Category: Music

Sunday Sermon

Politics aside, you want to know why this country is going down the tubes? It’s because of things like this news story. It’s only a matter of time before it’s eliminated completely. No outlet for kids to have creativity of any kind. No chance to express themselves as individuals or work together as one ensemble to create something magical that brings joy to people each Christmas and spring season.

https://www.lehighvalleynews.com/easton/easd-parents-students-teachers-speak-out-over-reduced-music-education-at-elementary-schools

I’m sure I’m not alone when I say this as a 55 year old man: being part of the music and choir program at school was the only thing that saved me. It’s why when my favorite teacher, the late Ed Milisits, retired after three decades at Easton Area High School and tried starting a community choir that nearly ALL of it was comprised of now middle-aged former alumni who felt so strongly about what they experienced years ago that they blocked off time in their busy adult schedules to come back and sing. A vast majority of them hadn’t sang like that since they graduated decades ago. What does that tell you?

To quote from Whitman (and Robin Williams’ performance in Dead Poet’s Society): “O me! O life!… of the questions of these recurring; of the endless trains of the faithless… of cities filled with the foolish; what good amid these, O me, O life?”

Answer: That you are here – that life exists, and identity; that the powerful play goes on and you may contribute a verse.

I’d love to hear your thoughts about this. Please feel free to leave a note in the comments section.

Tom Chapin and family to honor Harry Chapin at Easton show

Photo: Bonnie Chaplin

Troubadour Tom Chapin’s career has covered an incredible amount of creative ground, including six decades in music with 27 albums and three Grammy awards.

Chapin’s the son of noted jazz drummer Jim Chapin and, as a teenager, began performing professionally in the Greenwich Village folk scene alongside siblings Harry and Steve as The Chapin Brothers. Tom’s brother, Harry, would later go on to have a renowned solo career, one which included the storytelling songs “Taxi,” “Mr. Tanner,” and the ubiquitous, “Cats In The Cradle,” the latter topping the Billboard Hot 100 chart 50 years ago this December.

Although Harry passed away in 1981, his family continues to keep his music and memory alive to this very day.

On Sunday, Sept. 15, fans of Harry Chapin and his family will get to experience the rich history of this legendary artist when The Chapin Family brings “Harry Chapin Greatest Stories Live” to the State Theatre in Easton.

To honor Harry’s commitment to fighting hunger, the event will also be holding a food drive. The audience is encouraged to bring along non-perishable food items, which will be donated to a local food bank.

I recently spoke with Tom Chapin about his family’s performance at the State Theatre, Harry’s legacy and more in this new interview.

Q. You’ve performed at the State Theatre many times. What do you like most about the venue?

Tom Chapin: It’s kind of hard to describe but the essentials of history are there. It feels like you’re part of a long run of amazing music and drama that have taken place and it energizes you. I love the old theaters.

You can read the rest of my Morning Call interview with Tom Chapin by Clicking Here.

Fall concert preview: Here’s who’s coming to the Lehigh Valley

The summer season is starting to wind down in the Lehigh Valley, but it doesn’t mean the opportunity to see live entertainment has to stop.

When the kids head back to school and thoughts begin to turn to sweater weather and raking leaves it can only mean one thing — the fall concert season is back! And this year promises to be one of the most exciting and versatile in recent memory.

Many big-name acts are slated to visit the area over the course of the next few months that will cover all of the bases. Everything from comedy, classic rock and ’80s hit makers, to modern rock, pop and country as well as a local favorite and even a few living legends.

For starters, PPL Center in Allentown has a wide array of musical talent showcased on its calendar, and Marketing Manager Kayla Vaught isn’t shy about wanting to spread the word.

“I’m thrilled about the incredible lineup of events we have coming this fall,” Vaught said. “PPL Center has consistently proven to be a premier destination for live music, attracting top-tier talent from around the globe. There’s something for everyone here, and each event is a unique experience that adds to the vibrant culture of the Lehigh Valley.”

You can read the rest of my Morning Call feature article by clicking here.

Pentatonix singer on group’s origins and its Allentown Fair show

Since their emergence in 2011, Pentatonix has become one of most innovative vocal groups of all time and redefined what a cappella is all about.

