With disparate influences ranging from the glam, experimental music of David Bowie to the poetic sounds of The Velvet Underground and bands like 8 Eyed Spy and Sonic Youth, Thanks For Coming is the debut album by Princess Goes To The Butterfly Museum. The band features vocalist, lyricist, musician and actor Michael C. Hall (Dexter, Six Feet Under, Hedwig and the Angry Inch), drummer Peter Yanowitz (The Wallflowers, Morningwood) and keyboardist Matt Katz-Bohen (Blondie).
There’s a heightened sense of awareness and romanticism that exists in the band’s songwriting, as exhibited in tracks like “Armageddon Suite.” Then there’s the fun but deeply dark and disturbing undertone in songs like “Eat An Eraser.” There’s also material which began as subliminal inspiration on vintage instruments, as was the case in the groove-ridden “The Deeper Down.” Thanks For Coming also includes the band’s unique spin on Phantogram’s “Cruel World,” a song which has since become a staple of their live show.
While eschewing traditional rock instrumentation in favor of theatrical sensibility and a colorful, stripped-down synth/drum approach, Princess Goes To The Butterfly Museum combines the best elements of glam, pop, new wave and theater, as well as the noisy, art rock vibe of the New York City scene. The result is a welcomed debut that’s both ethereally melancholic and hauntingly brilliant.
I recently spoke with Michael C. Hall, Peter Yanowitz and Matt Katz-Bohen about Thanks For Coming and much more in this exclusive new interview:
How did Princess Goes To The Butterfly Museum come together?
Peter Yanowitz: The three of us met in the most unlikely of places for a rock band — on Broadway doing Hedwig [and the Angry Inch]. Mike was Hedwig and Matt and I were also part of the show. It started with us just being in the band playing someone else’s music. After we’d finished the show Matt and I kept jamming and Mike heard some of the instrumental ideas we’d started and offered to sing on them. One thing led to another and three years later, here we are.
Who are some of your musical influences?
Matt Katz-Bohen: I think we would all agree that [David] Bowie is someone we can really get behind. Then there’s a lot of the noisy art rock of New York City, starting with The Velvet Underground, No Wave, 8 Eyed Spy and Sonic Youth. There’s a lineage there we can all appreciate, just getting into that vibe from hanging around the East Village.
What’s the band’s approach to songwriting?
Michael C. Hall: There’s no set formula. We’ve written songs in every way possible. There have been instrumentals that have been the beginning of things. Then there’s melody ideas and songs with structure but no musical accompaniment. Most of the lyrics on these songs were written in the past few years. It’s been a pleasant surprise and welcome exercise to find myself in a situation where I’m called upon to write words.
Read the rest of my
Interview with the band by clicking here.