Category: Music

Get Me On NY Ink

I am a man on a mission and I need your help. I want to be a reality TV star. Let me first give you some background as to why:

A few weeks ago I posted an article on Technorati (and this blog as well) about my affinity for the TLC reality show NY Ink, a show dealing with the drama of opening a tattoo studio in the SOHO district of New York City. A tattoo virgin myself, I loved not only the drama and beautiful artwork but also the real stories people told on why they got their particular tattoo.

Much to my surprise the article was Tweeted and linked to by Ami James himself, the star of the show, and owner of the Wooster Street Social Club where the show is filmed.

A few days ago, NY Ink was picked up for a second season and Mr. James again graciously Tweeted the link to my article but this time also included it as an entry on his own personal blog:

Having been inspired not only from the attention to my article but also from the show itself, I decided to make it my mission to try to get cast on the show for season two.

In addition to the article (with over 500 Facebook “likes” and almost as many Re-Tweets), I’ve also had the opportunity to make contact with several of the show’s stars via Twitter.

One caveat of getting on the show is that you will have to pay for your tattoo as a regular client. There are no “perks” for being there other than being on television and getting to tell your story. You pay as any normal customer would.

I’m told that the cost may run as high as five times the price of a tattoo at a typical studio but I am willing to pay the price.

So, without any further adieu, here are the reasons why I believe I’m the ideal candidate to be cast next season:

#1. I’m a tattoo virgin whose had mostly negative opinions about tattoos until I watched this show.

#2. I do have a good story to tell about my rock & roll days and dreams coming true.

#3. I am a huge fan of Megan Massacre’s artwork. And she’s from Pennsylvania too so that should count for bonus points.

#4. I have my own group on Facebook with the sole purpose of getting me on NY Ink.

#5. Megan Massacre (The Artist) knows I exist:

 

 

 

 

 

 

 

 

 

#6. Jessica Gahring (The Shop Manager) likes my taste in poetry and quotes:

 

 

 

 

 

 

 

 

 

 

#7. Robear (The Floor Manager) has “Favorited” one of my Tweets:

 

 

 

 

 

Ok, so those last three aren’t really reasons but they’re still pretty darn cool none-the-less.

Let’s be honest here folks. I don’t have the pipes to be the next American Idol. And there’s no way I’d survive a day in the African Safari outback on Survivor (especially without bacon and Count Chocula). But getting my first tattoo and becoming a bad ass on national TV?.  Now that’s right up my alley and is SO rock and roll. Will it hurt? That I don’t know but I’m willing to risk it.

So what can you do? It’s easy. Join me on my quest for reality show immortality and help spread the word by signing up for the Facebook group “Get James Wood on New York Ink Next Season

Who knows? Someday soon you just might see me getting needled by Megan Massacre! ~ And if so, I promise not to cry.

30 Years of Hi Infidelity

Thirty years ago at this summer a young twelve-year-old blogger (me) was busily wearing out the vinyl of one of his favorite albums: Hi Infidelity, the break-through album by REO Speedwagon, a band who had achieved moderate levels of success during the 1970’s with songs like “Time For Me To Fly” and “Roll With The Changes”.

The release of Hi Infidelity catapulted the band from a local mid western act into a world-wide arena rock sensation selling an estimated 10 million copies and spending fifteen weeks at #1 on the Billboard album charts. Powered by the songs “Take it On The Run”, “Don’t Let Him Go” and the song that started the power ballad craze, “Keep on Loving You”, which became the band’s first #1 song.

REO Speedwagon has gone through a few line-up changes over it’s 44 year history (yes they’ve been rockin’ since the 1960’s)  but still holds founding member Neal Doughty (keyboards/Hammond Organ) in it’s arsenal along with long time members Kevin Cronin (vocals, guitar), Bruce Hall (bass guitar) and the “babies” of the group: Dave Amato (21 years as lead guitarist) and Bryan Hitt (20 years on drums). Gone are the original members who contributed to the Hi Infidelity album: guitarist Gary Richrath (left in 1989) and drummer Alan Gratzer (retired).

Not surprisingly, the band is celebrating the 30th anniversary of this monumental event with the digitally remastered release of Hi Infidelity: The 30th Anniversary Edition.

