Tag: Music

Ted Nugent Talks New LIVE CD/DVD “Ultralive Ballisticrock” And More

tedRegardless of your own political persuasion, there can be no denying that conservative rocker Ted Nugent has firmly solidified his place in the annals of history.

In addition to a hugely successful music career that’s seen him perform well over 6,000 shows, the Motor City Madman is also a radio personality, an actor/reality star, host of his own outdoor show (Spirit Of The Wild) as well as a Washington Times contributor.

On the musical end of the spectrum, Nugent’s new live CD/DVD “ULTRALIVE BALLISTICROCK” is not just your typical kick ass rock concert. Together with his killer band made up of Derek St. Holmes (guitar/vocals); Greg Smith (bass) and Mick Brown (drums), Nugent’s live show is one part sermon, one part history lesson and one part spiritual revival. It’s a line drawn in the sand where (like most things) Nugent is either admired and solidified for the attitude, or despised for it. But Nugent says let the chips fall where they may. He believes in focusing on quality of life in all of those arenas, because quality of life comes from all of those issues.

Recorded by seven cameras in 5.1 audio mix during Nugent’s 2011 “I Still Believe Tour” at Penn’s Peak in Jim Thorpe, PA; “Ultralive Ballisticrock” captures the raw, primal essence of Ted Nugent at his musical best. DVD/Blu-Ray bonus footage includes “Spirit of the Wild” and The Making of ULTRALIVE BALLISTICROCK.

Personally, I’ve seen dozen’s of shows at Penn’s Peak over the years and thought I knew a thing or two about the venue and the people there. But as you’ll see in this interview, Nugent makes me aware of something I never knew about Penn’s Peak and his audiences.

You can say what you will about his stand on hunting and Second Amendment rights, but when you interview Ted Nugent, you can’t help but come away with the knowledge of having spoken to a man who not only is a musical legend, but one who also truly loves his country.

I spoke with Nugent about the new CD/DVD release and also got his thoughts on some of the most important issues of the day.

What made you decide to do this particular live CD/DVD?

What Greg [Smith], Mick [Brown] and Derek [St. Holmes] bring to every concert is intense. It’s so compelling and satisfying for me. I’m just proud and so moved by what these guys do that if it wasn’t me up on stage, I’d buy a front row ticket just to see them. Every concert is a musical orgy of fun and grind and funk and passion and spirit and attitude. I figured, “My God, we’ve got to capture this, right now!”

Was there a reason why you decided to film the Penn’s Peak performance?

It’s a special place. All of my audiences are the best in the world, and I have well into the 50-60 percentile of deer hunters in attendance. But at Penn’s Peak, it’s 100 PERCENT! You can smell guts in my audience. It brings an ultimate effervescence to the entire procedure! [laughs].

l to r: Derek St. Holmes, Ted Nugent, Greg Smith, Mick Brown (photo: James & Marilyn Brown)
Derek St. Holmes, Ted Nugent, Greg Smith, Mick Brown (photo: James & Marilyn Brown)

How would you describe your live show?

Chuck Berry meets Natty Bumppo in the bend of the Louis and Clark exploratory advance meat man point of view! I don’t think any musical force ever in the history of the world has more fun than my band and audiences. If you’re not having fun with me, you’re weird!

You take a lot of heat for some of your views. What are some of the things you think liberals just don’t understand?

It’s not really a matter of understanding. Liberalism is a cult of denial. One where discomforting information is discarded. It would be similar to having Old Yeller foaming at the mouth, and you keep telling yourself that he doesn’t have rabies; versus someone like me who would just shoot the f$cking dog! [laughs].

Let’s start right at the tip of the culture war spear: gun control. How can you possibly deny, when the irrefutable facts from every major source (United Nations, FBI, Scotland Yard) has concluded that a gun free zone (where liberals have accomplished their dream of banning guns) has become the number one murder zone in the world?  Columbine, Virginia Tech, Aurora Theater, Sandy Hook – all of them, gun free zones. So, now that we all know that the most innocent of lives are lost in gun free zones, how can you begin to explain why someone would want more of them? An intelligent, caring soul is aghast at such a mind-set where you’d want to increase injurious conditions.