The three-time Grammy winning vocal quintet, which features Scott Hoying, Mitch Grassi, Kirstin Maldonado, Kevin Olusola and Matt Sallee, have sold more than 10 million albums and performed everywhere from The White House to The Hollywood Bowl. Last year the group completed their biggest Christmas tour to date by selling more than 200,000 tickets in support of their Greatest Christmas Hits album.

This weekend, the group is bringing its ubiquitous vocal talent and high energy to the Allentown Fair for a performance on Saturday, with special guest and “American Idol” alum David Archuleta. It’s a show that promises both a healthy dose of classic Pentatonix material as well as new songs along with a few surprises.

I recently spoke with vocalist Kirstin Maldonado about Pentatonix’s Allentown Fair show and more in this new interview.

Q. What can Pentatonix fans expect from your Allentown Fair performance?

Kirstin Maldonado: We’re really looking forward to the show. It will be fun and different. Last year we were touring constantly and this year we had a lot had time off to be able to work on new music and we’re also bringing back some oldies and classics. We always try to include the songs everyone wants to hear.

You can read the rest of my Morning Call interview with Kristin Maldonado by Clicking Here.

Teacher Teacher

I heard the news about the recent passing of a high school friend at the age of 54 and it made me want to write about school. Or maybe it was because me, being the same age as my friend was when he died, made me consider the fragility of life and just how little time there is. Carpe diem and all.

I don’t know about you, but when I was young all I wanted was the school years to fly by as quickly as possible. And it wasn’t because I already had a plan in mind for the future. I just wanted them gone. As far as I was concerned, every day of school was just another day closer to the weekend and doing whatever I wanted to do, whatever that happened to be – going to the mall, playing Atari or Dungeons & Dragons, throwing a NeRF football around, trying to film a home movie with a Super 8 camera or shopping for comic books.

I think I speak for all of my classmates when I say that most of us never really gave much thought about, or even understood, the real impact school and teachers would have on our lives. So bear with me while I become a child again.

“Sherman, bring out the way back machine and set it to the years 1984-1987.”

I’m in high school again. You know, those crazy, teenage-fueled years of schooling we all went through. Days of trying to find out where we fit in, wondering about college and if that cute girl (or boy, if you’re so inclined) would notice, all while feeling completely inept and socially awkward. There I am, walking down the halls of Easton High School in a nifty pair of Jordache jeans while carrying my English and Science books covered in brown paper grocery bags with the names of hair metal bands scribbled all over them. Listening to Spandau Ballet blaring over the loud speakers of the school’s intercom system. Ok, it’s “True,” I made up the part about Spandau Ballet.

In all of my years at the high school, I don’t remember much about what was learned or about most of my teachers – although my friend Michele has an uncanny ability to recall exactly where I was sitting in history class in proportion to her location. Her memory is sharp, and if that’s the case we’ll have to have a long talk at the next reunion. I have a lot of questions that need answering.

Anyway, although I can’t recall much about most of them, I do remember a trio of teachers during my high school tenure that really impacted my life: Mr. Siddons, Mr. Fox and Mr. Milisits. I won’t even bother to give you their first names because to me, respectively, that’s who they’ll forever be known as. And just like my friend, all three have passed away.

Mr. Siddons was my tenth grade history teacher. His father was one of the last of the old-school door to door salesmen who had sold insurance to my grandparents. He was also my brother’s history teacher two years earlier and my sister’s two years after me. So there’s sort of a familial relationship there too.

Mr. Siddons was probably the most benign person you’d ever meet. He had a soft tone and rarely yelled. But the one trait he had that I’ll never forget was the ability to tell the lamest jokes. You know the ones I mean, something like: “Does anyone know what the father bull said to his son when he went off to college?….. Bison.” And he’d always follow up the joke with a Mr. Siddons chuckle. You could tell he must have been up all night thinking about that joke. About how he’d deliver it and how all the kids would go crazy…. alas that did not happen.

At first his shtick didn’t go over too well with me either. But by the end of that first month of class in 1984, I actually started looking forward to the little gems he’d throw out. Even though most all were met with crickets (and he must have felt like the size of an ant in a room full of elephants) he never let it get to him. He’d always chuckle, wipe his mouth and seque with, “Ok, let’s take a look at the Gulf of Tonkin”….

