David Duchovny, the award-winning actor, director and novelist has just released his new album, Every Third Thought. It’s the follow up to his 2015 debut, Hell or Highwater.
Crafted with elements of folk, classic rock and pop, Every Third Thoughtshowcases Duchovny’s eclectic influences, which range from artists like The Beatles and David Bowie to the bright, haunting and acoustic-driven songs from 1970’s bands like America.
Recorded in Brooklyn in December of 2016, Duchovny finds a deeper level of lyrical maturity and musical expression with Every Third Thought. His honest storytelling speaks of personal reflection but is meticulously crafted with universal themes.
AXS recently spoke with David Duchovny about Every Third Thought, songwriting and more in this exclusive new interview.
AXS: How does Every Third Thought compare to your first album, Hell Or Highwater?
David Duchovny: This album is more musically varied and ambitious. The songs all started the same way, which was me throwing chords together with an acoustic guitar and then singing my words over it. Once I started collaborating more with my band–who are such advanced musicians–it allowed them to bring in their own sonic tastes. So, it wasn’t just me saying I’ve got this song but was more like I’m hearing a David Bowie, “Heroes” vibe, which was the case with the song, “Half Life.” Or from me saying “Last First Time” feels like a 70’s power rock ballad. They were able to open the song up and execute the things that I couldn’t.
AXS: Have you found that your lyrical style has matured with this new album?
DD: Having written a bunch of songs, I’m starting to get a better feel for how lyrics work. I still very clearly recall writing my first song, “The Things” on Hell or Highwater. I remember thinking that if I’m going to write a song, I’m not going to say anything specific in it because I don’t want people asking me what it means. And what could be more neutral than saying, “It’s about this “thing” [laughs].” I try to straddle the line of a song being very personal but also universal. Everybody’s life has a very similar shape. You try to write as personally as you can and write to the shape of everybody’s life.
AXS: What was the writing process like for Every Third Thought?
DD: It’s always different. Sometimes, I’ll have a melodic hook in my mind and a chord progression waiting for words. Other times, the words will come first and they’re waiting for a melody. I’ve got a bunch of lyrics off to the side on my iPad and a bunch of progressions off to another side. Sometimes, I’ll sit down and start introducing them to one another and see who wants to make out [laughs].
Read the rest of my
Interview with David Duchovny by Clicking Here!
In the early 1900’s, a wealthy alchemist, Jacques St. Germaine, [Dan Istrate], travels to New Orleans to seek help from the legendary voodoo priestess Marie Laveau [Dionne Audain]. When a spate of murders are uncovered, Jacques and the quarreling locals butt heads as they try to discover the identity of the killer.
Featuring a cast of characters pulled directly from actual police reports, “Dinner with the Alchemist” weaves historical fact and imaginative storytelling into a mysterious supernatural drama.
Written by Jenna St. John [who also appears in the role of Abigail] and directed by Kevin Good, “Dinner With The Alchemist” is part love story, part supernatural thriller and part historical documentary of life in early twentieth century New Orleans.
With its rich musical score, brilliant cinematography and a diverse and believable ensemble cast, the filmmakers have succeeded in delivering one of the best and most imaginative independent films of 2018.
“Dinner With The Alchemist” also stars Megan Graves, Tamara Johnson and Regen Wilson.
I recently spoke with Jenna St. John about “Dinner With The Alchemist” and more in this exclusive new interview.
Where did you draw the inspiration for “Dinner With The Alchemist”?
I had gone on vacation to New Orleans with my sister, and the two of us walked around the city and visited a lot of restaurants. They have plaques on buildings describing a lot of mysterious creatures and dark things that had happened there, and we came upon one story about Jacques St. Germaine that seemed too spooky to be true. So, we spent some time in the library going through microfiche to see if there were any news clippings that could prove or disprove it. We wound up finding a police report that verified some of the events. At that moment, we said this has to be a movie already. When we found out that wasn’t the case, I realized it was something I had to write. That’s how it all began.
What’s your writing process like?
For this film, I did a lot of research, and the first several drafts of the script were just me getting to know the characters. I don’t have a particular time and day that I write, but I have a personal rule to write at least one line a day. Sometimes, it may only be just that one line, but usually it will turn into a few pages.
How would you describe the story of “Dinner With The Alchemist”?
