Those who know me will tell you that I’m one of those people who’s stuck in the Eighties.
Admittedly, I do love my hair metal and wish that I could somehow get inside of a time machine and go back to those carefree days of youth. To be able to use the confidence and knowledge I’ve gained through years of being an adult to make up for the lost opportunities I missed because of my shyness and lack of social interaction.
Some days I’ll take a trip to the Palmer Park Mall and remember all of those Friday and Saturday nights thirty years ago. A time when the only thing that really mattered was the usual excursions to Orange Julius, the arcade, Waldenbooks and topping it off with a visit to Listening Booth to check out the new albums by by Night Ranger, The Hooters and Bon Jovi.
But I don’t think I’m “stuck” in the Eighties. It’s just that every once in a while you need to go back to those times if for no other reason than to remember who you were.
Last night I had the chance to do just that.
Singer/songwriter Howard Jones – who many of us MTV nuts will remember for his big hair, monster songs as well as a multitude of synthesizers, performed an acoustic show at a local theater in town. What I thought at first would just be a typical trip down memory lane instead turned out to be something much deeper.
When Howard came out, gone was the arsenal of keyboards, the colorful fashion and the big eighties hair. In it’s place was a simple keyboard, a microphone and small MAC laptop. For the next hour, Jones performed many of the songs that a teenaged me listened to. Songs that were the soundtrack of summer pool parties, trips up and down the “Strip” on Northampton Street and background music in the Palmer Park Mall.
But it also felt different. These stripped down, acoustic versions of “Life In One Day,” “What Is Love,” “Things Can Only Get Better” and “No One Is To Blame” took on a new meaning. Every nuance of every word resonated. It wasn’t just music. It was therapy.
For a moment, I was no longer the middle-aged man who worries about bills, health and his family’s future. Instead, I was the wide-eyed, shy boy hanging out at a record store in small town America.
And it was good.