Category: Entertainment

Entertainment, Interview, Movies and TV

Actor Michael Nardelli Talks ‘Christmas In Homestead’ and Upcoming ‘Dark/Web’ Series
Photo credit: Patrick Maus
Photo credit: Patrick Maus

After making his professional acting debut as Stradivarius Helberg on the television show ‘Quintuplets’, actor Michael Nardelli went on to star alongside Zac Efron in the independent film, ‘Derby Stallion’ as well as the comedy ‘Grassroots’ with Jason Biggs. He’s also had recurring roles on such shows as  ‘American Crime Story: ‘The People Vs. OJ Simpson’,  ‘CSI: New York’, and ‘Nashville’.

But as 2016 comes to a close, Nardelli’s creative prowess is really starting to heat up. Beginning with the new Hallmark film, “Christmas in Homestead’.

In ‘Christmas In Homestead’, Jessica (Taylor Cole), one of the most famous actresses in world, heads to the Christmas-obsessed town to shoot a holiday-themed film. While there, a romance brews between Jessica and a local innkeeper. Nardelli plays the role of Ian Cooper. An aggressive paparazzo who makes his living by chasing down celebrities and getting the dirt on their love lives.

In real life, Nardelli is currently producing, writing and starring in a new digital series called ‘Dark/Web’ that’s slated for release early next year. Each episode consists of a portion of a serialized tale and a stand-alone science fiction / horror short centered around technological themes.

I recently spoke with Nardelli about ‘Christmas in Homestead’, ‘Dark/Web’ and more in this exclusive interview.

How did “Christmas in Homestead” come about for you?

It came up with an audition. My agent sent me the request and I taped it. Nowadays, a lot of auditions (and even callbacks) are put on tape rather than in room. I actually never had to audition in a room with anyone. The glory of modern technology [laughs]!

What was it that attracted you to the script?

I’d just come off several really dark, challenging roles so to run off and make a Hallmark Christmas movie felt like going on holiday! I liked the idea of doing a feel good romantic comedy. I also liked Ian’s arc a lot. Going from someone very self-centered to someone who realizes he must become a better person to keep someone he cares very much for in his life.

How would you describe the story of “Christmas in Homestead”?

It’s an old fashioned, fish out of water Christmas story. “Christmas In Homestead” is about a Hollywood production that goes to a small-town in Iowa to film a Christmas movie. There’s lots of hijinks and clashing of morals: big city folk kind of rediscovering their values in this small town where things like family and tradition are more important than fame and fortune.

What else can you tell me about your character, Ian Carter?

Ian Carter is a paparazzo and makes his living chasing down the big photo and the big exclusive in Los Angeles. When we meet him, he’s very bottom line driven and doesn’t have a lot of sympathy for others’ privacy. He’s been chasing one of the biggest actresses in the world, Jessica (played by Taylor Cole) and follows her to Homestead to get the big scoop on whether or not she’s getting back with her ex. Along the way, he meets a local Innkeeper who kind of changes his entire world.  

What can you tell me about your new series, Dark/Web? 

I really like stories that deal with the human condition and also what it means to be alive today. And “today” means technology and social media. We’ve opened these doors in our lives that will never close again in terms of the Internet and connectivity, and most of us don’t really know its impact on our daily lives and our future. “Dark/Web” came out of that. For this project, I teamed up with my brother, Tim Nardelli and Mario Miscione.

How would you describe the series?

It’s a scary, fresh, relevant take on where we are today with technology and the dangers of a world that is “always on.” It’s reminiscent of “The Twilight Zone” in the way it tackles modern issues we’re all dealing with thematically, but hides some of that in stories that are meant to be entertaining, scary and thrilling. The show has an anthology aspect to it, so a cool variety of filmmakers and actors pop in and out for episodes. There’s also a serialized portion of the show though that spans across the eight episodes and kind of ties everything together. It’s the kind of show where the more you watch the more you see how everything is connected.

Do you have a timeframe as to when it will be released?

We still have three episodes to film in February and we’re hoping to release it in spring 2017.

Did you always know that you wanted a career in entertainment? Was it something you always aspired to do?

Yes. I grew up watching old movies and TV shows with my mom and  always wanted to be up on stage or in front of the camera (or behind) doing the same thing. In middle school, I’d write, direct and act in little shorts that my classmates and I would make. I’d always ask if I could put a little film together instead of writing a paper and sometimes even got my wish! I did all of the theater I could in high school and college. Because I didn’t grow up in Hollywood or New York and didn’t have family in the entertainment business, it was an unconventional decision to make. But there was never any other option for what I wanted to do!

Entertainment, Interview, Movies and TV

‘Night Cries’: Actress / Filmmaker Brigitte Kingsley Discusses New Psychological Thriller

Written and directed by Andrew Cymek, “Night Cries” is a psychological thriller about a man searching for his wife in a post-apocalyptic world.

