Matchbox Twenty’s Rob Thomas previews intimate Wind Creek performance benefiting Sidewalk Angels nonprofit

For the past two decades, multi-platinum, Grammy-winning artist Rob Thomas has made it a tradition to kick off the new year with a series of special benefit concerts supporting his Sidewalk Angels Foundation.

Founded with his wife, Marisol, the nonprofit provides critical funding to more than 20 no-kill animal shelters and rescue organizations across the country, with all proceeds from the shows going directly to the cause.

Thomas, of course, needs little introduction. From fronting Matchbox Twenty to a wildly successful solo career, he’s been a defining voice in modern pop and rock. His collaborations are just as legendary, including the iconic 1999 hit “Smooth,” which he co-wrote and then recorded with Carlos Santana. The song spent 12 consecutive weeks atop the Billboard charts, earned three Grammy Awards, and was once ranked as the second most successful song in Billboard history.

On Friday, Thomas will bring his stripped-down, acoustic Sidewalk Angels performance to Wind Creek Event Center. The intimate evening will feature career-spanning hits, deep album cuts, and personal stories behind the songs that shaped his journey.

I recently caught up with Rob Thomas to talk about the Sidewalk Angels show, Matchbox Twenty, memorable moments and more in this new interview.

Q, What inspired Sidewalk Angels?

Thomas: When we started off my wife and I would go to this place in Middletown, N.Y., called Pets Alive and would donate money and our time. We began to realize we were missing an opportunity with all of the platforms I had. We thought if we wanted to do something on a bigger scale, we could figure out a way to help out with all of the organizations. The foundation is still small in that it’s still me, my wife and her mother. The thing that helps make it work is that my business managers donate their time. So we don’t have the overhead of salaries or giant galas that we have to pay for. If we raise a million dollars in a year, then a million dollars goes directly to no kill shelters and animal rescues.

You can read the rest of my Morning Call interview with Rob Thomas by Clicking Here!

From classic rock to comedy, Broadway to children’s music, here are some of the top shows coming to the Lehigh Valley in 2026

The arrival of 2026 can mean only one thing: another year packed with the best live entertainment the Lehigh Valley has to offer.

Over the next 12 months, the region’s stages will welcome something for everyone — from world-renowned artists and top-tier comedians to Broadway sensations and beloved regional favorites. As we do at the start of each year, here’s a look at some of the highlights music and performance fans can look forward to across the Lehigh Valley in 2026.

Several legendary acts will make what may be their final visits to the region as they embark on farewell tours. The sendoffs begin at Allentown’s PPL Center, where two-time Rock & Roll Hall of Fame inductee Sir Rod Stewart brings his One Last Time Tour to town on Saturday, March 14. The evening promises a career-spanning set filled with unforgettable hits from his more than 50 years in music.

Classic-rock icons Journey follow on Thursday, June 11, with their Last Frontier Tour. Billed as a special “Evening With” performance, the show reunites guitarist Neal Schon and  keyboardist Jonathan Cain from the band’s pivotal ’80s lineup for an extended, all-Journey set with no opening act.

Also in Allentown, Archer Music Hall rings in the new year with a diverse slate of artists.

Alternative rockers Seahaven perform their album Winter Forever in its entirety on Tuesday, Feb. 3, celebrating its 15th anniversary. Maggie Lindemann brings her ethereal pop sound to the stage on Sunday, March 1, followed by melodic death-metal favorites Nekrogoblikon on Thursday, March 12.

Read the rest of my Morning Call feature on the entertainment lineup for 2026 by clicking here!

Pierogie Phobia – 15th Anniversary Edition

I only have two real fears in life. Sure, like everyone else, I dislike the usual suspects—heights, creepy bugs, drowning, the DMV. But my true fears are far less reasonable. One of them is Coke Zero. Don’t ask.

The other—and the one I want to talk about today—is pierogies. Laugh if you want, but I have my reasons.

Thirty five ago, I was a pierogie connoisseur. A professional. A craftsman. My routine was sacred: pan-fry each little doughy pocket of cheese-and-potato perfection in roughly half a gallon of vegetable oil, bury them under a snowstorm of salt, then make a direct sprint to the couch. No detours. No witnesses. I usually consumed six to eight in a sitting. Solo. Focused. Invincible.

