David Duchovny, the award-winning actor, director and novelist has just released his new album, Every Third Thought. It’s the follow up to his 2015 debut, Hell or Highwater.
Crafted with elements of folk, classic rock and pop, Every Third Thoughtshowcases Duchovny’s eclectic influences, which range from artists like The Beatles and David Bowie to the bright, haunting and acoustic-driven songs from 1970’s bands like America.
Recorded in Brooklyn in December of 2016, Duchovny finds a deeper level of lyrical maturity and musical expression with Every Third Thought. His honest storytelling speaks of personal reflection but is meticulously crafted with universal themes.
AXS recently spoke with David Duchovny about Every Third Thought, songwriting and more in this exclusive new interview.
AXS: How does Every Third Thought compare to your first album, Hell Or Highwater?
David Duchovny: This album is more musically varied and ambitious. The songs all started the same way, which was me throwing chords together with an acoustic guitar and then singing my words over it. Once I started collaborating more with my band–who are such advanced musicians–it allowed them to bring in their own sonic tastes. So, it wasn’t just me saying I’ve got this song but was more like I’m hearing a David Bowie, “Heroes” vibe, which was the case with the song, “Half Life.” Or from me saying “Last First Time” feels like a 70’s power rock ballad. They were able to open the song up and execute the things that I couldn’t.
AXS: Have you found that your lyrical style has matured with this new album?
DD: Having written a bunch of songs, I’m starting to get a better feel for how lyrics work. I still very clearly recall writing my first song, “The Things” on Hell or Highwater. I remember thinking that if I’m going to write a song, I’m not going to say anything specific in it because I don’t want people asking me what it means. And what could be more neutral than saying, “It’s about this “thing” [laughs].” I try to straddle the line of a song being very personal but also universal. Everybody’s life has a very similar shape. You try to write as personally as you can and write to the shape of everybody’s life.
AXS: What was the writing process like for Every Third Thought?
DD: It’s always different. Sometimes, I’ll have a melodic hook in my mind and a chord progression waiting for words. Other times, the words will come first and they’re waiting for a melody. I’ve got a bunch of lyrics off to the side on my iPad and a bunch of progressions off to another side. Sometimes, I’ll sit down and start introducing them to one another and see who wants to make out [laughs].
Read the rest of my
Interview with David Duchovny by Clicking Here!