What sets this 2 CD release apart from most other milestone reissues is what’s also included on disc two:  The Crystal Demos –  previously unreleased demo versions of nine songs from the album. Here, listeners actually get the opportunity to hear the “raw” sound of what was to become the biggest selling album of 1981. In addition, the CD package also contains liner notes from Kevin Cronin and long time guitarist Gary Richrath.

Hi-Infidelity’s accolades include:

* The highest-selling rock LP of 1981

* Has sold more than 10 million copies in the US

* On February 21, 1981; the album reached #1 on the Billboard album chart and remained at #1 for 15 straight weeks; over-taking  John Lennon’s “Double Fantasy” album. Not many bands can claim their record dethroned a Beatle.

* Remained on the Billboard 200 album chart for 101 weeks, unprecedented for an American rock band at the time

* The single “Keep on Loving You,” certified  #1 on the Billboard Hot 100 on March 21, 1981

* “Take it On The Run” and “Keep on Loving You” were one of the first videos that aired on MTV (#9 and #17 respectively)

REO Speedwagon is currently out on the road in support of their “new” record.  As an bonus, in addition to all of the other hits they are known for, the band has also included at least six songs from the Hi Infidelity album into their set list.  It’s the perfect opportunity for fans to hear most of this milestone record performed live.

There are plenty of reasons 80’s rock fans should revisit REO Speedwagon’s magnum opus. What’s even better: wearing out the polycarbonate plastic on this 30th Anniversary Edition is much harder to do than it was on the original vinyl. Be sure to check it out.

 

Article first published as 30 Years of Hi Infidelity on Technorati.

The Tragic And Unnecessary Death Of Amy Winehouse

Incredible vocalist and five time Grammy award winner Amy Winehouse, aged 27, was found dead in her home on July 23rd, the result of an apparent drug overdose

When I first heard Back to Black I could not believe that beautiful sound was coming from such a young woman. She had a voice that only seasoned female jazz musicians held, and it was natural. How prohetic it was that one of her biggest singles, “Rehab”, dealt with drug abuse and how she refused to go get help.

Sadly, it was that same alcohol and drug abuse that ultimately silenced her beautiful voice. Just a few weeks ago she had to cancel her entire European concert tour because she appeared completely wasted at her performances and couldn’t even remember lyrics to her own songs.

I have to admit, when I heard the news of her death I also found one other thing to be a bit ironic as well. Having died at the age of 27 I realized that the media and music conspiracy theorists will now surely place her in the same unfortunate “immortal” category as Janis Joplin, Jim Morrison, Kurt Cobain and Jimi Hendrix. All of whom eerily died well before their time at the exact same age.

The ones she will join in the “27 Club” were also all victims of the cruel effects of alcohol and drugs and have left an empty void of what might have been. We can now only imagine the incredible music we missed out on over the last forty years.

Consider the other members of the 27 club who died prematurely:

Janis Joplin – Heroin Overdose

Jimi Hendrix – Sleeping Pills, Wine, Asphyxiated on his own vomit

Kurt Cobain –  Suicide. History of depression and drug abuse

Jim Morrison – Official cause of death unknown but believed to be drug overdose.

All of the these talented musicians suffered silently, in their private lives for the most part, until it was too late. The tragic part of the Amy Winehouse saga was that the public bore witness to her struggle on a daily basis through magazine and Internet gossip sites.

One question will continue to bother me about this unnecessary waste of life. When will we as a society stop waiting for the inevitable to happen before we do something?

Instead of Amy Winehouse now being the subject of a documentary about musicians who died tragically at age 27, and how she, along with Hendrix and Morrison are all jammin’ up on cloud nine (where we’ll never hear them), couldn’t someone, anyone have gotten her the help she needed?

Article first published as The Tragic And Unnecessary Death of Amy Winehouse on Technorati

Is Anyone Listening to “New” Music?

Have you heard? The new Night Ranger CD, Somewhere in California, was released a few weeks ago. It’s probably their best studio album since Midnight Madness when Sister Christian peaked at #5 on the Billboard charts.