I was immortal.

Until one Sunday afternoon, when everything changed.

It was a hot summer day at my mom’s house. I was home from college, living the proud tradition of deadbeat sons everywhere. Mom had gone to the NASCAR race at Pocono with my brother and a few others. I chose to stay behind, watch the race on TV, and host what can only be described as Pierogie-Palooza.

I followed my usual process: eight pierogies, fried to golden perfection, aggressively salted. I filled a large glass with Diet Coke (this was before I discovered Coke Zero, but that’s a separate tragedy), plopped onto the couch, and turned on the race.

I couldn’t tell you a single thing about that race. All I remember is the blissful union of carbs, fat, and salt hitting my tongue. The smell of fried glory. The taste of empty calories and future regret. I ate every last one and slipped into a pierogie coma. It was Zen. Pure, greasy enlightenment.

Then I smelled something else.

At first, I tried to ignore it. Maybe it would go away. It did not. A cold wave of dread washed over me as I realized my life was about to take a sharp turn. That’s when I saw the smoke drifting in from the kitchen.

In my haste to reach the ninth plane of starch heaven, I had forgotten to turn off the pan. The pan containing—let me remind you—a shit ton of vegetable oil.

I rushed into the kitchen and managed to put out the fire just in time. Disaster averted, I told myself. Close call. No harm done.

Then I looked around.

Oh shit.

The smoke had lovingly redecorated the kitchen, painting a thick black film across the once-white walls and cabinets.

Oh shit… she’ll be home soon.

My brain briefly tried humor. *Well, at least you’re not a little kid anymore or you’d be getting the beating of your life.* Ha. Thanks, brain. Super helpful.

But this was serious. For one terrifying moment, I genuinely wondered if my mother might still beat the hell out of her 21-year-old son. (Looking back, I think I could’ve taken her—but at the time, I didn’t want to test that theory.)

I had to clean it. Quickly. She’d walk in and it would be like nothing ever happened.

I grabbed a bucket, filled it with water and some cleaner, and got to work. By the second or third swipe on the wall, reality hit me hard: this shit was NOT coming off.

My heart started racing. Was this karma? Payback for the time I “accidentally” put my car in neutral and rolled it into our house on the South Side? Everyone was just happy I survived that one—no punishment. Maybe this was the universe settling the score.

I saw my future flash before my eyes.

This would be my legacy.

“Jimmy almost burned the house down cooking pierogies.”

Family gatherings would never be the same. Job interviews would somehow bring it up. At my wedding, people would throw pierogies instead of rice. And worst of all, I was certain my mom would have the Mrs. T pierogie logo etched into my tombstone.

So what did I do?

I dumped the bucket in the sink. Opened the windows. Went back to the couch. Finished the race.

I haven’t touched a pierogie since. I can’t even look at one without being transported back to that helpless moment. Yes—I am afraid.

To this day, I’m still the butt of the joke at family get-togethers. But I’ll never forget the look on my mom’s face when she walked in and saw the aftermath.

There was so much I wanted to say.

All I managed was:

“So… how was the race?”

Concert pick: Gogol Bordello at Allentown’s Archer Music Hall

Fueled by a relentless blend of primal drive and unshakable optimism, Gogol Bordello roots its sound in hyper-charged, forward-leaning post-punk textures.

The band has long prided itself on pairing infectious, techno-driven rhythms with sharp social and political commentary. That approach continues on the recent single “Hater Liquidator,” taken from the forthcoming album “We Mean It, Man!” — a defiant, high-energy track that plays like post-punk revenge set to a dance-floor pulse.

Led by Ukrainian-born frontman Eugene Hütz, Gogol Bordello is closing out the year with a run of East Coast dates, including a stop at Archer Music Hall in Allentown on Sunday.

I recently spoke with Hütz about the upcoming Allentown performance, the new album and more in the interview below.

Q. What can fans expect from the band’s upcoming performance at Archer Music Hall in Allentown?

Hütz: We just came back from touring Europe and spent two months sizzling up to perfection our new material. So it’s a safe time to say the new material is fully activated. We’re not going to be testing it out. It’s fully blazing. It’s going to be a broiler and a boiler.

Is there a way you can put into words what the music of Gogol Bordello is all about?

