AXS TV’s acclaimed series, “The Big Interview With Dan Rather” shines a spotlight on some of the most beloved and influential artists and performers. Each week, legendary newsman Dan Rather is joined by members of entertainment royalty discussing each artist’s lives, legacies and careers.
The series returns for a seventh season on Tuesday, April 16 with an exclusive sit-down interview with one of rock’s all-time greatest vocalists, Steve Perry. The hour-long episode features the former Journey frontman candidly discussing his life growing up and his decison to leave the band at the height of their success. A decision brought on by an overwhelming feeling that the passion for music had left him. Perry also reflects on his life growing up a child of divorce, the highs and lows of fame, and about finding the love of his life.
Sneak Peek: Steve Perry recalling the origin of the band’s monster hit, “Don’t Stop Believin” and sharing an amazing story of how the song almost didn’t make it into the season finale of “The Sopranos”.
Sneek Peek: Perry discussing his amazing new album, Traces. Later, he’ll take Rather into the studio for some behind the scenes secrets.
If you are a fan of Steve’s music or Journey, you won’t want to miss this episode.
The new season of “The Big Interview” also includes convesations with KISS frontman Paul Stanley; pop pioneer Cyndi Lauper; Foreigner members Mick Jones and Lou Gramm; REO Speedwagon’s Kevin Cronin, Neal Doughty, Bruce Hall, Dave Amato and Bryan Hitt; Oscar Winning actor, writer, director and musician Billy Bob Thornton; comedy legend Carl Reiner and his son, acclaimed filmmaker Rob Reiner; iconic Country star Travis Tritt; celebrated singer/songwriter and guitarist Boz Scaggs and multi-talented musician and radio host Paul Shaffer, among others…
AXS TV’S The Big Interview With Dan Rather line-up (Tuesdays at 8 p.m. ET):
April 16 – Steve Perry
April 23 – Paul Stanley
April 30 – Cyndi Lauper
May 7 – Foreigner (Mick Jones & Lou Gramm)
May 14 – REO Speedwagon (Kevin Cronin, Neal Doughty, Bruce Hall, Dave Amato & Bryan Hitt)
May 21 – Billy Bob Thornton
May 28 – Carl and Rob Reiner
June 4 – Travis Tritt
June 11 – Boz Scaggs
June 18 – Paul Shaffer
Actor and guitarist Kiefer Sutherland, who has more than 300 shows under his belt and a lifetime of love for music and storytelling, will release his sophomore album, Reckless & Me,” on April 26. The 10-track opus follows on the heels of Sutherland’s acclaimed debut, Down in a Hole, which showcased his infectious brand of Americana/country-rock and his whiskey-soaked growl.
Produced by Jude Cole, Reckless & Me also highlights Sutherland’s master storytelling ability, particularly on songs like “Something You Love,” “Open Road” and the locomotive-like “This Is How It’s Done.” All of which lend themselves equally well to both the record and live performance.
Guitar World recently spoke with Sutherland about guitars, songwriting, Reckless & Me and more in this exclusive interview.
What originally inspired you to record your own music?
I never intended to make a record. I had a bunch of songs I liked and took them to my best friend and incredible producer, Jude Cole, with the possibility of sending them off to see if another artist would record them. After the first few songs Jude said, “I think these are great and you should make a record.” Being incredibly aware of the stigma of an actor doing music I was a bit hesitant, but we decided to record a few more songs to see where we were at. I think it was somewhere around the sixth song that I realized how much I loved the songs and the way Jude was making them sound. We decided to move forward and made the record Down in a Hole and it was one of the best times of my life.
What was the musical direction for the new album, Reckless & Me?
Even though a few of the songs on the new album were inspired by things that happened in my life, a lot of them are songs I wanted for our live set. I thought, Wouldn’t it be great if we had a kick-ass honkytonk song with a driving beat to get the audience moving? That’s when I wrote “This Is How It’s Done.” Then Jude and Brian MacLeod (drummer) sped it up with a relentless locomotive-doing-100-mph backbeat. That song went on the record because I knew it would be great for our set. Then there’s “Something You Love,” which is another driving song that Jude and I wrote together. Instead of sitting in the studio thinking about what sounds would work or what was the most emotionally moving, the choice and direction of the songs for the album were ones that would make for a better show. I’m thrilled with how the record came out and am so excited to be able to go out and play it.
