Category: Medium

Interview: Palmyra Delran Discusses New Female-Powered Super-Group, The Coolies

The Coolies

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Interview with Palmyra Delran by Clicking Here!

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Interview: The Alarm’s Mike Peters Discusses New Album, ‘Sigma’, Touring and Living Life to the Fullest

Photo by: Andy LaBrow

Originally intended to be part of double-compilation called Blood Red Viral Black, The Alarm’s infectious new album, Sigma acts as the sequel to 2018’s critically-acclaimed Equals and features contributions from such musical giants as original Alarm guitarist Dave Sharp and Billy Duffy from The Cult.

Sigma, as well as its predecessor, mark a creative change for Peters, who crafted most of the songs from lyrics he’d written while he and his wife, Jules, were going through cancer treatment. The result is a second volume of material fueled by heartfelt emotion, angst, and revelation.

In addition to the new album The Alarm will soon embark on one of summer’s most highly-anticipated tours, where the alternative British rockers will join post-punk auteurs Modern English and the charismatic Jay Aston’s Gene Loves Jezebel on what’s being hailed as The Sigma LXXXV Tour.

Peters’ Love Hope Strength charity will also host bone marrow drives at each concert aimed at finding finding donors for people suffering from blood cancers. To date, the charity has registered in excess of 200,000 people, with more than 4,000 potentially lifesaving matches.

Sigma will be released on Friday, June 28.

I recently spoke with Mike Peters about the new Alarm album, touring and more in this exclusive new interview.

How does the new album compare with some of The Alarm’s previous work?

Mike Peters: It’s very much a sequel from our last record, Equals, which came out last year. The music of both albums was conceived at the same time. Originally, it was going to be a double-album called Blood Red Viral Black, but on the eve of release we decided to switch focus and release a single album, Equals, with the knowledge that a sequel would be released twelve months later. There’s a lot of connection between the two records.

The material for these two albums came about a little bit differently than what you’ve done in the past. Can you talk a little about the songwriting process?

In times gone by I’d usually start at the top of the mountain. Where you’d have that initial expression, phrase or chorus, and then you’d work your way down to find the bridge, verse and finally, the lyrics. With this set of music I started at the bottom of the mountain with lyrics first. A lot of songs came out of the turmoil of the situation when I found myself relapsed from the leukemia I’ve carried most of my adult life. At the same time my wife, Jules, was diagnosed with breast cancer, so it was a double whammy. I put everything on hold while we faced this challenge together. There were lot of places where I found myself threatened, emotionally, and I’d write down my feelings. It was only after we came through the worst of these times that I showed my wife all the things I’d written down. That’s when she said to me “This is the start of a new Alarm record. Then I printed all the lyrics out and laid them on the floor around me and started looking for the music in the lyrics to go back up the hill. These albums are very different from how I’ve worked in the past. It’s been quite liberating.

Read the rest of my
Interview with Mike Peters by Clicking Here.

Interview: Gabrielle Stone Discusses Her Inspiring New Book, ‘Eat, Pray, #FML’

Although Gabrielle Stone has never considered herself an author, the accomplished actress and director has always been an avid storyteller. But it wasn’t until a series of failed relationships — one which included a nightmarish divorce and another that ended with her traveling to Europe alone — that she decided to put pen to paper. The story of the events of her trip, the inspiration and thought processes are chronicled in her amazing new book, “Eat, Pray, #FML

Told from the perspective of a woman seeking to find inner strength and resolve, Stone has documented a journey unlike anything she’s ever experienced. One that was not only personally cathartic for the author, but a story that’s sure to give others the inspiration they need to perservere.

In its truest form, “Eat, Pray, #FML” is an inside, pull-no-punches look at Stone’s personal diary, but it’s also a book that reads like a mystery novel and flows like a female-empowered Lifetime drama. Pulling you in from the start with its honest writing and heartfelt emotion. Better still, it leaves readers with the tools they can use to overcome any personal obstacle.

“Eat, Pray, #FML” is available in paperback and e-book exclusively through Amazon. Click here to order!

I recently spoke with Gabrielle Stone about “Eat, Pray, #FML” and more in this exclusive new interview.

What was the writing process like?

Everything was written in real time as it was happening. It just happened to be a crazy trip where some interesting things took place. This book will connect with any female who’s ever been in love, felt betrayed, or isn’t sure how to live with herself. I don’t embellish anything that happened on the trip and I wrote the book as if you were having a conversation with me. Yes, I slept with some people; I drank, and I smoked in Amsterdam. But I tell these things so that when I get to the golden nuggets of what I learned and how I found ways to heal, it will resonate that much more.

