For the multi-talented singer-songwriter, actor (and dancer), John Schneider, telling stories is in his DNA. The same can also be said for his amazingly talented and beautiful “Dancing With The Stars” partner, Emma Slater. The couple’s innate ability to weave deep layers of emotion into their routine is a big reason why they’ve done so well on the popular ABC series this season.
As Schneider continues his whirlwind run in the competition, he’s also busy promoting his new music single, “Devil In The Mirror,” as well as his John Schneider App. A portal which gives fans access to all of his events and social media as well as a one-stop shop for his music and merchandise.
AXS recently spoke with Schneider about what it’s like being on “Dancing With The Stars”, his new single and more in this exclusive new interview.
AXS: What’s it been like working with Emma Slater this season on “Dancing With The Stars?”
John Schneider: It’s been great. Emma’s a storyteller, just like me. Once we started to gel, she started thinking about songs where we could tell great stories. She really went out of her way to find the right song, the right movement and mood for “Smile” (our recent dance) so that we could tell the story about me missing my mother but finding my smile at the same time. It’s not always about the dancing. It’s about what you’re saying, and telling stories is in her soul.
AXS: What’s the biggest thing you’ve learned about dancing?
JS: All of them are different, so it’s about technique and frame. You’ve got to keep your frame rigid and that boils down to keeping your elbows up, especially in the Waltz. You have to look like you have a broom handle stretching elbow to elbow straight across your back. It always feels like I’m doing it but when I look back at the video my elbows are not up. For me, it’s a lot like golf. If you get too comfortable with your swing, chances are it’s wrong.
AXS: How does dancing in front of so many people compare to performing music or acting?
JS: The assumption everyone has is that the nerves kick in when you get to Monday night and all of the people, but that’s actually when I feel most comfortable. In this case, comfort is really not my friend because comfort equals “elbows down”. But what we did this past Monday night was beautiful. I know this because they have about a hundred stagehands constantly moving stuff around and working their butts off. After our dance, I noticed several of them were crying. That to me is more important than technique. I’m not designed to be a perfect, technical dancer. I’m designed to connect to an audience. So, when I see a 52-year-old man in a black t-shirt crying underneath a light after I did a dance, I know I did something important and touched someone. Our job is to entertain and make you feel something for a certain amount of time, and for that I’m grateful.
From the time she learned to walk, Erin Fleming knew performing would be her calling. The beautiful, multi-talented actress, producer and director certainly has a knack for creating emotionally powerful characters. A feat that’s evidenced in her new film, “Custody Road”.
In “Custody Road” Fleming plays the role of Ashley Towne; the ex-wife of a struggling, up and coming comedian named Logan (portrayed by Josh Daugherty). The film centers on the trials and tribulations of the couple as they battle in court for custody of their young son. But when Logan enlists the help of friends and goes to extremes in an attempt to get his own way, the lives of many are forever changed.
Written and directed by John Lacy, the world of “Custody Road” is best described as a hauntingly desperate landscape. A turbulent and authentically relevant story with an amazing ensemble cast and an insatiable “Sleeping With The Enemy” vibe. Fleming’s performance is particularly appealing, as she channels her own personal struggles into creating an emotionally flawed character that resonates with audiences.
I recently spoke with Erin Fleming about her role in “Custody Road” and more in this exclusive new interview.
How did you become involved in “Custody Road”?
My very good friend and co-star, Frank Crim (who plays Otis in the film), called me up one day and told me about a role he thought I’d be perfect for. He wanted to know when I’d be available to meet the director, John Lacy. So, John and I met and history was made. I actually met Josh [Daugherty] on that same day. It was chemistry from the very start.
What was it that attracted you to the project?
The character of Ashley relates to many women who’ve gone through trauma in their lives. She’s someone who’s gone through a difficult lifestyle with her mother and father; surviving an abusive husband, and then having her husband continue to bully her after the divorce. Those kind of things are what a lot of women have to face daily, and most of their stories are never told. I was so happy to see that John was willing to explore such a powerful story. It’s something we really need more of.
