Actress Sara Coates Discusses Her New Film, ‘Lane 1974’, Career

Sara Coates

Sara Coates is perhaps most widely recognized for her recurring role of Serena (Pie Girl) in Syfy’s post-apocalyptic series, “Z Nation”. But the beautiful actress is also versatile enough to have appeared in the Sundance hit, “Laggies” with Keira Knightley and more recently, as the voice of Margeurite Bake in the “Resident Evil 7: Biohazard” video game.

Sara will showcase even more of her dynamic prowess with her next film, “Lane 1974”. Written and directed by S. J. Chiro, “Lane 1974” follows the story of 13-year old Lane [Sophia Mitri Schloss] whose life is uprooted when her mother [Katherine Moennig] forces the family to leave the safe confines of the North Carolina commune where she grew up. After a series of dangerous and isolating events, Lane sets out on a 600-mile journey alone in search of the “normal” life she has always imagined.

Sara plays Clarise, one of the only people in the film that gives Lane’s mother, Hallelujah, a chance. Even though Clarise thinks the best of people and their intentions, she eventually becomes frustrated by Hallelujah’s attitude, especially when the children are put in danger because of it. The film will have its world premiere at SXSW on Saturday, March 11th.

I recently spoke with Sara about Lane 1974 and much more in this exclusive new interview.

Let’s talk about your new film, “Lane 1974”. How did it all come about?

I’m from Seattle originally and was really deep in the theater community. The director and screenwriter, S.J. was also from Seattle and we had known each other briefly. When she was going to do this movie she thought of me and the two of us sat down and had coffee and talked for hours about the movie and the time-period. It was the first time I got to sit down with the creator and ask questions and give my opinions. S. J. is so passionate about her characters and her work and eventually offered me the role.

What was it about the script that piqued your interest?

A period piece was unlike anything I had ever done before. That was a huge thing. The script is based on the book, “The Hypocrisy of Disco” and is so beautiful. It’s a coming of age story about a relationship between a mother and daughter and how that relationship can be confusing and not always perfect. I related to the main character, Lane, who wanted to have this incredible life but realizes she has to make it her own. That was really interesting to me.

What can you tell me about your character, Clarise?

Clarise is one of the only characters that gives Hallelujah [played by Katherine Moennig] a chance. Clarise lives on a bus and is this “Earth Mother” who believes that she can fix everyone. She goes through this journey of realizing that she may have to put up walls and not just let everyone in. What was interesting about playing her was that it went against everything I’m usually comfortable with as a girl. Stepping into this new experience of not brushing my hair for a while and wearing relatively no make up wasn’t something I was used to, but it was very exciting to transform into this character.

What was the filming process like? 

Because it was a lower budgeted film there was a lot of team work involved. Coming from community theater where everyone does everything, it was cool to get thrown into that kind of grassroots effort. We filmed at S.J.’s mom’s property in Northern California which was (and still is) a commune. It was very collaborative with lots of long days. This film is close to S.J.’s heart and she was integral in making it a creatively satisfying experience.

I have to ask about another project you were involved in – the video game, Resident Evil 7. What was that experience like?

It’s funny because even though we knew it was horror game, we worked on it for almost a year and a half before they actually told us what game it was [laughs]. I remember they really wanted to keep the character’s relationships strong. So we had vocal coaches and many, many rehearsals. They were adamant about having relationships that were almost palpable as well as terrifying. 

Are there any other projects you’re currently working on?

I have a new web series coming out called “Language Academy”. It’s a funny story about an English as a second language teacher where I got to work with a lot of really funny comedians. And who knows? I may also come back to “Z Nation“. My character has already died twice, but it’s a comedic, apocalyptic world where anything can happen. I love the fans and the ScyFy network and was so excited to be a part of the project. 

Was a career in acting something you always aspired to do?