Ted Nugent - photo by James and Marilyn Brown
Ted Nugent – photo by James and Marilyn Brown

Another example of the anti-gun insanity revolves around my lifestyle of eating venison. Wherever liberals have succeeded in banning a certain type of hunt (California mountain lions for example), they’ve actually increased the killing of them. But, only after the mountain lions have either killed people, maimed people or destroyed millions of dollars worth of livestock and personal property, and then your tax dollars go to help clean up the mess you didn’t allow to be cleaned up before the mess happened. If there had been a hunting season, all of those alpacas wouldn’t have been eaten.

Then we’ll move on to the whole welfare thing. Who can deny that the big lie of entitlement has actually brainwashed people into celebrating dependency? How about not giving a bonus for being non-productive and instead chiding people into getting an alarm clock and being productive? You’d be much happier and more self-sufficient if you were independent. These are good things.

The bottom line though is that liberals are crazy, deranged people and I’m always right! It’s pretty simple, actually. [laughs].

Having now seen the effects of what’s happened in Michigan, do you ever lament not running for governor?

Occasionally. But the suicidal death march of Detroit actually began back in the early 1960’s when the most positive, productive, proud Detroit was strangled by liberal democrats who chastised them for being so positive and productive. They engineered the greatest city in the world to stop caring. But let’s look beyond that. The entire state of Illinois is more bankrupt than Detroit, and the entire state of California is more bankrupt than Detroit. They’re just living on a lie.

What are your thoughts on what’s happening in Syria?

That’s a cluster f$ck if ever there was one. I’ll go with what the military pros that I speak with say and suggest that we should just let them kill each other. Both sides are our enemy. One side is basically the Taliban and the other is basically Al Qaeda. They all want to kill us and anyone who’s not a member of their gang. They both preach that. It pains me to have to say that because there’s untold number of innocents involved in the crossfire, but I don’t believe America can be the world’s cops. But I do believe that any enemy who can metastasize to have the capability of a 9/11 we must obliterate.

Those that hate freedom and America and Christians will do anything they can to destroy us and the sad part of it is our President is basically feeble. He’s not a force to be reckoned with and I thought the President of the United States should be the definitive force to reckon with. How ugly is it that a guy who loves his country so much has to say that about his President? I’m surprised I’m not playing the blues.

Do you think the real plan of the enemy isn’t so much about having us invade countries or fighting skirmishes, but rather the notion of having us spend untold billions of dollars endlessly fighting them until it inevitably bankrupts us from within?

All of the above. I’ve got it from inside authority. Are you aware of the Department of Defense’s recent summit? There was a debriefing recently where they identified that OTM’s (Other Than Mexican) are coming in through our porous borders and are slowly bankrupting us. They’ve identified that 90% of the wild fires in America are purposely set by either Taliban or Al Qaeda operatives. And why? Because it costs us trillions of dollars to fight these fires. There’s a lot of stuff going on that America doesn’t know about. 

Have you given thought to running for President yourself?

God, wouldn’t that be awesome? Just the debates alone. Everyone gathering around their televisions to watch me gut my opponents! [laughs]. I doubt it. Although I am in communication with some of the most dedicated, patriotic statesmen in the country. I’m in touch with people who really care. I don’t think I’m going to run, but boy am I going to put pressure on those who do.

TedNugentLiveDo you have any advice for us as human beings?

God Almighty, take better care of yourself. Think about the precious gift of life and don’t allow poisons into your sacred temple. Look around you and ask honestly if your conduct is beneficial to your quality of life and the quality of life of your family and fellow-man or if it’s detrimental. That’s the mantra of the Nugent family.

There’s always going to be hate, but I’m dedicated to always conducting myself in such a way to benefit others. If more people would be conscientious about the effect of their cause, America would be a much better place.

ULTRALIVE BALLISTICROCK will be released on October 22nd and be available in three formats including a 2CD+DVD deluxe edition, DVD, Blu-Ray as well as digital download!

For more on Ted Nugent check out his official site by Clicking Here

In It To Win It: Saliva’s Wayne Swinny Talks New Singer, Album

SalivaInItToWinItAfter the departure of longtime vocalist Josey Scott, Saliva’s Wayne Swinny (guitar), Dave Novotny (bass) and Paul Crosby (drums) weren’t sure if they’d be able to find a suitable replacement.

Thankfully, after a month of deliberating, the search for a new frontman led them to singer Bobby Amaru, whose arrival kicked off a new chapter for the band, one that Swinny equates with hitting the lottery.