As an actress, is there a certain mindset you have to get in to take on such a role?
We all have our own personal traumas we go through, so exploring my own world and the things I’ve had to deal with was a major factor in getting into the character. I also had an abusive boyfriend for years and so, for me, it was instantly personal.
How would you describe the story of “Custody Road”?
It’s a story about two broken people really struggling within themselves and over the custody of their son, and the journey of figuring out how to heal.
What else can you tell me about your character, Ashley?
Ashley comes from a really dysfunctional family. One that was always hiding behind the false pretenses of religion. She’s desperately trying to break free of that world and uses her body and herself to find a connection she never had with her personal life. She’s trying to pursue her own salvation like so many humans do in life. But we sometimes hurt each other along the way, when all we’re really trying to do is help ourselves.
It was such a fun journey to meet these people and become a big family. I really enjoy working with directors with a pro attitude and John’s technique is fantastic. Being that he also comes from the acting world made it that much better. The chemistry between Josh and I was spontaneous and wonderful. We really understood each other well. It was fun, and terrifying, to explore the lives we were creating. I’ve also been wanting to work with Frank Crim for years. The entire cast was so talented and the set was really special. It was amazing all around.
Was a career in entertainment something you always knew would be your calling?
I’ve wanted to act ever since my body and brain could communicate with the world. Everything was art to me. My dad is an actor and my mom is a makeup artist. Dancing and acting is what fed my soul. I started acting professionally when I was five with the Seattle Children’s Theatre and then with Seattle Repertory Theatre. From there, I traveled in a show in San Diego when I was seventeen and when I was finished with the show, I moved to L.A.
Do you ever foresee yourself getting on the other side of the camera at some point – either as a writer, producer or director?
I started my own company, Shakespeare In The Sphere, in 2015 with Tony Williams and Don Purnell. We produce film, television pilots and 360 degree educational and behind the scenes entertainment. I also direct many of the projects. The learning curve is interesting to me and fascinating.
Are there any other projects you’re currently working on right now?
Right now, I’m producing a TV pilot that has some seriously amazing talent attached. I’m in the cast as well and it’s very exciting. I have to leave it at that for now but stay tuned!
What are you most looking forward to about this next phase of your career?
I’m looking forward to the next creative journey. I love what I do and am so blessed with my strength and hardworking ability as a woman. “Custody Road” is such an amazing film that really speaks to the human experience. I’m ready for whatever comes next.
Although best known for his iconic role of Bo Duke from “The Dukes Of Hazzard” and on shows like “Smallville” and his current series “The Have And Have Nots,” veteran actor John Schneider is also a celebrated country music artist with more than ten albums to his credit along with four #1 singles.
This year, the singer-songwriter has launched perhaps his most ambitious project yet. A 52-track, song a week, compilation called The Odyssey. Together with famed drummer/producer Paul Leim, Schneider has recorded fifty-two all-new, fully orchestrated songs with the help of acclaimed songwriters like Paul Overstreet, Chuck Cannon, Mac Davis and Bill Anderson, along with some of Nashville’s finest musicians. A recent track, “Can I Buy You A Beer,” offers an alternative and perhaps more appropriate way of thanking our military veterans and first responders for their heroism and service to our country.
AXS recently spoke with Schneider about The Odyssey, songwriting, and the upcoming 40th anniversary of “The Dukes of Hazzard” in this exclusive new interview.
AXS: What inspired your new project, The Odyssey?
John Schneider: It’s all about the story, but a song a week? No one has ever released a full-blown, fully orchestrated, mastered single every week. People are wondering how we did it, but that’s part of The Odyssey and storytelling. We cut all of these songs live. All of us in the same room together, counting it down and just going for it.
AXS: What’s your songwriting process like?
