Category: Watercolor

Birthday Reflections at 55

October 5th, 2024 – My 55th birthday.

This is the fourteenth entry in my series of annual birthday reflections. Something I started doing shortly after I began my writing journey in the fall of 2011. As I sit here now, drinking coffee on this beautiful fall Saturday morning, it’s hard to believe that I’m exactly half-way through my fifties.

It seems like it was only yesterday I was the youthful teenager driving my pals around in a beat-up 1973 Toyota station wagon, hauling my guitar to lesson every week, going to the Palmer Park Mall on Friday nights after school, pouring millions of dollars worth of quarters from summer lawn mowing money into video game cabinets, having my fill of Orange Julius and wishing I could somehow muster up the courage to go over and talk to the cute girl who was standing with her friends outside of the Listening Booth record store. 

Wasn’t I the one who was able to go to rock concerts and stay up until the wee hours of the morning? Sitting in some dingy downtown diner deep into the night; chain smoking cigarettes, eating french fries smothered in imitation cheese sauce and drinking gallons of coffee. Talking with my friends about our plans to take on the world and make all of our dreams come true. And who could possibly forget singing ̶h̶o̶r̶r̶i̶f̶i̶c̶ beautiful three-part acapella versions of Eagles songs in the parking lot until 2 a.m. until we finally called it a night. Then to get home and lay there alone in the dark, listening to the whirring sound of a portable fan and feeling excited about the possibility of everything we’d just talked about coming true, before finally drifting off to sleep. These days, I’m lucky if I can stay up past 10 p.m.

There’s an odd sense of immortality you have when you’re young that makes you believe time will always stand still. One that pulls you close and then whispers in your ear, telling you that you’ll never be as old as your parents. But then one day you take a nap and unknowingly wake up in their role and realize your parents are gone and time waits for no one. 

To give you some perspective, my father died twenty-seven years ago this month at the age of 51. As of today, my birthday, I’ve outlived him by four years. My mother died in March of 2020, almost five years ago. This year, one of the friends who made those many coffee and cheese fry runs with me has been gone for ten years, and I recently heard the news about another classmate I knew quite well who had passed away unexpectedly.

A few years ago I stumbled upon my Easton Area Middle School student ID card. It was hiding beneath a pile of old knick knacks and memories in the crawl space of my basement. Why I decided to keep it all these years I’ll never know, but seeing it reminded me of the day the teacher handed them out in the fall of 1980. It was the first time I ever received a photo identification card of any kind, and although I didn’t much care for my fresh-faced goofy grin photo on the front, there was something printed on the back of the now worn, laminated card that had immediately caught my attention.

There among my bus route and home room numbers were the words, “YR GRAD-87.” It was the first time I saw the year of my future high school graduation (1987) and the first time I believed it was so very far away. To this shy eleven-year-old boy, seven years seemed like an eternity. The very idea of a youthful me not only seeing the year 1987 but eventually living in the year 2000 and beyond was the equivalent of having a starring role in The Jetsons or a Star Wars movie. It was inconceivable for me to even comprehend living in the space age. My parents were both very much alive at the time as well as both sets of grandparents and all of my classmates and friends. I didn’t have a job, or any roles and responsibilities for that matter, and the only things I looked forward to back in 1980 was Pizza Friday at school, my birthday, Christmas and summer vacation. As far as I was concerned, seven years away could’ve been seven hundred. 

Fast forward and here I am now, sitting on a couch with a scruffy gray beard and a bit thick in the middle, celebrating the double nickel birthday thirty-seven years post high school and twenty-four years beyond the year 2000. It’s mind boggling to think that we’re almost 25% of the way through another century. Back in 1980, I thought I had all the time I’d ever need, and now I often find myself feeling the urge to make the most of the time I have left. 

As many of you know, I suffered a bimalleolar ankle fracture back in February. It was the first time I had ever broken a bone in my life and had to have surgery. One of the worst and scariest things to ever happen to me. I was laid up for what felt like an eternity, so when the doctor finally looked at the x-ray of my healed bones weeks later and told me to get up and walk, the emotion I felt was almost Biblical. I’m so grateful to be back walking, although my ankle does make a point of reminding me nearly every day about what happened. The doctor said it will probably take up to a year before things get back to “normal,” whatever that is. I’m thankful for everyone who took the time to wish me well, bring me over a coffee or mow the lawn while I was laid up in the cast and boot. As a side note I will say that, in addition to the wheel and central air conditioning, the knee scooter is one of the greatest things ever invented by man.

Now that I’m back on two feet let’s finish this birthday post by talking about what’s going on now, in the present day. In addition to continuing to do interviews—hopefully, you’ve read a few of them over the years, I’m still writing and doing watercolor painting. Both of which have been great forms of stress relief. 

