Category: Morning Call

Penn’s Peak concert preview: Female tribute band The Iron Maidens discuss impact of original English rockers and guest appearance of Eddie

The Iron Maidens

Since their formation in 2001, The Iron Maidens have garnered international acclaim as one of the most popular Iron Maiden tribute bands. 

The all-female quintet, consisting of Kirsten Rosenberg (vocals), Wanda Ortiz (bass), Linda McDonald (drums), Courtney Cox (guitars), and Nikki Stringfield (guitars), are all consummate professionals, with diverse artistic backgrounds ranging from orchestral and musical theater to blues, rock, and metal.

Boasting both beauty and musicianship, The Iron Maidens cover note for note Iron Maiden material from all eras of the band’s more than four-decade career — including their biggest hits and seminal fan favorites. Their high energy stage show also includes appearances by Maiden’s iconic mascot, Eddie, the grim reaper, and more.

Fans of Iron Maiden’s music won’t want to miss The Iron Maidens when they perform at 8 p.m. Sept. 10 at Penn’s Peak in Jim Thorpe.

I recently spoke to them about their upcoming show and more.

James Wood for The Morning Call: How did The Iron Maidens tribute project come about?

Linda McDonald: “I was playing in an original band with another guitar player, and we were looking for a bass player. We wound up getting a call from a mixed-gender Iron Maiden tribute band that wanted us to come down and check them out. When we got there they told us they wanted to go and form an all-female version of that band and were looking for a drummer and guitar player … so the two of us ended up joining them. It was perfect because Iron Maiden is the band that got me started playing drums.”

What was it about Iron Maiden’s music that appealed to you?

McDonald: “When I was in high school, I got sent home for a few days because I wasn’t being a very good girl [laughs]. I went into my brother’s record collection and found the album, Maiden in Japan. I was floored with just how tight the band sounded. It was pure and honest and the energy captured just blew me away. That was the moment I decided I wanted to play drums with that same kind of energy and drive.”

Wanda Ortiz: “I’m a bass player, so I’m drawn to music that has interesting and challenging bass lines. Steve Harris’ bass lines and how all the songs are written around them are what really drew me in.”

Read the rest of my

Interview with The Iron Maidens by Clicking Here.

SteelStacks concert preview: 90s hitmakers Collective Soul set to ‘Shine’ again with chemistry back

Collective Soul – Photo by John Fulton

Collective Soul first rose to fame in 1993 when a DJ in Orlando, Florida decided to start playing their rock anthem, “Shine.” 

The resulting enthusiasm and request for continued plays propelled the group from their humble Georgia-based roots to international acclaim.

Over the course of their career, the quintet has sold more than twenty million records and amassed an arsenal of hits, like “December” and “The World I Know,” that helped define alternative rock. The band’s most recent studio album, 2019′s Blood, also received praise for its indelible consistency of combining all the different styles of music the band has accumulated over the years.

Having recently wrapped their first-ever joint tour with Styx, Collective Soul will headline a performance with fellow nineties veteran bands Better Than Ezra and Tonic at 7 p.m. September 9th at Levitt Pavilion SteelStacks in Bethlehem as part of ArtsQuest’s Summer Concert Series.

I recently spoke with Collective Soul guitarist Dean Roland about the band’s upcoming Lehigh Valley show and more.

James Wood for The Morning Call: What’s it like being back performing live shows again after such an extended period of time away during lockdown?

Dean Roland: “This has been the longest break in our career. It’s great to getting the chemistry back together and seeing people having fun and celebrating music again.”

What can fans expect from your upcoming performance in Bethlehem with Better Than Ezra and Tonic?

“A lot of good songs that they know and enjoy and can sing along to. We’ve known the guys from Better Than Ezra and Tonic for years and have done many tours and festivals together. We all live in different cities now but it’ll be fun to get out there and share our passion for music with the audience.”

Read the rest of my

Interview with Dean Roland by Clicking Here

Musikfest Concert Preview: Colin Hay talks about his Men At Work days and being ready to entertain live again

Photo: Paul Mobley

With hits like the ubiquitous “Down Under,” “Who Can It Be Now,” “Be Good Johnny” and “Overkill,” Colin Hay has amassed an arsenal of radio hits and fan favorites. But it was during the recent lockdown when touring was impossible that Hay found himself alone in his studio with nothing to do. It was during this time that he decided to revisit some of the songs that impacted his life as a young fellow. Thus was born Hay’s appropriately titled covers album, “I Just Don’t Know What To Do With Myself.”