JS: For me, it usually starts with a bit of humor; like “My wife ran away with my best friend. I’m sure gonna miss him!” [laughs]. Other times, it could be more serious family issues like bills and too much month at the end of the money. There’s another song, “If These Walls Could Sing,” that’s told from the perspective of one of the last buildings in Nashville that were once a staple of the music business. Everyone from Elvis to The Rolling Stones and Willie Nelson has played there. Every time they tear down a great old building to put up a box monstrosity it’s aggravating, and that’s great kindling for a good song. But it’s not something where we just sit down and say, “Let’s write a song.”. It’s more about sitting down and asking, “What’s going on in your life right now?”
AXS: Let’s discuss a few tracks from The Odyssey, starting with “Can I Buy You A Beer.”
JS: I am always one to thank firefighters, military, police and first responders for what they do. They’re the ones running toward while the rest of us are running away. It’s common that we thank people in uniform for their service, but we’ve been saying it for so long that it’s almost become second nature. I love the notion of coming up with a new way of saying thank you.
AXS: How about the track, “The Phantom of The Grand Ole Opry”?
JS: That’s a song about dreaming big. You can’t get anywhere without dreaming and going for it every minute of every day. When I hear something that speaks of dreaming and dreaming big, I’m attracted to that because I’m a dreamer. That’s a story and that means something to me.
It’s been an incredible year for guitarist, Malina Moye. Not only did the beautiful, multi-talented artist release her genre-defying collection, Bad As I Wanna Be, but the new album also marked Moye’s first #1 album on the Billboard Blues album chart and featured songs that infused the best elements of funk, rock, blues and soul.
Now, Moye sets her sights on another side of creativity – acting— where she’ll make her big screen debut in the Marc Fusco directed film, “The Samuel Project.” The story centers on a teenager named Eli (Ryan Ochoa) who, for a school art project, gets to know his Jewish grandfather, Samuel (played by the legendary Hal Linden), who was rescued from Nazi capture as a young boy. Moye plays the role of Violet Leroux, a bohemian art director who befriends Eli and shows him what’s possible with his gift.
Moye also penned a song specifically for the film. The emotionally charged anthem, “Enough,” which features her sultry vocals and guitar wizardry. The track is also featured on Bad As I Wanna Be. The Samuel Project hits theaters on Friday, Sept. 28.
AXS recently spoke with Malina Moye about the film, her new single and more in this exclusive new interview.
AXS: Many people know you for your infectious brand of guitar playing. Was acting something you always wanted to explore as well?
Malina Moye: It’s something that I started to discover early on in high school. I remember a friend of mine had asked me about filling in as an actor for a project she had been working on. I did the scene and really enjoyed it and got a lot of great feedback. At one point, I remember having to make a decision on whether to pursue acting or music. I obviously chose music because it was my passion and calling. But when this opportunity came up, it was another way for me to express my creativity.
AXS: What attracted you to “The Samuel Project” – was it the story? Your character? Getting the chance to work with some of these other amazing actors?
MM: It was all of the above. Everyone wants to show what you can do, and this was a way to show people another side of me. It’s a character I thought I could really bring something to and have people see me in a different light. Ryan Ochoa plays the teen my character befriends and I help him realize what’s possible with his gift. Hal Linden is such a legendary actor, so to also have a few scenes with him was unbelievable.
AXS: What else can you tell me about your character?
MM: Violet’s a classy, bohemian art director with a great personality and is one of Samuel’s favorite customers. Whenever she comes in she brings the greatest energy, light and all things positive.
Click here to watch the trailer for “The Samuel Project.”
AXS: What are some of the differences between performing music and acting? Is there one that gives you more creative satisfaction?
MM: When you’re on stage playing it’s a whole different feeling. That stage is the set and there’s no do-over. You feed off the energy from the audience, and when you get off stage at the end, you’re amped up. It’s the fifth gear of entertaining. With acting; and especially if you’re doing a deep, heavy scene, it can take a lot out of you. But that just shows you what an incredible instrument your body is. You have to be present and in the moment for both, and that’s what I love about it.