The film took home the Best Screenplay award when it premiered at the Blood In The Snow film festival last November, and for good reason. Cymek and his partner, Brigitte Kingsley have become masters at delivering multi-layered stories with beautiful cinematography and passionate musical scores to all of their projects. “Night Cries” is a thought provoking film that plays on the ultimate question we have in life, and just how far we’d go to find our one true love.

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The beautiful Kingsley plays the role of Sara Morgan in “Night Cries”. A strong, defiant wife and mother who finds herself lost in a world she doesn’t recognize. The film also stars Andrew Cymek, Colin Mochrie, Lauren Williams and Jacob Blair.

Night Cries is available now for pre-order now in various packages and will be shipped on December 14. This will be followed by a world wide digital release in the New Year.

I recently spoke with Kingsley about “Night Cries” and more in this exclusive interview.

How did the Night Cries project originally come about?

I first met Andrew back in 1999 when he and I were both in school. He was doing a ten-minute short called “Night Cries” that was inspired by these characters. We shot the short and I remember thinking that it was a really cool story. Now fast forward to 2012 when we started our company, Good Soldier Films. We were trying to figure out a good pilot project to launch the company with and decided to create a “Night Cries” feature. Andrew had already worked out the characters in his head. He wrote the feature and we jumped into it.

In your opinion, what makes the story of “Night Cries” so special?

I think the main push is the cyclical feeling you get when you watch it. There’s so much thought that went into the imagery and ideas behind the story and you see that in various ways throughout the production. It’s a very in depth look at life and death. Andrew wanted to forward the idea of the end of the world, but he also wanted to go more into a personal apocalypse when someone’s world ends. There’s a lot of layers to it and that’s what makes it so cool.

What was the casting process like?

A lot of the characters were written with certain people already in mind. Colin Mochrie was someone we instantly knew we wanted to work with. He has so much depth to his acting but doesn’t often have a chance to do things this sinister. We thought he’d be great fit for the role of The Hat. A lot the other actors, like Lauren (Angel) Williams and Jacob Blair, we had worked with on other projects before.

You mentioned Colin Mochrie. What was it like working with him?

Colin is one of my favorite people in the world. He’s so defined as an actor and comes extremely prepared. He was only out for a few days but was such a pleasure to be around.

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A lot of attention is paid to the music and cinematography in this film. Can you speak a little as to how these are important to you?

They’re both very important to us. We’ve worked with Josh Fraiman (cinematographer) for several years on various projects. Although we had a small crew we made sure to take the time to give him the beautiful shots he wanted. When it comes to the music, Emir Isilay (our composer) is an extremely talented guy. Andrew sent him the ideas of what he had in mind and when the music came back the first time around he had tears in his eyes because it was exactly what he had envisioned. Going from one world to another and bringing sense to a certain level. It was epic and beautiful.

What are some of the other projects you’re currently working on?

“The Man In the Shadows” is another film that’s available for pre-order. It’s a story by Adam Tomlinson that’s based on the real phenomenon of shadow people. Adam had experienced a man in a hat and coat that that had haunted him a few times. He looked into it and found that it’s actually an apparition that happens to many people around the world. He wrote a script that’s partially based on his experiences and the people he had spoken to. “Country Crush” is also coming out in the New Year. It’s a country musical that stars Jana Cramer, Madeline Merlo and Munroe Chambers.

As a filmmaker, what satisfies you the most about seeing a completed project?

As a filmmaker, the thing you want is for your work to mean something. So when a stranger comes up and tells you that your work touched them or made them realize something they hadn’t thought about before, that’s what matters.

Entertainment, Interview, Movies and TV

‘The Killing of America’: Director Sheldon Renan Discusses U.S. Release of Ominous Documentary

killingofamericaWhen they asked Sheldon Renan to watch The Killing of America at a recent film festival, it was the first time the director had seen the film he had worked on since it was released thirty-five years ago. Afterwards, Renan remarked how amazed he was at how well the film played more than three decades later and how relevant its message still was in 21st century America.

Originally produced in 1981, Renan, along with co-producers Leonard Schrader and Matachiro Yamamoto set out to document America’s seemingly unending love affair with violence. From iconic newsreel footage to chilling interviews with convicted killers, Renan and his team sought to depict a terrifying aspect of Reagan-era America through a brutally honest lens. Despite some limited theatrical showings, the documentary has never received an official American release, until now.

The Killing of America is told in narrative style. Describing horrifically tragic events of the last half-century with pinpoint accuracy and chilling realism. But perhaps more than anything else, the film is an ominous reminder that social, economic and racial injustice as well as the proliferation of personal firearms has not abated in the thirty-five years since the documentary’s creation.

I recently spoke with Renan about The Killing of America and more in this exclusive interview.

How did you become involved in The Killing of America project?