Oooh, has anyone given a listen to the new Whitesnake CD, Forevermore? The single, “Love Will Set You Free” is simply infectious. As for the new Journey CD, Eclipse? Eh, I can take it or leave it. I mean, I’m really not as big a fan since Steve Perry left a few years ago.

I am still looking forward to the new Van Halen record this fall though. There’s sure been a lot of buzz about it on their Facebook fan page since David Lee Roth came back. I can’t wait to see if Eddie still has those guitar skills. If only this were 1987, it sure would be a great time to be a music fan. For me anyway.

But alas, here we are in the middle of 2011, and although everything I’ve said about those bands above is true (they all have already or will have new studio albums and tours this year) I bet 75% of the fans they had back in their hey day do not even know it.

To them, as to everyone else who are fans of the synthesized robotic voiced artists, the bands they once loved and adored a quarter century ago broke up years ago and the members are now active AARP recipients.

And if you really want to get that old album you wore out on the turntable signed, well you might just find them at a convention signing autographs and taking pictures. The ones former childhood stars and “B” movie actors also attend. The same artists, whom you couldn’t get near when their music ruled the air, will now even have lunch with you (if you’re buying of course).

Truth is, by the way today’s music business works, that’s probably the way it should be. These bands, who once dominated the charts, are still releasing quality product but no one is listening. Sadly, some of the songs on these albums, which would have been sure-fire chart toppers twenty-five years ago, won’t even get airplay.

I already know what you’re thinking: Get over it. Times have changed and so has music. And you may be right. I just might be turning into something I always said my parents were when it came to music, an old fuddy duddy. I really miss seeing my music on store shelves and being talked about.

But I think Mom and Dad would agree with me on something else: a lot of the songs that are popular on radio right now sound exactly the same. Today’s pop/rock music is driven primarily by the same old beat and tired cliché’ lyrics.

Meanwhile, bands like the ones I’ve mentioned are finding no outlet for their new music and are relegated to signing exclusive deals with Walmart or foreign record companies to peddle them while they embark on tours (most times in groups of two or three together) playing their hits just to stay relevant.

One of these record companies, Frontiers Records, seems to have landed the motherload of these now “classic” rock bands. If you look at their artist catalogue, it reads like something you’d see on the program from Live Aid in 1985.

Although I am saddened to no longer see their records on the shelves, it only reinforces the fact that these artists are still in it for the music. There’s really no need for them to try and put out new material that will sell nowhere near what their old records did back in the day.

I’m just glad they continue to do it for fans like me who appreciate everything they’ve accomplished.

Article first published as Is Anyone Listening To “New” Music? on Technorati.

Off The Rails – A Review

It was 1990 and I was in the middle of writing a term paper for my college English class. The theme was biography and I decided to do mine on one of my favorite guitarists of all time, Randy Rhoads, who died in a plane crash in 1982.

Randy was a genius on his instrument. Much like Eric Clapton, Jimi Hendrix and Eddie Van Halen were in their prime, these gentlemen all took the instrument to an entirely new level. Randy Rhoads’ unfortunate passing took away the opportunity for music lovers to see what would have happened if a gifted guitarist crossed heavy metal with classical music. From the music he left behind the possibilities were endless.

Needless to say, trying to compose a term paper on a heavy metal guitarist was not easy at that time. Especially when there were no books on the subject and no Internet readily available. I was forced to use guitar magazines which, let’s be honest, are not the best material to gain any real insight on the subject.

Most of those magazines are nothing more than hero-worship anyway and are more interested in teaching you how to play guitar solos rather than what kind of person Randy was like. Where was Rudy Sarzo’s book “Off The Rails” when I needed it?

For those of you who don’t know, Rudy Sarzo is a bassist who performed with Randy Rhoads during his heyday with Ozzy Osbourne. Ozzy, who had recently parted ways with his long time band Black Sabbath, had just put together a new band to support his solo career and albums Blizzard of Ozzand Diary of a Madman.

In his book, Rudy discusses every detail of his life from the moment he was asked to join Ozzy Osbourne’s band along side Randy, right up until the plane crash that killed one of the greatest guitar players ever on March 19, 1982. The book not only gives you an insight on what it was like to be in the band with Randy, but also some of the most funny, outrageous and at times, depressing stories about life on the road you’ll ever read.

