Tag: Music

Car Drives: The 4 Songs I Remember Most

Next to the 1977 Malibu - Guess which one is me.
Next to the 1977 Malibu Classic – Guess which one is me.

I was driving in to work Monday morning and doing what I sometimes do at 5:20 am: switching between channels on my satellite radio system.

Normally, the fifteen minute commute along the highway known as Route 22 near my home is laden with the sounds of Smooth Jazz echoing through the cabin of my 2022 Ford Bronco Sport.

I know, shocking.

You’d probably expect a metal-head like me to have Hair Nation turned up to ten at all times. But I’ve come to realize that whether it’s because I’ve started to open myself up to small changes in musical taste or just the fact that I’m getting old (I prefer the former); listening to smooth jazz in the morning relaxes me and helps me face the day.

But on this particular Monday it just wasn’t cutting it. So I started switching the dial around to find something different and eventually stumbled upon the 70’s on 7 station. That was when a tune came on that I hadn’t heard on a car radio in more almost 40 years. Hearing that song again not only brought back some good memories but also gave me the ammunition I needed for today’s post.

What I’ve done is compiled together a list of the Top 4 songs I remember most listening to on the car radio. The caveat of this list is, all of these songs were on occasions when I was riding in the back seat while my parents drove.

You may find some of these choices a bit strange but these songs, when played on the car stereo at a particular moment in time, placed a permanent bookmark in my memory bank. Memories that still to this day stick with me whenever I hear them.

So here you go – The Top 4 Songs I Remember from Car Drives.

4. Lido Shuffle (Boz Scaggs) – 1977

This was the song that came on the radio on my drive into work this morning. I still have never taken the time to figure out the lyrics but what I do know is that hearing this song still takes me back to 1977 and those drives in my Dad’s Malibu Classic. It didn’t even really matter where we were going or if I was riding in the back seat or had the honor of riding shotgun next to him.

I can still picture my dad, sitting in the driver’s side with his white t-shirt and dungarees. The windows are down and the wind is blowing the sweet smell of summer honeysuckle into the car’s cabin. Thinking about it again now (much like I did on the drive in to work), I can still taste the innocence of childhood.

3. Happy Days Theme – 1976

This one may shock you but considering my fascination with the power of The Fonz it was inevitable that I was going to like this theme song. This song was recorded in 1976 and actually charted at #5 on the Billboard Hot 100 and received quite a bit of radio play.

There was this little fishing spot up along Bushkill Drive that our family used to take excursions to on summer weekends. My parents always referred to it as ‘The Creek.” I remember sitting in the back seat next to a half-dozen or so fishing poles when this song just happened to come on the radio one day while we were pulling in. I’ll never forget begging my parents not to turn off the ignition and for us all to just sit and listen to the radio until the song was over. Fortunately they complied or else I might have thrown a hissy fit.

Speaking of hissy fit…..

2. Bad, Bad Leroy Brown (Jim Croce) – 1973

It was sometime in the mid-70’s when Dad took me and my brother on our first overnight camping trip with a bunch of people to Camp Hugh Beaver in his 1965 Mustang. I remember this because I was  extremely excited about going camping, that is until we arrived. From then on, I immediately wanted to go home for a reason that to this day still eludes me.

I remember voicing my opinion for home very loudly, and eventually through tears. My dad would ignore my pleas and made us stay there that first night, but once the sun came up I was back at it again; crying and wanting to go home. Eventually, he gave in to my demands and we all packed up early and headed home.

Why do I remember this, you ask? Because on the drive home the song “Bad Bad Leroy Brown” came on the car radio. In addition to really digging the song, the thing I remember most is asking Dad about it and him telling me that Jim Croce had recently been killed in a plane crash.

and you KNEW this one was coming!!

1. Cum On Feel The Noize (Quiet Riot) – 1983

It was several years after the camping debacle; sometime in 1983 for sure. Dad was driving my siblings and I along a rural stretch of Pennsylvania road when the drums kicked in. My immediate instinct was to yell “TURN IT UP!!!”

I don’t know what it was, but something about that song hooked me in from the get-go. It was unlike anything I had ever done before. It was the first time I had ever heard the song and I still recall telling the rest of the people who were in the car with me to shut the f#ck up so I could listen (Ok, I said “heck” – after all, my Dad was there).