With over twenty years experience as an actor and more than seventy national commercials to his credit, it’s safe to say you’ve probably seen some of Josh Daughtery’s work. His impressive resume includes notable commercial work for Budweiser and Kellogg’s as well also appearances in films like “We Were Soldiers” and “John Carter”, and in television shows like “Supernatural”.
But perhaps no role has given the multi-talented Daugherty the flexibility and creative freedom to dive deep into his craft than in his new film, “Custody Road”.
In “Custody Road”, Daugherty plays the role of Logan, a struggling stand-up comedian who goes to extreme measures to prevent his ex-wife her from winning sole custody of their young son.
Written and directed by John Lacy, the world of “Custody Road” is described as “Desert Gothic Noir”. A hauntingly desperate, violent and at times, tender landscape that audiences are sure to embrace. The film, which also showcases Daugherty’s vocal ability as a singer, in addition to his acting prowess, also stars Erin Fleming, Frank Crim and Andrea Muller.
I recently spoke with Josh Daugherty about “Custody Road,” his career and much more in this exclusive new interview.
How did your involvement in “Custody Road” come about?
The director, John Lacy, and I have been circling each other for the last ten years. He’s an incredibly talented actor with an amazing body of work. We both knew of each other and had shared words, but never really had an opportunity to get to know each other. We eventually became friends during an acting class where he told me about this idea he had brewing. In addition to being an amazingly talented actor, he’s also a phenomenal writer. He showed me some of the pages he’d written and I loved it. I told him I didn’t know where he was going but I wanted to be a part of it.
What was it about the project that appealed to you?
John really had his thumb on this character, Logan, who’s this incredibly flawed guy. A guy who’s a bit of an idealist in a lot of ways. Logan is a stand-up comedian and philosophizer who parses out the bullshit of everyday life. Sometimes, that’s done with philosophy and other times it’s through comedy or music.
How would you describe the story of “Custody Road”?
It’s a tough tale because it’s about male-female relationships and how, in some ways, it seems like they’re doomed from the get go. Men don’t under women; women don’t understand men; and egos, DNA and conditioning can all get in the way. It’s an unromantic look at the male/female condition and asks the question, “Are we really supposed to work out?”
What was the filming process like?
I love shooting independent films because you really get to immerse yourself in the process. It wasn’t a large crew, and we sometimes had to work in extreme conditions, but you really got to see the best in people. It was instant family.
Click here to watch the trailer for “Custody Road”.
What was it like working with John?
It was great. As a team leader, John set a wonderful tone for keeping things light and focused and fun. He’s one of those guys I think of as a close friend. My dad told me years ago that business was relationships, and that is never more true than in creative endeavors. John was very open for me to shape this character. I remember when we started talking about music, he even suggested I play a few songs. He had a great beginning for the project, and for me it was like, “O, Captain! My Captain! Take the lead. I’m in!” [laughs].
You mentioned playing a few songs in “Custody Road”. Was singing always a part of your life?
Oh, yeah. I come from a musical house, so music has always been a huge part of my creativity. I grew up doing musical theater and was even a vocal jazz major in college. The fact that John welcomed that and embraced it for my character and film was a lot of fun.
Was a career in entertainment something you always envisioned for yourself?
From the age of five, I knew this was what I was going to do. I can still remember my first time setting foot on stage doing musicals with my dad. I didn’t notice it at the time, but looking back now I can envision that moment clearly. I walked onstage, turned around and saw an empty house. At that moment, it was almost as if God had tapped me on the shoulder and said, “This is what you’re going to do.”
I have to ask you about your work on the show, “Supernatural”. What was that experience like?
That was really the first dark, evil character I played and it was a terrific experience. It was such a tight cast and crew. They’re a wonderful family, and Jensen [Ackles] and Jared [Padalecki] were such great guys.