It was always something that I wanted to do but growing up it seemed so out of reach. My mom and brother are both artists and my dad was an engineer and I always did programs in school that allowed me to do improv or plays. It wasn’t until I got to college that I decided I was going to do it. I realized then that this was what I was going to do because nothing else made me feel so alive. Sometimes people will ask me what my main goal is, and it’s hard to answer because I have so many. I just keep working, meeting people and making an impression. It’s about never stopping and being open to the experiences that come to you.

Steve Hackett Discusses His New Album, ‘The Night Siren’

Photo by Tina Korhonen

The Night Siren, the new album by rock legend and former Genesis guitarist Steve Hackett, is a modern guitar album with a heavy message. In Hackett’s own words, it’s a wake-up call to the world.

Everything about the album is a reaction to the right-wing ideas dominating the political landscape, including Hackett’s decision to use musicians from around the world.

“It’s a whole United Nations of 20 people who are on [the album],” Hackett says. “The message is basically peace. If musicans can work together peacefully, I don’t see why the rest of the world can’t do it.”

I recently spoke with Hackett about The Night Siren, his gear, John Wetton and more.

The first thing I’d like to do is get your thoughts on the recent passing of your friend, John Wetton.

John was a man who was as sweet as his music. He was a wonderful guy and I’m sure in spirit he’s still around. Just about every night on this tour I’ve dedicated something to him. He was the warmest, most incredible guy and is sorely missed by so many people.

Let’s talk about The Night Siren. What inspired it?

I made friends with many interesting people from all over the world that I wanted to work with. Some of the album was recorded in Hungary, some in Sardinia and some of it in the U.K. There was also some data I had collected over time I felt would assimilate well into what we were doing. But The Night Siren was not a rushed album. Everything was given its due time—as well as the Surround mix—in order to give Roger King [keyboards/programming] the maximum amount of time.

Why the title, The Night Siren?

Anyone who’s a thinking soul is worried about the state of the world at the moment. Multicultural diversity and diplomacy is terribly important and the only real hope we have. With the rise of right-wing politics and the idea of going back to nationalism and kicking people out, the more we begin exploring the possibility of a conflagration the size of the second world war, or worse.

You can read the rest of my
Interview with Steve Hackett by Clicking Here!

Interview: AXS TV’s Evan Haiman discusses New Season of ‘Rock & Roll Road Trip With Sammy Hagar Presented by Mercury Insurance’

sammyhagar

Now in its second season, AXS TV’s original series “Rock & Roll Road Trip with Sammy Hagar Presented by Mercury Insurance” features the Red Rocker traveling across the U.S. to interview and jam with some of the most recognizable and legendary artists in music.

The show’s one-hour season premiere [which airs Sunday, March 5 at 9 p.m. ET/6 p.m. PT] kicks off in Hagar and Metallica front man James Hetfield’s hometown where they turn on the camera to the star-studded 3rd annual Acoustic-4-A-Cure benefit they founded. The concert event held at the world-famous Fillmore includes Hagar interviewing Hetfield as well as musical jams with Hagar, Hetfield, John Mayer, Melissa Etheridge and many more.

Future episodes include Hagar visiting Norman, Oklahoma to interview and jam with the multi-talented and award-winning Toby Keith at his 160-acre ranch, and meeting up with rock legend John Mellencamp at his art studio in Bloomington, Indiana where Hagar delves into Mellencamp’s passion for painting and talks about the struggles he had staying true to himself while coming up in the music business.

AXS recently spoke to Evan Haiman – Vice President of Programming and Production for AXS TV about the new season of “Rock & Roll Road Trip with Sammy Hagar Presented by Mercury Insurance” and more in this exclusive new interview.

AXS: How did the series ‘Rock & Roll Road Trip With Sammy Hagar Presented by Mercury Insurance’ come about?

Evan Haiman: We’ve done a lot of projects with Sammy in the past, whether it was a concert or his birthday bash. So we already had a relationship with him. Sammy pitched the concept to Mark [Cuban] where the idea was going to be his life. He goes out on the road and meets with friends, who are obviously musicians, and they connect. Then we put it all together to make a show. Mark thought it was a great idea and it fits into our niche. Sammy’s a great personality and a good representation of what our programming model is.

