Better late than never I suppose. Especially when you consider that when the artsy, independent horror film “All the Boys Love Mandy Lane” first premiered at the Toronto International Film Festival in 2006, George W. Bush was still President.
But thanks to poor test screenings, distributor cash flow problems and bankruptcy, the film never made a big enough splash to warrant a more wide spread showing and instead wound up collecting dust for the next seven years until finally getting a proper release here in the U.S. on Dec 3rd.
“All the Boys Love Mandy Lane” follows the same format of most horror/slasher films we’ve become accustomed to: a young, virginal Mandy Lane (Amber Heard) is a high-school student who goes off to a remote ranch to party with a much rowdier bunch of kids that includes the jock (Luke Grimes), the sensitive guy (Edwin Hodge), the stoner (Aaron Himelstein), and two sexy, albeit air-headed beauties (Melissa Price & Whitney Able). The addition of a mysterious ranch hand (Anson Mount) popping up at the strangest of times only adds to the tension.
All of the guys are so focused on getting with Mandy that no one really notices that some of them have gone missing until it’s too late. That’s when the bloody truth emerges.
In addition to witnessing the demise of the film’s characters, old school slasher film fans will find plenty of other meat on the bone with “All the Boys Love Mandy Lane”. Whether its the recreational drug use, gratuitous sexual encounters and truth or dare or asking the question of who is really out there in the darkness. Artsy fans will marvel at many of the techniques director Jonathan Levine and cinematographer Darren Genet employed during the filming process.
But for me, what separates this film from the standard ho-hum fare of serial killer pablum was the cool little twist that’s engaged halfway through the film. I’ve seen plenty of Jason Vorhees, Michael Myers and Freddy Krueger “adventures” over the years, but have to admit this was something I certainly wasn’t expecting, and it changed the viewing dynamic for the better.
“All the Boys Love Mandy Lane” is Lane’s first leading role as well as Levine’s directorial debut. He’s since gone on to make a name for himself with films like “The Wackness,”and “50/50”. Not bad for a director who’s first film took seven years and two Presidents to see the light of day.
In my view, any filmmaker who invests a substantial amount of time and money into a project should be able to see a proper release of the finished product. While this film is certainly not for everyone, “All the Boys Love Mandy Lane” is one fans of the genre will find was well worth the wait. (Three Stars)