Are there any other projects you’re currently working on?
One project I’ve been working on for the past few years is called “Nobody”. It’s a project I created with my partner, Felicia Willson, who’s an Emmy-winning writer. It’s an intense project about sexual trauma. And now with the #MeToo movement, it’s even more current and relevant. People are finally able to talk about their experiences and find healing. The project’s gotten incredible feedback and we’re looking to put together the right team and make it come to fruition.
What excites you the most about this next phase of your career?
With regard to the film, I’m looking forward to seeing all those days of long hours finally pay off. John is a master storyteller and I’m excited to see how he’s put it all together.
“Custody Road” is available on iTunes and VOD July 24.
He’s known as the go-to authority for his hard rock and heavy metal expertise, but now radio and television personality Eddie Trunk is hitting the road. Taking viewers on a behind the scenes journey to experience the sights, sounds, stunts and culinary cuisine at some of the country’s legendary music festivals with his brand new AXS-TV series, “Trunk Fest”.
As one of the genres leading proponents as well as an encyclopedia of rock music [Trunk’s famous “Stump The Trunk” segment was a fan favorite on “That Metal Show”], “Trunk Fest” takes Eddie out of his comfort zone and has him doing things he never would do. Whether it’s getting schooled in the ways of motorcycle stunts with daredevil Doug Danger at Sturgis Motorcycle Rally at Buffalo Chip or making jambalaya at the New Orleans Voodoo Fest + Art Experience, “Trunk Fest” is more than just music. It’s an overall experience.
In addition to interviewing such diverse artists as George Thorogood, Taylor Hawkins [Foo Fighters] and Tom Morello and Chuck D [Prophets of Rage], the series also gives viewers an inside look into what really makes the festivals tick.
Future episodes of “Trunk Fest” include excursions to Kentucky’s Larger Than Life Festival; a jaunt to the California coast for the eclectic KAABOO festival, and a trip to scenic New York for Mountain Jam.
I recently spoke with Eddie Trunk about “Trunk Fest” and more in this exclusive new interview.
How did this new series, “Trunk Fest” come about?
Eddie Trunk: I had done some things with AXS over the last few years. Most recently, I hosted a documentary film series called “Reel To Real”. They came up with the idea of covering music festivals and wanted to know if I’d be interested in hosting. The executive producer, Evan Haiman, is an old friend and the two of us got together over lunch and talked. It was a no brainer and now here we are. What’s cool for me is that the show takes me a little bit out of my wheelhouse. It’s still music related and talking to artists, but it’s also about traveling and the festival experience. It’s taken me to some really cool places and taught me some things along the way as well.
What was the filming process like?
ET: Most of the shows we’ve done have been two day shoots. Normally, I’d come in and shoot all my segments [the interviews, the stand up] over the course of a day and the crew would usually stay on an extra day to shoot B-roll footage. Then it’s all edited up. It’s a great crew and they do a great job. We were in some amazing places shooting outdoors and the show looks incredible.
What was your favorite part about doing the series?
ET: I’ve interviewed artists my entire career in radio and TV and love it, but my favorite part about this series is that it’s not just doing interviews. It’s taking me out of my comfort zone; putting me in different situations and discovering things I normally wouldn’t discover. Like being on a motorcycle; firing guns; being to cities I haven’t been to in a long time and experiencing foods I’d never tried before. For me, it’s about the exploration. We have more festivals in America now than we’ve ever had and it’s cool to get out and explore what’s happening. The experience is the buzz word for this show.
Click here for a preview of the premiere episode of “Trunk Fest”.
You mentioned learning some things while filming this series. What were some of the revelations?
ET: One of the things I was surprised about was an episode we shot in New Orleans for Jazz Fest. It has of all the music genres (pop, hip-hop, rock, classic rock) but the least amount of jazz [laughs]. That was eye-opening. There was another huge festival in San Diego I’d never heard of called KAABOO, which was also really interesting. Then there were moments with Chad Smith from Red Hot Chili Peppers, Taylor Hawkins from Foo Fighters and Tom Morello, who’s a good friend. The whole experience has been phenomenal.