I originally contemplated using the term “Mr. Sarzo” when addressing the author in this review of his book but decided against it. The use of “Mr” is too formal and much better suited for addressing music business executives and for ASCAP royalty statements. After reading this brilliant book and learning so much about him (and Randy for that matter), I’m much more comfortable referring to him simply as “Rudy”.

Those who know me can attest to the fact that I definitely am not a literary connoisseur. Far from it if you really must know, but I took this book with me on vacation to Ocean City, Maryland and could not put it down.

Reading about Rudy’s laid back lifestyle, the wild stories of Ozzy and his beloved wife Sharon (who can now be seen as a judge on the show America’s Got Talent) and how Randy was ready to give it all up to get back to his love of teaching classical guitar was the perfect complement to my own personal ME time. Rudy’s writing style made me feel like I was actually sitting on the tour bus with him bearing witness to all the debauchery myself.

I found myself cursing fate when I discovered that Rudy and Randy had performed within 10 miles of my home but I was a mere eleven years old at the time and wasn’t even aware of the greatness that had come to my town. Oh, why couldn’t my parents have been listening to Blizzard of Ozz instead of ABBA’s Dancing Queen? I could have been one to bear witness to music genius.

Rudy spares no punches at all in this great read. He discusses the stories of drugs and alcohol abuse, how he met the love of his life, posts in-depth reviews from many of the shows during the tour and is even at times very critical of his own playing.

Most rock star books and biographies usually follow the same format: I have nothing, I got famous, I got drunk, I got high, I got into a fight, I got cleaned up. Although some of that is also included in this work, there’s so much more here to set it apart from the pack. The stories of Rudy’s encounters with bands like Motorhead, Def Leppard, Night Ranger and countless other groups well before their initial success makes this a must read for any 80’s music fan.

Rudy has a very casual, humble way of story telling and I could really only find one fault with it. On page two of the book, referring to his initial passing of a chance to audition with Ozzy and then getting another opportunity, Rudy mentions how lightning is not supposed to be able to strike twice. But in my view, lightning has struck at least a half-dozen times for Rudy Sarzo.

You see, in addition to finding his beloved wife and being in one of the greatest arsenals ever put together in heavy metal history, Rudy has also been a part of the following in his career as a bass player:

  • Quiet Riot: Their debut album, Metal Health, became the first American heavy metal record  to reach #1 on the Billboard charts selling millions of copies. On a personal note, when I heard “Cum on Feel the Noize” for the very first time back in 1983, I knew at that very moment I wanted to be a musician and play that song.
  • Whitesnake: Rudy Sarzo joined the rhythm section of this band just as their 1987 album began to take hold. Although Rudy did not play on the record he was part of the band at its highest point including the infamous Jaquar video “Here I Go Again”.
  • Dio: Rudy was able to perform with one of the greatest heavy metal vocalists of all time, Ronnie James Dio. Ironically enough, until Ronnie’s untimely death in 2010, Rudy performed alongside the man who had replaced Ozzy Osbourne in Black Sabbath.
  • Blue Oyster Cult: Rudy is currently part of the band whose hits include “Burnin’ For You”, “Godzilla” and “Don’t Fear The Reaper”.

Ok, I’m through ranting. If you are a fan of Randy Rhoads, Rudy or any of the bands mentioned in this review then this is a book you definitely need to own. I can not say enough good things about it. Kudos to you Rudy for one of the best rock biographies ever.

I only wish you would have written this book 20 years ago. I’m confident that if you had, the “B” I wound up getting on my term paper would have been an “A” instead.

Crazy Musician Syndrome (CMS)

CMSToday I would like to discuss with you a disease that afflicts countless musicians everywhere. One that can strike without warning and one that you may not even know you are carrying.

No, it’s not ebola.

This is a disease that does not discriminate on the basis or race, sex or religion. It was powerful enough to cause the breakup of such bands as The Beatles, Pink Floyd, Guns N Roses and countless local bands from across this great country. Some of the people suffering may even be friends and loved ones you know. People are living in pain and it’s time to put a face to the name.

I’m talking about Crazy Musician Syndrome, or CMS.