Saliva fans will get their first taste of Amaru’s vocals on the band’s eighth studio album, In It To Win It, which will be released September 3 via Rum Bum Records. Produced by Bobby Huff (Halestorm, Drowning Pool, Papa Roach), the album not only forges the band into new territory, but also stays true to the classic Saliva sound.

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I spoke with Swinny about In It To Win It, his gear and the best advice he’s ever been given as a guitarist. Check out the interview by Clicking Here!

Foreigner Bassist Jeff Pilson Talks New Starship Album, T&N and Dokken

Me and Jeff Pilson
Me and Foreigner bassist Jeff Pilson

Jeff Pilson is a busy man. In addition to his regular role as Foreigner’s bassist, he’s also been dividing his time with a host of other projects.

He’s working with other former Dokken members George Lynch and Mick Brown on the next T&N album, and he’s just finished producing the upcoming Kill Devil Hill album and Loveless Fascination, the first new Starship album featuring Mickey Thomas in almost 25 years.

Below, we discuss all the projects mentioned above and a whole lot more.

GUITAR WORLD: How did you get involved with Mickey Thomas’ new Starship project?

It started off from a songwriting angle. I was working with another producer on a project, and he ended up hearing a bunch of my songs. He also was working with Mickey Thomas at the time and said, “What would you think if I worked these songs with Mickey Thomas, who’s planning on doing another Starship record?” I loved Mickey and already had the songs available, so I said, “Sure, why not?” He started working with Mickey on the album, but things just didn’t work out. That’s when I got involved as the producer as well.

Hear the new Starship track “It’s Not The Same As Love” here

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Read the rest of my interview with Jeff Pilson by Clicking Here

Digging Up a Classic Sound: Heaven & Earth’s Stuart Smith and Chuck Wright Discuss New Album

digHeaven & Earth’s new album, Dig, celebrates the sound of iconic ’70s rock music, a time when rock was at what some consider its purist, most accessible form.

Originally an all-star project for guitarist Stuart Smith, Heaven & Earth has since evolved into a full band that includes Joe Retta (vocals), Chuck Wright (bass), Richie Onori (drums) and Arlan Schierbaum (keyboards).

Picking up where iconic bands like Deep Purple and Bad Company left off, Heaven & Earth are on a mission to resurrect the sanctity — or lat least the sound — of classic rock.

I recently spoke with Smith and Wright about the new album, their gear and more.

GUITAR WORLD: How did this album come together?

WRIGHT: Stuart called me and told me he was doing a new Heaven & Earth record and asked if I wanted to take part. I had played on the other Heaven & Earth albums, but those were more like solo records for Stuart, with a lot of guest stars on them. For this one, he wanted us all to get together in a room and hash things out. Get a real band sound going and do it for real. So we partnered up and came together as a band.

SMITH: Joe Retta [vocals] and I have been playing in Sweet for a while. He has such an amazing voice and reminds me of a young Paul Rodgers. Chuck is such a great bassist and also an amazing writer.

gw_logoYou can read the rest of my interview with Stuart Smith & Chuck Wright
plus see TWO Heaven & Earth videos by Clicking Here

Singer John Waite Talks LIVE Album, The Babys & Bad English

John Waite (Photo by: Amber Stokosa)
John Waite (Photo by: Amber Stokosa)

When it comes to LIVE albums, it doesn’t get more real or raw than John Waite’s LIVE ALL ACCESS.

Recorded live in both Philadelphia and Manchester, ‘LIVE ALL ACCESS’ features performances from Waite’s most recent solo album, “Rough and Tumble” as well as songs from his Babys days and early solo career.

Fans who attended Waite’s performances not only participated on the album, but were also privy to seeing the former Babys/Bad English vocalist and his band at the top of their game.

I spoke with Waite about the new album as well as The Babys, Bad English and some of his biggest hits!

What made you decide to do a live album?

The band was the reason. I remember there were a few times when we were out on stage and I just looked around and thought, “God, this is where I want to be!” This is where I live and I want to share it with people. It sounded so great. I knew I had to get it on tape somehow.

How many shows do you think you’ve performed over the course of your career?

As a solo, I’ve spent most of my life on the road. The Babys also did an enormous amount of gigs and Bad English spent a year on the road. I’ve played small clubs, arenas, the lot. I don’t really think about how many shows I’ve done. I think about it more in terms of how many times I’ve gotten on an airplane [laughs].

What was the recording process like?

