They both had a lot of love for the same guy but had very different careers. On the classic rock side you can see The Beatles were a huge influence, but there’s also a lot pre-Beatles music that was important to their careers, like Cliff Richard and Gerry and The Pacemakers.
What were some of the challenges of putting together the series?
NB: I had to do an extensive amount of research and we were tied to a tight budget, timeline and turnaround. Once we booked the artist I had about ninety minutes to take a journey into their lives and the music that inspired them. It was a challenge but once we were in the room together it was amazing.
Was having a career in entertainment something you always envisioned?
NB: Absolutely. I grew up in New York and my family was in the entertainment business. My father and uncle were both involved in Broadway Theater so I saw everything when I was growing up. In the 80s I had the opportunity to work for MTV and did weekend promos for a few years. That formulated my background. Then when I moved to Los Angeles in the 90s a lot of my early work was doing video profiles for record labels where I did a lot of amazing interviews.
Are there any other projects you’re currently working on?
NB: One of the things we’re working on is taking the concept of “Mixtape” and playlist and expanding it into multiple genres, like “Mixtape Country,” “Mixtape RnB, Hip-hop.” There’s even interest in “Mixtape Gospel and Christian” as well as “Mixtape Comedy,” where comedians tell stories about their lives through the comedy that they love.
What satisfies you the most about “Mixtape” and what would you like viewers to take away from watching?
NB: I remember after we finished filming the episode with Kevin Cronin and Dave Amato from REO Speedwagon, I came out with tears in my eyes and told someone that I have the best job in the world. I got to sit five feet away from a band I loved growing up and talked music. The same goes for Mick Jones and Kelly Hansen from Foreigner, or getting to listen to Don McLean sing “American Pie.” These are songs that were my favorites growing up. “Mixtape” is an absolute gift for anyone who loves music and my hope is the show opens your mind to how much wonderful music there is in the world. Some of which you may never even knew existed.
“Mixtape” airs Thursday nights at 8:30pE / 5:30pP on AXS TV.
AXS TV’s acclaimed series, “The Big Interview With Dan Rather” shines a spotlight on some of the world’s most beloved and influential artists and performers. Each week legendary newsman Dan Rather is joined by members of entertainment royalty discussing each artist’s lives, legacies and careers.
The series returns for an exciting seventh season on Tuesday, April 16 at 8 p.m. ET with an exclusive sit-down interview with one of rock’s all-time greatest vocalists, Steve Perry. Future episodes include candid conversations with KISS frontman Paul Stanley; pop pioneer Cyndi Lauper; Foreigner members Mick Jones and Lou Gramm; REO Speedwagon’s Kevin Cronin, Neal Doughty, Bruce Hall, Dave Amato and Bryan Hitt; Oscar-Winning actor, writer, director and musician Billy Bob Thornton; comedy legend Carl Reiner and his son, acclaimed filmmaker Rob Reiner; iconic Country star Travis Tritt; celebrated singer/songwriter and guitarist Boz Scaggs and multi-talented musician and radio host Paul Shaffer.
In this exclusive interview, Dan Rather speaks with members of the press, including Go Jimmy Go, Guitar International, KXEL in Iowa, Best Classic Bands and Focus On The 615, about the new season of “The Big Interview” and much more.
How did “The Big Interview” get started?
“The Big Interview” was Mark Cuban’s idea when he re-purposed what used to be known as HD-NET. When I started with Mark we were doing a news program on HD-NET, and when he renamed the channel to be a go-to place for pop culture, he proposed I do these kinds of interviews. I had some reservations about how they’d be but decided to try a few. The rest, as they say, is history.
You’ve interviewed a lot of top musicians over the course of your career. When did you become a fan of music?
I grew up in Texas in the 1930’s and 1940’s and in the early part of my life, if Hank Williams, Ernest Tubb or Roy Acuff didn’t sing it then I didn’t know it. I’ve never been musically inclined to play an instrument but as life went on I developed a liking for all kinds of music. My knowledge wasn’t broad or deep but in doing “The Big Interview” it’s increased. It’s been a real education for me.
Of all the shows you’ve done, what have been some of the biggest surprises?
I’ve had a lot of surprises. Steve Perry had a justified reputation of being a recluse and someone who didn’t welcome interviews. I was a little worried going in but discovered that just the opposite was true. He came to play and was really in the moment. Paul Stanley was another. Most know that he was born with a deformed ear. He was thoughtful and introspective about discussing it and talked about how it affected his life as a child and later, his life as an adult. When he was discussing that I felt we were really discussing one of our goals, which is to get to the interior of the person.