I had done a lot of heavy research in the world of homicide and gun culture in preparation for a script I was working on when I met Leonard Schrader and Matachiro Yamamoto. They wanted to use the film Faces of Death as a springboard for this new project they were working on about homicide and violence. They were looking to put together a team of young filmmakers that were very ambitions and loved films, but they were having trouble finding clips. I had come out of the film archivist world and put together some clips for them. It was exactly what they were looking for and they asked me if I could help them.

What was the initial reaction like to the film when it premiered and why has it never received a proper U.S. release until now?

The film was initially made to be released in the fall in Japan. It was the seventh highest grosser there that year as well as a hit in a number of other countries. The company that bought the rights to distribute the film in America did a preview for coming attractions, but a high ranking official thought it was taboo and would terrify people. I even remember at the cast and crew screening about a third of the people walked out.

Aside from the fashion and vintage cars, the documentary looks like something you’d see on the news today.

Although it looks like a documentary, nothing is fake or has been rigged. The only change is that the sound has been enhanced in some places. Len’s writing is incredible and Chuck Riley’s voice in the narration could cut through metal. He was telling a complete story. A narrative arc about the subject. By the end, you’re inside the mind of killers, which isn’t very comfortable.

What are some of the parallels you see today as compared to when the film was made?

It’s the same pattern. The main thing is that the person pulling the trigger is usually someone who has a very bad sense of self-esteem. I remember the L.A. coroner telling us that it comes down to the person deciding whether to kill themselves or someone else. When you’re unhappy about something in yourself, you tend to project that flaw onto other people.

What have you learned about us as a society by making this film and seeing it again thirty-five years later?

You observe that if you don’t treat people well or if they’re not raised well and given structure and self-esteem, you’re going to pay for it later in a very bad way. You also can’t let emotion rule you because the long-term effects can be enormously devastating. The third thing is that people have to have the right to have access to and have guns as it says in the Constitution–but not one that can punch a hole in a tank and not without background checks.

Is there a message you think viewers should take away from watching The Killing of America?

If you’ve had a lot of violence in your life this is a film you shouldn’t see or show to your kids, as you’ll find it very upsetting. Early on, the coroner’s office allowed us to film and the day we were there L.A. was in the middle of a crime wave and they were running six autopsy tables at one time. This is a complex phenomenon and something you can’t run away from. This film is one step in thinking about and understanding violence and how epidemic it is in American culture and recognizing that you cannot escape the connection between it and the easy availability of guns. People also need to be careful about this loose talk about destroying our infrastructure because you don’t like one party, candidate or president. Because what lies on the other side is nothing we want to go back to.

Entertainment, Horror, Interview, Movies and TV

‘Malacostraca’: Filmmaker Charles Pieper Discusses Psychological Horror Film

MalacostracaFilmmaker Charles Pieper probably never would have dreamed that an idea he had for a college creative writing assignment would come to life.

But not only will Pieper’s psychological exploration of the fragility of the human mind become a short film, but the talented writer/director has enlisted the talents of actors Amber Bollinger and Charlie Pecoraro as well as practical creature puppetry and special effects by none other than legendary artist, Gabe Bartalos in making his vision a reality.

Pieper sees Malacostraca as a horrifically scary film that’s full of universally relatable feelings and fears. It will have a tone of trapped dread and nature-based horror. Think “Possession” meets “Picnic at Hanging Rock”. 

Horror fans can also help bring Malacostraca to life by contributing to the project’s Indigogo campaign, which has already garnered more than $10,000. Pieper and his team have several unique perks available as a thank you for helping to support independent films.

I recently spoke with Pieper about Malacostraca and more in this exclusive new interview.

When did the idea for Malacostraca originate?

This idea for the film actually goes all the way back to 2007. I was in college studying film and had been taking a lot of writing classes. For one of the classes, I wanted to try to come up with the most disturbing image that I could, and something that would even freak me out. I ruminated on that for a while and out came this initial image of a crawdad crawling across a sleeping woman in a bathing suit who had just been swimming. To make things even more uncomfortable, the woman’s husband was watching and almost yelled to wake her up, but then decided not to because he’s morbidly intrigued by what the crawdad is going to do. It was uncomfortable and unsettling. It was the start of this really creepy story and about pushing the boundaries of what I was comfortable writing about. Years went by and I eventually ended up working in L.A. doing stop-motion animation and music videos. I never thought I’d ever be able to do this kind of short film but spent the last two years meeting people and developing it out. Now we’re halfway into a two-month campaign and have already raised more than $10,000!

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You’ve got two amazing actors tied to this project in Charlie Pecoraro and Amber Bollinger. What can you tell me about them?

I’ve known Amber and Charlie for a long time. I first met them back in 2009 when I was working on a series that they were acting in and we really hit it off. Amber and Charlie have been friends for a long time and since they’re playing a married couple, they already bring chemistry to the project. In fact, when I revised the short story I wrote it with them in mind as the characters.

How would you describe the story of Malacostraca?