Now it’s your turn. Feel free to share your own list of songs. The ones you remember most from driving as a kid!

Guitar World: Zakk Wylde to Pay Tribute to Les Paul at The Iridium in NYC

ZakkWylde

Zakk Wylde has pretty much done and seen it all — and tonight he’ll take the stage at New York City’s Iridium Jazz Club, aka “The Home of Les Paul,” to pay tribute to the legendary guitarist and inventor.

Wylde, known for his incredible six-string skill, work ethic and custom bullseye-painted Gibson Les Paul, was recently invited to perform with the Les Paul Trio at the Iridium tonight, June 10, as a tribute to the late guitarist.

The Iridium celebrates its patron saint (who performed there weekly for more than a decade until his passing in 2009), every Monday night by inviting special guest guitarists to sit in with the trio.

Wylde’s appearance at the Iridium include two additional shows — June 11 and 12 — during which the Black Label Society guitarist will perform acoustic versions of his own material and host a Q&A session and read from his book, Bringing Metal to the Children: The Complete Berzerker’s Guide to World Tour Domination, which recently was released in paperback.

Following his performances, Wylde is scheduled to return home and complete Unblackened, a DVD filmed at the Nokia Theater that also coincide with an accompanying CD. Black Label Society will then begin gearing up for this year’s Gigantour, which features Megadeth, Newsted and other metal greats.

I spoke with Wylde about his Iridium shows and Les Paul. We also discussed his days with Ozzy and Sharon Osborne, two people he still affectionately refers to as “the Boss” and “Mom.”

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Check out the rest of my Guitar World interview with Zakk Wylde by Clicking Here

 

 

Mindi Abair Talks Touring With Aerosmith, Jazz And Summer Horns

Saxophonist Mindi Abair
Saxophonist Mindi Abair

Her solo career has yielded six albums that have topped the Contemporary Jazz charts, along with producing 10 No. 1 radio singles.

But saxophonist Mindi Abair is definitely no stranger when it comes to rock and roll. A product of the public school music program, Abair has shared the stage with the likes of Bruce Springsteen and Duran Duran.

But it was Abair’s performance as part of the American Idol band that caught the attention of then-Idol-judge (and Aerosmith frontman) Steven Tyler, and ultimately led the band to add its first sax player in 30 years for last summer’s Global Warming Tour.

On Abair’s latest album, Summer Horns, she’s joined by fellow saxophone greats Dave Koz, Gerald Albright and Richard Elliot in covering some of the greatest songs of a generation; including infectious renditions of the Beatles’ “Got to Get You Into My Life” as well as others made famous by the likes of Chicago, Tower of Power and Sly & the Family Stone.

minditylerAbair also is busy with her next solo album project and was recently elected president of the LA Chapter of NARAS, the company that oversees the Grammy Awards.

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I spoke with Abair about Summer Horns and her time on the Aerosmith tour. We also discussed the importance of keeping music-education opportunities alive in schools.
Read the entire interview by Clicking Here.

For more information on Mindi Abair and Summer Horns, check out her website:
Click Here

Guitar World: Former Madam X Guitarist Maxine Petrucci Discusses New Solo Album

Back To The Garden

Maxine Petrucci likes to call what she does “evolved music.”

The former Madam X guitarist [and sister of former Vixen drummer Roxy Petrucci] has taken much of what she’s learned from the ’80s and ’90s to a completely different level. It’s a sound and style some may find not suitable for the “commercial” world, but Petrucci says that suits her just fine.

Bassist Billy Sheehan has called Petrucci “a true rarity, a lady who has powerful command of her instrument and her voice.” Rick Derringer cites Petrucci’s guitar playing as “masterful” and has referred to her right-hand picking technique as “the hummingbird effect, so fast, it’s a blur.”

Continuing to forge her own path, Petrucci’s third solo album, Back to the Garden, is an eclectic mix of riff and shred, one that will make even the most jaded critic stand up and take notice. Her new band features Imminent Sonic Destruction members Pat Delon (drums) and Bryan Paxton (bass), plus guitarist Rachel May (Broadzilla).

I spoke with Petrucci about Back to the Garden, her time spent with her sister in Madam X and much more.

GUITAR WORLD: Tell me about Back to the Garden.

