It was a turning point when the band Live took a self-imposed hiatus in 2009.
Lead singer Ed Kowalczyk wanted to focus on a solo career while the band wanted to return to a more ensemble-based format. Unable to resolve their impasse, the band and Kowalczyk decided to go their separate ways.
Enter vocalist Chris Shinn, who over the years had developed a strong rapport with members of Live. Now, after a therapeutic three-year soul search, Live are back with a new singer, album and perspective.
The Turn, Live’s first album in eight years, reunites the band with Jerry Harrison, who produced three of the band’s previous albums — Mental Jewelry (1991), Throwing Copper (1994) and The Distance to Here (1999).
The release of The Turn also coincides with the 20th anniversary of the group’s 8 million selling Throwing Copper, a monster album that yielded the band’s biggest single, “Lightning Crashes,” which was Number 1 at Modern Rock radio for 10 consecutive weeks.
With 20 million in worldwide album sales to go along with a dynamic new lead singer and a redefined focus, Live are ready to enter the next phase of their career.
Live consists of Chad Taylor (guitars), Patrick Dahlheimer (bass), Chad Gracey (drums/percussion) and Chris Shinn (lead vocals/guitars).
I recently caught up with Taylor to discuss The Turn, guitars, the 20th anniversary of Throwing Copper and what he’s most looking forward to with this new version of Live.
GUITAR WORLD: It’s been five years since Live took a hiatus/break. Was the expectation always that you’d one day get back together?
The end of Live 1.0 was open-ended. What we knew at the time was that the chemistry that had been so essential to making Live exuberant, exciting and creative had just dissipated. We were a band that could have probably have used a therapist, but like most men, we just decided that separation was the best idea to try to salvage any kind of relationship we had we each other.
During the time of the break/hiatus the clarity that helped solidify everyone’s future was the fact that Ed [Kowalczyk] made it clear he wanted to make solo music, and we made it clear we wanted to make ensemble music. There’s such a difference in the way you do it. You can hear in the transition of Live through our subsequent records how the band became more focused on the singer/songwriter than on ensemble creativity. In my opinion, the thing that always made Live was our ability to play off of each other. When we lost that, the spirit of the band went away.
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