I recorded a few shows in Philly at Philly Sound. It’s a church in the blue-collar part of town [a recording studio in the church]. It was a free concert and I brought along three kegs of beer with me each night. A few months later, I decided to try to record again and we got another beautiful performance in Manchester, New Hampshire. I then mixed the best of Philly with the best from Manchester. There isn’t one single overdub on this record and I’m proud of it. It came out exactly as I wanted it to.

Discussing The Babys, Bad English and Biggest Hits

How did the band come up with the name The Babys?

Our manager in London was fairly contentious. He was a very dry and sardonic kind of guy. I remember he’d always stand there in his overcoat just sneering at us. I could give as good as I get, so one day I looked back at him and said “What?” He just looked and he said, “Ah, you’re just a bunch of babies!” and walked out. Then he came back in and said “That’s it! The Babies!” At the time, I had dyslexia and instead of spelling things with “ies” I’d just put a “y” around it. So I would spell it “Babys”. He took that and it became the name of the band.

What caused the breakup of the band?

The whole thing had turned sour. At the time, some of us weren’t acting as sweetly as we should. Our record label [Chrysalis] had done such a poor job with everything and Jonathan [Cain] was also leaving to join Journey. We all knew it was the end.

Let’s discuss some of your biggest solo hits. How does a song like “Change” come across your desk?

I’ve always been street wise for knowing that you need a hit, but also that it had to be quality. I was writing with Ivan Kral [Patti Smith / Iggy Pop] putting together the ‘Ignition’ album when I got a cassette in the mail. I remember playing it and thinking “Wow, this sounds like a John Waite song!” [laughs]. It sounded like it was written in my style. I changed some of the lyrics around to make it more “me”, and it worked.

What was the concept for the video?

I was a reporter running around in a zoot suit. I was meant to be a sort of Jimmy Olsen character trying to talk someone down off a ledge. She was having a hard time in the film business. Kort Falkenberg III shot that video and also shot “Missing You”. The thing I liked was that he really understood and loved film. I follow old film religiously [it’s my love, other than music], so I knew a lot about what he was talking about.

Missing You

I was living away from my wife (we were on the edge of divorce) and was torn. I had spent time in New York and obviously had met Nina Blackwood [MTV] and we were close. The thing is, when you think of a girl you think of the setting in which you see that girl too. New York City comes into that song. It’s a song about distance and not being there.

Did you know at the time that it was going to something special?

I knew it immediately. I started by taking “Every Time I Think of You” [which is the title of a Babys song] as the first line just to get going and it just all came out from there. I got the whole first verse, bridge and chorus in one go and remember standing back and just being so overwhelmed with emotion that I couldn’t even speak. It was one of those moments where all of the things that are sitting in the back of your mind come to the front.

When I hear it, I always think of two songs which must have been an inspiration. One was “Wichita Lineman” (Glenn Campbell sang the quintessential version) and the other is “Catch a Train” (by Free). You couldn’t get two more opposite songs, but they’re both about distance and I used them as a reference going into that song. I wasn’t trying to compete with those songs. I just understood what they meant. ‘Missing You’ would have come out anyway.

How did the Bad English project come together?

I had done four solo records and was about to make a 5th. I had just gotten out of EMI and my manager walked me into Epic and the A&R guy there told me he was going to find great songs for me. Then I thought, “Why don’t we just do it as a band? No one would expect it!”

I started looking for guitar players, originally trying to find someone like Johnny Marr [Morrissey]; a prodigy to that kind of north of England, working class, ambitious rock. I met a lot of people, but couldn’t find anyone to fit the bill. That was when the suggestion was made to reform a core of The Babys, and it was great to play with those guys.

What was it like working with Neal Schon?

The great thing about Neil is that he just wants to play. Even after a complete night out, when you’re all tired and bleary eyed, he’d still come up with something. “Lay Down” [off the first album] was a song that was written after we had just been up all night. We were destroyed from the night before and just decided to go into the studio and write something and the two of us wrote that song.

Are you working on any new music?

We have a song called “If You Ever Get Lonely” which the country band, Love and Theft has released. In September, I intend to go back into the studio.

Tony [Brock] and Wally [Stocker] have recently reformed The Babys. Did they approach you about taking part?

They did. I love Tony and Wally, but think we probably should have done it twenty years ago.

When you look back over the course of your career, what thoughts come to mind?