Strangely enough, every day after having learned about Tonkin, the Volstead Act or some war to end all wars, I remember giggling to myself reciting a joke over and over in my head as I walked out of the room. Surely, a joke I would never utter to anyone else for fear of ridicule.

During my junior and senior years I rarely got down to the part of the school where Mr. Siddons resided. But on the occasion that I did see him in the hall or in the cafeteria he would always say “Hi” and call me by name. He always remembered me, and I’d never forget him.

Let’s transfer over to Mr. Fox in the Art department. A short, grey bearded man with a limp. Mr. Fox had suffered from polio as a child and as a result, walked a bit strangely. Sadly, I’m sure he was the butt of many jokes from cruel students but I think by this point in his life he was immune to it all.

Art class was a means of escape for me. I had always loved to draw and became an aficionado for Bob Ross. I could watch that dude for hours paint a happy little tree. And while we never painted those trees in Mr. Fox’s class it was still a way for me to forget about all the problems happening in my life, at least for one period.

We all knew Mr. Fox must have been an artist himself, and one day I found out one of the things he loved to do. I walked into class to see these miniature models and dioramas of a circus he had constructed himself. Everything from the big top and center ring to the food stands he painstakingly created with his own two hands right down to the finest detail. You could see the pride in his eyes and I thought to myself, “Holy shit, this guy is GOOD!”

But the one day that really stands out for me was when we were all sitting around drawing human figures. We’d have students go up and just stand and model while the rest of us attempted to draw what we saw. I could always draw the body – even the cool detail on their Converse sneakers with rainbow shoe laces, but I could never draw the face. I had spent a long time trying and it just wasn’t happening. Mr. Fox must have seen the frustration on my own face because at one point he came over and sat across from me.

He looked at my piece and, unlike me, seemed quite impressed with it. Then he asked me why I was so frustrated about it. I told him it was because as hard as I tried I could never get the face to be anywhere close to being right. I told him I didn’t want it to be perfect, I just wanted it to look like…. well, a face. So he took a scrap of paper lying nearby and started doodling on it…all the while glancing up at me and saying things like “Don’t be so hard on yourself, Jim. You know, if you really want something and are willing to put in the effort and try at it hard enough, you can make it happen.”

For those thirty seconds or so I was more doubtful than ever. Then Mr. Fox slipped the paper he was working on over to me, stood up, patted me on the back and said, “Keep up the good work, Jim.”

As he walked away I picked up the paper he had been scribbling on and looked at it. The old guy with the limp had just drawn a picture perfect image of my face. One where even the subject (in this case, yours truly) would say, “That looks just like me!”

Finally, we move on to the music department, my personal favorite. I could write a novel on my exploits here, including the day I officially became a rock star twenty years ago. Suffice to say, I credit most of my music “success” to the things I learned during the days of high school music theory and choir.

Mr. Milisits (or “M” as he was known) would conduct our high school choir. One that won many awards over the years. I’m sure for many, choir was just like art class – a way to get out of taking another boring subject. But the one thing that anyone who was in his class would tell you, even all of these years later, is that in spite of how much you may not have wanted to be there, M would have a way of making you want to sing.

I remember he would always tell us inspirational things to keep pushing us. Quotes like “You can do this,” “A new mistake shows progress,” and “Talk to me” resonated with everyone. Some of the quotes he even had plastered on the walls so everyone could read them. M just had “something” that made you want to work hard.

During my senior year, it was his teachings that made me want to play guitar in jazz band and the school play. For him to get a scrawny metal head who wanted nothing to do with ANY after school activity and would rather spend most of his free time jamming to Bon Jovi and Def Leppard to want to perform “Leader of the Pack” in the school play and “Jesus Christ, Superstar” in the Spring Concert is really saying something. That M’s got some strong kung-fu.

When it came time to perform, be it at school or when we embarked on a school trip to Canada during my senior year, it was really like “rock star” night for the choir. And well, I even got to play that black heavy metal guitar during our spring concert. One that hangs on the wall in my office right to this very day.

I could bore you for hours on how M’s classes changed me but let me just end by saying those classes are some of the best memories I have from high school.