The album features Hay’s take songs like “Don’t Let The Sun Catch You Crying” (Gerry and the Pacemakers), “Ooh La La” (Faces), “Can’t Find My Way Home” (Blind Faith), “Wichita Lineman” (Glen Campbell), as well as the title track, originally performed by Dusty Springfield.

Now that he’s back on the road, fans of Hay’s work as a solo artist and with Men At Work will have the opportunity to hear these songs and more when the Colin Hay Band performs at Musikfest’s Wind Creek Steel Stage 7 p.m. August 11.

Speaking of Men At Work, this year marks the 40th anniversary of the Australian band’s monumental debut, “Business As Usual.” The album spent weeks at #1 on the Billboard album chart and earned Hay and his mates a Grammy for Best New Artist.

In addition to his “I Just Don’t Know What To Do With Myself” album and tour highlighting it, Hay is also finishing work on a new collection of original songs that will be released sometime in the new year.

I recently spoke with Colin Hay about his upcoming Musikfest performance, his new album and more:

James Wood for The Morning Call: What can fans expect from your upcoming Musikfest performance?

Hay: “They can expect to be entertained. I’m going to play a mix of songs from my new covers record as well as some new material people haven’t heard before. I’ll also do some old Men At Work songs and songs off the solo records. It’s going to be a long set so people coming should prepare to settle in for a while.”

What inspired your new covers album, “I Just Don’t Know What To Do With Myself”?

“I had already finished recording an album of new songs that will be released early in the new year and wasn’t sure if I was going to be able to go out on the road. Gerry Marsden (Gerry And The Pacemakers) had recently died and I was playing ‘Don’t Let The Sun Catch You Crying’ in my studio. I decided to record it and sent it to my friend and producer, Chad Fischer. He orchestrated it and sent it back and said, ‘Ok, send me another.’ So, I just kept going until we had 10. These are songs I loved growing up and formed me or inspired me in some way. I love the choices and the way they hang together. I really love the way it turned out.”

Read the rest of my

Interview with Colin Hay by Clicking Here.

Sellersville Theater concert preview: Dream Theater keyboard player Jordan Rudess discusses his musical journey and rock roots

Jordan Rudess (Photo Nidhal MARZOUK)

Jordan Rudess is perhaps best known as the keyboardist/multi-instrumentalist for the platinum-selling progressive rock band Dream Theater and the side project, Liquid Tension Experiment. But Rudess, a classically trained virtuoso from the age of 10, has also worked with the likes of Deep Purple, The Dixie Dregs and David Bowie among many others. 

He’s also the owner of Wizdom Music, an application development company that makes award-winning apps for keyboard synthesizers.

At 8 p.m. June 25, Rudess brings his solo piano tour to the Sellersville Theater in Sellersville. Tickets are available for $33-45 at st94.com 215-257-5808. Limited seats remain but a livestream is available.

The show, dubbed ‘A Chapter in Time,’ will document Rudess’ musical journey — which began in grade school, then to Julliard and progressed to his work with Dream Theater and Liquid Tension Experiment. Rudess will also explore improvised selections from his progressive rock roots as well as his beautiful new album, ‘A Chapter in Time.’

In addition to Rudess’ performance on the Sellersville stage, a livestream is available for fans with COVID safety concerns. All livestream ticket holders will be emailed a link to enjoy the show.

I spoke with Rudess about his upcoming performance as well as his latest album.

James Wood for The Morning Call: What can fans expect from your upcoming Sellersville Theater performance?

Rudess: “I love doing these piano shows because the piano is my home territory. As much as people know me as the Dream Theater keyboardist the piano is where it all started. When I do these events, it’s a chance for me to let my musical spirit out. I’ll play Bach, some Chopin and improvise or play arrangements of progressive rock, Dream Theater and Liquid Tension Experiment. I’m happy I chose the piano because its wide range allows me to do this kind of thing. People can expect to hear a full representation of who I am musically and get a feel for all the things I’m involved with.”

Did you always know music would be your calling?

“Honestly, I did. The short version is that I had been playing piano in my second-grade classroom. My teacher called my mom and told her how I was playing so beautifully. My mom told her she must be talking about someone else, because I didn’t play. No one in my family was involved in the arts or even played an instrument, although my mother always liked music. Once she heard I was playing it sparked her imagination and a few days later a white piano arrived at the house. I started taking lessons and never looked back.”

