Category: Fun And Games

Lightning Bugs

It was on the evening of June 5, 2026.

I’m writing the date down because it’s one of those moments I don’t want to forget.

I’d spent the entire day working in the yard, doing everything possible to make it look respectable for another week. The truth is, no matter how much you mow, edge, trim, or pull weeds, nature always wins. At best, you earn yourself three or four days before the battle begins again.

As twilight settled over the neighborhood, I pushed my green John Deere mower back into its usual spot in the garage. Grass clippings that had clung stubbornly to the underside all afternoon now dropped onto the concrete floor in soft green clumps.

Normally, I would have swept them up, but not tonight. I was tired, sore, and in no mood for one more chore. The clippings could wait until morning.

Despite the exhaustion, there was a deep satisfaction that came from the day’s labor. The scent of cut grass, gasoline, and sweat lingered in the warm air—a mixture that always smelled like accomplishment.

I went inside, grabbed a beer from the refrigerator, and stepped onto the patio to admire my handiwork.

The first swallow washed away some of the day’s fatigue. Tomorrow would bring sore muscles and a touch too much sun, but that was tomorrow’s problem. For now, all I wanted was a quiet evening, a warm breeze, and the simple pleasure of sitting still.

That’s when I saw them.

The first lightning bugs of the year.

Some people call them fireflies. Entomologists might know them by their scientific names. Around here, though, they’ve always been lightning bugs.

And in my opinion, they’re the most magical insect on Earth.

There are certain things that announce the changing of the seasons. Falling leaves tell us autumn has arrived. The first snowfall whispers that winter is coming. Crocuses pushing through the soil remind us that spring has returned.

But lightning bugs are different.

The first one of the year feels less like a sign and more like a reunion.

Like seeing an old childhood friend after months of being apart. 

A friend arriving with the wonderful news: Summer is finally here.

Long before I became familiar with lawn mowers and property taxes, my summer evenings were spent chasing these tiny lanterns through the dark.

Nothing compared to those summer nights as a child.

We’d spend all day swimming, riding bikes, and running through the neighborhood with our friends. Then, as dusk settled in and the air cooled, we’d race across our backyards to see who could catch the most lightning bugs.

Even now, I can still picture it. Me running barefoot through the grass in a pair of shorts and a tank top. Chlorine drying on my skin after a day at the pool. Honeysuckle drifting through the evening air.

School was still months away, and the first yellow bus of autumn existed somewhere in a distant future that didn’t matter yet.

The world felt endless. The possibilities felt endless. It was freedom in its purest form.

There was always a sense of wonder after catching one.

You’d slowly open your cupped hands and watch the tiny creature blink inside the darkness. Then it would crawl up the tip of your finger, pause for a moment as if gathering itself, and suddenly spread its wings and disappear back into the night.

Sometimes my friends and I would poke air holes into an empty mayonnaise jar and fill the bottom with fresh grass. One by one, we’d place our glowing treasures inside until the jar shimmered like a tiny lantern.

We’d carry it proudly through the yard as if we were explorers setting out on some great adventure.

Of course, we never kept them long. Once they grew sluggish from captivity, we’d unscrew the lid and release them back into the summer darkness, where they belonged.

But the best part of all came during what I called the magic hour. Usually around nine o’clock.

The sky would be nearly black by then, and the yard would erupt into a dazzling storm of flashing lights. Hundreds of tiny beacons drifted through the darkness, blinking in silent rhythm.

And then you’d spot him.

Granddaddy.

At least that’s what I called him.

He always seemed brighter than the others. Bigger, too.

Granddaddy was the undisputed king of lightning bugs, and catching him was nearly impossible.

Every time you got close, he’d rise just out of reach.

If you stretched your arm higher, he’d drift a little farther upward.

If you crept toward him quietly, he’d somehow know.

Looking back, I’m convinced he understood exactly how tall his pursuers were.

“This kid is four-foot-eight,” he seemed to say. “I’d better hover at six-foot-five.”

But on those rare occasions when someone actually managed to catch Granddaddy, there was no question who had won the evening.

For a few glorious minutes, they were the champion of summer.

Back in 2026, I finished my beer and looked across the yard. The flashes were multiplying now.

Dozens. Then hundreds. The same living constellation I remembered from childhood.

For a moment, fifty years disappeared.

I wasn’t thinking about work. I wasn’t thinking about mowing the lawn. I wasn’t thinking about responsibilities, bills, deadlines, or anything else adulthood had placed on my shoulders.

Then, out of the corner of my eye, I saw him.