For me, it’s a big ensemble piece where every character and arc has its own love story. That was the driving backbone and connective theme. It’s also a story about people in New Orleans from all different walks of life who are affected by these strange murders. We have the wealthy alchemist, two dock workers, police officers and prostitutes, and these events affect each of them in different ways. My character, Abigail, is one of the prostitutes that lets the others know there’s a real threat to them. Without her, there would be this false sense of security.
What was the filming process like?
It was a very tight schedule. We had a small budget, a huge cast and a bunch of locations. Principal photography was sixteen days, but Kevin made the most of every moment. I don’t know anyone more capable of directing this piece other than him.
The musical score for “Dinner With The Alchemist” is so beautiful. What can you tell me about it?
We got really lucky when we got composer, John Piscitello. He gave an organic quality and life to the music. We had a tense soundtrack, with a lot of Phillip Glass and Clair De Lune that we used as inspiration. John worked really hard to get the perfect sound.
Did you always know that you wanted a career in entertainment? Was it something you always aspired to do?
I originally went to grad school to be a novelist. I had done some acting in the past and after I left school I started looking into producing, which naturally led to screenwriting. This is the place that feels most natural for me.
What’s the biggest difference between writing a novel as opposed to a screenplay?
The biggest difference between writing books and screenplays is that in books, so much of the dramatic action happens in the reader’s head. You can’t really do that when writing a screenplay. Structure is key.
Are there any other projects you’re currently working on right now?
I’m working on another teen-oriented feature right now that has supernatural elements to it. I also have a television pilot called “Sexpectations” that we’ve screened at a few film festivals. I plan on releasing it sometime next year.
What excites you the most about the release of “Dinner With The Alchemist” and this next phase of your career? What are you looking forward to most about the future?
I’m looking forward to finding more stories that interest me and figuring out better ways to tell them. I’m also looking forward to sharing this film with everyone. We had a small team of people working on this film who are all are super-talented. Showcasing everyone’s work is what I’m really excited about.
“Dinner With The Alchemist” will be released on Tuesday, February 13 on VOD, iTunes, Google Play and Amazon Prime.
Perhaps best known for his role as Kevin Myers in the “American Pie” films, multi-talented actor/producer and singer/songwriter Thomas Ian Nicholas continues to entertain audiences with his clever filmmaking and passion-driven acumen. Nicholas’ new horror film, “Living Among Us” continues this trend by also applying a new twist on the methodical vampire genre.
The film, written and directed by Brian A. Metcalf, is a fictional found-footage documentary where Mike, (played by Nicholas), and two members of his team are invited to film a group of vampires in an attempt to prove or disprove claims of the undead mythos. The documentary crew soon finds themselves in extreme danger after uncovering a deadly secret, and a fight for survival ensues.
Like many found-footage films, “Living Among Us” shines by delivering seemingly helpless characters in a visually appealing environment as well its use of extended takes. One scene in particular, which takes place in the dining room, will have audiences talking long after the credits have rolled.
“Living Among Us” also stars Andrew Keegan, Esmé Bianco, William Sadler and John Heard (in one of his final film roles).
An acclaimed musician, Nicholas and his band are also gearing up for a new tour this year in celebration of the 10th anniversary of his album, Without Warning.
AXS recently spoke with Nicholas about “Living Among Us”, his music and more in this exclusive new interview.
AXS: How did your involvement in “Living Among Us” come about?
Thomas Ian Nicholas: I have a production company called Red Compass Media, where my business partner, Brian A. Metcalf (writer/director), and I have a slate of projects we’re doing. The first one was “The Lost Tree”, which recently came out on DVD and Blu-Ray and stars Michael Madsen and Lacey Chabert. “Living Among Us” is the second of three that we’re doing. It’s very exciting.
AXS: What was it about this particular story that piqued your interest?
TIN: When we were finishing up “The Lost Tree”, we had the opportunity to do another project. What they wanted was a found-footage film, but one that included an all-star cast. Brian is a film buff and told them that you can’t really do a found-footage film with well-known actors because it would be too difficult for viewers to believe. He suggested that we do a documentary-style American New Wave film. A movie within a movie. One where you’re fully aware of the filmmaking process but are still drawn into the story.
The other thing I really dig about this film is that it’s a new twist on the subject of vampires.
Read the rest of my
Interview with Thomas Nicholas by Clicking Here!
It’s a program that’s sure to fuel intense debate among music aficionados. AXS TV’s all-new original series, “The Top Ten Revealed” [which premiers on Sunday, Feb 11] is a countdown show unlike any other. One where fans choose the best of the best.