It’s hard to believe but in just a few weeks it will be the 40th anniversary of when I started high school and first walked those hallowed halls. Days when I thought I’d never get out of there, and here I am now, four decades in the future, looking back and thinking about my classmates.

Time may not slow down but I’m grateful for the good memories and friendships that remain.

Comedian Jessica Delfino brings ‘dirty folk rock’ to Poconos

Photo: Alex M. Smith

Hailing from a small New England town, comedian Jessica Delfino grew up listening to folk music legends like Gordon Lightfoot and Neil Young and the acoustic-fueled rock of Bob Seger and Led Zeppelin. Add in a touch of rap like The Beastie Boys and Snoop Dogg as well as the jokes she inherited from her sailor grandfather, and you’ve got the recipe for “Dirty Folk Rock,” the signature style that Delfino has made her own.


Delfino’s raunchy, sex-fueled comedic stylings are somewhat reminiscent of Nikki Glaser, whom Delfino often shared the stage with while honing her chops in New York’s comedy scene. She’s a critically acclaimed observational comedian with credits that include appearances around the world, and on Saturday, Delfino will bring her unique brand of comedy and music to Poconos Underground Comedy at The Hideaway Speakeasy, part of Newberry’s Yard of Ale in Stroudsburg.

I recently spoke with Delfino about her upcoming performance and more in this new interview.

Q. What can you tell me about Poconos Underground Comedy?

Jessica Delfino: Poconos Underground Comedy is mostly a showcase of comedians who’ve decided to schlep out to the Poconos to entertain people who used to be New Yorkers who now “hate New Yorkers” [laughs]. People can expect to laugh, drink fancy cocktails and have some pizazz with their comedy. The show is different, but don’t get me wrong. There’s classic stand up but there’s also a lot of sparkles. It’s not for the faint of heart, it’s a show for the bold and the beautiful. My show production partner, Boris Khakin (also a comedian) and I take turns hosting. He brings the dude energy and I bring the girl magic.

Q. How would you describe your style? Can you put into words what your comedy/music is all about?

My style is “dirty folk rock” comedy and jokes that reflect that style. I like to swear, talk about sex, gross people out a little and ultimately, I love to make people laugh. I make jokes about things that lots of other comedians do: life, love, and the challenges that come with those things, but obviously my take is from a female middle-aged mom perspective who likes to do things my own way. I love weird words and I love that I’m a little different. It took me some time to understand that about myself but now that I do it’s like my superpower. As Frank Sinatra famously sang, “I gotta be me.”

You can read the rest of my Morning Call interview with Jessica Delfino by clicking here.

Toad the Wet Sprocket coming to Wind Creek Event Center with Gin Blossoms, Vertical Horizon

Photo: Chris Orwig

Toad the Wet Sprocket, with its trio of founding members Glen Phillips, Todd Nichols and Dean Dinning, is still making music and touring with the same unwavering spirit of independence that made them one of the most seminal bands of the 1990s.

Toad’s third album, Fear, still ranks big on any ’90s playlist and songs like “All I Want,” and “Walk on the Ocean,” catapulted the band from college campus soundtracks to radio rotation royalty. Their music also found its way onto popular ’90s TV shows like “Friends,” “Dawson’s Creek,” and “Buffy The Vampire Slayer.”

The band took a break in the late ’90s but reunited in 2006 and has since released two albums, including 2021’s Starting Now.

Toad the Wet Sprocket is currently part of a tour that includes themselves as well as Gin Blossoms and Vertical Horizon. It’s a show that stops at the Wind Creek Event Center on Thursday, Aug. 15.

I recently spoke with bassist Dean Dinning about the show, what makes Toad the Wet Sprocket’s music so timeless all these years later and more in this new interview.

Q. Can you tell a little about the inspiration behind this tour and what fans can expect?

Dean Dinning: I used to go to concerts in Santa Barbara [California] where you would see two or three bands playing and it always seemed like everyone was friends and would come out and jam on each other’s songs. I always thought that was the most fun thing you could possibly do, and that’s really what this tour is like. These guys are all friends of ours. We’ve known the Gin Blossoms since 1992. They were the first band we ever got to pick to be an opener for our whole tour. It will be a fun vibe and I think people will really enjoy it.