It’s a psychological, relationship horror film with monster elements. To me, the scariest thing in real life would be when your body or mind was working against you while you’re stuck with someone you shouldn’t be with.

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Gabe Bartalos

How did legendary FX artist Gabe Bartalos become involved in the project?

I used to work for Gabe at his company (Atlantic West) for a few years. We both share similar interests, both in horror and in art. We became friendly and the two of us stayed in touch. Once I felt the script was ready to present I ran the idea past him. He loved it and jumped on board. Gabe almost never does short films like this so it’s very exciting!

Let’s discuss the project’s Indigogo campaign. What are some of the perks donators can receive for contributing?

The most exciting perk happened shortly after we became an Indiewire Project of the Day. Because of that, Creepy Co reached out to us and offered to make us an enamel pin of the baby monster as a perk. They’re a great company that’s made a limited edition run of 300. We brainstormed like crazy to create interesting perks that were different from most campaigns. So you can also get things like original art, prints and even a storyboard artist’s concept design. Every donation helps.

What’s next for the project?

The campaign ends in September and once that’s finished, the majority of the funds will go toward building out the rest of the puppets. We’re hoping to have everything ready to shoot by the end of the year. Once the film is complete, donors who backed it at the $25 and up level will be given early access through a website secret password. As a whole, the movie will be sent to all horror festivals sometime next year.

What the most looking part about Malacostraca? What are you most looking forward to about it?

The most exciting thing for me is the culmination of years of development leading up to this. To see something that I initially wrote as an idea in 2007 become a film and then to have a creature made by one my favorite special effects artists of all time will be the best. Everything else will be icing on top of this terrific cake!

A Conversation With, Entertainment, Horror, Interview, Movies and TV

‘It Happened Again Last Night’: Multi-talented Actress and Filmmaker Gabrielle Stone Talks New Project

GabrielleStoneSome know actress Gabrielle Stone for her inspiring performances in such horror films as “Speak No Evil,” “CUT!,” and “Zombie Killers”. But the beautiful daughter of legendary actors Dee Wallace and Christopher Stone has a creative side few have seen –that is until now.

This fall Stone, along with her project partner, Roze will unveil their new short-film, “It Happened Again Last Night”.

A passion project for Stone, the film not only features a group of seasoned actors –including Amanda Wyss, Randy Wayne, Chris Mulkey and Alex Lynn Ward, but was also written, directed and produced by the creative duo of Stone and Roze. Stone also takes on the emotional role of Paige in “It Happened Again Last Night”, showcasing her versatile acting prowess.

The producers have set up an Indigogo campaign (with some really amazing perks) where fans can contribute to help with the film’s completion.

 I recently spoke with Gabrielle Stone about “It Happened One Night” and more in this exclusive new interview.

When did the idea for “It Happened Again Last Night” begin?

 I initially wrote a script I wanted to do as an actress, but once I brought in Roze [co-writer/co-director] things quickly evolved. After we had settled on our final draft, it was clear what a powerful story we had. The subject matter of domestic violence is not often spoken about publicly and we wanted to depict it in a real and truthful way. The LGBTQ themes were also in the script from the very beginning. I have a lot of people in my life who are in same sex relationships and I really wanted to do a piece that shows the strength I witness in all of them.

How would you describe the story?

It’s the story about a woman [Paige] who’s struggling to own who she really is. Paige is stuck in an abusive relationship with Stephen (Randy Wayne) while her heart is with Kris (Alex Lynn Ward). In the end, she must choose between fear and love before she has no choices left to make.

 What can you tell me about your character, Paige?

Honestly, it was a very emotional experience playing Paige. There was a real sense of responsibility in bringing realness to this character. I remember after we had finished a highly emotional scene, Alex (Lynn Ward) came into the make-up room and looked like she was about to burst into tears. Alex and I have been friends for years and she’s always been the funny and lighthearted one in the room. She was so affected by watching me in the state I was in and feeling the reality that women actually go through this that it really hit her.

There are a lot of notable actors involved in this project. What can you tell me about them?

They’re all amazing. We were incredibly lucky to get such great talent on board and I think most of that has to do with them believing in the material. Every person brought everything they had to set and everyone gave incredible performances.

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Do you have a tentative release date for the film?

We’ve already got a picture lock and it’s currently with sound and color correction. We’re now in the process of raising the last bit of funds to cover post-production costs, marketing, and festival submission. Our goal is to be finished by mid-September to start submitting to festivals.

What are some of the perks fans can receive by supporting your Indigogo campaign?

We genuinely appreciate everyone who believes in this project and has been helping us by donating or sharing. I truly believe this film is going to affect people and hopefully will help heal some as well. We’ve got some great things to offer as a thank you. Everything from fully signed film posters, digital downloads, scripts signed by our entire cast and even dinner with Randy Wayne and I.

Are there any other projects you’re working on right now?