What’s your songwriting process like?
I usually have a guitar with me so typically what I’ll do is noodle around until I find a few chords I like that sound good together. Then it becomes a matter of finding out where they go. The thing I love about acting and songwriting is being able to tell an interesting story. So, if I can get a lyrical idea down, I’ll usually come up with a melody as well. Sometimes Jude will even alter the melody, which is why we always write together. He has a great melodic sense.
Read the rest of my
Interview with Kiefer Sutherland by Clicking Here!
Prior to their creatively joining forces, guitarist Trev Lukather (son of guitarist Steve Lukather) and drummer Josh Devine (One Direction) were already friends, but each was working on separate, pop-oriented projects. It wasn’t until the duo decided to get together in the studio with the idea of crafting music with no rules or boundaries that ZFG (“Zero F#cks Given”) was born.
Rounded out by vocalist Jules Galli and bassist Sam Porcaro, ZFG combines anthemic hooks with a heavy, Earth Wind & Fire vibe to create a sound that not only captures the band’s vast musical influences and repertoire but also ushers in a refreshing landscape of insatiable tone and texture. A feat that’s evidenced with the release of their new single, “Special” — a funk-rock groove fest which features guest percussion by the legendary Lenny Castro. The new song could not come at a better time, as ZFG prepares to embark on its first tours this spring with Adelitas Way and The Winery Dogs.
AXS recently spoke with Trev Lukather and Josh Devine about ZFG, songwriting, music and more in this new interview.
AXS: How did ZFG come together?
Trev Lukather: Josh and I met through mutual friends. I’d heard a lot about him and knew that his playing was badass but at the time, he was in a project and I was doing my own pop-oriented thing. When we finally met the two of us hit it off right away.
Josh Devine: One day we decided to book a studio session and write a few songs without any rules. Something that would showcase us as players and songwriters but also the fundamentals of what we enjoy – rock-oriented music with great groove and melody. We got in and the flavor was right. At the end, we decided to name the session ZFG (Zero F#ks Given) because that was genuinely what the project was about. No one was telling us what to do or play. We did whatever we wanted. Then Sam and Jules came in and added their own unique flavor to the mix. ZFG was born.
AXS: What’s the band’s songwriting process like?
TL: It usually starts with me picking up a guitar and jamming some riffs. Then the rest of the guys join in and we all start jamming together, picking out parts and bringing them all together. In every session we’ve done as a band there hasn’t been one song that we haven’t gotten giddy about. It’s the perfect bottle of deliciousness.
JD: It’s rare to be with a bunch of people where everything you write is special. I think it’s because it’s authentic and we love what we do.
Following a successful debut earlier this year, multi-platinum and Grammy-award winning artist Kenny Loggins is making his return to the Wynn Las Vegas at the Encore Theater for a second headlining engagement that runs March 27, 29 and 30.
Dubbed “The Life And Times,” the performances will feature material that spans Loggins’ 40+ year career. From his early days with Loggins and Messina and successful solo career, to becoming the king of the Hollywood movie soundtrack in the eighties, fans can expect to hear an arsenal of hits that include “Danny’s Song,” “House on Pooh Corner,” “I’m Alright,” “Footloose” and many more!
AXS recently spoke with Kenny Loggins about his upcoming Vegas residency, some of his biggest hits, and one of the most memorable moments of his career in this exclusive new interview.
AXS: What can fans expect from your upcoming Wynn Las Vegas performances?
Kenny Loggins: It’s a hit show I call “The Life And Times” that covers the songs I wrote and the different stages of my career. From Loggins and Messina to the movie period in the eighties and the solo career. Turns out, there was a lot of music during that time!
AXS: What do you think makes your style of music so timeless?
KL: You can’t really explain it and it’s not a formula. I just think the way pop culture works, everything old is eventually new again. Mike McDonald and I recently wrote and performed a song with Thundercat, and all of a sudden it’s kind of cool again. If you stay on your feet long enough you might come back around.
AXS: Has your writing process changed much over the years?
KL: Not really. I still keep notes and lyrical ideas and will wake up in the middle of the night with melodies running through my head. It’s a habit of a lifetime. I started mentoring a lot in the last year. I live in Santa Barbara where we had the terrible fires and mudslides. In the process of recovery, I helped some local teenagers put on a fundraiser. I enjoyed it so much that I decided to go to a songwriters festival in Hawaii and mentored those kids as well. I really enjoy the process of mentoring. It’s very natural and creative.