Granddaddy.

Hovering just above my head.

Without thinking, I stood and reached for him. He responded exactly as I remembered.

The moment my hand moved, he rose higher into the air, stopping just beyond my grasp.

Some things, apparently, never change.

I sat back down and laughed.

The lightning bugs continued their dance across the yard while memories of those carefree summer nights drifted through my mind.

And I found myself wondering how anyone could choose to spend an evening staring at a television or a phone screen during a time like this.

Especially when there is so much magic waiting in our own backyards.

© 2026 James E. Wood

Victoria Morsell Hemingson Discusses 30th Anniversary of ‘Phantasmagoria,’ Writing

Widely regarded as one of the most successful and controversial computer video games of its time, Phantasmagoria wowed gamers when it was released in the summer of 1995.

The interactive point-and-click horror adventure created by Sierra Online, one of the first games for both MS-DOS and Windows, spanned seven discs and grossed more than $12 million dollars on its opening weekend, easily becoming one of the year’s best-selling games.

The hugely detailed 550-page script developed by Roberta Williams told the story of Adrienne Delaney (portrayed by actress Victoria Morsell Hemingson), a writer who moves into a remote mansion only to find herself terrorized by supernatural forces. The game featured both live action and cinematic footage mixed within a three-dimensionally rendered environment.

Despite the buzz and high demand it generated, Phantasmagoria was also considered controversial upon its release in 1995, with several major retailers refusing to even stock the game because of content they considered to contain “highly realistic violence.” Something that seems trivial in comparison to the games currently occupying store shelves three decades later.

Although the game was hugely successful, Victoria Morsell Hemingson decided to switch gears from acting in order to pursue a career in writing shortly after the release of Phantasmagoria, as well as to concentrate on marriage and raising a family. In 2021 she was awarded the grand prize in the Mystery/Thriller category in Book Pipeline Unpublished for her novel, “Awful Necessary Things.”

Today, she’s concentrating on several different writing projects, including novels as well as a powerfully written and personal non-fiction piece about a difficult time in her life. She’s also had the opportunity to actually play Phantasmagoria herself for the very first time on the Conversations with Curtis YouTube channel.

I recently spoke with Hemingson about Phantasmagoria’s 30th anniversary and its impact, her writing and more in this new interview.

It’s been thirty years since the release of Phantasmagoria. When you look back now with so much perspective what thoughts come to mind?

Victoria Morsell Hemingson: I remember it was actually really fun to make. We had such a great time because it was like a dream job. They put us up in cabins and we all got to stay by a lake. We were a tight knit group and it was nice to have something steady for a few months. If you follow Conversations With Curtis on YouTube, that was the first time I ever actually played the game. I remember when I was hired I really didn’t know very much about computer video games but I was told it was a new kind of game that was cutting edge. I had originally auditioned for the director for another project. He had seen me act before and knew I’d be right for the part in Phantasmagoria.

Did you know what you were getting into with this game?

Hemingson: It was hard to envision exactly what it was going to look like at first. It was a gigantic script and there was a lot we didn’t understand going in. For example, the set was in front of a blue screen and was completely empty. There was no furniture; just boxes for steps, beds and chairs. I remember we had to stand facing a monitor and could see the animation that they already had done on the TV and where we were going to be in relation to the game while we were doing it. It took a while to get used to how to move and be in the right place on screen. As an actor it was a bit of a challenge not knowing how big or small to go. We were all figuring it out as we went along.

What was it like learning the story and what were some of the little nuances in the 500+ page script?

Hemingson: Roberta Williams told me the story. The script itself was all in order but it contained everything, like first I would have to open a drawer to find the matches. Then I would open the drawer to see the matches, then open the drawer and not see the matches. Each of those kinds of variations was part of the script. I remember when we filmed we were there for a few months and then brought back in a few months later to shoot for a final few weeks.

What made you decide to make the transition from acting to writing?

Hemingson: I always wrote when I was a kid and a lot of the acting I was starting to do wasn’t as satisfying or fulfilling. I wanted to do something I was really proud of. I still remember the exact moment I realized that I was done acting. I had gone on an audition for a play and they kept everyone waiting around for hours and hours. Then when it was finally my turn to audition it was like a split second. It just felt like it wasn’t worth it. So I decided to go back to school and got a master’s in writing. The writing was something I always wanted to do.

What’s your writing process like?

Hemingson: It can be difficult trying to get into the groove but I try to write in the morning and then later on in the afternoon, Of course, it’s different when I’m revising. When I was in school I was a little more efficient with my time working and writing.