Read the rest of my

Interview with Jordan Rudess by Clicking Here.

Lehigh Valley native John Morgan Kimock talks about his atmospheric electronic music and playing with members of Grateful Dead

A Lehigh Valley native, drummer John Morgan Kimock’s music can best be described as the soundtrack you’d hear while taking an ethereal hike or walk through the forest.

Photo by Mandy Pichler

Kimock attended Notre Dame High School for one year and the Lehigh Valley Charter High School for the Performing Arts, where he studied drums, for three.

He also played with local musicians, including Post Junction and the Octave Below, in Lehigh Valley musical venues such as Godfrey Daniels, The Funhouse, Pearly Baker’s and Porters’ Pub.

His latest album, “Hikikomori,” released in March, is a patchwork quilt of organic, cinematic atmosphere. Although a primarily drum-focused compilation, it’s one that is also uniquely rich with layers of instrumentation and experimental sound.

I recently spoke with John Morgan Kimock about his music and more.

James Wood: How would you describe your music in terms of its sound? Is there a way you could put into words what your music is all about?

Kimock: “It’s cinematic, psychedelic, and made with both electronic and organic instruments. I like to say that if you took a drive or went somewhere to clear your head, my music is a good companion to go with the visual.”

Was this the type of music you always aspired to do?

“It was all kind of a big happy accident. Like any career, you make connections and eventually they start to pile up. Then all of sudden, you find yourself doing something you never thought you’d do. My dad [Steve Kimock] is a musician who grew up in the Lehigh Valley and I attribute a lot of my drumming career to him. He hired me a lot when I was in my late teens and early 20′s.

“Through that, I was able to meet people at shows and festivals and would wind up getting hired on to do something else. The music I make now has a lot to do with my love of instrumental and movie music. Music that accompanies a video and comes with a visual element. The music is certainly honest, and I enjoy sharing it with others.”

Read the rest of my Morning Call Interview with John Kimock By Clicking Here.

ArtsQuest concert preview: Guitarist Samantha Fish talks about the blues, her new album and raw, rock trio show

Photo: Kaelen Barowsky

Anyone who’s heard guitar maven Samantha Fish’s previous albums knows she’s developed an uncanny knack for combining elements of contemporary blues with guitar ferocity and visceral emotion.

Her most recent album, 2019′s “Kill Or Be Kind,” is reflective of that. It’s the first album to feature Fish as the sole guitarist and is rooted deep in the Delta, with a strong Memphis undertone.

Fish will bring her energy, and guitar, to Bethlehem’s SteelStacks 7 p.m. Friday, April 16, for an outdoor performance at the Highmark Blue Shield Community Stage on the Air Products Town Square. For this round of shows, she has stripped her band down to a three-piece unit, giving her the flexibility and freedom of extending lead breaks with dynamic improvisation.

CDC guidelines for proper social distancing and to provide a safe dining experience for all patrons will be in place at the performance, and Levitt Pavilion lawn spots will be spaced out accordingly. Food and beverages will be available via the Mack Truck Stop and bar on the lawn. No outside food or drink will be permitted.

I recently spoke with Samantha Fish about her upcoming show at SteelStacks. We also discuss her latest album, “Kill Or Be Kind,” memorable moments, and what makes blues such a great form of music.

As an artist, how has it been going for you this past year with touring being canceled due to COVID-19?

Samantha Fish: “Some days are better than others. The industry itself has changed so much over the last 10 years and performers now have to be on the road to have any kind of career. To have it all go away suddenly was a little jarring. It took me several months to truly understand that we were going to be in this for the long haul.”

Read the rest of my of my Interview with Samantha Fish by Clicking Here.

Guitar hero Gary Hoey, coming to ArtsQuest, talks about touring with Ozzy Osbourne, Jeff Beck and Joe Satriani

Photo: David Brow

With a career spanning 22 albums in a multitude of styles ranging from rock, surf, blues, and metal, Gary Hoey is one of the prolific guitarists in music.

His unique style and popular “Ho! Ho! Hoey” series during the holiday season brought him legions of fans. Hoey has toured with guitar legends like Jeff Beck, Brian May, Ted Nugent and Joe Satriani. And as a producer, he’s worked with artists like Lita Ford, as well as scoring the soundtrack to the film, “The Endless Summer II.”