As a band we wanted to do something that was going to be chimney for our love of music. We have all of these logs burning with our love for punk rock, gypsy music, classical, hardcore and techno in this one fireplace called Gogol Bordello. It’s a synthesis of all of these elements. By margining this orchestra pit with mosh pit aesthetics we stumbled into this Frankenstein of high energy sinful, gypsy and hardcore folk punk.

Read the rest of my Morning Call interview with Eugene Hütz and subscribe for more feature content by clicking here.

Concert pick: Banjo player Tony Trischka brings holiday show to Godfrey Daniels

Banjo player Tony Trischka performs Thursday, Dec. 11, 2025, at Godfrey Daniels in Bethlehem. (Greg Heisler)

There’s no question that Tony Trischka stands as one of the most preeminent banjo artists of our time. For more than 50 years, his innovative style, dazzling speed, and musical ingenuity have shaped and inspired generations of bluegrass musicians.

Beyond his celebrated career as a performer, Trischka has authored 15 influential instructional books, produced artists like fellow banjoist Steve Martin, and recently released “Earl Jam,” an album paying tribute to one of his own musical heroes, Earl Scruggs.

Trischka continues to maintain an active touring schedule, and on Thursday, the Syracuse native will bring a banjo-fueled celebration of the season to Godfrey Daniels in Bethlehem.

I recently spoke with Tony Trischka about his upcoming performance and more in this new interview.

Q. What can you tell me about your upcoming performance at Godfrey Daniels?

Trischka: I’ve got a great band and we’ll be doing Christmas, holiday and seasonal tunes. Many of which are not the standard ones you hear. We have Hannah Read from Scotland who’s an incredible singer/songwriter. We also have Tim Eriksen, who’s been doing these Christmas shows with me for the last 27 years. Then there’s Jared Engel on bass and my son, Sean, who’s also in the band playing drums and mandolin.

Read the rest of my Morning Call interview with Tony Trischka by Clicking Here.

BookSirens ‘Coming of Age’ ARCs

BookSirens November 2025 ‘Coming of Age’ ARCs is out and the list includes my new book, “Beyond What We Know.”

Interested in downloading the book, or any of these other great stories, for free in exchange for an honest review? It’s easy. Click on the image below to join the team and download.

Synopsis:

“Haunted by guilt and ghostly echoes of the past, Mike Collins faces a summer that will change everything. Fresh out of high school and on the verge of leaving his small town behind, Mike can’t shake the weight of his father’s death—or the fear of losing the two people he loves most: his mother and his first love. But when a mysterious musician named Chris Steele drifts into town, Mike’s world tilts into the surreal. There’s something eerily familiar about Chris—something that makes Mike question whether the past ever truly dies.

Set against the pulse of 1980s music, classic cars, and restless summer nights, Beyond What We Know is a haunting coming-of-age story about love, loss, and the thin veil between the living and the dead. And its ending will stay with you long after the last page.”

Paperback versions of Beyond What We Know are available through BookBaby, and Amazon

Want to Read My Books For Free?

Happy Sunday, everyone. This week, I’m offering an opportunity for everyone to read both of my books, “Beyond What We Know,” and “Neapolitan Sky” for free in exchange for an honest review on Amazon and/or GoodReads!

That’s right. Both books are available to download free of charge. All I ask is that, after reading, you leave me a review of what you think.

Here are the details:

Beyond What We Know

Haunted by guilt and ghostly echoes of the past, Mike Collins faces a summer that will change everything. Fresh out of high school and on the verge of leaving his small town behind, Mike can’t shake the weight of his father’s death—or the fear of losing the two people he loves most: his mother and his first love. But when a mysterious musician named Chris Steele drifts into town, Mike’s world tilts into the surreal. There’s something eerily familiar about Chris—something that makes Mike question whether the past ever truly dies.

Set against the pulse of 1980s music, classic cars, and restless summer nights, Beyond What We Know is a haunting coming-of-age story about love, loss, and the thin veil between the living and the dead. And its ending will stay with you long after the last page.

To download “Beyond What We Know,” click here

Neapolitan Sky

College student Nica Mitchell’s dreams of becoming a writer died with her mother. When her father’s illness spirals and a near-death experience lands him in the hospital, Nica has no choice but to return home—to the house that holds more ghosts than memories. But now something about her father has changed. He speaks in riddles, dreams with his eyes open, and seems to know things he shouldn’t—things no living person could.