I think I may celebrate this day by spending some time at an old-school arcade in Allentown. One targeted to Generation X that still has all of the retro game cabinets. There’s no need to drop quarters into the machines anymore – it’s pay one price for unlimited play, which is a good thing considering I’ve been out of practice for the last forty years. And while I’m being annihilated by the invaders of Galaga and Zaxxon, I’ll reminisce about my friends who’ve moved on as well as the coffee and cheese fries—especially now that I’m eligible for the 55+ discount menu! I’ll also think about the plans and dreams we made that came true, and the ones still left to find.

In the meantime, I hope this day and my next trip around the sun brings all of us a newfound sense of hope, peace and most of all, love. 

Jim

Interview: Artist Maria Zinca Discusses Her Watercolor Journey

Since beginning her artistic journey in watercolor, self-taught artist Maria Zinca has created an abstract world that’s both visually dreamy and soothingly surreal. The artist’s strength comes from her innate ability to draw the viewer’s attention to a pre-determined focal point location through the use of color, lines, objects and reflection. 

Zinca’s dynamic use of angles and ubiquitous vision of rainy day and night scenes of her bustling Bucharest city tastefully captures the feel, essence, and energy of the streets.

Zinca continues to challenge herself with every painting she does and believes the type of materials you use is crucial in allowing you to ignore the timing and struggles with the watercolor medium itself, and focus more on putting the vision into the finished painting. 

See more of Maria Zinca’s art on her Instagram.

I had the pleasure of speaking with Maria Zinca about her art and career in this exclusive new interview.

How did your artistic journey begin?

Maria Zinca: I don’t know exactly when but I’ve liked to draw ever since I was a little child. I’m a self-taught artist who was born with a need to paint. At some point, when I was between twenty and thirty years old, I started decorating my house and was looking for pictures or paintings to fill up my walls. I wasn’t painting much during that time and started looking for ideas on places like Pinterest. I saw a few watercolors and thought, I can do this myself.

I started painting but was using cheap paper and everything was a mess. That’s when I started seeing what other people were doing with watercolor and knew I had to learn more. I started getting better quality paper, brushes, and pigments with the ambition of painting more and more.

How did you overcome challenges and struggles in those early paintings?

Zinca: I still struggle at times with not being able to do exactly what I want. When I started out, I would struggle with pigments, because I used cheap paints. When the painting dried, the colors were not very saturated, so I’d put another layer and then another layer. The paper was bad and didn’t help me. That’s when you get a feeling that you’re not good and think, I won’t do this again, but then tomorrow you’ll be back to paint another one. It’s a carousel of being on and off. 

How would you describe your style?

Zinca: I like abstract paintings and am always trying to get away from reality as much as I can. To build a painting that doesn’t look like a photo. You can always take a photo, print it and then put it on your wall. With painting, you can go into a different reality you can’t mimic in other mediums. I want the viewer to be able to see the car, the building, or the man walking the street, but I don’t want to paint the entire car window or the detail on the man’s face. I want the feel and energy of the street. That’s what I try to put in my paintings.

What’s your creative process like? Where do you draw your inspiration?

ZincaI like to take walks and when I’m in the street, I feel all this light, people and life around me. I try to express that in my paintings. I’m always looking for the mood, feeling and story from the street. I like to take a lot of pictures of my city and sometimes I’ll watch YouTube videos of someone walking down a city street with a camera for two hours on a rainy day. I’ll watch and then screen shot an image of everything I like. Most of the work is made even before I even start painting. I spend a lot of time preparing by thinking about composition, focus points, colors, and mood. I use a tablet with the Procreate app and draw what I visualize. When I have the sketch on my tablet as close as I visualize, I start painting. But I don’t copy an exact sketch of the image. Sometimes a painting asks for itself what needs to be done.

What do you think is the most challenging part about painting in watercolor?

Zinca: With watercolor, you have to express everything in that hour and second from when you pick up the brush. Sometimes I’ll be tired when I come into the shop and that can be seen in the painting. Watercolor sees your state of mind and energy when you’re painting. I love that challenge.

What are the keys to creating a great watercolor painting?

Zinca: There are a lot: The focus point, the message and concept of the painting. You have to tell a story and not just paint a pretty painting. Make the painting interesting using different methods like dry brushing and wet on wet. Having one part of the painting where it’s evenly blended and another part that’s very harsh. Build interest with color, composition, and different techniques to make the viewer go to the focus point. When I’m sketching, I think about all of that. Guiding the viewer to the focal point with color, composition, and technique.

What’s the best bit of advice you can give to an aspiring watercolorist?

Zinca: The most important thing is to paint every day and not give up. Just like exercise, if you paint every day, you’ll get better. Get used to the medium and brushes. Know your pigments and paper and get rid of the unknown element. It’s like when you’re in a car and you just focus on the drive. Know your materials so well that you don’t have to struggle and can focus only on painting. You also have to study. Even if you didn’t go to art school, look at books on composition and learn from others.

Are there any projects you’re currently working on?

Zinca: I do have other activities I do. I have a tattoo workshop and a gallery. I’m working on exhibitions and trying to help other artists here in Romania. I’ve also started focusing on making large portraits in watercolor. It’s very challenging. This is the next thing I’m going to do.