Did you always know you wanted to have a career in entertainment?
ET: The number one thing for me from the time I was in high school was how can I take the music I love and share it with other people? Over the last thirty-five years, I’ve done radio and TV; worked in a record store; did freelance journalism; worked for a record company; managed artists, and have written two books. But it’s never been about trying to promote me or becoming famous. It was always about promoting the bands and helping to push them.
You’ve always had a strong opinion when it comes to The Rock & Roll Hall of Fame. Has that opinion changed with the recent induction of bands like Deep Purple, KISS and Bon Jovi?
ET: It actually has. I’ve been a vocal opponent of the Hall of Fame but have to give credit where credit is due. There’s still a lot of work to be done, but seeing Alice Cooper, Rush, Bon Jovi and Deep Purple be in there is a positive movement. About four years ago, they [The Rock Hall] made me a voter, and that’s another good sign. Even though I beat the hell of them, instead of holding it against me, they brought me in and let me have a voice.
Are there any other projects you’re currently working on?
ET: Right now, my focus is on getting word out about “Trunk Fest”. Ever since “That Metal Show” ended, I’ve been busy doing radio. I do six live shows a week on Sirius/XM; one daily on a channel called Volume that airs every day from 2-4 p.m. ET and replays at 9-11 p.m. ET. Outside of that, I’m doing a lot of hosting and appearing at festivals. I also just recently got confirmed to go on tour with Deep Purple in November and host their shows in Mexico. After all these years to know artists and have these opportunities is amazing. I’m really lucky.
What excites you the most about the new series, “Trunk Fest”?
ET: A lot of people know me for being a music junkie, but this show has me doing things I normally wouldn’t do. The show is very real and honest. I also don’t go into a situation knowing all the background. I’m learning right along with the audience as we go. The other thing is that any festival I would normally go to would be more hard rock-based, but I went to one in Mexico for Zac Brown and others that focused more on EDM and pop. Even though that music might not be my favorite stuff it’s been really educational and I’ve learned a lot. I think the audience will as well.
Trunk Fest premieres Sunday, July 1st at 9:30 p.m. ET / 6:30 p.m. PT on AXS-TV
The Summer of 2018 just got a whole lot hotter. That’s because AXS-TV’s popular music countdown series, “The Top Ten Revealed” is returning this July and kicks things off by featuring “Songs About Sex” on Sunday, July 1st at 9 p.m. ET. It will be followed by “Epic Songs Of `73” on Sunday, July 8th at 9 p.m. ET.
Executive producer and host Katie Daryl returns for the new season and is joined by a panel of musical icons and industry experts counting down some of music’s greatest songs as decided by viewers.
In the premiere episode, “Songs About Sex,” artists like Dee Snider, Lita Ford and Steven Adler join award-winning songwriter Allee Willis and KROQ DJ Nicole Alvarez to discuss hits from chart-toppers such as Def Leppard, Donna Summer, Madonna and Meat Loaf, among many others.
The following week, the show takes an in-depth look at “Epic Songs Of ’73” and is loaded with standout Southern, psychedelic and shock rock from the likes of Alice Cooper, The Allman Brothers Band and Lynyrd Skynyrd. Notable guests on this episode include Eddie Money, Jack Russell (Jack Russell’s Great White), Clem Burke (Blondie) and renowned music expert, Matt Pinfield.
Upcoming summer episodes feature themes that include “One Hit Wonders,” “Sports Jams,” “Songs About Drinking,” “Rock Star Collaborations,” “Epic Songs of ‘78” and “High Note Hitters”.
‘The Top Ten Revealed” is a program that’s sure to fuel intense debate among music aficionados, but it’s also one that will bring back good memories and keep your toes tapping long after the music fades.