What are some of the projects you’re currently working on?

Hemingson: I recently wrote a personal non-fiction piece for Hippocampus Magazine. I used to work as a receptionist when I was younger and had an eating disorder. It was during this time that I started seeing this actor, whose name I won’t reveal.

I’ve also written a fiction piece for South Carolina Review about a woman in Los Angeles who’s trying to get off a cycle of bad choices and am working on a new novel.

What are you most looking forward to about this next phase of your career?

Hemingson: I guess it would have to be completing these new projects. I’m excited about working on them. I need to get them out of me. I may also be collaborating with my husband on something which will be fun. He’s a screenwriter who wrote the film, “The Holdovers.”

Hollywood Is Hard For Frutron and Kimmy Kim

Frutron
Frutron

Somewhere amid all of the glitz and glamour of the Los Angeles scene lies the somewhat bizarre world of Frutron and Kimmy Kim. It’s a world where wedgies are doled out as freely as candy, Fruity Pebbles are used at bath salts and cheeseburgers replace silicon implants.

Collectively, they are known as Hollywood is Hard, an alternate reality web show about two girls who navigate through the cartoon world of Hollywood.

With nearly one million views on You Tube, these ladies really know how to tickle the funny bone. And although their subject matter sometimes crosses the line between the risqué and the extreme, you’d be hard pressed to find two women who are as funny and open about their “pseudo-lives” as Frutron and Kimmy Kim.

I sat down (with my underwear facing away from her or course) with Frutron and got the inside scoop on these wedgie giving, wiener lovin’, Fruity Pebble bathing beauties as she share the secrets behind Hollywood is Hard. During the course of our conversation, Frutron (the nerdy one who refuses to reveal her real name) informed me that there has been talk of the wedgie videos going away, much to the chagrin of this reporter. This would be a tragedy of epic proportions.

Kimmy Kim and Frutron of Hollywood is Hard
Kimmy Kim and Frutron of Hollywood Is Hard

What’s your story?

FT: I would like to say that I was homeless and sleeping in my car and ran into all of this success but none of that’s true. The truth is,  I went to high school in San Francisco and went to art school at the same time. Originally, I thought I wanted to draw comic books, but a year into that I began thinking that comic books just weren’t cool and that I’d never make money drawing (of course, now comic books ARE cool). And although I didn’t pursue drawing, I can storyboard really well which helps with our production.

What brought you to LA?

FT: I wanted to become an actor and was doing commercials; going back and forth between San Francisco and LA. for auditions. A few years ago, I decided to leave my safety net and move here.

I’ve never been a person who was passionate about being a “SERIOUS” actor, but always loved comedy and dreamed of being on Saturday Night Live or MAD TV.

How did you meet Kimmy Kim?

FT: Kimmy Kim and I would see each other in passing while going on auditions. At certain points in our lives, we both had similar looks and knew each other from acting jobs. I always thought she was funny but never thought I’d actually be working with her.

One night, we ended up being at a writing session together that one of our mutual friends had set up. We were both at a point in our careers where we wanted to do something where we were in control. I’m not sure how it is for men, but as a lady you really risk a lot by doing movies that turn out to not be the type of movie you thought it was going to be. You don’t want to have to say, “Oh, GREAT! Now I’m a Sci-fi lesbian space alien in a shit movie!” [laughs]

The other thing is, we both wanted to do something for our career instead of waiting around for some asshole who’s going to want a blow job to give us a part in some shitty movie. Honestly dude, I’m horrible at giving them so it wouldn’t get me a movie part anyway. I’m terrible in the sack so I don’t have that going for me. [laughs]

Our really good friend, Andrew Bentler, who’s the most amazingly talented editor actually knew both of us separately. He was the one who suggested that Kimmy Kim and I should do something together. And once she and I got together, we both found out we were on the same page.

Wedgie of Death

Wieners

FT: I have to tell you, ‘Wieners’ is my favorite episode. When I watch it, it’s not even like watching us.

Fruity Pebbles Bath Time

How do you come up with ideas?

FT: It’s all about what goes on in our daily lives. For instance, one day Kimmy Kim texted me and said (jokingly) “Frutron? I want to get a boob job.” And then I said, “You should stuff cheeseburgers in your bra!” And that would become an episode.

Kimmy Kim Gets Boobs

That’s how it usually starts. We start off with an idea and then everyone puts in stuff. We’ll all write together and then Andrew is just fantastic about taking those ideas and turning them into a story. Basically, we take shit that happens in our lives and then horrifically exaggerate what actually happens.

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