This is my third solo album, and it’s completely different from anything I’ve done before. I don’t have a label, so I have the luxury of doing what I want to do when I feel like doing it. For Back to the Garden, I wrote all of the songs and did all the guitars, bass and vocals. Pat Deleon wrote and played the drum parts, and Gaetano Di Falco illustrated the album cover

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Bonus: Know which famous metal singer once fronted Madam X
before hitting the skids? Then read the rest of my Guitar World interview with Maxine Petrucci – Click Here

 

Guitar World: Styx Guitarist JY Young Discusses Band’s New DVD, ‘Grand Illusion/Pieces of Eight’

Styx (Photo by: Ash Newell)
Styx (Photo by: Ash Newell)

Styx’s new DVD/Blu-ray, Styx: Grand Illusion/Pieces of Eight — Live, captures the band performing their two classic multi-platinum ’70s albums live in their entirety for the very first time.

The DVD, which was filmed at the historic Orpheum Theater in Memphis, is the ultimate showcase for the albums helped establish Styx as a global phenomenon and defined their sound for a generation of fans.

I spoke with Styx guitarist James “JY” Young about the new project, plus his early days, seeing Jimi Hendrix perform and the future of Styx.

GUITAR WORLD: How did this project get started?

It started as a notion that a promoter who’s close with our manager came up with. He had the idea of us performing the Grand Illusion and Pieces of Eight albums live in their entirety in the order in which they originally appeared on the vinyl LPs using the latest in HD technology. For us, it was an experiment and also a way to give our real die-hard fans the chance to hear some songs that we had never played live before, and some others we haven’t played since the late ’70s.

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Read my Guitar World  interview with Styx’s JY Young by Clicking Here

Guitar World: Greg Howe Talks Maragold, Guitars and Playing the Local Club Circuit

MaragoldGreg Howe and I have a few things in common. First, we have a mutual interest in a certain instrument and both cut our teeth playing music in clubs in the Lehigh Valley, PA area. But that’s pretty much where our similarities end. While I remained, Howe went on to score major success with his fretboard prowess; releasing critically acclaimed albums and supporting some of the biggest names in music. Now, Howe finally gets the chance to return to his roots with his new band, Maragold.

Together with bassist Kevin Vecchione, drummer Gianluca Palmieri and powerhouse vocalist Meghan Krauss, Maragold’s debut album is a refreshing change to the monotony that is the current state of music. Bluesy, tasty and soulful are just some of the adjectives that describe an album that’s reminiscent of summer and demands to be turned up.

I spoke with Howe to discuss the new album, working with a female vocalist and his days playing the Lehigh Valley. Howe also lets me in on the real secret to becoming a successful guitarist.

How did you hook up with Meghan?

Meghan was gigging on the east coast in some cover bands and Kevin had heard of her. He was doing some gigs there as well in the Philly area. He went to check her out one night and thought she was great, so he had her come over to his apartment to do some recording. He sent me a picture of her and at the time, I had never even considered having a female in the group. But after he had sent me the recording that was it.

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Check out the rest of my Guitar World interview with Greg Howe by Clicking Here.

Guitar World: Frank Turner Talks Guitar Center Sessions, Tape Deck Heart

FrankTurner1.jpgGuitarist Frank Turner’s preferred method of swaying people to his cause is just getting in front of them and playing. With his upcoming Guitar Center Sessions, he gets the opportunity to showcase for the world. Filmed during his hectic SXSW schedule, the show not only includes performances by Turner and his band but also an in depth interview Turner as well.

Since leaving the band Million Dead and going solo in 2005, Turner has released four acclaimed albums and played more than 1,400 live shows. His recently released fifth album, Tape Deck Heart is one of emotional revelation and change. It’s the kind of album Turner says he’s always wanted to make.

I spoke with Turner about the Guitar Center Sessions as well as his new album and one of his most memorable shows.

GUITAR WORLD: What can you tell me about your Guitar Center Sessions appearance?

It was filmed in the middle of SXSW and the schedule I was on was hectic. There was one day where we played a show in Austin in the afternoon, and then we flew to Denver for a breakfast show and then flew back to Austin for two more gigs. Throughout my career, the way things have gone for me is getting out there and playing, and that’s what we’re doing with this Sessions performance. Getting in front of people so anyone around the world can watch it. There’s also an in-depth interview session we also did which was great.