Are there any other country artists you’d like to have on “The Big Interview”?
I’d like to sit down with Alan Jackson. He doesn’t do a lot of interviews but he’s on my list. Then there’s Tim McGraw, Miranda Lambert, Zac Brown and Garth Brooks. I’m hopeful we’ll be able to get them all somewhere in the near future.
What’s the best bit of advice you’ve learned about interviewing that you can pass along?
There are two big things, whether you’re just starting out as an interviewer or have been at it for years. The fundamentals begin with preparation, preparation and preparation. Right behind that is being able to listen carefully. It’s one thing to hear. It’s another to listen carefully. Pick up on things your subject says as a way of forming questions. Don’t be chained to a list of questions you’ve written down or memorized. I’ve spent my life interviewing rock stars, celebrities, kings and dictators but the basics never change – prepare and listen carefully. The more preparation you do the better the interview is going to be.
Sometimes an interview can become a conversation and can roll on and on. Have you found some that you wish kept going?
One that immediately comes to mind was with Sammy Hagar. He’s funny, has a great sense of humor and endless anecdotes and stories. Some of which may even be true [laughs]. Another was one of the early interviews with Jack White. I wasn’t familiar with Jack and didn’t know his music, but he was so intelligent and I could’ve talked to him for hours. Travis Tritt is another terrific guy and good person who has such a reverence for the traditions of country music, which I could relate to. Carl and Rob Reiner were also entertaining. I wish that interview could’ve gone on all afternoon.
Are there any thoughts you’d like to share on the current state of our country and world?
Like most people, I’m concerned about what we’ve become as a country. I worry about the world in the sense of things like nuclear annihilation and climate change. But my overall thought is that if we stay steady and concentrate on the things that unite us instead of divide us we’ll be all right. I’m an optimist by nature. It may be a long valley but we’ll come out and be better on the other end.
What do you find most gratifying about doing “The Big Interview”?
I never was or ever intended to be the smartest guy in the room, but I’ve always loved to learn. In doing these shows I’ve learned a lot about people. It’s like going to graduate school about humans. Having this program at my age and doing work that I really enjoy; my gratitude runs deep.
“The Big Interview With Dan Rather” premieres Tuesday, April 16th at 8 p.m. ET on AXS-TV.
Season 7 Line-up:
April 16 – Steve Perry April 23 – Paul Stanley April 30 – Cyndi Lauper May 7 – Foreigner (Mick Jones & Lou Gramm) May 14 – REO Speedwagon (Kevin Cronin, Neal Doughty, Bruce Hall, Dave Amato & Bryan Hitt) May 21 – Billy Bob Thornton May 28 – Carl and Rob Reiner June 4 – Travis Tritt June 11 – Boz Scaggs June 18 – Paul Shaffer
AXS TV’s acclaimed series, “The Big Interview With Dan Rather” shines a spotlight on some of the most beloved and influential artists and performers. Each week, legendary newsman Dan Rather is joined by members of entertainment royalty discussing each artist’s lives, legacies and careers.
The series returns for a seventh season on Tuesday, April 16 with an exclusive sit-down interview with one of rock’s all-time greatest vocalists, Steve Perry. The hour-long episode features the former Journey frontman candidly discussing his life growing up and his decison to leave the band at the height of their success. A decision brought on by an overwhelming feeling that the passion for music had left him. Perry also reflects on his life growing up a child of divorce, the highs and lows of fame, and about finding the love of his life.
Sneak Peek: Steve Perry recalling the origin of the band’s monster hit, “Don’t Stop Believin” and sharing an amazing story of how the song almost didn’t make it into the season finale of “The Sopranos”.
Sneek Peek: Perry discussing his amazing new album, Traces. Later, he’ll take Rather into the studio for some behind the scenes secrets.
If you are a fan of Steve’s music or Journey, you won’t want to miss this episode.