You can read the rest of my
axsInterview with Evan Haiman by Clicking Here!

Steve Morse Provides Updates on Deep Purple and Rock ’N’ Roll Fantasy Camp

Photo Courtesy: Rock & Roll Fantasy Camp
Photo Courtesy: Rock & Roll Fantasy Camp

Rock ‘N’ Roll Fantasy Camp—which is now in its 21st year—gives musicians the chance to hang with and learn from some of the most respected talents in rock.

Sure, attendees can interact, jam with and be mentored by legendary players, but the camp also allows them to write, rehearse and record in a professional environment, all of which culminates in a once-in-a-lifetime live performance.

One of this year’s camps—which runs March 2–5 in Hollywood—features Steve Morse, Glenn Hughes and Ian Paice, all of whom are or have been members of Deep Purple.

I recently spoke to Morse about this week’s Rock ‘N’ Roll Fantasy Camp and got an update on Deep Purple. Check out the interview below.

What do you enjoy most about doing these camps?

One thing I do have is a lot of experience, so I guess it would have to be to legitimately be able to answer any questions and to pass along tips. Back when I was trying to learn stuff, it was usually done by listening to records through a bad speaker in the basement of my house and trying to guess.

There were so many question marks about everything, and my brother and I would always wonder what it would be like to be a professional musician. Then when Led Zeppelin came to town right before their first album came out, we’d try to imagine how all of this worked: How many business people are involved? Who does what? Is it possible to make a living doing this? They were all legitimate questions. For people feeling that same way now, I can bring my knowledge to them. It’s a really cool idea.

Simply put, what’s the camp like? What kind of experience is it?

It’s a real team effort with several different projects. There are a bunch of professional players who come in, and we organize and concentrate on a tune and play together. When I did the last one, there was also a Q&A session and performance interaction with everyone. At the end, all of us did a big jam concert.

What can you tell me about the new Deep Purple album, Infinite?

Well, I can tell you is that it’s the same producer [Bob Ezrin] and studio that we did the Now What?! album, which did very well for us. We had an abundance of material and Bob gave us a lot of latitude. He was a great influence and had a vision of what he wanted the band to sound like.

Read the rest of my
gw_logoInterview with Steve Morse by Clicking Here!

Interview: Heart’s Ann Wilson discusses new solo tour, music and career milestones

annwilson

Following the release of Heart’s critically acclaimed album, Beautiful Broken and last year’s headlining tour with fellow Rock & Roll Hall of Famers Joan Jett and The Blackhearts and Cheap Trick, Ann Wilson decided it was time to spread her wings for a while.

Kicking off March 8 in Wilson’s hometown of Seattle, the legendary vocalist and her solo band, Ann Wilson Of Heart, will embark on a new 20-date tour with stops that include Los Angeles, Denver, Philadelphia and New Orleans among others.

The Ann Wilson of Heart tour promises an eclectic mix of music from Wilson’s storybook career. Included will be timeless songs from her years with her sister Nancy in Heart, as well selections from her work as a solo artist and what’s best described as iconic, soul stirring covers that have been the driving force in the singer’s life.

AXS recently spoke with Ann Wilson about her new tour and more in this exclusive interview.

AXS: How big of a role did music play in your house growing up?

Ann Wilson: It played a huge role. My parents were really musical people. They didn’t play professionally, but they both loved music and it was always on in the house. All different kinds. They just liked anything that was good. It wasn’t much of a stretch to start being a musician in that family.

AXS: What inspired your new Ann Wilson of Heart tour?

AW: As a singer and a creative person I really wanted to stretch out. We’ve been touring constantly for most of this century and I just felt the need to get out of the “Heart” box and do something different. So I’m about to embark on a yearlong tour with my band. It’s a show that will be in theaters because I’ve designed it so that it’s beautiful and needs those types of venues for the video wall and production. We’re going to do some Heart songs, some of my new songs and some covers that have inspired me both as a singer and person over the course of my life.

