Greg Howe Goes Back to His Roots for Blistering New Album

Described as his most personal work to date, Greg Howe’s new album, Wheelhouse—which will be released on September 1— marks the guitar legend’s highly-anticipated return to solo instrumental work.

Tracks like “Tempest Pulse” and “Throw Down” showcase Howe’s infectious tone and fretboard wizardry while eclectic tracks like “2 In 1” combine a funk-infused vibe with Forties swing. But perhaps one of the biggest highlights on Wheelhouse; and one that long-time followers of Howe’s career will certainly find appealing, is the track, “Shady Lane”.

A song originally written by Howe and his brother back in the early Nineties, on Wheelhouse, “Shady Lane” is given a 21st century spin with an emotionally charged vocal performance by Richie Kotzen (Winery Dogs, Mr. Big). Kotzen also complements his fellow Shrapnel alumni by contributing a blistering guitar solo to the track as well.

Wheelhouse is an album that will once again raise the bar for guitarists, and a fitting return for one of the genre’s most dynamically diverse artists.

I recently spoke with Howe about Wheelhouse and more in this exclusive new interview.

How would you describe Wheelhouse in terms of its sound and maybe as it relates to some of your previous work?

From a guitar perspective, I’d describe it as an almost higher quality of the type of tone I was getting on Introspection. It’s very clean and there’s a lot of gain behind it but it doesn’t sound like it. I was also getting a little more into single coils and more “Strat” kind of tones, so it’s a different kind of expression. As far as direction, I feel like it’s a little more honest.

I can get carried away in the studio sometimes, and then I’ll listen back to what I recorded and decide to scrap it and end up writing something that’s either really complicated or putting together solos that border on unrealistic in terms of what I would sound like. I really wanted this to be a lot of one-take stuff and the material to sound like something I would want to play over. It’s a very natural, honest record.

What’s your writing process like?

There isn’t really a process. It ranges anywhere from going through drum loops and finding something cool that inspires the riff to waking up in the morning with a song idea already in my head. Sometimes, if I’m searching for inspiration, it can come from just watching a movie, thinking about something or connecting to something that’s happening in my life at the time. It’s a starting point that inspires and triggers the creative process.

Let’s discuss a few tracks from Wheelhouse, beginning with “Tempest Pulse”

That song was one of the first I wrote for the album and has a slight Latin feel to it. I went through a phase where I was listening to a lot of Michel Camilo and that opened up some of this Cuban influence. There’s also something really festive and sexy about not hitting on the downbeat.

Read the rest of my
Interview with Greg Howe by Clicking Here.

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