The new season of “The Big Interview” also includes convesations with KISS frontman Paul Stanley; pop pioneer Cyndi Lauper; Foreigner members Mick Jones and Lou Gramm; REO Speedwagon’s Kevin Cronin, Neal Doughty, Bruce Hall, Dave Amato and Bryan Hitt; Oscar Winning actor, writer, director and musician Billy Bob Thornton; comedy legend Carl Reiner and his son, acclaimed filmmaker Rob Reiner; iconic Country star Travis Tritt; celebrated singer/songwriter and guitarist Boz Scaggs and multi-talented musician and radio host Paul Shaffer, among others…
AXS TV’S The Big Interview With Dan Rather line-up (Tuesdays at 8 p.m. ET):
April 16 – Steve Perry
April 23 – Paul Stanley
April 30 – Cyndi Lauper
May 7 – Foreigner (Mick Jones & Lou Gramm)
May 14 – REO Speedwagon (Kevin Cronin, Neal Doughty, Bruce Hall, Dave Amato & Bryan Hitt)
May 21 – Billy Bob Thornton
May 28 – Carl and Rob Reiner
June 4 – Travis Tritt
June 11 – Boz Scaggs
June 18 – Paul Shaffer
Prior to their creatively joining forces, guitarist Trev Lukather (son of guitarist Steve Lukather) and drummer Josh Devine (One Direction) were already friends, but each was working on separate, pop-oriented projects. It wasn’t until the duo decided to get together in the studio with the idea of crafting music with no rules or boundaries that ZFG (“Zero F#cks Given”) was born.
Rounded out by vocalist Jules Galli and bassist Sam Porcaro, ZFG combines anthemic hooks with a heavy, Earth Wind & Fire vibe to create a sound that not only captures the band’s vast musical influences and repertoire but also ushers in a refreshing landscape of insatiable tone and texture. A feat that’s evidenced with the release of their new single, “Special” — a funk-rock groove fest which features guest percussion by the legendary Lenny Castro. The new song could not come at a better time, as ZFG prepares to embark on its first tours this spring with Adelitas Way and The Winery Dogs.
AXS recently spoke with Trev Lukather and Josh Devine about ZFG, songwriting, music and more in this new interview.
AXS: How did ZFG come together?
Trev Lukather: Josh and I met through mutual friends. I’d heard a lot about him and knew that his playing was badass but at the time, he was in a project and I was doing my own pop-oriented thing. When we finally met the two of us hit it off right away.
Josh Devine: One day we decided to book a studio session and write a few songs without any rules. Something that would showcase us as players and songwriters but also the fundamentals of what we enjoy – rock-oriented music with great groove and melody. We got in and the flavor was right. At the end, we decided to name the session ZFG (Zero F#ks Given) because that was genuinely what the project was about. No one was telling us what to do or play. We did whatever we wanted. Then Sam and Jules came in and added their own unique flavor to the mix. ZFG was born.
AXS: What’s the band’s songwriting process like?
TL: It usually starts with me picking up a guitar and jamming some riffs. Then the rest of the guys join in and we all start jamming together, picking out parts and bringing them all together. In every session we’ve done as a band there hasn’t been one song that we haven’t gotten giddy about. It’s the perfect bottle of deliciousness.
JD: It’s rare to be with a bunch of people where everything you write is special. I think it’s because it’s authentic and we love what we do.
Following a successful debut earlier this year, multi-platinum and Grammy-award winning artist Kenny Loggins is making his return to the Wynn Las Vegas at the Encore Theater for a second headlining engagement that runs March 27, 29 and 30.
Dubbed “The Life And Times,” the performances will feature material that spans Loggins’ 40+ year career. From his early days with Loggins and Messina and successful solo career, to becoming the king of the Hollywood movie soundtrack in the eighties, fans can expect to hear an arsenal of hits that include “Danny’s Song,” “House on Pooh Corner,” “I’m Alright,” “Footloose” and many more!
AXS recently spoke with Kenny Loggins about his upcoming Vegas residency, some of his biggest hits, and one of the most memorable moments of his career in this exclusive new interview.
AXS: What can fans expect from your upcoming Wynn Las Vegas performances?
Kenny Loggins: It’s a hit show I call “The Life And Times” that covers the songs I wrote and the different stages of my career. From Loggins and Messina to the movie period in the eighties and the solo career. Turns out, there was a lot of music during that time!
AXS: What do you think makes your style of music so timeless?
KL: You can’t really explain it and it’s not a formula. I just think the way pop culture works, everything old is eventually new again. Mike McDonald and I recently wrote and performed a song with Thundercat, and all of a sudden it’s kind of cool again. If you stay on your feet long enough you might come back around.
AXS: Has your writing process changed much over the years?