The origin of CMS is unknown. Some say the disease began in the jungles of the deep Amazon where natives played make shift drums and wooden flutes. Fights would often ensue amongst tribesman for unknown reasons, resulting in huge losses of life. The modern day version of the disease is just as unforgiving and can strike without warning and at any time.

I’m here to tell you the warning signs for this disease. Please.. Please.. pass this information along to all of your friends who currently play in bands. Tell them to be on guard for an outbreak because as of today, there is no cure.

What is Crazy Musician Syndrome (CMS)?

CMS is a disease which can afflict musicians of any age-level who currently play an instrument in an ensemble. It is mostly prevalent in musicians who are in bands that performs on the local music scene, but has ruined the lives of some of the greatest bands of all time. It is characterized by the sudden and immediate insane actions of one or more of the afflicted person in the band situation. Typically, this occurs completely out of the blue and even when band member relationships are going well.

Signs and symptoms of Crazy Musician Syndrome may be due to things like an insatiable need for power and money, but sometimes it goes much deeper than that. Here are a few examples….

Who wouldn't want to be in a band with this cool dude?
Who wouldn’t want to be in a band with this cool dude?

Wives/Girlfriends:

Probably the biggest culprit of CMS. Most married male musicians will suffer in silence with this issue. It originates with a wife or girlfriend’s disdain for other members of the band or about the music being performed. This results in female’s verbal abuse of CMS sufferer and eventually results in sufferer suddenly quitting the band in order to keep the peace at home. The termination of the band member typically occurs the night before a paying gig.

Example – Subject in band was experiencing symptoms of getting slack from his wife on a constant basis. Wife would tell him things like “I don’t like you being in a band”.

What’s even more puzzling is the fact that wife had met the subject while he was in a band, when she came to one of their shows.  Eventually, with a week to go before a paying show, subject abruptly tells band he is quitting music.

Example #2 – I’ve heard rumors from another band who was on the verge of getting a recording contract. The guy told me the band’s guitar player abruptly left them in the lurch before a showcase, telling the rest of the band the reason was because he had found his soul mate.

 

***Click Here for Rolling Stones List of Ten Messiest Band Breakups.

 

Going To Visit Relative and Not Coming Back:

Without warning, a member of band will inform the rest of group that he/she needs to immediately go visit a relative in a far off location. Even if shows have already been booked the need to leave will be too great for the CMS sufferer to manage. Again, this typically happens on the eve of a paying performance.

Personal Example – I was in a band once that was doing well. We were practicing in the drummer’s basement and getting ready to finally start gigging. One night, I received a call from the drummer who informs me that – in casual conversation, he is going to visit his brother in Texas on Friday. I tell him “Cool, have fun, I’ll give you a call next week about practice.” To which he replies, “No dude, I’m leaving and won’t be back for at least  six months.” Without rhyme or reason, after months of practice and finally getting ready to get paid, we had to come get our equipment out of the basement and go somewhere else. There was no death or other family crisis to warrant his leaving and he admitted as much. He just had to leave and visit his bro in Texas.

Tattoos have nothing to do with CMS. I just thought it would be cool to post this one.
Tattoos have nothing to do with CMS. I just thought it would be cool to post this one.

Disappearing Act:

This is the oddest indicator of the disease. One where the afflicted person will immediately lose communication with the existing world. Phone calls and emails will not be returned and there is no indication of foul play. Even if everyone in the band had been getting along great for months, the afflicted person has suddenly chosen to exit the band and not tell anyone.

Personal example — And this one takes the cake. I was in a band once that needed a PA system. I wound up purchasing the equipment with my own money with the promise that the other guys would pay me for their share. Although I did receive the first payments for their share, suddenly one of the band members disappeared and we could no longer get a hold of him. Endless calls and even driving to his home several times were unsuccessful. He was just no where to be found and we never heard from him again.

There are many other indicators that the disease is present. All of which happen suddenly.  So please tell your friends who are in a band to watch for warning signs. Check karaoke bars for victims and try to get them help.

The future of music may be at stake.

Musician Available

I haven’t been performing live on the music scene for about five years now and am beginning to get the itch to get back into it. I’m pretty versatile when it comes to my music. I’ll play guitar, bass, keyboards. I’ve done modern country, oldies, classic and modern rock and even my own original music. The problem I’m having is trying to find the right situation.