My life has been unbelievable. I think if you were to go back to when I was a kid at age five [listening to Marty Robbins and living in a cottage in the English countryside in the black and white 50’s] and then step forward to where I am now; there’s such an air of fragility that sometimes even I don’t believe it.  It’s almost like I’m asleep.  It’s been such a great life, and it’s nowhere near over.

Be sure to check out my interview with John Waite on GuitarWorld.Com where we discuss more about “LIVE ALL ACCESS”

Guitar World: John Waite Discusses New Live Album, Guitars and The Babys

JohnWaiteJohn Waite’s new live album, Live All Access, is as real and raw as it gets.

Recorded live in Philadelphia and New Hampshire with absolutely no overdubs, the album features Keri Kelli on guitars, Tim Hogan on bass and Rhondo on drums and showcases the former Babys and Bad English vocalist at the top of his game.

Waite has achieved international success over the course of his 35-year career. His hits included 1984’s “Missing You,” which hit No. 1 on Billboard’s Hot 100.

I recently spoke with Waite about his new live album and more.

GUITAR WORLD: What made you decide to do a live album?

The band was the reason. We also added Keri Kelli as our guitar player, which really upped the ante. I remember there were nights when we were out on stage and I just looked around and thought, “God, this is where I want to be!” This is where I live and I want to share it with people. It sounded so great. I knew I had to get it on tape somehow.

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You can read the rest of my interview with John Waite by Clicking Here!

Sass Jordan Discusses Upcoming “Good Time Half Hour” StageIt Performance

sassShe’s an internationally recognized artist who has sold over one million CDs worldwide; singing, writing and recording music internationally for the past thirty years. She’s a winner of Billboard’s Best Female Rock Vocalist award and has toured and/or worked with the likes of Aerosmith, Alice Cooper, Cheap Trick, Van Halen and Joe Cocker.

But on Monday, August 12th, singer Sass Jordan will do something that she’s never done before: bring her solo material to the StageIt arena for an intimate concert performance for her fans.

StageIt is an online concert venue. One where artists broadcast LIVE interactive performances directly from a laptop or computer to fans all over the world; offering a one of a kind experience you can’t get anywhere else.

In addition to her StageIt performance, Jordan is also busy supporting her Something Unto Nothing (S.U.N) project with guitarist Brian Tichy. The duo will once again bring their “Acoustic Stomp” to the next leg of Queensrÿche’s tour at the end of this month. The stomp is another unique experience in that it allows you to hear every nuance of Sass’ soulful voice in stripped down versions of the songs. Tichy uses only a guitar (along with a kick/hi-hat combo) while Jordan sings and adds her own percussion. creating a really cool vibe.

I spoke with Jordan about her StageIt show and got an update on S.U.N.

Tell me about your upcoming StageIt performance and how fans can join you!

The show is Monday, August 12th at 7:30 pm ET. What you is go to StageIt.com and search for my show. This particular one is called The Good Time Half Hour. There’s no set fee. It’s pay what you want. The cool thing about Stageit is that you can do it from wherever you are. As long as you have a decent internet connection, people can watch it from the comfort of their own home. You don’t even have to worry about going out or driving. It’s another means for artists to promote their music and a cool way to get it to the fans. It may not be the same as being there live and in person, but it’s the next best thing. It’s also interactive, so anyone who’s watching can ask questions and talk to you.

What can fans expect from your Stageit event?

This show will focus on my solo material and I’m also hoping to squeeze in a few covers that I’ve been working on as well. Derek Sharp from The Guess Who will be joining me. This is the very first time we’re doing it and I’m very excited. The Stageit people are fabulous to work with. Brian [Tichy] and I will probably do a future one as S.U.N., but this particular performance is Sass Jordan solo. Eventually, I’d like to do a series of them.

Speaking of S.U.N., can you give an update on the project?

We already have five new songs for the next S.U.N. record and we’re planning to write a few more during our run with Queensrÿche. We’re almost halfway there. We’ll probably be recording the new album the same way we recorded the first one. We had such a great time doing it and it worked so well with the style and genre.

