In the context of songwriting partnerships, few teams have been as long-lasting — or as successful — as that of Jim Vallance and Bryan Adams.

Since being introduced by a mutual friend in a music store in 1978, Vallance and Adams have written hits that appear on Adams’ albums You Want It, You Got It; Cuts Like a Knife; and the 1984 monster, Reckless, which sold more than 5 million copies in the U.S. alone.

Adams will celebrate the 30th anniversary of Reckless in November with a four-disc, super-deluxe reissue package that includes bonus-track demos recorded in Vallance’s basement studio in 1983 and ’84.

Over the years, Vallance has continued to flex his songwriting muscle, penning hits with Aerosmith, Ozzy Osbourne, Scorpions and Lita Ford, to name just a few.

I recently spoke to Vallance about the Reckless sessions, his time working with Adams and his upcoming projects.

GUITAR WORLD: When you think back to the Reckless album, what’s the first thing that comes to mind?

Mostly, I remember how much work we did. Bryan and I got together in my basement studio every day for a year … noon ’til midnight. Some days were more productive than others, but we always put in the time and did the work.

What were those songwriting sessions like?

Bryan and I had a daily routine. He would arrive at noon, we’d have a sandwich and a cup of tea and then we’d go downstairs and get to work. We’d start by deciding if we were going to write a fast song or a slow song and then we’d set up a “drum loop” for inspiration. Usually, Bryan would play guitar and I’d play bass or piano. We’d jam for hours until one of us played or sang something interesting. Then we’d spend time fleshing out the idea or we’d jam some more until another idea materialized. We repeated the routine every day for months. It was always productive. There were very few wasted sessions.

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Interview with Jim Vallance by Clicking Here!