You can read the rest of my interview with Dean Dinning by clicking here.

Gin Blossoms’ Jesse Valenzuela previews Wind Creek performance

Photo: David “Doc” Abbott

It was a great catalog of songs and the slow burn of touring perseverance that catapulted alt-rock band Gin Blossoms from the ranks of indie circuit into the ’90s musical mainstream.

Although it didn’t happen overnight, it was their infectiously good 1992 sophomore album, New Miserable Experience, and songs like “Found Out About You,” “Hey Jealousy,” “Until I Fall Away,” and “Allison Road,” that eventually became staples of ’90s radio and firmly established the group as one of the decade’s most definitive acts.

Fans of the Gin Blossoms — which features Robin Wilson (lead vocals / acoustic guitar), Jesse Valenzuela (vocals and guitar), Scott Johnson (guitar), Scott Hessel (drums), and Bill Leen (bass), can expect to hear all of the hits and more when the band performs with fellow ’90s rockers Toad The Wet Sprocket and Vertical Horizon at Wind Creek Event Center on Thursday, Aug. 15.

I recently spoke with guitarist Jesse Valenzuela about the show, career highlights — including the time he worked with Stevie Nicks, new music and more in this new interview.

Q. What was it about the ’90s era of music that keeps fans coming back?

Jesse Valenzuela: It was a terrific time for music and we were lucky to get some attention from radio. Toad [The Wet Sprocket] was so gracious and took us out on the road and showed us the ropes. Whenever we get to be together with them now, it’s always great fun. I have a real affection for those guys. Today we’re fortunate that we have a bunch of hit songs and this show will be long enough for you to hear all of them. We’re going to play all the hits and other songs people have heard and make sure everyone enjoys themselves. I love the Wind Creek venue. We’ve been there quite often over the years. This tour is just starting and the bands we’re touring with, Toad The Wet Sprocket and Vertical Horizon, are terrific. Everyone is playing so beautifully and firing on all cylinders.

You can read the rest of my Morning Call interview with Jesse Valenzuela by clicking here.

Rock Star Moment: That Time I Played Musikfest

Me – August 6th, 2004

Even though it happened twenty years ago today, it still feels like it was yesterday.

I was standing alone in my upstairs bathroom. Just an introverted thirty-four-year-old man looking at himself in the mirror — and shaking like a leaf. It was 3 p.m. and very soon I’d have to muster up the courage to get in my 2001 Ford Focus and drive over to South Bethlehem for sound check.

August 6th, 2004 is a day I will NEVER forget.

I suppose it’s best to give you a little bit of the back story before I continue on with this tale of one of my greatest memories. So here goes:

From the day I first picked up my grandmother’s hand-held tomato slicer as a seven-year-old boy, pretended it was a guitar and did my best Ace Frehley interpretation, it’s been my dream – shredding my guitar (not tomatoes) on a huge stage while staring out into a sea of people. And so began the pre-Internet days of callused fingers, long walks downtown to the music store for weekly lessons and countless hours spent practicing Mel Bay scales and Metal Method mail-order licks.

Unfortunately, my newfound interest in music, repetitive practice and Les Paul guitars also brought with it the constant torment and ridicule from my siblings and their friends. Many of whom did not mince words when they told me that what I was doing would never amount to anything. But rather than wallow in denial and self-pity, their words only served to reinforce my passion.

So while other kids of the MTV generation hung out with friends after school tossing a Nerf football or playing Atari, I spent most afternoons trying to figure out how Eddie Van-Halen got his Kung-Fu. I was so sure of what the future held for me that I even wrote entries into my journal describing all of the lavish purchases I would make and all of things that were going to happen to me after I had officially “made it” as a rock star.

— on a side note, I’m still waiting for the hordes of beautiful women to chase me down the streets of New York City. Get with the program, ladies.

Yes, I had dreamed about that rock star moment for twenty years…. and suddenly, TODAY of all days, the wait was finally going to be over.

On August 6th, 2004, our band was going to be the opening act for Clay Aiken at Musikfest – on the biggest stage of them all! Yes, THE Clay Aiken!