In each episode, host and executive producer Katie Daryl (“The World’s Greatest Tribute Bands”) counts down a list of genre-defining songs and orchestrates discussion with a rotating panel of icons and music industry experts. Each of them examining the musicians and music that have left indelible marks on the rock n’ roll scene.
Episode one opens by counting down the top ten “Guitar Rock Intros” and includes discussion by special guests like Guns N’ Roses legend, Steven Adler, former Pantera percussionist, Vinnie Paul, and the Queen of Metal herself, Lita Ford. Future episodes in the new series include the top “Songs Named After Women”, “80s Rock Ballads”, “Vietnam Era Rock”, “‘70s Hard Rock Hits” and “Hits That Were Covers”.
In the end, “The Top Ten Revealed” is an infectious series where the world was invited to vote and viewers may have to agree to disagree. But if you’re patient and understanding you’ll find that these lists are only a whole lot of fun, but ones that will keep your toes tapping long after the show is over.
I recently spoke with Katie Daryl about “The Top Ten Revealed” and more in this exclusive new interview.
How did the idea for “The Top Ten Revealed” originate?
I’ve worked for Mark Cuban’s TV network since it was created, and being a music-driven network, we’re always picking our brains about what our viewers might like to see. We frequently have water cooler chats about our favorite artists and what everyone is listening to, and a lot of these conversations end up in debate. So, we might be talking about AC/DC vs Led Zeppelin and who does better at X,Y and Z. That’s when we realized that we didn’t have any shows on the network that allowed people to rank and argue classic rock. The idea was spawned. We knew that if our viewers liked to argue and debate music as much as our editors and writers did, then this was going to be a hit.
How much research was done in compiling the list of Guitar Rock Intros for Episode One?
Doing the initial ranking was a long process. Before we even began, we made sure that we set some parameters. In this case, it was guitar intros from bands that originated in the 60’s, 70’s and 80s. That’s why songs like “Johnny B. Goode” wouldn’t make the list, because that song initiated in the 50’s. The first thing to do was to create a list of about twenty-five intros that you can think of off the top of your head. Next, we did research to see what other people were talking about. Finally, we put the question out to social media, and people started responding. Just from us asking the question, it fueled debate, which helped us formulate a final list of ten.
What criteria was used in ranking the final ten intros?
The final listing was shaped by social media and from logging on to AXS-TV. It was fun to open it up, cast a wide net and get other people’s opinions.
Were the artists invited to participate in the show aware of the final rankings?
Everyone knew going in what the topic was about, but we didn’t tell any of them how the intros were ranked. Some of the artists were only given a few songs to talk about, and it was fun to see if their reactions coincided with how our social media vote came in.
What else can you tell me about this season of “The Top Ten Revealed”?
There are six episodes this season with topics ranging from “Guitar Rock Intros” and “Songs Named After Women” to “80’s Rock Ballads” and “Vietnam Era Songs”. What’s great about this show is that these songs are going to get stuck in your head. They’re all songs we love and that’s what makes them so classic.
Were there any guitar intros that didn’t make the list that you thought should have been included?
There’s a few Nirvana intros I would have put on the list, but those didn’t make it because of the parameters we set. We also had another parameter where each band could only be included on the list once. Thank goodness, because we could easily have had an all AC/DC list [laughs]. They’re a guitar intro machine!
Did you always know that you wanted to have a career in entertainment?
I did, although I have to admit I thought I’d always stay in radio. I was lucky enough to have a few early opportunities to be on television and make a career out of it. Presenting information in an entertaining or news format has always been something that gets me excited.
What excites you the most about this season of “The Top Ten Revealed”?
I cannot wait to see the social media reaction and the agreeing and disagreeing that will come out of these episodes. People are passionate about their opinions, and especially when they can hide behind the Internet [laughs]. It will be interesting to see how it all turns out and to see if everyone can play nice in the sand box.
“The Top Ten Revealed” hosted by Katie Daryl debuts Sunday, Feb. 11th at 9:30 p.m. ET/6:30 p.m. PT on AXS-TV.
It could’ve been when Ernest Thomas’s character, Raj, delivered the classic line, “Which Doobie you be?” Or maybe it was the argumentative exchange between Shirley and Al Dunbar at Rob’s Place. It might also have been Rerun’s hilariously failed attempt at bootlegging a Doobie Brothers concert. Whatever the case, there’s no question that the “What’s Happening!!” two-part, “Doobie or Not Doobie”, which first aired on January 28th, 1978, has remained one of the series’ most iconic episodes.
