“Hello. My name is James Wood. It’s nice to meet you,” I said, extending my hand to the three other guys in the room. It was the first time I’d met Bobby, Tom and Rik. The three guys who would form a band with me to perform at The Lucky Strike and world-renowned Whisky A Go Go in Hollywood this weekend.

If my middle-aged brain remembers correctly, it was thirty years ago next month when I formed my very first band. This after many years of guitar lessons, months of starts and stops, and high school dreams fueled by teenage angst and worldwide musical domination.

Back then, bands like Night Ranger, REO Speedwagon, Foreigner, Whitesnake and Dio were on constant repeat on my boom box. And now, in just a few short days, not only would I be jamming with the guys in REO and Foreigner, but I’d also be taking the stage with Night Ranger to perform at one of music’s most famous venues in front of a massive crowd. The same stage that regularly housed legendary bands like The Jimi Hendrix Experience, Led Zeppelin, Van-Halen and countless others.

No pressure.

By the time I arrived at the camp’s studios at 1:30 p.m., our as of yet unnamed band was already behind the eight ball. We’d learned last week that we wouldn’t have a keyboard player (a pretty big deal if you had “Roll With The Changes,” “Keep on Loving You” or “Sister Christian” on your “let’s try” list), and our original counselor, Brian Tichy (Whitesnake, Foreigner) had to drop out of camp at the last minute due to illness.

But it wasn’t until I made my way through the registration line and into Studio D (which would be our home for the next four days), that reality really struck.

Inside the room, already jamming, were counselors Michael Staertow (guitarist for Lou Gramm), Chris Wyse (bassist for Ace Frehley, The Cult) and Steve Ferlazzo (keyboards for Avril Lavigne and now Richie Sambora and Orianthi).

Oh, man.

Before long, our new counselor, Craig Goldy (Dio, Giuffria) made his way into the studio to join them. I was fortunate that I had to wait a bit for my tech (yes, you get one of those here at camp) to set up my guitar. I used that time to subconsciously absorb these guys wailing.

After the open jam formalities had ended, everyone made their way off to begin rehearsal in their own studios. That’s when Rik, Bobby, Tom, Craig and I started talking about which songs we wanted to do.

Since the guys from REO Speedwagon would be coming to jam with us on Friday, we looked at our list of songs to do —and unanimously decided on this one:

After about four passes at the song — where I must say I held my own– it was time to break for camp introductions.

David Fishof (executive producer) welcomed campers to the event and then introduced the all-star array of counselors, which also included Rudy Sarzo (Quiet Riot, Whitesnake), Tony Frankin (The Firm, Blue Murder), Matt Starr (Mr. Big), Tanya O’Callaghan (Dee Snider, Ronnie Wood), Kane Roberts (Alice Cooper) and Monte Pittman (Madonna).

We then returned to our studio for some more rehearsal time, where Craig gave us some cool little solo ideas to use that would help bring the song to life. I’m thinking by now we’re around 85-90% of having a song nearly ready to go — and it was only Day One!

There were several master classes to choose from this night, and I decided to attend the one called “Stories From The Road”, where a group of counselors talked about their careers with some of the all-time greats.

l to r: Michael Staertow, Chris Wyse, Steve Ferlazzo, Rudy Sarzo, Tanya O’Callaghan

The final event of the evening was a welcome dinner followed by an open jam with the counselors. Song performances included everything from The Cars, Eddie Money and AC/DC to Aldo Nova, Ozzy, The Beatles and Loverboy.

As the van took us back to the hotel, I couldn’t help but think about that 15-year-old me sitting up in his bedroom practicing all of these songs. And I think that’s when the true impact of what was about to occur over these next few days finally began to sink in.

Not gonna lie. I thought about getting up on that stage on Sunday night and f#cking up. But you know what? I don’t care. I came all this way to learn from and jam with the best, and here I am.

The streets of Hollywood are where it all began. The music I grew up with. The music that made me want to pick up a guitar and play. The music I love.

And in just a short time, I’m going to claim a small piece of those streets for myself.

 

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