As Nica unravels the truth, she’ll uncover a secret that blurs the line between the living and the dead. And once it’s revealed, she’ll wish she’d never come home.

To download “Neapolitan Sky,” click here

Hope you enjoy!

Neapolitan Sky Now Only .99 Cents!

Happy Saturday! Just wanted to send out a quick update to let everyone know that you can now download the Kindle version of my debut novella, “Neapolitan Sky” for only .99 cents!

Here’s the synopsis:

Dreams of becoming a professional writer are abruptly put on hold for college student Nica Mitchell following the unexpected death of her mother and her father’s cancer diagnosis. Forced to return home when he’s hospitalized after encountering a near death experience, Nica learns that her father has been keeping a dark secret. Something in between the stages of life and death that, when revealed, will change her life forever.

Check out the official book trailer below:

Reviews of Neapolitan Sky:

“This novella was an excellent read and highly recommend it. Very difficult to put down as the plot kept me guessing. Opened up for many follow ups…can’t wait to see what’s next.”

“I was hooked from the beginning of the book and continued to enjoy the journey with each twist and turn. It kept me guessing all the way up to the ending.”

“So well written! The story draws you in and you feel like this could have been about your own friends/family…..until the end! Wow….what a finish!”

“I totally enjoyed reading Neapolitan Sky. With colorful and vivid descriptions James brought his characters to life. From beginning to end the suspense builds until the unexpected ending..”

Click here to read more and to download “Neapolitan Sky”

Birthday Reflections at 56

October 5th, 2025 – My 56th birthday.

This is the fifteenth entry in my series of annual birthday reflections. Something I started doing shortly after I began my writing journey in the fall of 2011. As I sit here now, drinking coffee on this beautiful fall Sunday morning, it’s hard to believe that I’m officially closer to 60 than I am to 50.

It seems like it was only yesterday I was the youthful teenager driving my pals around in a beat-up 1973 Toyota station wagon, hauling my guitar to lesson every week, going to the Palmer Park Mall on Friday nights after school, pouring what seemed like millions of dollars worth of quarters from summer lawn mowing money into video game cabinets, having my fill of Orange Julius and wishing I could somehow muster up the courage to go over and talk to the cute girl who was standing with her friends outside of the Listening Booth record store.

Wasn’t I the one who was able to go to rock concerts and stay up until the wee hours of the morning and still be able to get up for school the next day? I was the one who could sit in some dingy downtown diner deep into the night; chain smoking cigarettes, eating french fries smothered in imitation cheese sauce and drinking gallons of coffee. Talking with my friends about our plans to take on the world and make all of our dreams come true. And who could possibly forget singing ̶h̶o̶r̶r̶i̶f̶i̶c̶ beautiful three-part acapella versions of Eagles songs in the parking lot until 2 a.m. until ̶t̶h̶e̶ ̶p̶o̶l̶i̶c̶e̶ ̶a̶r̶r̶i̶v̶e̶d̶ we finally called it a night? Then to get home and lay there alone in the dark, listening to the whirring hum of a portable fan and feeling excited about the possibility of everything we’d just talked about coming true, before finally drifting off to sleep. These days, I’m lucky if I can stay up past 10 p.m.

There’s an odd sense of immortality you have when you’re young that makes you believe time will always stand still. One that pulls you close and then whispers in your ear, telling you that you’ll never be as old as your parents. But then one day you take a nap and wake up in their role and realize your parents are gone and time waits for no one. 

To give you some perspective, my father died twenty-eight years ago this month at the age of 51. As of today, my birthday, I’ve outlived him by five years. My mother died in March of 2020, already five years ago. A few months ago, one of the friends who made those many coffee and cheese fry runs with me and talked about taking on the world with our music passed away at the young age of 55.

A few years ago I stumbled upon my Easton Area Middle School student ID card. It was hiding beneath a pile of old knick knacks and memories in the crawl space of my basement. Why I decided to keep it all these years I’ll never know, but seeing it reminded me of the day my homeroom teacher (Mrs. Katz) handed them out in the fall of 1980. It was the first time I ever received a photo identification card of any kind, and although I didn’t much care for my fresh-faced goofy grin photo on the front, there was something printed on the back of the now worn, laminated card that had immediately caught my attention.