A lot of what happened in your relationship with your ex-husband and your discovery of his infidelity almost doesn’t seem real. Did you notice any warning signs?

I want everyone to know that I have no hate, resentment or anger toward my ex-husband. Having said that, I’m so happy to be out of that situation and being where I am now. The warning signs were there, but I always turned a blind eye and thought that we’d eventually fix things down the road. The truth is, he’d never been ok with my career, and whenever I’d go off to shoot a film with a kissing scene, or just be with male co-stars, there was a lot of jealousy. I went through a lot of hurt during that time because I was getting roles that were exciting professionally but then had to combat it with the berating and heartache from someone who was supposed to be one of my biggest supporters. It wasn’t as if I was working some other job and then decided to be in movies. He met me as a working actress. This is who I’ve always been. From an outside perspective, it’s hard to believe how he could’ve been so sloppy, but once I started finding things it all unfolded like it would in a movie.

Read the rest of my
Interview with Gabrielle Stone by Clicking Here!

 

 

 

Interview: Jean Watts Discusses Her Etherally-Charged Single, ‘Feel The Same’

Singer-songwriter Jean Watts’ music can best be described as an eclectic combination of beautiful but dark. But the alluring songstress also proves she’s a force to be reckoned with. Case in point, her ethereally charged single, “Feel The Same,” which is equally as evocative as it is addicting. With a hauntingly infectious groove, soulful vocals and an accompanying music video that’s one part symbolic metaphor (complete with car explosion) and one part action film, Watts sings of taking back control in times of deep despair.

In addition to “Feel The Same” Watts is currently preparing to release even more new music that will be followed by a proper round of touring.

I recently spoke with Jean Watts about “Feel The Same”, her creative process and much more in this exclusive new interview.

To those who might not be familiar, how would you describe your sound?

Jean Watts: I’d describe it as beautiful but dark. Anthemic, but also real and inspiring. I want it to touch a lot of sensitive areas in a special way. That’s what I strive for with every song.

What attracted you to the song, “Feel The Same?”

I was in a session, working on my own tracks, one day when my producer showed it to me. Usually, I don’t partake in tracks that I didn’t write or have a hand in producing but I loved this track so much and felt it was a perfect fit with everything else we’re about to put out. I love the meaning behind it.

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Interview with Jean Watts by Clicking Here!

Interview: Stop Thrust’s Jordan Kai Burnett and Claron Hayden Discuss Their Unique Brand of Blues-Punk

Rising from the musical landscape of Astoria, a neighborhood in Queens, NY, blues-punk band Stop Thrust has been slowly making a name for themselves.

What makes the band so incredibly unique, aside from the often dual-perspective comparison to acts like July Talk and The Dead Weather, is that all four members of the group are seasoned pros of the musical theater. This offers another dynamic layer of craft to the band’s already impassioned performances.

The band will be performing at the legendary Rockwood Music Hall on Monday, July 8th before celebrating the release of their long-awaited EP at The LetLove Inn in Astoria, Queens on Wednesday, August 14.

Stop Thrust is: Jordan Kai Burnett (vocals), Claron Hayden (vocals, guitar), Will Schnurr (bass) and Matt Wills (drums).

I recently spoke with Jordan Kai Burnett and Claron Hayden about Stop Thrust and more in this exclusive new interview.

How would describe your brand of music?

Jordan Kai Burnett: We went down a rabbit looking at all kinds of bands we love and how they identify themselves and the way that music has evolved. When it comes down to it we like to call it blues-punk.

Claron Hayden: We’ve been influenced a lot by the associated acts coming out of Third Man Records — Jack White from The White Stripes, who’s now with Alison Mosshart [The Kills] in The Dead Weather. There’s also a Canadian band, July Talk, that’s inspired us. They add two perspectives the entire time and not just in a one or two song thing.

JKB: They’re a huge influence because of the male/female dynamic and the gritty, sexy nature of their music.

How did Stop Thrust come together?

CH: All of us have worked professionally in theater and other projects in music. Matt and I have actually known each other since we were kids. Jordan was in the process of developing material for a solo project and the two of us had done a few songwriting sessions where we compared notes and music. It came to a head that what we both actually wanted was to build a band that was fun, energetic and had a shared, dueling perspective between both angles inside of a relationship.

Read the rest of my
Interview with Stop Thrust by Clicking Here!