You can read the rest of my Guitar World interview with Frank Turner by
Clicking Here.

Frankie Moreno Talks Music, Vegas And Angel Town

FrankieMorenoA musical prodigy from as early as age three, singer/songwriter Frankie Moreno is a modern-classical genius who’s resume not only includes scoring #1 hits on multiple Billboard music charts, but also serenading industry VIPs like Paul McCartney, performing on the hit ABC show “Dancing With The Stars” and traveling all over the world in search of songwriting inspiration. In between, he still manages to find time to headline his own successful show in Las Vegas to enthusiastic crowds.

For his latest single Angel Town, Moreno discovers a happy medium by mixing the elements of classical, pop and rock genres into one eclectic groove. With an infectious dance beat combined with a tinge of big band sound, “Angel Town” is already a huge success. Moreno is currently working with songwriting powerhouse Diane Warren on new material for an album expected to be released later this year.

I spoke with Frankie about “Angel Town”, his songwriting inspiration and more in this exclusive interview.

Tell me how the song “Angel Town” came to be.

I write a lot with my brothers, Tony and Ricky. We take trips all over the world and bring along our guitars to become inspired and write music together. We were in Vienna, Austria walking around the city and at that time, I had been doing a lot of traveling back and forth to LA from Las Vegas. I began thinking about the way the whole LA scene works; with everyone wanting to be famous and that whole idea of a guy with the big cigar sitting at the bar watching the band play and saying “Hey kid? I can make you a star!” I wound up writing that song in about 30 minutes and we came home and recorded it.

You’re now in the studio with Diane Warren working on new material. What’s it like working with her?

It doesn’t get any better. Diane is an awesome person. She writes the greatest power ballad love songs of all time. Right now, she’s over in London working with Adele. For me to have the opportunity to work with her is amazing.

Tell me how you got on Dancing With The Stars.

The whole cast of the show came and saw my show one night and one of them took a video of me performing “Tangerine Honey”. They sent it over to ABC and three weeks later, I was on the show. Lacey Schwimmer choreographed the entire dance around it.

Let’s discuss your upcoming PBS Special.

We start filming in mid-summer and it will probably be out towards the end of the year. The special will feature our songwriting and traveling around the world just to write music. It begins in Santa Cruz, California where I’m from, then travels the world as we take the songs we write and bring them back to put them on the stage in Vegas.

You also performed for Paul McCartney. How did that come about?

Joshua Bell, a classical violinist asked me to play on his record and we did a version of Eleanor Rigby. After we recorded the song, it became a #1 single and eventually got the attention of Paul, who invited us to play it for him at a private event. It was an amazing experience. Paul McCartney is what every songwriter aspires to be.

Were you always into music?

By the time I was three, I was already playing piano. I was really into Mozart and when I five, I started taking lessons to learn how to read music. Around that same time, the movie “Amadeus” came out as well as “Great Balls of Fire”. I remember wanting to be Mozart, but also wanted to be Jerry Lee Lewis too! [laughs]. So I began thinking of ways to combine being technically good along with the rock and roll fun and doing all of the tricks.

Tell me more about traveling the world to write songs and how you got started.

My brothers and I have been doing it for about five years now. I remember when I first heard about how the Beatles used to go to India, I wanted to see what it was all about. The thing is, we don’t just travel to countries for fun. We like to go to places where musical or artistic events have taken place. Like, sitting where Michelangelo used to paint; or going to Mozart’s house, or sitting on the park bench that Beethoven used to sit on. Maybe not the exact same bench, but in that same spot. You can feel and pick up on the creative energy that’s there.

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What does the future hold for you?

I’m shooting for a fall, early winter release of my album and will be putting out a few more singles until then. I recently won headliner of the year in Vegas and really want to start touring the US. The band is awesome and we have such an eclectic group of fans. Word of mouth is really pushing “Angel Town” and in a way, it’s kind of old school. Like the way it was done back in the 50’s. The music business is a fun thing to be a part of. I’m going to leave my little stamp on it and see how far I can take it.

 For More on Frankie Moreno, check out his official website by Clicking Here

Copy Cats

The original - and still the best!
The original – and still the best!

