While working on various film and television projects, actress Chuti Tiu was motivated to write a story about the reflecting values of women in Asian-American culture. Together with actor/director (and real-life husband) Oscar Torre they’ve brilliantly captured that vision as well as the essence of crossing from one stage of life to the next with their emotional new film, Pretty Rosebud.
In Pretty Rosebud Tiu plays the role of Cissy Santos, a career driven woman desperately searching for what will truly make her happy and in the process makes questionable decisions and encounters family rebellion. Moving and at times controversial, the film explores the traditional roles of women in immigrant culture and what happens when those expectations are ignored. Pretty Rosebud also stars Kipp Shiotani as Cissy’s out of work husband Phil, himself going through a transitional struggle of his own.
In addition to his supporting role, Oscar Torre shines in his directorial debut. With no formal education in film production but having spent countless hours on set as an actor, Torre delivers a true sense of Tiu’s flawed, believable characters going through transition. A coming of age for adults and a passion project for both Tiu and Torre, Pretty Rosebud takes a personal, intimate look at family rebellion and infidelity. More importantly, it’s a story about about striving to find your own voice.
The film is set to premiere at the Reel World Film Festival in Toronto, Canada in early April to be followed by a theatrical run in select cities across America. More festival and release dates will soon follow to make this must-see film accessible to all.
I spoke with Tiu and Torre about the making of Pretty Rosebud and more.
What inspired you to write the story?
Chuti Tiu (Tiu): In terms of values, I really wanted to explore the conflict between immigrant parents and first generation American born children. As children, we’re taught to follow the sometimes stereotypical pressures from family tradition, religion and culture. It’s only when we become adults that we realize it might not be something we want. Then there’s the idea of infidelity. When a man is unfaithful, society doesn’t seem to be as antagonistic as much as if it were a woman. I wanted to explore that as well.
Oscar, did you always plan to direct the film?
Oscar Torre (Torre): Originally, I hoped to just have a part as an actor, but as we started looking at directors and thinking about what we were looking for I began to think that it might be something I could do. I had never directed anything before and wasn’t sure if I wanted to take on that pressure and responsibility. Finally, I just threw it out there and to Chuti’s credit, we were both on the same page.
Tiu: I remember the first time Oscar read the script. He really loved it and wanted me to make it. Then as our relationship grew, he encouraged me more and more. I have to credit his encouragement and belief in me that it got done.
What was the filming process like?
Torre: It was the most stressful thing I’ve ever done but also one of the most rewarding. I really enjoyed the creative aspect of putting it all together. From story boarding, to determining camera shots and even choosing colors for the walls. Then being able to go out and actually shoot a film that had already been inside my head for months. There were some challenges along the way when things didn’t work out the way I had originally envisioned, but I really enjoyed the process of overcoming them.
What was it like working with Kipp Shiotani?
Tiu: Kipp was wonderful and was really involved in the creative process. For us, it was almost like playing tennis. You’re really able to volley back and forth when you find someone who is just as passionate as you are about the craft and story.
What can you tell me about the film’s upcoming theatrical run?
Tiu: We’ll have our Canadian premiere in Toronto next month and will then be having showings in LA, Salt Lake City, Chicago, Milwaukee and Miami.
Torre: We’ve also been chosen for the Big Island Film Festival in Hawaii at the end of May and have a few more festivals lined up. Then we’ll be looking into a larger theatrical release and VOD.
What other projects are you currently working on?
Tiu: I’m currently writing a project of my own that has to deal with the issue of death and how we wrap our heads around it. I also play Nurse Lailani in a series called Chasing Life which premieres this summer on ABC Family.
Torre: I play a lead role in a film called “Eenie Meenie Miney Moe” that’s coming out April 15th on Red Box. I also have a script for a short film that I’ll direct and also star in with Chuti. It’s the story about two characters from two different worlds who have nothing in common but meet once a week in a motel room. There are a few twists in the story as well. Then there’s Lunarticking, which is a film Chuti and I co-wrote along with a friend. It’s an emotional thriller that we hope to start filming at the end of the year.
How does completing this film compare to some of your other projects?
Torre: It’s much more rewarding. In a way, it’s like having a child. You don’t know what he or she is going to grow up to be like or how they’ll be perceived by the world, but you’re proud with each step that you take. Having people come up and tell us they identify with the characters is the real gift. It was our vision, but it took the help of a lot of people behind the scenes to make it happen. As an actor and director you often get a lot of credit, but if you don’t have a great team bringing their own creativity and input you don’t have a film. Our cast and crew was extremely diverse in background and it was important to have that kind of family to work with. They’re all part of this journey and its been fantastic.
Tiu: As an actor, I always thought of myself as one of the colors being used for an amazing painting. For this project, Oscar and I have been the painter and the canvas as well as some of the colors. It’s been our baby from the blank page on up and it’s great to see that we’ve been able to move and inspire people. It’s why we create art in the first place.