You can read the rest of my
Interview with Kenny Loggins by Clicking Here!
Fresh off their stint on America’s Got Talent and following the release of their infectiously cool debut album, ‘Lifeline,” We Three –which consists of siblings Manny Humlie, Joshua Humlie and Bethany Blanchard—have embarked on their very first national headlining tour. One that will take the AGT semi-finalists across the country to meet their legions of fans and perform their insatiable brand of pop/rock.
What makes We Three so special, aside from their groove ridden and story-telling songs, is their high-energy performances. The trio promises to perform their album in its entirety on this tour, which includes the emotionally powerful “Heaven’s Not Too Far” as well as their latest single, “Lifeline.” They’ll also unveil some brand-new material and a few surprise covers as well.
AXS recently spoke with We Three about the Lifeline Tour, music and more in this exclusive new interview.
AXS: How has the Lifeline Tour been going so far?
Manny Humlie: It’s been absolutely amazing and a dream come true. Just coming off stage and knowing that we get to it, again and again, is so exciting. Watching people singing our songs and connecting with them is a surreal feeling. There are no words to describe it.
Bethany Blanchard: We’ve been in these amazing places and the venues are so beautiful. It’s something we’ve never experienced before.
Joshua Humlie: It’s been very emotional to see people right up in front singing every lyric to the songs. Even the newer songs in our set that no one has ever heard outside of the album.
AXS: What can fans expect from your live performance?
MH: A lot of energy and crowd participation. We don’t like people to be sitting down much. We’re having a party on the stage and would love for them to come join us. We’ll be playing the whole record, some new songs as well as a few covers.
AXS: How would you describe the sound of We Three?
BB: We like to say that our songs are married to each other, both lyrically and melodically. It’s pop-rock and there are a lot of artists we pull from. All of our songs tell stories.
AXS: What’s your writing process like?
MH: For me, I have to set a mood and a tone. I think Ed Sheeran said it best when he said songwriting is like studying for a test. I’m constantly writing down ideas and phrases so that when the heavens open up I’ll have a lot of ammunition ready to go. I may not use half of what I write down but I’ll always have something to work off of.
Fresh off his acclaimed performances on America’s Got Talent: The Champions, powerhouse vocalist Brian Justin Crum is back with his brand-new single, “Circles.”
The hook-laden song, which discusses breaking out of the circle of toxicity and rediscovering your love, is as infectious as Crum’s show-stopping renditions of classic rock songs from Queen and Elton John that won him the hearts of America.
AXS recently spoke with Crum about the new single and more in this exclusive new interview:
AXS: What was your experience like on America’s Got Talent: The Champions?
Brian Justin Crum: It was awesome. It was long days and a lot of hours but an incredible opportunity to showcase what I do to the world. I wish I could’ve had more say into what I did and how I did it but that’s the nature of the beast. You just have to take the opportunity that’s given to you and run with it.
AXS: Were there any extra nerves going into an all-star competition like this?
BJC: Not really to be honest. The show’s never been about the completion for me. We all do very different things and we’re all very good at what we do. I just had a good time watching people shine.
AXS: You’re known for your infectious rendition of Queen classics like “We Are The Champions” and “The Show Must Go On”. What is it about their music that appeals to you?
BJC: The music is timeless. It plays as well, if not better, now than it did back then. Freddy [Mercury] was not just a singer. He was an artist and a poet. His music has energy and speaks so beautifully to what it feels like to be a queer person. I love singing the lyrics because I feel like it was written for me to tell my story. I will always have a love for that music because I feel joyful when I sing it. It just feels right.
AXS: What can you tell me about your new single, “Circles?”
BJC: We’ve all experienced that relationship where we find ourselves having those same fights, discussions and toxic things creeping in. The song is about wanting so desperately to break that cycle with the person you love. It was therapeutic to write and sing about something I’ve experienced myself. I’m so happy that people are responding to it and that it’s being so well received.
You can read the rest of my
Interview with Brian Justin Crum by Clicking Here!
Still powerful in its message and poignant in its relevancy more than thirty years after its release “Powwow Highway,” based on the novel by David Seals, remains one of the most timeless and significant films about the indigenous struggle to preserve their native culture.