Read the rest of my
axsInterview with Ann Wilson by Clicking Here!

Michael Schenker Talks Nostalgic New Live Album, ‘Michael Schenker Fest Tokyo’

msg640Thirty-five years have passed since the Michael Schenker Group released their legendary 1982 live album, One Night at Budokan.

However, last summer, Schenker—one of rock’s most respected guitarists—returned to Japan with three of the vocalists who helped him achieve worldwide success in the Eighties to record a new live disc.

The show, which was shot and recorded in front of 5,000 fans at Tokyo’s International Forum, will be released March 24 as Michael Schenker Fest Tokyo on CD, DVD, Blu-ray and digitally. The album reunites Schenker with MSG vocalists Gary Barden and Graham Bonnet, plus Robin McAuley of the McAuley Schenker Group. Also performing were MSG alumni Chris Glen (bass), Steve Mann (guitar) and Ted McKenna (drums).

The album celebrates the music and guitar wizardry of Schenker—and gives longtime fans a chance to re-live some incredible rock and roll moments.

I recently spoke to Schenker about Michael Schenker Fest Tokyo and more in this new interview.

How did the Michael Schenker Fest come together, and when did the idea for this live album begin?

It started about two years ago. A promoter had the idea of having Graham Bonnet and his band support Temple of Rock and sing a couple of songs with us. When we did that, I was like, wait a minute. There are so many songs from different eras and I’m playing all of this past material with different singers. I thought that if I could put Robin and Gary and Graham together I could do all of the Eighties material and perform those songs with the original singers—and it would be fantastic!

So I started thinking about a group of musicians: Steve Mann, who is a fantastic guy and player and was connected to McAuley and myself from the McAuley Schenker days, and Chris Glen and Ted McKenna, who had both worked with Graham and were also the original rhythm section [after Cozy Powell] for the Michael Schenker Group with Gary. It couldn’t be better than that.

A promoter in Japan eventually found out about it and set us up on tour. One of the shows was Tokyo, a beautiful place that sold out immediately. I decided to record it and make sure it would be captured forever. In a way, it’s like a déjà vu of Budokan.

You can read the rest of my
gw_logoInterview with Michael Schenker by Clicking Here!

Actress Natalie Loren Kwatinetz Talks ‘The Tribes of Palos Verdes’, Career

Photo by John Hong
Photo by John Hong

Born in Liverpool, England, actress Natalie Loren Kwatinetz was captivated by American films from an early age.

Although her striking looks would eventually lead her to a successful modeling career –including working with famed British fashion photographer, Bob Carlos Clark, Natlalie eventually became an in-demand DJ before launching an acting carer with a resume that includes appearances in “Entourage”, “Violence” and 30 Seconds To Mars’ short film, “Up In The Air”.

Natalie’s next role will be in the upcoming Jennifer Garner film, “The Tribes of Palos Verdes”.

The film focuses on the lives of two teenagers who move to Palos Verdes, an affluent suburb of Los Angeles. Their mother (Garner) teeters on the brink of a nervous breakdown while one of her daughters turns to surfing to escape her troubled home life. Natalie plays Gina, a member of the local tennis club that their mother dislikes. The film, which also stars Alicia Silverstone and Elisabeth Rohm is expected to be released in late 2017.

I recently spoke with Natalie about “The Tribes of Palos Verdes”, her career and more in this exclusive new interview.

How did this project come about for you?

It was a typical audition process. Originally, I had auditioned for a different role but when I went in to meet with the director, Emmett Malloy, we decided to go with anther role for me. I was very excited to be a part of it.

What attracts you to a script?

Great writing and getting to work with different directors and talking to them. I love great characters and storytelling and being taken on an emotional journey.

How would you describe the story of “The Tribes of Palos Verdes” and your character, Gina?