My film, “Ava’s Impossible Things” is currently available on Vimeo and I have “Death House” and “Dance Night Obsession” coming out later this year. I’ve also recently signed on to a horror film that hasn’t been publicly announced yet.

What’s the best bit of advice your mom has given you as an actress / artist?

Be authentic. Live in love. Don’t act.

What’s the biggest thing you’ve learned about the creative process while working on this project?

This entire process has taught me to trust my instincts and has reassured me that I know what I’m doing in the creative world. I also have a greater understanding and new appreciation for people on the other side of the business. This is a passion project I’ve held close from beginning to end and to finally be able to show it to the world and have people experience what we’ve been working on will be incredible. For me to say “I’ve made my first film” is a huge accomplishment for me and I couldn’t have picked better people to be involved with it. It’s something we’re all truly proud of.

Entertainment, Interview

‘Orange is the New Black’: Actress Julie Lake Talks Emotional New Season, Career
Julie Lake
Julie Lake

Filming Season 4 of the Netflix original series, “Orange is the New Black” was a bit of a blur for Julie Lake. The beautiful actress—who plays the role of the lovable Angie Rice on the show, was preparing to get married during filming and had found herself traveling back and forth from L.A. to New York.

The show that began as a comedic struggle for Piper Chapman (Taylor Schilling) to adjust to prison life has now evolved into an emotional dichotomy. The serious exploration of issues like racial tension, death and corporate greed have left us no doubt that Jenji Kohan’s series has finally hit its stride.

Although Rice’s personal story isn’t touched upon too deeply this season, Lake—much like everyone involved, deserves credit for giving viewers the series’ best one to date.

I recently spoke with Julie Lake about the new season of “Orange is the New Black” and more in this exclusive interview.

Warning: If you haven’t watched Season 4, this interview contains spoilers.

How would you describe this season of “Orange is the New Black” and Angie’s transition after the prison became a privately owned facility?

We all felt at the end of shooting that this was a heartbreaking season. Angie is dealing with it the same way she always has—by finding humor, fun and more trouble to get into to keep things interesting for her. In a way, she’s a class clown who deals with things through humor. We’ll see what happens in Season Five when the s#it really hits the fan how she’s going to cope!

The writing on the show has really developed into something special over these four seasons. What do you think makes it so special?

The great thing about the writers is that they’re given a huge amount of freedom. Sometimes on a network show the executives might poke their heads in and ask to have things changed. The beauty of this show is that no one is telling the writers what to do. They’re just going. Sometimes we’ll even get the scripts at the last minute and they’re still changing things up and doing re-writes. These writers are really unleashed and are just going for it and as a result, they’re making incredible art.

There’s a lot of racial tension within Litchfield this season. Were there any reservations with having to deal with such a sensitive topic?

I remember Emma [Myles] and I were nervous at first about being placed into a particular group and saying racist things. I want people to love Angie and was a little worried about what people might think. But the fans have really seen it for what it is. It’s been very powerful and I’m happy with how everything turned out.

When a main character dies on a series, there’s always a roller coaster ride of emotion for the audience. What was the feeling like on set filming that episode?

I remember reading the script and was like, “Wait…She dies? Is this real? Are they going to bring her back?” I really couldn’t believe it was actually happening. It was a sad day when we shot that episode. Everyone loves Samira [Wiley]. She’s part of the heart and soul of the show. It was a very emotional day and I remember everyone was upset. It was like we had just lost our friend.

At the end of Season Four, a major event occurs and things are about to become extremely violent. What do you think is going through Angle’s mind at the end of that episode?

You know, I don’t think it’s sunk in for her yet. Life outside of the prison was so real and dark and hard for her. Now she’s here in this place where she has friends so to her, it’s still fun.

Are there any other projects you’re currently working on?

I have been doing a lot of writing and creating. I’ve written a pilot with some friends from my sketch comedy troupe that we’re in the process of producing. Through pitching, we’ve actually begun work on another project, and are developing that into a pilot as well. I’m also in the middle of filming a series with my friend, Shirin Najafi, called “Mental”. We’ve filmed four episodes so far and have two more to go. I’m also acting and directing a web series two of my other friends wrote called “Tinderellas”. I’ve got a lot going on right now and am super busy, but it’s really been fun. It’s an exciting time and I have a lot to look forward to.

Entertainment, Interview, Movies and TV

‘Significant Mother’: Actor Josh Zuckerman discusses new CW comedy series

JoshZuckerman“Significant Mother” is the new comedy series on The CW that tells the story of what happens after young restaurateur Nate Harlowe (Josh Zuckerman) returns home from a trip only to discover that his newly single mother (Krista Allen) has started a relationship with his best friend/roommate.

Originally intended to be developed as a web series, the show was so infectiously good that a nine-episode run was immediately ordered by the network in time for the summer season.

In addition to Zuckerman and Allen, “Significant Mother” features other amazingly talented actors like Emma Fitzpatrick and Nathaniel Buzolic. The series also stars actor/director Jonathan Silverman (“Weekend at Bernie’s) in the role of Nate’s father, Harrison.