The film tells the story of Native American Philbert Bono (Gary Farmer), a reflective and loveable man seeking to gain higher identity through the use of mystical and traditional means. His friend and Vietnam War veteran, Buddy Red Bow (A Martinez), is an adversarial social activist trying desperately to protect what’s left of his Cheyenne Reservation from government interlopers and greedy land developers.
The story takes a unique turn when the duo goes on an unexpected road trip in a rusted-out car to rescue Red Bow’s sister, Bonnie (Joanelle Romero), who’s been wrongly accused and arrested in Santa Fe, New Mexico. Along their journey, Red Bow’s hard-edged view of life and the world around him is put to the test by Philbert’s resolve and undying faith. Together they will learn the true meaning of their heritage, friendship and love.
The award-winning film, which includes the coveted Filmmakers Trophy at the 1989 Sundance Film Festival, was produced by late Beatle George Harrison and features a rich soundtrack that includes songs by Robbie Robertson, U2 and Creedence Clearwater Revival.
Amanda Wyss, who’s intense portrayal of the flawed Meridith Lane in the 2015 psychological thriller, “The Id,” is equally as brilliant in “Powwow Highway” as Rabbit Layton, a fiery Texan who plays an important role in the film’s climatic third act.
Although filmed in the late 1980s, the messages behind “Powwow Highway” tragically continues to stand the test of time.
I recently spoke with Wyss about the 30th anniversary of “Powwow Highway” and more in this exclusive new interview.
When you look back on “Powwow Highway” with so much perspective what thoughts come to mind?
It doesn’t feel like thirty years have gone by because I remember it as if it were yesterday. It was exciting on so many levels. First, it was based on real characters and we had an amazing cast of brilliant actors like Gary Farmer, A Martinez and Joanelle Romero. George Harrison produced it and Robbie Robertson was doing the music. We filmed it as a road movie in Montana, Wyoming, South Dakota and New Mexico and everyone became immersed in the story.
Why do you think the film remains timeless and relevant so many years later?
It’s amazing and tragic at how so little has changed. That’s why it remains so relevant. From working on the film, I learned a lot about the activism side and how hard different reservations have to fight against the government just to maintain their land, culture and resources. I walked away from the film with a deeper respect for the people fighting to protect and preserve what they have left. It’s made a lifelong impact on me. But we all share a similar deep connection. Jonathan Wacks [director] went on to teach film at the College of Santa Fe for many years. Joanelle also goes there a lot. She created The Red Nation Film Festival, which showcases indigenous filmmakers. She’s a great actress, singer-songwriter and mother.
What initially attracted you to the story?
I was sent the script and knew right away it was a part I had to play. I loved Philbert Bono (Gary Farmer) and the character of Buddy Red Bow (A Martinez) and their relationship. I also loved that it was set in the southwest and based on real people. The character of Rabbit Layton was so fun. I felt her in my bones.
Do you have a funny story to share about the role?
I remember going to read for the role and it was put on tape. I had a hair appointment later that afternoon and dyed my hair red and the color didn’t come out right. I was resigned to having to wear it for a while but then got a call back and had that put-on tape as well. Up to this point, I hadn’t even met the director and got a call from him later that night offering me the role. I’ll never forget what he said: “You know, it might have just been the lighting, but on camera your hair looks pink” [laughs]. I admitted to him that it was and he asked if there was any way I could put it back to blonde. Give credit to the wonderful hairdresser because I had about five days to change it back.
What were your thoughts when the film won the Filmmakers Trophy at Sundance?
It was thrilling. We didn’t celebrate it there but we knew it was special because its message and story was so powerful. I feel lucky to have played a part in telling it.
Do you ever foresee yourself getting on the other side of the camera at some point?
I have a strong desire to direct and hope that will be my next phase. I love the idea of not just having a microcosm of a movie as an actor but an overall view of the story and all of the little pieces. To be able to put people together on the same page as you are about the story you want to tell and how you want to tell it. I’d be very excited to do that.
What role would you consider to be your deepest dive as an actress?
One of my deepest dives was “The Id.” It was an extraordinary experience with people who protected and enabled me to go down a rabbit hole that was deep and messy. I felt totally safe because of the director of photography, the director and producer. It was a huge learning experience for me and a powerful, creative moment. I like playing characters with a dark side that gets revealed and feel very fortunate for the people who’ve given me the opportunities and roles I’ve been able to play.