It’s the story about Jennifer Garner’s character and the lives of her teenagers when the family moves to Palos Verdes. While there, she meets my character. Gina is someone who likes to play tennis and have a perfect life, which is something Jennifer’s character doesn’t find very attractive [laughs].

What was the chemistry like on set and getting to work with Jennifer Garner?

It was great working with Jennifer. Her character was so different from things she’s done in the past. The vibe on set was amazing; everyone was ready to work, and it’s great to be around that creatively. 

Did you always know you wanted a career in entertainment? Was it something you always aspired to do?

Absolutely. I started out as a model and had a huge passion for music as well. I was a DJ for a while, performing as Luxury Kills and performing at a lot of clubs in L.A. and fashion shows in New York. It was a fun time. I soon started to get more involved in acting because it was another passion of mine. Although I still love music I eventually decided to give up DJ’ing and concentrate more on film work.

What is it about the creative process that excites you the most?

I love it when you get a script and you know the director and character and can already get a feel for what kind of vibe it’s going to be.

Do you ever see yourself getting on the other side of the camera at some point?

I’d love to eventually get into directing and producing. It’s definitely something I’d like to do at some point.

What’s something people may not know about you?

I like to paint and draw and would actually like to go to art school — if I could find the time [laughs]. I really like drawing faces and trying to capture expressions.

Are there any other projects you’re currently working on?

I’ve been living between New York and L.A. Right now, it’s pilot season now and there are a few things happening that I can’t announce just yet — stay tuned!

What excites you the most about his next phase of your career?

I’m just looking forward to working on more great projects. There’s a lot of things happening in L.A. right now, so it’s very exciting.

James Durbin and Quiet Riot’s Alex Grossi Talk ‘Maps to the Hollywood Scars’

mapstohws622

Quiet Riot guitarist Alex Grossi and American Idol finalist James Durbin recently announced a new collaboration, Maps to the Hollywood Scars.

Volume One, the duo’s debut five-song EP, which was released today (February 17), sheds light on the darker side of Hollywood and the music industry—at least from the perspective of two of rock’s hardest-working artists.

Songs like “Roads” and “The Lost Boys” showcase the stinging one-two punch of Grossi’s ace guitar playing and Durbin’s powerful voice, while “Never Ending Ride” is a window to a post-apocalyptic world of ruin.

I recently spoke with Grossi and Durbin about Maps to the Hollywood Scars, Volume One—which is available now via Amazon and iTunes—and more in this exclusive interview.

How did this collaboration come about? How did you guys meet? 

GROSSI: I met James in 2011 via a mutual acquaintance. I remember being taken back, not only by his obvious vocal prowess but by his knowledge and love for real rock n’ roll. Then, last year I went to a Vegas show he was doing, and we ended up jamming together at the after-party.

DURBIN: After the Vegas show I was involved in ended, I unexpectedly received an email from Alex sending me some instrumentals. I took a listen and was immediately inspired. We started sending ideas back and forth and before long decided, hell, why not make an album or two?

How would you describe the EP in terms of its sound—and maybe how it relates to some of your past projects?

DURBIN: We both have our own influences, and there’s an age gap between us, but I think that works to our advantage as far as the writing and crafting goes. It’s all loosely based around rock n’ roll, so it’s not hard for us.

GROSSI: It’s honestly like nothing I have done to date. We’ve both been involved in many different projects, but this happened so quickly and organically, it really stands on its own.

You’ve mentioned that this project was meant to showcase the darker side of Hollywood and the music biz. Can you elaborate on that? 

GROSSI: It’s not really about selling the industry—or Hollywood—down the river. It’s more of a reflection of where the record industry was, is and where it’s going. What once gave artists and record labels a medium to actually sell music has now become a place where the general consensus is that music is free. Where some people will gladly spend $4 on a cup of coffee without batting an eyelash but feel totally fine about illegally downloading a song or record that cost thousands of dollars and countless hours to create, produce and market.