Interview: Caly Bevier Discusses Her Edgy New Single, “Hate U Sometimes”

Photo: Lindsey Byrnes

It’s been a surreal four-year journey for L.A-based pop artist Caly Bevier. Following a trajectory that included overcoming a stage-three cancer diagnosis, earning herself a Golden Buzzer on NBC’s America’s Got Talent — where she was sent directly to the semi-finals by judge Simon Cowell — and an insatiable debut single, “Head Held High,” the inspiring singer-songwriter is back with her brand-new track. The edgy and ethereal “Hate U Sometimes.”

The song is a hauntingly inspired, groove-ridden track with universal appeal. One that describes the empathetic, and at times confrontational, feelings between significant others, partners, and family members.

All relationships have their ups and downs, but Bevier’s message resonates on much a deeper level. A sentiment that says even though we may not always agree, at the end of the day, we can still hold firm to our commitments to each other and say, “You know I love you, don’t you?”

I recently spoke with Bevier about “Hate U Sometimes” and more in this exclusive interview.

What can you tell me about your new single, “Hate U Sometimes?”

Normally, I’ll write all of my songs, but “Hate U Sometimes” was one that was sent to me. I could relate to it on so many different levels. I went in and helped re-write a few parts and the bridge. That’s how it came about.

What’s your typical songwriting process like?

It all happens naturally with producers and writers. Sometimes I’ll go into a session with a bunch of ideas that I may or may not use. Typically, the producers are the ones who will start a track, and then I’ll go lay down some melodies and lyrics.

How would you describe your sound?

I’ve been living in L.A. the past few years building a sound that I’d consider to be edgy-pop. What’s cool is that, in the future, I can go deeper into a more alternative-pop sound. Artists that inspire me are Halsey and Billie Eilish.

You’ve gotten to work with songwriters like Bonnie McKee, who’s worked with Katy Perry among others. What was it like collaborating with her?

It was extremely cool. Bonnie was in one of my first sessions and taught me how to do melodies and be comfortable with getting my ideas across. As a woman, you sometimes feel shy and might not want to say the line. She taught me to be confident and that’s really helped me grow as an artist.

Read the rest of my
Interview with Caly Bevier by Clicking Here!

Interview: Kansas’ Ronnie Platt Talks Upcoming Show At Sands Event Center, Classic Hits and New Music

Photo: EMily Butler Photography

With a career spanning more than four decades and more than thirty million in album sales alone, Kansas has firmly established itself as one classic rock’s most iconic bands. Since releasing their debut album in 1974 the band’s hits like “Carry on Wayward Son,” “Dust In The Wind,” and “Point of Know Return,” have become staples of classic rock radio and continue to be used in film, television and video games to this very day.

In 2016, Kansas released their acclaimed fifteenth studio album, “The Prelude Implicit,” and spent most of the next two years touring it as well as celebrating the 40th anniversary of their landmark Leftoverture album. With even more tour dates, including performing albums in their entirety, and the talk of even more new music, Kansas shows no sign of slowing down.

On Thursday, May 30, Kansas will be bringing its Radio Classics Tour to The Sands Event Center in Bethlehem, PA. A show that promises to feature material that spans the groups legendary career as well as a few surprises.

Kansas is: Phil Ehart (drums), Richard Williams (guitars), Billy Greer (bassist/vocalist), Ronnie Platt (vocalist/keyboards), David Ragsdale (violinist/guitarist), Tom Brislin (keyboards) and Zak Rizvi (guitars).

I recently spoke with vocalist Ronnie Platt about the band’s upcoming performance in Bethlehem, new music and more in this exclusive new interview.

What can fans expect from Kansas’ upcoming performance at The Sands Event Center in Bethlehem, PA?

Fans are going to be in for a fantastic, high-energy, music-packed show. Songs from album number one all the way up to “The Prelude Implicit” and everything in between. Bring your extinguishers because the band is on fire.

What do you think makes the music of Kansas, and classic rock in general, so timeless and special?

I think it’s the depth, diversity and dynamics of the music. It also doesn’t hurt that Kerry [Livgren] was also influenced by classical music. Today, people are still listening to Mozart, Beethoven and Tchaikovsky. These are guys who lived hundreds of years ago. Their music is still being played because there’s a level of musicality and intensity that makes it remain timeless. Kansas has that same element. It warms my heart when I see young kids and teenagers at our shows getting into it and aren’t just sitting there waiting for “Wayward Son.” It’s cool to see an appreciation of this music at all age levels.

Read the rest of my
Interview with Ronnie Platt by Clicking Here.