Much like The Doobies themselves, actor Ernest Thomas has remained as beloved and relevant as ever these last forty years. In addition to having starred in the successful spinoff series, “What’s Happening Now!!”, he’s also been featured in films like “Malcolm X” as well as the series “Everybody Hates Chris”. These days, Thomas is also an accomplished author as well as an in-demand mentor and public speaker.
I recently spoke with Thomas about the 40th anniversary of the famous “What’s Happening!!” episode with The Doobie Brothers, his career and more in this exclusive new interview.
It’s been more than forty years since “What’s Happening!!” first aired, and it remains one of the most beloved shows of all time. When you look back now with so much perspective, what thoughts come to mind?
I pinch myself and cry out to God in gratitude. Recently, I was on a military base doing a book signing, and the people there were telling me how much the DVDs had meant and given comfort to the solders in Iraq and Afghanistan. I’m mystified and thankful that it continues to make people so happy.
How much of Ernest Thomas was in the character of Raj?
That’s a great question. In the original “Cooley High” [which “What’s Happening!!” is loosely based on], Preacher Jackson, who was played brilliantly by Glynn Turman, was a good kid, but was a little more street and mischievous. After my audition, I started thinking about how my grandmother, mother and pastor had crafted me and decided to go in to talk to the producers. I told them I didn’t see Roger as street at all. I told them I saw him as a person who loves everyone and was always trying to keep the peace. He was everyone’s best friend; every teacher’s favorite student and every woman’s ideal husband. Roger is every man. I remember they looked at me like I had just about lost my mind [laughs]. They thanked me for sharing but later wound up shaping Raj more like me. That’s why in the intro of the show, when you see me open the door and walk out with the big smile on my face, that really is me.
What do you think made the show so timeless and special?
I think it was because it was a show that people could easily identify with. That’s why it crossed all racial lines. Growing up, everyone has the heavy-set friend (Rerun); the shy, little Dwayne and the baby brother or sister who’s a little tattletale or snitch. Then you had Mama, who was going to spank you if you were bad. That was a real situation. The truth is, we had a divine chemistry. I remember when I first set eyes on Fred Berry, Haywood Nelson, Mabel King, Danielle Spencer and Shirley Hemphill, there was an instant familiarity. We all loved each other and it became more like a family.
This year marks the 40th anniversary of the two-part episode with The Doobie Brothers. What was the inspiration behind it?
The director knew the band and saw that they were going through a transition with members. They really needed something to give them a hit. So, he came up with this crazy idea that they had gone to our school. Here you had these white, long-haired rockers coming back to the same teachers we had, and no one even questioned it. In fact, America ate it up.
Even today, when I talk to them, they’ll tell me how people always come up and ask them about “What’s Happening!!” It’s not about the music or even the next album. They want to know what the experience was like on the show [laughs]. I even remember seeing an interview with them where they said they think the band’s epitaph is going to read, “The Doobies Brothers. We’re what’s happening.” [laughs].
Just like The Doobie Brothers, you’re still as relevant as ever forty years later. What new projects are you’re working on?
I’ve recently written my autobiography, “From Raj to Riches: Overcoming Life Through Faith.” It’s something I’ve wanted to do for a long time. It’s a testimony that supernatural faith brings supernatural results. I want kids to know that I was bullied in grade school, and it didn’t help that I was into the church. At times, it felt like it would never end, but I was taught to have faith in God and to have a personal relationship with Jesus Christ. The book also talks about my time working on the show and “Malcom X” as well as my relationships with people like Muhammad Ali and Dr. Maya Angelou. People have really responded well to it, and I thank God for what the book has done.
I also have a lot of other things brewing right now. I did a film called “Two Wolves” that will hopefully be coming out this year. There’s also a series called “The Chosen Ones” that’s a retelling of The Gospel of Christ, where I play a blind man who Jesus heals. I’m very excited about it.
You also recently did a short film, “Earworm” that was quite a departure for you. What can you tell me about it?
Tara Price wrote and directed the film and did such a great job. She and I had met on another film and liked each other immediately. At first, I was hesitant about doing it, because I didn’t want to look feeble and like someone who couldn’t take care of myself. But that’s part of life, and Tara told me that it would be a challenge for me to not always play the hero or be the one that has all the answers. It was a long, twelve-hour day of filming, but I’m so happy for her and the producers. She lit a fire with it.