With a unique premise, talented cast and a plethora of special guests set to make appearances, “Significant Mother” is the must see show of the summer.

AXS/Examiner recently spoke with Josh Zuckerman about the “Significant Mother”, his career and other upcoming projects.

AXS/Examiner: How did this series come about for you?

Josh Zuckerman: I had just finished a film called “Mind Puppets” and on the last day of the shoot I remember calling my manager and saying, “Ok. What’s next?” That’s when she told me about this offer for a new web series. I had already worked with Alloy Entertainment on a film called “Sex Drive” and they were pitching a show to the CW and wanted me to be a part of it. Once I read the script I just fell in love with it and knew it was something that I wanted to do. The CW was interested in the show but first wanted to test the waters by putting it on this incubation, web-type series. They had originally only commissioned three episodes but after they saw the first cuts they were so over the moon about it that they gave us a nine-episode order!

What was it about the script that attracted you to the role?

The storyline was already appealing but for me the huge selling point was the writing. Erin Cardillo and Rich Keith, who co-created the show, have done a tremendous job. Not just with the story but also in terms of the characters and dialog. It’s always surprising and laugh out loud funny. When something comes to life for you as you’re reading it, you just get excited about playing the scene. That’s what happened with this show.

How would you describe the premise of “Significant Mother”?

A young restaurateur returns home from a trip to discover that his best friend and roommate has developed a relationship with his mom. It’s about their revolving relationship and my character, who is caught in the middle trying to live his life.

What can you tell me about your character, Nate Marlowe?

Nate’s very business driven in terms of his career. He loves his restaurant and wants to be successful. He’s also a little on the straight and narrow. So when this unexpected new dynamic happens with the two people who are closest to him, it really throws him for a loop.

What was the chemistry like on set?

It was amazing. Everyone is just perfectly suited for their role. They’re always prepared and come to the table with ideas and that charm really comes off on-screen. As an actor, you always want to work with other actors who are talented, kind and generous and they fulfill all of the criteria!

What was it like working with Jonathan Silverman?

Jonny is incredible. He’s so funny and such a warm and kind person. He even directed one of our episodes so it was fun to have the chance to see him in that role as well. There’s even an episode where we pay homage to “Weekend at Bernie’s”.

Did you always know that you wanted a career in entertainment?

I went through a lot of phases when I was growing up. I really didn’t know I wanted to be an actor until I started getting involved in theater. Eventually, there came a point where it was all I wanted to do and I’ve been doing it ever since. It was a gradual progression.

Is there a bit of advice you can give to aspiring actors?

The biggest thing is to enjoy what you do. Remember that in the end, you’re not doing it to get the job or the money or the award. You’re doing it because you enjoy it. It really is about the enjoyment of the process. That’s the biggest thing.

You mentioned your upcoming film project, “Mind Puppets”. What can you tell me about it?

It’s a story about a hypnotist in New Orleans who’s doing a show in a park and invites volunteers up to the podium. He then hypnotizes them into being someone else – like an eight-year-old girl or the Messiah who’s here to save the world. But before he can take them out of the trance the hypnotist suffers a heart attack and is hospitalized. So the people who’ve been hypnotized are running amok around New Orleans under this comedic spell. My character is the ambulance guy whose job is to round up the hypnotized people and bring them back to him at the hospital. We really had a lot of fun with it!

What are you most looking forward to about the series release of “Significant Mother”?

Everyone did such a tremendous job and really delivered day in and day out and I’m excited to see how great everyone involved on the show is. We had a really great crew who accomplished everything on a very tight schedule. But the thing I’m most looking forward to is seeing people fall in love with these characters as much as we did. Adventure is something that I always look for in movies and adventure is what people are going to find in “Significant Mother”.

Significant Mother premieres Monday, August 3 on The CW.

Entertainment, Horror, Interview, Movies and TV

‘The Drownsman’: Actor Ry Barrett Discusses Aquatic, Supernatural Thriller

TheDrownsmanAfter nearly drowning in a tragic lake accident, a young Madison (Michelle Mylett) finds herself bound to an uncontrollable fear of water. Unable to rid herself of her hydrophobia, four of Madison’s friends stage a desperate intervention. But in doing so, they unknowingly release a supernatural serial killer that’s determined to drag them one by one into a dark, horrifying place from which they may never return.

The premise for “The Drownsman” contains all of the goodness from many of the classic horror films of the 80’s but with its own unique twist. That being, an all female lead cast. Something that even by today’s standards is unheard of for films of the horror genre.

Directed by Chad Archibald, The Drownsman also stars Caroline Palmer, Gemma Bird Matheson, Sydney Kondruss and Clare Bastable.

Actor Ry Barrett has a history of playing nefarious villains in horror but his role of Sebastian Donner (aka The Drownsman) may be his best yet! Barrett gives life to a monster that has every evil intention of Freddy Kreuger or Pinhead, yet possesses his own twisted, demonic purpose.