For more on Sass Jordan’s Good Time Half Hour Show, Click Here

Something Unto Nothing (S.U.N.) Acoustic Stomp Tour Dates:

08/19/13 San Francisco, CA at The Independent

08/20/13 Sacramento, CA at Ace Of Spades

08/21/13 Lancaster, CA at Antelope Valley Fair

08/22/13 Solana Beach, CA at Belly Up Tavern

08/23/13 Indio, CA at Date Shed

08/24/13 Phoenix, AZ at Celebrity Theatre

Wherever Love Goes: “American Idol Alum” Kristy Lee Cook Discusses New Single

Kristy Lee Cook (Photo credit: Glenn Sweitzer)
Kristy Lee Cook (Photo credit: Glenn Sweitzer)

Sometimes it’s hard to believe that it’s been five years since Kristy Lee Cook first captured America’s heart on the American Idol stage. But the beautiful Oregon native (who went on to finish seventh in the competition’s seventh season) hasn’t rested on her laurels since her departure.

Rather, Kristy’s taken everything she’s learned from her AI experience and infused it with her own creative and emotional energies to make a mark in the country music realm. One that’s clearly evidenced by “Wherever Love Goes”; Kristy’s powerful new single and follow-up to “Airborne Ranger Infantry”, her personal tribute to both her father and the military.

Written by Neil Thrasher, Paul Jenkins and Jason Sellers, “Wherever Love Goes” is a power ballad that was originally cut for Randy Houser’s album, “How Country Feels”. But it was Benny Brown, the president of Broken Bow Records who suggested Kristy record her own version of the song and have Randy join in as well. The result is one of those songs that instantly engages you. The more you listen to it, the more it catches on.

“Wherever Love Goes” (impacting country radio on August 12th), will also be featured on Kristy’s debut album on Broken Bow; an album being produced by none other than Jason Aldean, who also knows a thing or two about hit songs.

I spoke with Kristy about the new single and also got an update on her new album and more!

What was it like working with Randy Houser on this single?

It was amazing. Randy is such a great person and has one of the best voices in Nashville. He can sing all day long and is very enjoyable to be around.

Is there a mind-set or something else you do to prepare yourself to sing a song this emotional?

When I was younger, I would sometimes bring pictures into the studio with me to help get into the moment. But now, since I can relate to many of the experiences I’ve been singing about, I understand the lyrics more, so it’s easier for me to connect with the song.

Tell me about your upcoming album.

We’ve recorded about twelve tracks so far and will be recording a few more. I’m excited about it. There’s going to be a lot of variety of music on this record, with something for everyone. I think it adds a little bit of character to the album.

Jason Aldean is producing. What’s it like working with him?

Considering that he’s my favorite male country artist, it’s pretty awesome! [laughs]. Seriously, he’s such a nice guy and we get along really well. Jason actually sang backing vocals on a song that we did called “Dirt Cheap”. I was there when he did his part and to watch him record the song was amazing. It’s an honor for me to be able to work with him.

Tell me the origin of the song “Airborne Ranger Infantry”

My Mom had collected a bunch of poems that my Dad had written when he was at war and would often read them to my siblings and I when we were younger. They’re very powerful poems and I remember growing up with the idea of wanting to write a song from them. It was something that I’ve always wanted to do, but never had the opportunity until I actually became a songwriter. I got together with Michael Logen and Luke Sheets to write it, and originally just wanted it to be for my Dad. But I quickly realized that it had become something much more. I saw the impact that it had on people and it’s since become my way of giving back to our military and saying thanks for everything that they do.

What are some of your best and worst memories from your American Idol experience?

The tour was quite an experience. We went from performing on the show to being in front of 15,000 people a night. It was intense, but it was also a lot of fun. One of the worst experiences for me was the first week of the live rounds. I had bronchitis and the flu with 102 degree temperature. I remember having to sing live and not knowing what to do. They even took me to a different hotel and everything! [laughs].

What do you think makes country music so great?

The fact that you can sing about anything and everything, and it’s real. You can sing about relationships and heartbreak and everyone can relate to the songs because everyone has gone through the same thing. It’s a way of communicating with people and having a personal connection with a song that soothes your soul. It also revolves around the outdoors and about good, down to Earth people who’ve got each others back. I love being able to share that message with people.

For more on Kristy Lee Cook, check out her Official Website.

Guitar World: Parmalee’s Matt Thomas and Josh McSwain Talk Music, Gear and Overcoming Adversity

ParmaleeComprised of brothers Matt and Scott Thomas (lead vocals/guitar and drums, respectively), cousin Barry Knox (bass) and lifelong best friend Josh McSwain (guitar), Parmalee has been riding the wave of country music with their catchy riffs and good-time attitude.

The band’s current single, “Carolina,” is cresting the Top 30 of mainstream country radio.