You can read the rest of my
gw_logoInterview with Grossi and Durbin by Clicking Here!

Nita Strauss Talks “Pandemonium” and Upcoming Alice Cooper/Deep Purple Tour

Nita Strauss
Nita Strauss

When Steve Vai asked guitarist Nita Strauss to take part in his new Favored Nations compilation, She Rocks, Vol. 1, the Alice Cooper Band shredder didn’t give it a second thought.

For years, Strauss has cited Vai as the reason she decided to pick up the guitar in the first place, so getting the chance to contribute an instrumental track to the project was a dream come true.

Strauss’ “Pandemonium”—which you can hear below—is a perpetual burn that showcases Strauss’ infectious style of playing while taking the listener on an extended, hook-laden journey of speed and dynamics.

In addition to the new track, Strauss is gearing up for an Alice Cooper/Deep Purple tour that’ll kick off in August. I recently spoke with her about “Pandemonium,” the upcoming tour, her gear and more.

How did you become involved in the She Rocks project, and what was it like meeting Steve Vai?

It was the most surreal thing. As most people know, I started playing guitar after seeing Steve’s scene in Crossroads. He’s always been my biggest inspiration. But I had never met him until last year, and one of the first things he asked me was if anyone had talked to me about the compilation album he was putting together with [former Guitar World editor-in-chief] Brad Tolinski and Laura Whitmore. I told him I hadn’t, and the next thing I knew, I had gotten an email from Brad.

I wrote and recorded “Pandemonium” in a single evening. My boyfriend, Josh Villalta, played drums and Katt Scarlett played keys. It really came together organically in a very cool way.

How would you describe “Pandemonium”? 

I think by the title. It’s a self-explaining name. I’ve never actually said what the song is about but I really wanted to take people on a journey. An instrumental song doesn’t have any lyrics, but it tells a story, and it could be about anything. I love to hear what journey it takes people on.

You can read the rest of my
gw_logoInterview with Nita Strauss by Clicking Here.

Firehouse Guitarist Bill Leverty Discusses His New Single, “You’re a Natural”

Photo by Mario Leo Fasolo
Photo by Mario Leo Fasolo

It’s been 25 years since Firehouse won Favorite Heavy Metal/Hard Rock New Artist at the 1992 American Music Awards, beating out Nirvana and Alice in Chains.

These days, the band—and its individual members—is still firing on all cylinders.

Firehouse guitarist Bill Leverty has just released a powerful new single called “You’re a Natural.” The song, which features contributions by Firehouse drummer Michael Foster and bassist Keith Horne, continues Leverty’s trend of releasing melodic singles full of tasty fretwork.

I recently spoke to Leverty about the new single, his gear, Firehouse’s upcoming tour plans and more.

How did “You’re a Natural” come about?

Just like every song I’ve written lately, it started backwards with the chorus first. With this one, the punch line was actually the first thing I wrote—“You’re a natural, a natural disaster.” I didn’t want it to be real descriptive, so it could be about athletics or any kind of work you do. I took it from that line and started working with the guitar to come up with a riff and chord progression.

What was it like recording with Firehouse’s Michael Foster and Keith Horne?

They’re phenomenal musicians. Michael took the song to an extremely high level of energy and creativity. As a guitar player, I’m usually thinking snare on beats two and four, but his feel and the way he shifts the beat to go along with the rhythm is remarkable. Keith is another amazing player. You give him the song and he just goes off and does his thing.

What are Firehouse’s touring plans this year?

We like to say we’re always on tour. It’s our creed. I think we already have 15 to 20 dates booked. Last year, we did 62 shows and played a lot of really cool places. We played with a lot of really cool bands and met a lot of new fans as well as ones we’ve known for years. We want to do it again this year. This will be another summer where we’ll be out every weekend and catching up on sleep during the week.

You can read the rest of my
gw_logoInterview with Bill Leverty by Clicking Here!