KL: Not really. I still keep notes and lyrical ideas and will wake up in the middle of the night with melodies running through my head. It’s a habit of a lifetime. I started mentoring a lot in the last year. I live in Santa Barbara where we had the terrible fires and mudslides. In the process of recovery, I helped some local teenagers put on a fundraiser. I enjoyed it so much that I decided to go to a songwriters festival in Hawaii and mentored those kids as well. I really enjoy the process of mentoring. It’s very natural and creative.
You can read the rest of my
Interview with Kenny Loggins by Clicking Here!
Fresh off their stint on America’s Got Talent and following the release of their infectiously cool debut album, ‘Lifeline,” We Three –which consists of siblings Manny Humlie, Joshua Humlie and Bethany Blanchard—have embarked on their very first national headlining tour. One that will take the AGT semi-finalists across the country to meet their legions of fans and perform their insatiable brand of pop/rock.
What makes We Three so special, aside from their groove ridden and story-telling songs, is their high-energy performances. The trio promises to perform their album in its entirety on this tour, which includes the emotionally powerful “Heaven’s Not Too Far” as well as their latest single, “Lifeline.” They’ll also unveil some brand-new material and a few surprise covers as well.
AXS recently spoke with We Three about the Lifeline Tour, music and more in this exclusive new interview.
AXS: How has the Lifeline Tour been going so far?
Manny Humlie: It’s been absolutely amazing and a dream come true. Just coming off stage and knowing that we get to it, again and again, is so exciting. Watching people singing our songs and connecting with them is a surreal feeling. There are no words to describe it.
Bethany Blanchard: We’ve been in these amazing places and the venues are so beautiful. It’s something we’ve never experienced before.
Joshua Humlie: It’s been very emotional to see people right up in front singing every lyric to the songs. Even the newer songs in our set that no one has ever heard outside of the album.
AXS: What can fans expect from your live performance?
MH: A lot of energy and crowd participation. We don’t like people to be sitting down much. We’re having a party on the stage and would love for them to come join us. We’ll be playing the whole record, some new songs as well as a few covers.
AXS: How would you describe the sound of We Three?
BB: We like to say that our songs are married to each other, both lyrically and melodically. It’s pop-rock and there are a lot of artists we pull from. All of our songs tell stories.
AXS: What’s your writing process like?
MH: For me, I have to set a mood and a tone. I think Ed Sheeran said it best when he said songwriting is like studying for a test. I’m constantly writing down ideas and phrases so that when the heavens open up I’ll have a lot of ammunition ready to go. I may not use half of what I write down but I’ll always have something to work off of.
Fresh off his acclaimed performances on America’s Got Talent: The Champions, powerhouse vocalist Brian Justin Crum is back with his brand-new single, “Circles.”
The hook-laden song, which discusses breaking out of the circle of toxicity and rediscovering your love, is as infectious as Crum’s show-stopping renditions of classic rock songs from Queen and Elton John that won him the hearts of America.
AXS recently spoke with Crum about the new single and more in this exclusive new interview:
AXS: What was your experience like on America’s Got Talent: The Champions?
Brian Justin Crum: It was awesome. It was long days and a lot of hours but an incredible opportunity to showcase what I do to the world. I wish I could’ve had more say into what I did and how I did it but that’s the nature of the beast. You just have to take the opportunity that’s given to you and run with it.
AXS: Were there any extra nerves going into an all-star competition like this?
BJC: Not really to be honest. The show’s never been about the completion for me. We all do very different things and we’re all very good at what we do. I just had a good time watching people shine.
AXS: You’re known for your infectious rendition of Queen classics like “We Are The Champions” and “The Show Must Go On”. What is it about their music that appeals to you?
BJC: The music is timeless. It plays as well, if not better, now than it did back then. Freddy [Mercury] was not just a singer. He was an artist and a poet. His music has energy and speaks so beautifully to what it feels like to be a queer person. I love singing the lyrics because I feel like it was written for me to tell my story. I will always have a love for that music because I feel joyful when I sing it. It just feels right.
AXS: What can you tell me about your new single, “Circles?”
BJC: We’ve all experienced that relationship where we find ourselves having those same fights, discussions and toxic things creeping in. The song is about wanting so desperately to break that cycle with the person you love. It was therapeutic to write and sing about something I’ve experienced myself. I’m so happy that people are responding to it and that it’s being so well received.
You can read the rest of my
Interview with Brian Justin Crum by Clicking Here!
When vocalist/guitarist Janet Gardner announced that her departure from Vixen this past January, it came as a bit of a surprise. After all the band, known for hits like “Edge of A Broken Heart,” “Cryin’” and “Rev It Up,” had just completed another successful year of touring as well as releasing a new live album – the aptly titled, ‘Live Fire.’