Parmalee was handpicked by Southwest Airlines as the first act to perform on its “Travelin’ Taylor Tour Series” [sponsored by Taylor Guitars], where they performed at 35,000 feet for passengers on a direct flight from Nashville to Houston.

But the members of Parmalee also have had to face adversity on their road to success. In September 2010, after being involved in an attempted robbery and shootout outside a club where they had just played, drummer Scott Thomas was shot three times and was airlifted to a nearby hospital where he was given a 5 percent chance of survival. Miraculously, he survived the ordeal and spent the next 40 days recovering from his injuries in a hospital bed.

Parmalee are working on their debut album for Stoney Creek Records. I spoke with guitarists Matt Thomas and Josh McSwain about the band’s music, gear and more.

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You can read the rest of my Guitar World interview with Parmalee by Clicking Here!

Better Days: Another Lost Year Vocalist Clinton Cunanan Talks Music and Touring

???????????Since the release of their debut album “Better Days”, no band has worked harder to deliver its music than Another Lost Year. The band has logged more than 400 dates over the past 18 months; hitting radio just as hard as the road.

Consisting of Clinton Cunanan (vocals) , Adam Hall (guitar), David Whitaker (guitar), Lee Norris (drums), and Andrew Allender (bass), Another Lost Year is generating buzz in the mainstream alternative metal/hard rock arena. And who can blame them? The band is recognized not only for the infectious melodies and hooks, but also for its truthful lyrics and powerful live performances.

In listening to “Better Days” one gets the impression of a veteran band with longevity; a credit to a demanding tour schedule that’s taken the band from Florida to Michigan and pretty much everywhere in between. Another Lost Year’s has already taken home the 2013 Rockwired Radio Music Award for Best Song  [“War On The Inside”] and the song “Writing On The Wall” is currently in rotation on Sirius XM Octane as well as on various other rock stations. The band’s music has also been featured on MTV and Oxygen cable network shows.

I caught up with vocalist Clinton Cunanan to get his thoughts on the album as well as what the future holds for Another Lost Year.

How would you describe the sound of the album?

We’re a little bit of everything. As heavy or as light as you want. Just truthful, emotional rock.

What was the origin for the song “War On The Inside”?

That song comes from a personal struggle for me. I was at a point in my life where I had to decide whether to go “left or right.” I just remember being in a really dark place and felt that no matter which way I went, it was going to be life altering, and once I made the decision there was no turning back. The song was mostly therapy for me, and a means to an end.

Do most of the songs on Better Days have a similar feel?

Some people take pictures to remember events in their lives. Me? I write songs. All of the songs on this album are snapshots of my life. It’s as personal as it can be. Every day we’re faced with decisions: left or right; up or down; deciding upon which way to go. The premise is, we all look for help at times and it’s during those moments when you least expect it, someone comes along and saves you. If I can through it anyone out there can. At the end of the day, I hope we can give somebody hope.

Tell me about the band’s grueling tour schedule.

Last year, we did about 260 dates and took two months off to record the album. This year, we’re on pace to do over 300. A typical day on the road consists of about sixteen hours in a van, five hours at a venue and maybe [if you’re lucky] getting a few hours to sleep here and there [laughs]. We’ve performed in nearly 38 states and are looking at getting overseas in the spring of next year.

What inspired you to get into music?

Eddie and The Cruisers 2 [laughs]. That’s what got me wanting to play guitar when I was nine. Music is what saved my life and is something that I was meant to do. 

What’s next for the band?

We’re already busy writing songs for the next album and are slated to go back into the studio towards the end of October. In the meantime, we’re going to continue to tour. We’ve seen a lot of bands that go out for a few months and then go home, but that’s not really our style. We’ll keep up the grueling schedule and also focus on branching out and helping other bands that are coming up.

Another Lost Year (Photo Credit: CiJay Pikula Imaging)
Another Lost Year (Photo Credit: CiJay Pikula Imaging)

How would you describe the reaction to the new music?

It’s been incredible. We’ve been touring for about twenty months now and it’s amazing to think a bunch of guys from North Carolina can have an album that’s reaching people all over the world. We’ve got people from all walks of life coming up and telling us how the album has saved their life. People who’ve said it’s an album they can listen to front to back. To hear something like that is mind-blowing. It’s really a humbling experience to have people sing every one of your songs every night.

For more info on Another Lost Year be sure to check out their official website by Clicking Here!