I don’t think I’m asking for much. I just want to get into a band to perform, have fun and get paid for it. I also don’t believe my requirements are anything out of the ordinary. In fact, outside of everyone in the band obviously getting along, for me there are only two things that must exist in any band I would consider joining. So with this in mind, here’s what I’m looking for in a cover band:

Number one:  A band that will do classic to modern rock from 1970’s through today.

Number two and even more highly important: A band that under no circumstances will play Sweet Home Alabama by Lynyrd Skynyrd

I am so sick of big wheels turning that at this point I refuse to even play it. Quite frankly it gets me upset that I even have to tag this blog with the title. And by that I mean I will not perform it. If we’re at a bar and a beautiful drunk woman comes up at the end of the night and requests it, well we call her a cab. I’ve even abruptly ended my tenure in bands before it even began when the song is suggested. Here’s a classic example:

I once auditioned to be in a classic rock band with a bunch of cool guys I knew from school. I lugged all of my equipment into the rehearsal space and slowly but methodically unloaded it from my car and pieced it together.

I configured my amps, my guitars, unwound cables, ran effects pedals out the wazoo. I tuned up my Les Paul, turned the Marshall stack on ten and stood at the ready. Ready for the first song of what was surely to become the next Aerosmith or Def Leppard. And that’s when it happened.

The singer looks at me and says, “Uh, I dunno, wanna start with Sweet Home Alabama?”

Without saying another word I un-did everything I mentioned two paragraphs ago and hastily made a twenty-three skidoo. They never heard from me again.

True Story. Well, maybe.

Anyway, it seems as though finding the right fit for me is proving to be almost impossible. I’ve been searching but so far haven’t been able to find anything.

Quite honestly, the more I scour the “musicians wanted” listings the more and more depressed I become. Please tell me if you see anything of value that looks appealing in the following legitimate listings:

1) I am 20, been playing lead guitar since i was 13. I want to start a band with musicians that have chops, good improv skills and creativity. Age range-17-35. The originals I have at this point revolve around progressive funk and hard rock, think chilli peppers meets STP meets Slash. Please only serious inquiries only. No pay. Band is a serious project but for the music foremost. Email me if you’re interested

Interesting combination. But seriously, no pay?…Dude, you CRAY-ZEE

2) CLUTCH tribute band I’m a drummer looking to start a CLUTCH tribute band. If your interested, and have the chops, then hit me up. Looking for people who love CLUTCH and have their own equipment and NO DRAMA, Otherwise don’t waste my time.

I did not even know who CLUTCH was and had to look them up.  They definitely don’t seem to be the kind of band that would warrant a tribute.

3) Guitar led trio needs drums and bass for Satriani influenced cover band playing mostly instrumental music from others as well like Jeff Beck, Frank Marino and Stevie Ray Vaughn as well as a lot of Satriani material including surfing cd the crystal planet and most of stuff from the live at Anaheim dvd. serious players need only apply.

If you can name one venue that will pay money to have you perform this type of music at then I have a bridge I’d like to sell you.

4) Hey whats up everyone! We’re looking for an experienced rock drummer from ages 17- 25. Check out our facebook page and listen to our music if you might be interested. We just started recently but is number 5 on the phillipsburg Alternative Charts. We just released our first demo and are writing for our first EP. We’re good dudes just enjoying the life of music. So if you’re interested just let us know!

I didn’t even know that the small town of Phillipsburg, NJ had an Alternative Chart. Man, I wish I played drums.

This one was more of a musician’s available listing but it gave me a chuckle anyway:

New Orleans and Classic Jazz, Swing, Dances, Parties, Festivals, Weddings, Funerals, Dixieland Strolling (yes with the whole band)ANY Type of Event We own our own parade floats (we have 2) and we specalize in Parade Performances. Ask about our combined Parade and Concert or Strolling Specials!

Parade floats and funerals? Hmmm, these guys just might be onto something.

This can’t be all that’s out there for me. What do you think? Let’s start a discussion. Otherwise, I’m going to have to sing songs about the Southland again. And I won’t be a happy camper.