I recently spoke with Barrett about his work on The Drownsman and more in this exclusive interview!

How did this project come about for you?

Chad Archibald and I go back a long way as friends and he was telling me about the idea. He asked me if I would read the script just to give him some feedback. I really liked the character so I asked if I could read for it. Originally, they were looking for an older man who was a bit more lanky and skinny. But I went in and read for the character and even wrote a separate monologue, just to see if I could creep them out. They liked what I did and changed their minds about what the character was going to be.

What was it about the script that attracted you to the role?

It all goes back to my love for these kind of characters. I loved the Hellraiser and Nightmare On Elm Street franchises. The whole idea of these tortured individuals who come back for revenge though some sort of supernatural outlet really appealed to me. I already knew it was a movie I’d love to see, so I definitely wanted to play a role in it.

How would you describe your character, Sebastian Donner?

He’s a tortured, mysterious individual who has this shoddy past. Early on, you see that he’s a serial killer who drowns women in various ways in order to receive comfort. The reason he does it is touched upon in the film but something happens through one of his victims that turns him into this supernatural entity that’s stronger, more powerful and evil.

What was the filming process like?

It was a lot of fun. There was intense make-up work and the aspect of water and shooting in winter in northern Canada posed some challenges, but it was very rewarding and great experience.

What was the chemistry like on set?

It was great. I had worked with Michelle on a film called “Antisocial” that had some pretty intense scenes. So we had already built up a level of comfort and rapport together. The girls had a great chemistry even before I stepped foot on set. It was cool to jump into this family where everyone was pulling for each other. We all worked well together. 

You mentioned your relationship with Chad. Can you speak a little about how that worked in “The Drownsman”?

Chad and I go way back and have done many projects together. We know each other so well that we’ve developed this form of short hand communication. He’s able to get exactly what he wants with very few words because he knows me so well. It’s nice to work with someone who knows you in that way.

What do you love most about horror?

I love all the different things about the genre. It draws on the fears that we don’t really understand and is something everyone can relate to. There are fun horror films and ones that just want to shake you. Then there are others that just want to talk you on a ride. “The Drownsman” is one of those movies that entertains you in a scary, fun way and also takes you on that ride.

Ryan Barrett HS2Did you always know that you wanted a career in acting?

I was more focused on playing in rock bands when I was younger but have always been a movie lover.

Shortly after a few of my friends had come out of film school, they asked me to be a part of one of their projects because they knew I had also taken drama in school. That experience changed my whole outlook. From then on, I was hooked!

Are there any other projects you’re currently working on?

The Demolisher; which is a film I produced and acted in will be premiering at FanTasia this year. It’s directed by Gabriel Carrer. I also have another film called “Save Yourself” that will also be hitting festivals soon. 

What excites you the most about the release of “The Drownsman”?

I’m hoping that people really enjoy it. It’s a fun, throwback horror film that takes you back to the films of the 80’s. A time when a lot of people grew up and fell in love with the genre. This is a love letter to those kinds of films.

The Drownsman is now available on Blu-Ray and DVD from Anchor Bay Entertainment

Entertainment, Horror, Movies and TV

‘Prom Ride’: Actress Deanna Pak talks new horror-based thrill ride

DeannaPakEveryone knows that senior prom is supposed to be a night of elegance, rejoicing and celebrating with good friends. But when a psychotic killer hijacks a group of teens’ stretch limousine on their way to the event, the group’s night of celebration unexpectedly turns into one of desperation and despair.

Directed by Kazeem Molake, “Prom Ride” is a new horror/thriller that will be released just in time for this year’s prom season. With a talented cast of actors combined with shooting a majority of the film within the confines of a limo, it offers a unique take on the horror genre.

For multi-talented actress Deanna Pak, “Prom Ride” is another opportunity to flex her creative muscle. Pak plays the role of Junie, one of the “less experienced” members of the entourage who still wants to be cool with all of the popular girls.

I recently spoke with Pak about her role in “Prom Ride”, her career and more in this exclusive interview!

What attracted you to the story of “Prom Ride”?

For me, it was a story that was entertaining and scary at the same time. It was also unique in the sense that some parts use iPhone footage while others use the master shot. So it tells the story but also tells our version of it as well. It has a glimpse of found footage in addition to the horror and I thought that was really cool.

How did you become involved in the project?

It was through a typical audition process. I remember we started shooting up towards the end of 2013. The original goal was to release it last prom season but special effects weren’t quite complete. So they decided to wait until now!

How would you describe the story of “Prom Ride”?

It’s the story about a group of teens who are all best friends going to prom. One of the friends gets the group a huge, amazing stretch limousine to take them all there. On the way, someone hijacks the limo and we all become trapped inside trying to survive. Whoever is behind it then pits us against each other and threatens to kill us if we don’t comply. So needless to say, things get pretty crazy inside of the limo! [laughs].