They say imitation is the sincerest form of flattery, but I beg to differ. Quite often (and more often than not), it’s annoying. When I was growing up, it wasn’t good enough to just go to school wearing Members Only jackets and Jordache jeans. In the 80’s, a lot of the kids at my school routinely liked to show up at our educational establishment mimicking their favorite entertainers.

I kid you not, some girls would actually come to school with the exact same haircut and wardrobe ensemble as Pat Benatar or Madonna. Then there was a section of the student body who felt obliged to pay homage to Boy George from Culture Club on a daily basis. And don’t get me started on the dudes who came to school wearing a replica of the jacket Michael Jackson made famous in the “Beat It” video.

Which leads me to yet another atrocity of copy cats I’d like to discuss –  the doppelganger world I see whenever I stroll down the cereal aisle at my local grocery store.

As if it weren’t already bad enough that I can only get Count Chocula at Halloween time, half of the shelves that once housed such morning goodness as Quisp, Frute Brute and Waffle O’s are now home to the wannabes; generic cereal that’s been cleverly disguised as some of my all time favorites.

Fruit Swirls?.. Really??
Fruit Swirls?.. Really??

You don’t fool me.

Sure, grocery chains tout that by purchasing generic brands, consumers can still enjoy their favorite breakfast cereal and also save money at the same time. Although there is some truth to that statement, these same people who claim to know what’s best for Americans seem to have forgotten about one very important thing – the fun factor.

Time is a precious commodity in this day and age, and there’s only a certain amount of it we get to spend using it on breakfast. Personally, I’d much rather spend mine with Lucky the Leprechaun, Toucan Sam or Fred Flintstone than with some stranger trying to imitate my homies.

I've known Dino.. and you sir, are no Dino!
I know Dino. Dino is a friend of mine. And you sir, are no Dino!

I find it funny how these generic brands of cereal attempt to make themselves out to be alternatives to the name brand by using slightly different names (and characters) in their promotion. For instance, compare the use of the word “swirl” in Fruit Swirls with the “loop” in Froot Loops; an obvious Jedi mind trick. Oh, and look! How convenient…a monkey pitching the product. Could it be that both a monkey AND a toucan might be found in the same deep jungle? I’m sure it was just a coincidence. NOT!

Sometimes, the characters used to pitch generic versions are more blatant than others. As is the case with “Fruity Bits”; a knock off of my beloved Fruity Pebbles. You’ve got to give them credit for using a dinosaur to appeal to the Jurassic customers who’ve regularly indulged in the name brand for years. Sorry, but eating a bowl or these bits doesn’t even come close to the euphoria I’ve experienced by having breakfast with Fred and Barney over the years.

And what’s with the word “bits” anyway? Bits sounds like something you’d give to your dog. It’s not as manly as “pebbles”. Sure, it might sound like you’re eating rocks (and who knows, maybe you are), but this is the stone age we’re talking about, right?

Rainbow Treasures....Nice Try!
Rainbow Treasures? You’re not magically delicious!

If it were me and the decision had to be made, I’d go with the name brand cereal every time. If for no other reason than I would much rather be sitting at the table in the wee hours of the morning reading about the games Fred and Barney have in store for me than contemplating if it was really worth it to save thirty cents just to buy some knock off. You can’t put a price on happiness.

And as for the grocers who think it’s cool to not stock Count Chocula and some of my other favorites in order to make room for products like these, there’s a special place in Guantanamo for you.

Guitar World: Howard Leese Discusses Raiding The Rock Vault, Heart and Bad Company

LeeseIt’s been a busy year for former Heart guitarist Howard Leese. The man who played alongside sisters Ann and Nancy Wilson for more than twenty years has spent much of 2013 performing in the Las Vegas musical “Raiding The Rock Vault”.

In addition, Leese will once again be joining Paul Rodgers and Bad Company for the band’s 40th anniversary tour which kicks off this summer. Then there’s the little matter of his recent induction into the Rock And Roll Hall of Fame and reunion with the rest of Heart. With a successful Vegas show in full gear and having worked with arguably the greatest male and female vocalists in rock history, Leese shows no sign of slowing down.

I spoke with Leese from his home in Malibu where we talked Raiding The Rock Vault, Heart, Bad Company and of course, guitars!

Read my entire interview with Howard Leese by Clicking Here