Of all the highlights of your career, what stands out to you as most memorable?
If I look back, “What’s Happening!!” was like Heaven on Earth because at one point, we were so huge that we were seen by fifty million people in America. Suddenly, everyone knows your name. Although I love the people and the nostalgia of the show, for me, the best time is right now. I love that there are new films of mine that people have yet to see, and I’m also excited about how well the book is doing. I love the past, whether it’s “What’s Happening!!” or being in “Malcolm X” with Denzel Washington, or meeting Muhammad Ali and having him take me under his wing, call me a friend and really say that he loved me like a brother. All of those things were out of body experiences, but I believe that right now is the best time. My greatest joy is making people happy.
When a reclusive man is repeatedly woken up over the course of a night by severe headaches, accompanied by musical repetition from an unknown source, his sanity begins to swiftly unravel.
The premise for writer/director Tara Price’s new short film, “Earworm”, is more than just a sinister play on words. It’s an eerily captivating, empathetic look at a man losing grip with his own reality. In mere minutes, Price is able to effectively weave a compelling web of cringe-worthy horror and uncertainty, while taking the viewer on a wild, emotional thrill ride.
The film, which stars veteran actor Ernest L. Thomas (“What’s Happening!!,” “Everybody Hates Chris” and “Malcolm X”) is as infectious as it is unsettling.
In addition to already being an acclaimed actress, Price wrote, produced, and starred in the award-winning, sci-fi short, “The Routine”, which was an “Official Selection” in thirty film festivals worldwide as well as being a nine-time award winner. “Earworm” is her directorial debut.
With endless enthusiasm and a profound knack for uniquely capturing a vision from written page to screen, Price is one to watch in 2018.
I recently spoke with Tara Price about “Earworm” and more in this exclusive new interview.
Where did the idea for “Earworm” originate?
I’ve written and produced several short films in the past, but this was the first one that I wrote with me specially wanting to direct. The whole concept behind it is actually a play on words. I’ve used the word “earworm” many times in my vocabulary. It means when you get a song stuck in your head. But what I’ve discovered over the years is that many people hear the word and relate it to “tapeworm” or “ringworm”. They don’t realize that it’s about music being stuck in your head. I thought it would be great to make a movie about both of those things.
Was the idea always for it to be a short film, or did you have something more feature-length in mind?
All of my other films were under ten minutes, so I always knew that it would be short. I like my material to pack a punch and end on a good beat. I’ve had people suggest that I make “Earworm” into a feature and I’m always flattered, but it was never meant to be one.
How did Ernest Thomas become involved in the film?
Ernie and I had worked together as actors in the past. All of our scenes were together so whenever there was downtime, we would spend it by hanging out and getting to know each other. He’s so kind, funny, generous and down to Earth. He’s also got an iconic smile that you immediately recognize. Ernie’s known primarily as a comedic actor, but he has such a great face for drama. I didn’t write the script with Ernie in mind, and I wasn’t even sure if it was going to be about a man or a woman. Ultimately, I decided it would be interesting to have a seasoned actor in the role, and Ernie was the first one who popped in my head. I shot him an email and was really lucky when he said yes. We had always hoped to work together again, and it was a wonderful thing.
What was the filming process like for “Earworm”?
We shot the entire film in one day. It was exhausting, but tons of credit goes to my team of people and to Ernie, because they never lost their momentum. I also had a wonderful producer, Billy Hanson. I’m so indebted to him for believing in this script and for being a great partner. To have someone that solid in your corner who believes in and trusts in you is so important.
As a first-time director, what was the biggest challenge?
This may sound silly, but sometimes just believing in yourself can be the hardest thing. The idea of directing can be intimidating, but I was fortunate to have many positive influences in my life and a lot of people encouraging me. Directing sounds scary and is a lot of work, but it’s easier when you have a good script, go in with a plan and surround yourself with top-notch people.
How has the reaction been to “Earworm”?
It’s been great. I love going to festivals and sitting in the back and watching he audience. There’s one scene I won’t give away where the audience always shrieks [laughs]. It’s my favorite part.
What’s next for the film?
It’s recently screened in New York and Berlin and will be playing at the Indie Horror Film Festival in Illinois in March. It’s already been in forty-eight film festivals and has won seven awards.
Was a filmmaker something you always aspired to do?