For Gardner, the decision to leave didn’t come easy. Following her marriage to guitarist Justin James and the release of her acclaimed self-titled solo album, the blonde songstress spent the beginning of 2018 being rushed into emergency surgery to relieve a subdural hematoma. Her recovery was quickly followed by a string of solo U.K. shows before rejoining Vixen for even more live dates. This coupled with the process of juggling a regular job at home and raising her son had made scheduling too difficult. Something had to give.
There were no hard feelings with the split and Vixen, which consists of Share Ross (bass), Roxy Petrucci (drums) and Britt Lightning (guitars), will continue to carry on with Lorraine Lewis (Femme Fatale) joining the ranks on lead vocals.
n the meantime, Gardner is concentrating on her solo career and has nearly completed a follow-up album with James she hopes to release in the spring. Expect to see her out on the road in support of the new music as well as continuing to perform the hits she helped make famous.
AXS recently spoke with Janet Gardner about her decision to leave Vixen, new music and more in this exclusive interview.
AXS: What prompted your decision to leave Vixen and concentrate on your solo career?
Janet Gardner: Last year was insane for me. It started off in January when we were on a solo run out West and I had to have emergency brain surgery. I made up all of the missed shows and then did a U.K. run. Then Vixen started and we did even more great stuff. When I finally came up for air I was back home to my regular job, taking care of my son and all the other things that I do, and realized I was missing out on a lot because of scheduling. I had to make a decision.
AXS: Was this something that had been weighing on you for some time?
JG: Absolutely. I definitely wanted to make it work. They [Vixen] had made concessions for me when I needed to do things and I would feel bad about holding them back. I remember one time being stuck in a Detroit airport for eight hours and missing my son’s middle-school graduation. It’s hard to leave my family but I don’t want to keep Vixen from doing what they want to do. It was a tough call.
AXS: What are some of your best memories with the band?
JG: There’s been quite a few. Opening for Scorpions was our first arena tour and the first night of that tour was surreal. When I heard “Edge of A Broken Heart” on the radio for the very first time and our record went gold was another dream come true. They’re all good memories.
Read the rest of my
Interview with Janet Gardner by Clicking Here!
Josh Malerman and the rest of adventure rockers The High Strung have unveiled the band’s eighth full-length release, Quiet Riots. The fourteen-track album is the group’s most harmony-laden to date, as it sees them reuniting with guitarist/vocalist Mark Owen, who’d been on hiatus for more than twelve years. Songs like the guitar-driven “Legion” and the effervescent “If You Wanna Roll” conjure up images of free-spirit and cross country drives, while tracks like “Riots Of The Mind” are a reminder that this world is still a very unsettled place.
The High Strung is: Josh Malerman (guitar/vocals), Mark Owen (guitar/vocals), Stephen Palmer (guitar), Chad Stocker (bass) and Derek Berk (drums).
Josh Malerman’s artistry not only lies within the craft of music but also as an acclaimed novelist. His post-apocalyptic thriller, “Bird Box,” a New York Times Bestseller, was recently adapted into a Netflix original feature. Since its release last December the film, which stars Sandra Bullock and John Malkovich, has become Netflix’s biggest hit to date.
AXS recently spoke with Malerman about The High Strung’s new album, Quiet Riots, “Bird Box” and more in this exclusive new interview.
AXS: How does the new album, Quiet Riots, relate to some of the band’s previous work?
Josh Malerman: This is the most harmony-laden album so far and a lot of it has to do with Stephen, our lead guitarist, who was more involved in this singing. Then there’s Mark Owen, one of our two singer-songwriters, who had left the band for twelve years and returned. For me, this will always be the album that was kickstarted by Mark’s return and our first real attempt at a harmony album.
AXS: What’s your songwriting process like?
JM: Usually either Mark or I will come in with a little hook of an idea. Whether it’s a chord change or a lyric one of us will bring it to the table and we’ll finish the song together. [Mark] Owen is also great at lyrics, and when you have a songwriting partner who cares so much about them as he does you can’t help but step up your game.
JM: Let’s talk about a few tracks from the new album beginning with “Riots Of The Mind.” What can you tell me about it?
JM: Mark brought that one to the table. It’s a wonderful way of saying things are crazy without being too hazy or political. There’s something pocket poetic about it. There’s a lot of crazy sh#t going on in the world right now and it would be wrong to not even wink in that direction.