OK, before you start giggling uncontrollably, remember this. Clay Aiken had just placed second in season two of American Idol and was almost on the same level as Justin Bieber at the height of his fame. That is to say, people were going absolutely bonkers for him. At the time, it was the fastest sellout in the festival’s history (6,000+ people) and we had the greatest singer ever in our arsenal, who’s soaring vocals had gotten us the gig.

News from the day – August 6th, 2004 (SOLD OUT)

And yet here I was, standing in the bathroom trying to keep from hurling my lunch. A complete nervous wreck! 

To this day, I’m not sure how I held it all together. Somehow, my “Rock Star Moment” was here, and I wasn’t about to let it slip away. Grabbing my Les Paul and a blue-flamed doo rag, I slowly made the pilgrimage to Bethlehem.

The rest of that evening was a bit of a whirlwind for me. There was time spent setting up gear in front of the stage, testing guitar levels and watching the thousands of people standing in line waiting to get in. Then there was the anticipation of going out there and feeling a rush no drug could ever deliver.

The crowd – Musikfest August 6th, 2004

Prior to August 6th, the most people I had ever played for was maybe 50 in some smoky bar at two in the morning. And even though I was fully aware that the audience wasn’t there to see us, I got to taste the experience of walking out on stage in front of six-thousand people for thirty minutes!! Finally looking out, instead of always looking in.

I liked what I saw.

Led Foot at Musikfest – August 6th, 2004

I’ve never had that kind of experience since and most likely never will again, but it doesn’t even matter. It was the love of music, a lot of hard work, and a little bit of luck that the cosmos aligned that particular summer night – and it was the beginning of a special journey we would all share together as a band. That experience also transitioned into one of my favorite quotes I still use to this day:

“Every once in a great while the universe tilts in your direction. You better be ready.”

As a seven-year-old boy imitating his guitar hero on a vegetable slicer it seemed like such a far away dream. But just the idea of having a dream – no matter how small it might be or how long it takes you to achieve, is something that doesn’t fade after the music stops and the lights go out. It’s only then that you realize that dreams do indeed come true, and the magic of the dream becomes a part of you forever. You just have to be ready.

On August 6th, 2004, twenty years ago today, I was ready – and that magic became a part of me.

To Heather, Todd, Kevin and Rick…. We did it, baby!

ZZ Top’s Billy Gibbons promises a rockin’ show at Musikfest

Credit: Blain Clausen

It’s kind of hard to believe, but that little ol’ band from Texas, ZZ Top, has been delivering their infectiously rowdy brand of blues, rock and boogie to legions of fans since man first walked on the moon.

The band has become a fixture of classic rock radio with songs like “Sharp Dressed Man,” “Legs,” “Gimme All Your Lovin’,” and (of course) “La Grange.” All of which instantly conjure up images of long beards, sunglasses, hot rods and guitar riffs.

For more than 50 years the lineup of ZZ Top — Billy Gibbons (guitars), Dusty Hill (bass) and Frank Beard (drums), remained unchanged. Selling millions of albums, touring the world and introducing us all to music videos containing spinning guitars and fast cars with magical keychains. It wasn’t until Hill’s passing in 2021 that the band called up Hill’s long time bass tech, Elwood Francis, to hold up the bottom end and keep their musical legacy flowing.

Fans can certainly expect to hear a plethora of songs from the band’s more than half-century of hits and more when ZZ Top closes out this year’s Musikfest with a performance at the Wind Creek Steel Stage at PNC Plaza on Sunday, Aug. 11.

I recently spoke with Billy Gibbons about the band’s upcoming performance at Musikfest, its legacy, music and more in this new interview.

Q. This year marks the band’s 55th anniversary (coincidentally, the same age as this writer). When you look back on this milestone now with so much perspective what thoughts come to mind?

Billy Gibbons: We’re a band aiming to keep on keepin’ on as we genuinely like what it is we get to do. One of the true highlights of the experience was revealed when we heard ZZ over the radio airwaves for the first time. Then again, our induction into the Rock and Roll Hall of Fame with Keith Richards delivering the honors also stands as a night to remember. We’re stoked that we continue getting to do what we do! The night-to-night intention is, ‘Have mercy! Let’s keep doing it!’

You can read the rest of my Morning Call interview with Billy Gibbons by Clicking Here.