I recently spoke with Katie Daryl about the new summer episodes of “The Top Ten Revealed” and more in this exclusive new interview.
How has reaction been to “The Top Ten Revealed” since its inception?
Katie Daryl: The response has been fantastic. Sometimes when you do a list you have to worry that people will think you got it wrong, but that isn’t the case here. Everyone has been very supportive. And even if they didn’t agree with the list they couldn’t be angry because at the end of the day, they’re ten songs that are pretty rad to listen to.
What do you think makes the show so special?
KD: What I find epic is that we’re hitting on topics that take people down memory lane. Not only are we celebrating classic rock music, the genre and the bands, but we’re also taking people on a musical journey that brings them back to a place that instills emotion that a lot of us don’t have on a day to day basis.
Click here for a preview of the new season of “The Top Ten Revealed”.
What can fans expect from the new summer episodes of “The Top Ten Revealed”?
KD: All of the new episodes really speak to classic rock fans. Trust me, if you like rock and roll and classic rock, or if you’ve ever enjoyed a single song from AC/DC, you’re going to love every single one of these lists.
What’s the criteria for determining which themes are involved and which songs make the list?
KD: First and foremost, it starts with Mark Cuban at AXS-TV. He’ll ask me about the lists and the questions we plan to ask for each new round. I’ll put those in from of him and he’ll sign on or offer suggestions. Once we get the generalized list, I’ll go out and do research and come up with a top fifteen or twenty. It’s like cramming for a final in college. It’s not only reading articles, lists, comments and fan responses, but it’s also watching videos and footage that speak to these topics. Once that’s complete, we’ll put the questions out on social media. It then goes through old-fashioned tallying to see which songs rank and everything falls into place from there.
Do the guest artists and industry experts have any idea of the song rankings beforehand?
KD:They know some of the songs from the list but not necessarily all ten or their ranking. I’ll usually give them a few of the songs ahead of time so they’ll be prepared for what we’re going to talk about. I love to include artists like Lita Ford to provide color commentary and Matt Pinfield, who’s an encyclopedia of music.
Was there something you learned during filming about the songs or artists?
KD: Learning is actually one of my favorite things about the show. We incorporate not just reaction and comments, but we also like to make sure we take you back to that old school, water cooler conversation about rock and roll. Through the process, I’ve learned so much. One of my favorite facts came from the song “How Long” by the band, Ace. Everyone thinks it’s a cheating song and that some guy’s heart has been broken. It has, but not by a woman. It’s actually about a cheating band member! One of the guys in the band was moonlighting on the side with another band and everyone found out about it. They were all like, “How long, dude? How long?” [laughs].
What can you tell me about your background in entertainment?
KD: I’ve always loved music and started out as a radio DJ. I then did a year at MTV before going back to radio in Dallas. That’s where I stumbled upon the world of Mark Cuban, who was launching a new TV network, HD Net, and another local show. I tried out to be his co-host and was hired to host a basketball show with him. In talking on set, Mark was telling me about this new music network he had coming out and asked me if I had any ideas. It was a dream come true. So, I spent the first six years of my career interviewing rock stars like Ted Nugent, Tommy Lee and Maroon 5. I eventually transitioned within the network and Mark Cuban’s companies.
What excites you the most about the new season of “The Top Ten Revealed”?
KD: I love all of the new guests we have. The first round had some fantastic names, and we still have Steven Adler, Lita Ford and Matt Pinfield. But our cast has now doubled in size and includes even more artists that have a great insight into these songs: Dee Snider, Jeff Pilson (Foreigner), Clem Burke (Blondie), Rikki Rockett (Poison) and Eddie Money. In fact, one of Eddie’s songs actually made our list of hits from 1978. To have Eddie Money talking about Eddie Money? I just geek out on that sort of thing! [laughs].
The new season of “The Top Ten Revealed” premieres Sunday, July 1 at 9 p.m. ET / 6 PT on AXS-TV.