On Saturday, March 13, fans will be able to experience a unique taste of Hoey’s musical legacy when he brings his intimate Retrospective Solo Show to ArtsQuest’s Musikfest Cafe in Bethlehem.

The high-energy performance will feature Hoey along with backing tracks from his original albums. Fans can expect to hear songs including “Mass Hysteria,” “Drive,” and “Peace Pipe,” as well his cover versions of the Focus hit “Hocus Pocus,” and War’s “Low Rider.”

Hoey will also entertain the audience with a Q&A session and share behind-the-scenes stories, which will likely include his 1987 audition with Ozzy Osbourne — an experience that inspired his move to Los Angeles and launched his career.

ArtsQuest’s Musikfest Cafe will be following CDC guidelines for the show, including temperature checks prior to entry, mandatory mask-wearing and social distancing. SteelStacks also has upgraded and expanded its cleaning and disinfecting procedures before, during and after all events to ensure patrons’ safety.

I recently spoke with Hoey about his upcoming Lehigh Valley performance.

James Wood: As an artist, what’s it been like for you adjusting to the lockdown requirements?

Gary Hoey: “It’s been quite a year navigating … but like everyone else, we’ve been dealing with it one step at a time. Early on, I decided to go online and do more livestreaming to try to connect with the fans in a different way. It worked out well because it exposed me to a whole new fan base. I also do a coffee time with my mom where we hang out live on Facebook and have coffee. I also do a ‘Hang Out With Hoey’ where we play songs and do whatever we can to keep people engaged.”

What can fans expect from your upcoming SteelStacks performance?

“In this business, it’s about reinventing yourself and finding ways to take a difficult situation and make it better. The thing about doing these limited capacity shows is that the venue doesn’t make as much money and neither do I, but what’s important to me is to support these venues. So I decided to put together a solo tour. It’s an intimate show where I’ll do a little bit of storytelling and a retrospective of my 22 albums. There will be early stuff, surf, blues, metal, shred and acoustic. I want to give everyone a taste of my career and make it an interesting night.”

Read The Rest of My
Interview with Gary Hoey by Clicking Here!

Live concerts at ArtsQuest start making sense for Talking Heads tribute band leader and friends

When Jon Braun — vocalist for (Lehigh Valley-based) Talking Heads tribute band Start Making Sense — was asked about doing a residency at ArtsQuest, the multitalented artist had a perfect idea: Gather a bunch of musical friends for a run of shows featuring not only hits from Dave Byrne’s ‘80s New Wave pioneering band, but also to rock out tributes to Tom Petty and Jane’s Addiction.

The aptly titled Start Making Sense & Friends, begin their Bethlehem/ArtsQuest residency with the music of Petty’s seminal “Wildflowers” album on Feb. 5, and will follow this up with full album shows of alt giants Jane’s Addiction’s “Nothing Shocking” and “Ritual de lo Habitual” on Feb 12.

Braun will then bring the original three-piece rock project, Ruby Dear, to the Musikfest Cafe on Feb. 19 for a record release performance. The residency will culminate on March 5 with a unique and special Start Making Sense concert.

ArtsQuest says all shows are being presented with a safety layout designed to follow CDC guidelines and health measures. This includes mandatory mask requirements, capacity and social distancing measures, limited table reservations (2-6 guests with chairs spaced 6 or more feet apart), as well as regular cleaning of facilities, including major touchpoints.

The venue’s HVAC system has also been reconfigured to allow more fresh air to circulate within the building and HEPA filters have also been upgraded.

I recently spoke with Braun about the upcoming residency and more.

James Wood: As an artist how has it been dealing with the lockdowns imposed by COVID-19 this past year?

Jon Braun: “I assume it’s very similar to everyone else whose work has been restricted. We normally do more than a hundred shows a year. Last year we did 10. Fortunately, a lot of us also teach music throughout the year so that’s given us a little sense of normalcy. We’ve also had a lot of time to put together things like this residency, which is something we’d never have time to do in a normal year.”

What were those first shows like for you after being away for so long?

“We’d already done a few livestreams but the first outdoor show we did was odd because it wasn’t the normal set up, and the crowd size was limited in capacity. At the same time, the first time we finished a song and heard people clapping and cheering was just amazing!”

Read the the rest of my
Interview with Jon Braun by Clicking Here.