There among my bus route and home room information were the words, “YR GRAD-87.” It was the first time I saw the year of my future high school graduation (1987) and the first time I believed it was so very far away. To this shy eleven-year-old boy, seven years seemed like an eternity. The very idea of a youthful me not only seeing the year 1987 but eventually living in the year 2000 and beyond was the equivalent of having a starring role in The Jetsons or a Star Wars movie. It was inconceivable for me to even comprehend living in the space age. My parents were both very much alive at the time as well as both sets of grandparents and all of my classmates and friends. I didn’t have a job, or any roles and responsibilities for that matter, and the only things I looked forward to back in 1980 was Pizza Friday at school, my birthday, Christmas and summer vacation. As far as I was concerned, seven years away could’ve been seven hundred. 

Fast forward and here I am now, sitting on a couch with a scruffy beard and a bit thick in the middle, celebrating my 56th birthday thirty-eight years post high school and twenty-five years beyond the year 2000. It’s mind boggling to think that we’re already 25% of the way through another century. Back in 1980, I thought I had all the time I’d ever need, and now I often find myself feeling the urge to make the most of the time I have left. 

So let’s finish this birthday post by talking about what’s going on now, in the present day. In addition to continuing to do interviews—hopefully, you’ve read a few of them— and watercoloring, this year I finally released a brand new book, “Beyond What We Know.” To say that it’s been a long time coming is an understatement. My last one, “Neapolitan Sky” came out in April of 2018.

The new book has been an absolute joy. Not only for getting to share a soft launch at a retro arcade, but also from seeing so many friendly faces at the book signing I did in September. I dedicated the book to my dad and my friend, Scott, who passed away in April. If you read the story, you’ll understand why.

I think I may celebrate this day by driving my 1965 Mustang (which inspired the new book) to breakfast at the local diner. While there, I’ll drink coffee and reminisce about my life and the friends who’ve moved on. Who knows? Maybe I’ll even get a double order of cheese fries now that I’m eligible for the 55+ discount menu! I’ll also think about the plans and dreams we all made that came true, and the ones still left to find.

Or as Walt Whitman once said:Keep your face always toward the sunshine ~ and shadows will fall behind you

In the meantime, I hope this day and my next trip around the sun brings all of us a newfound sense of hope, peace and most of all, love. 

Jim

Lehigh Valley concert pick: John McCrea of Cake previews SteelStacks performance

It’s hard to pigeonhole the music of Cake into one single slice. That’s because the band, which formed in the early 1990s, has a sound genre reminiscent of all the best elements of country, jazz, folk and bluegrass.

Cake’s ubiquitous American flavor and hits like “The Distance” and “Short Skirt/Long Jacket” have earned them both critical acclaim and a loyal following. Their last release, 2011’s “Showroom of Compassion,” debuted at No. 1 on the Billboard 200 and in the years since they have put out a live album as well as a collection of B-sides and demos.

The band plans to release a brand new, and long-awaited, studio album in early 2026, one which will include their latest song, “Billionaires in Space.”

Fans of the band can hear the classic songs, new material and more when Cake performs at The Levitt Pavilion SteelStacks on Sunday. I recently spoke with vocalist John McCrea about Cake’s upcoming performance and more in this new interview.

Q: Cake has been together now for more than 30 years. When you think about that milestone with so much perspective, what thoughts come to mind?

John McCrea: It’s unusual in the music industry for a band to live this long. I remember when we were first starting out there were a lot of bands that were a way bigger deal than us, but then they’d be gone in three years. Then there’d be another group of bands that were really important, and three years later they’d be gone too. It almost felt like we worked at McDonald’s for too long and saw people just come and go [laughs].

What can fans look forward to from the band’s upcoming performance here in Bethlehem?

A messier, louder version of the studio recordings that are a little more energetic. We also have a few new songs that we throw in every so often that will be featured on our next album. There’s a new song called “Billionaires in Space” we’ve been playing that has been going over well along with a George Jones cover that we just started playing this year. We stopped using a set list because it allows us more freedom to do what we want to do. So we probably won’t know what we’ll be playing until we’re standing up on stage. We’ll play it by ear and see what feels right for the situation.

You can read the rest of my Morning Call interview with John McCrea by Clicking Here.