Initially, I wanted to be an actor and moved to L.A. in pursuit of it. I always liked to write, but did it mostly to help me as an actor. Eventually, people started telling me that I should try directing. I was hesitant at first, but once I did everything else paled in comparison. It’s exciting to write something and then bring your vision to life. But it wouldn’t be possible without having a great team of people who bring everything they’ve got to the table.
Are there any other projects you’re currently working on?
I’ve recently directed a music video for the song that’s from “Earworm” – “The Worst Thing”. It’s a completely separate entity that has nothing to do with the movie, but it’s a catchy song that gets stuck in your head [laughs]. It’s funny how you can plan something and then things go a completely different way. Directing was never part of my plan, but my path got rerouted and here I am. It’s very exciting.
What are you most looking forward to about the next phase of your career?
Honestly? It’s wherever the chips fall. I’ve got a bunch of irons in the fire right now, and I’m looking forward to whatever happens first. I’ll just be lucky and happy to have the opportunity. Setting out to do something and then reaching the goal is very satisfying. Finding passion in something new is such a blessing, and I feel so fortunate.
A botched Christmas Eve robbery leads down a destructive path for a police officer reconnecting with his estranged mother, a coming-apart-at-the-seams amateur photographer, his vindictive and murderous fiancee, her secret lover and a strung-out mall Santa…as they all converge in one explosive and deadly night.
“Christmas Crime Story” is a new film starring Eric Close, Adrian Paul, Scott Bailey and Neraida Bega that’s set in Los Angeles during the holiday season. The film revolves around multiple characters whose lives unexpectedly intersect before, during and after a liquor store robbery.
With a cool linear storyline and beautifully shot cinematography combined with engaging characters and systemic plot twists, “Christmas Crime Story” is not your typical happy holiday fare, but for fans of films like “Memento” and “Reservoir Dogs” it just might make the perfect gift.
Sara Castro plays the role of Kasey Edwards, the wife of a mall Santa and mother of a child suffering from cancer. It’s a role somewhat similar to the one the beautiful actress played with conviction in 2013’s “The Shift”. But here, we continue to find Castro’s development as an artist both emotionally engaging and refreshingly relevant.
I recently spoke with Sara Castro about “Christmas Crime Story”, her career and more in this exclusive new interview.
How did you become involved in “Christmas Crime Story”?
I had worked with one of the producers [Vince Lozano] on another film, “Halfway to Hell” and we stayed really good friends. He often said that he’d loved to work with me again and when this part came up he thought of me for the role. I went in for a reading with him and the other decision makers and everything went well. A month later, they called me with the news and we were off and running.
What was it that attracted you to the role
I’m really into unpredictable films and love challenging myself. This was a similar character to what I’ve played in the past but with a completely different backstory.
What can you tell me about your character, Kasey Edwards?
Kasey is a wife and mother who’s overwhelmed by everything that’s going on with her family. Both she and her husband have a lot of personal issues. Their daughter is dying of cancer and Kasey’s relying on her husband to help get them out of financial trouble. It’s a sad ending for her.
Kasey has such an emotional arc to her story. Is there anything you do to prepare for such a role?
I like to write a backstory on the character so I know where she’s coming from. I think you have to give a character some background substance to know where you’re heading. When I write a past it also helps me mold the character and give her colors. So, when I’m on set and do become the character, I’m able to embrace it and include a little bit of Sara in Kasey.
What kind of a backstory did you write for Kasey?
I believed Kasey got married at a very young age and at some point her husband was a very important person in the world. Then their daughter got sick, he lost his job and it all just crumbled down from there and became a constant struggle.
What was the filming process like?
It was a pretty fast shoot over a two-week span. The diner scene was shot in downtown L.A. at an old diner that was actually closed, and they re-opened it for us.
How has he reaction been to the film?
It’s been great. It was picked up in September for distribution and has been out ever since. It’s a great indication that people are really connecting with it.
Have you ever given thought to getting on the other side of the camera at some point?
I think I’d love to direct one day. It’s another interesting and creative side of the job. It’s definitely something I’d like to pursue in the future.
What are you most looking forward to about this next phase of your career?
I’m looking forward to longevity. As long as there’s longevity and something new coming up I’m happy. The unpredictable and the unknown is also exciting, because it means anything can happen at any moment. Personally, I’d love to travel and be bi-coastal. I have family in Chicago and would enjoy going back and forth. It would give me the opportunity to see them and really be a dream come true.
“Christmas Crime Story” is available now on Blu-Ray, DVD and streaming services.