What can you tell me about your character, Junie?

Junie is more of the innocent girl of the bunch. She and her date both had a crush on each other for the longest time and finally get together to go to the prom together. But she also has a few secrets she keeps to herself.

What was the chemistry like on set?

It was amazing. We spent so much time together rehearsing and then it was somewhere around ten straight days filming in the limo, so it became like family. We were all friends and that made it so much fun. 

What was it like working with Kazeem?

Working with Kazeem was a great experience. The thing I love about him is that he knew exactly what he wanted and was able to get it across in a very constructive way so that we would all look as good as possible.

What can you tell me about your background?

I started dancing when I was twelve and it became my main focus. Then in high school, I decided to try acting in school plays and Community Theater in addition to dance production. The part I love the most about dancing and acting is being able to tell a story. By the time I was in my second year of college I realized that acting was something I seriously wanted to pursue and I’ve been doing it ever since.

Are there any other projects you’re currently working on?

Right now I’m currently involved in a martial arts/horror film. The director is a good friend of mine and it’s going to be a lot more action than I’ve ever done before. They have a strong cast and I’m very excited about it.

Is there a bit of advice you can share with aspiring actors? Something you’ve learned along the way?

Be yourself and be happy with who you are. That energy alone will take you a long way. Of course, your craft is very important and you should continue to master it but learn and study as much as you can about the business. Focus on the things you want to do and then work from there. Being a student forever is my best advice. Never stop learning.

What excites you the most about the release of “Prom Ride”?

I expect people will love this film. It’s a really fun movie to watch. For me to be able to be a part of this project was great. I loved the creative they way they shot most of the film from inside of the limo. The whole thing was a great experience!

“Prom Ride” will be released on April 24th

Entertainment, Interview, Movies and TV

Filmmaker Anna Martemucci discusses ‘The Genderton Project’

Generton1

Desperately wanting to act from the time she was very young, filmmaker Anna Martemucci has been quietly making a name for herself in the entertainment world by doing things her own way. Whether it’s through her fictional writing, acting in short videos or producing and directing feature length films like “Breakup At A Wedding” and “Hollidaysburg”, Martemucci’s drive to succeed and ability to express herself creatively has paid dividends.

Martemucci’s new vision, “The Genderton Project” is a cross-dressing comedy series that explores gender roles, sexuality, and sexual politics through a kaleidoscope of three intertwining story lines and eras. Uniquely interesting is the fact that in “The Genderton Project”, men’s roles will be played by women and the women’s roles will be played by men. To that end, Martemucci and her partners at Periods. Films have launched an Indigogo campaign where fans and film lovers can go to help fund the project and choose from a multitude of “gifts” as a thank-you for supporting the cause.

In addition to using the money raised for production costs, Martemucci plans to donate 2% of the total funds to the Human Rights Campaign.

I recently caught up with Martemucci to find out more about “The Genderton Project” and how film fans can support this creative, new endeavor!

Genderton

How did this idea for The Genderton Project begin?

The whole thing started because my partners, Philip and Victor Quinaz and I (Periods. Films) fell in love with Drew Droege after watching his Chloe Sevigny videos. We were obsessively quoting his videos for a year or so and then once we moved to LA, Victor decided to email him. We met, fell in love and figured we should make something together. Rather than making a baby, “The Genderton Project” was born!

How would you describe the stories/episodes?

We like to say that it’s a little like Portlandia meets The Hours. It’s ridiculous comedy plus extremely curated cinematic images. The thing that always pops into my head is the idea of “what if we made a ridiculous comedy that looks like Todd Haynes’s Mildred Pierce on HBO?” That might be kind of an obscure reference but that’s what I envision for one of the vignettes. Where Drew Droege plays an devoted 1960’s housewife dying from loneliness.

What can you tell me about the cast and your characters?

I can tell you that we are using some of our most favorite performers from the NY and LA comedy scenes. We’ve amassed quite a pool of talent over the years. In addition to our star Drew, we’ve brought on John Milhiser (SNL), Mary Grill (Breakup at a Wedding, Veep, The Mindy Project), Jonny Lisecki (Gayby), Cass Bugge (Key & Peele, The Brink), Jenn Schatz (30 Rock), Matt Hobby (Hart of Dixie, Mom), Beth Crosby (Jessica & Hunter), Philip Quinaz (Breakup at a Wedding, Hollidaysburg, The Chair), Shira Weitz (Brunch on Sundays) and Mel Shimkovitz (Transparent).

You’ve had quite a bit of success with your films “Hollidaysburg”, “Breakup At A Wedding” and “Periods”. What made you decide to go the Indigogo route for “The Genderton Project”?

It might be hard to believe but there is a huge gulf between artistic and financial success. So we don’t have an income to show for the artistic success we’ve been lucky enough to forge!  I have a day job and am hoping to make rent this month. And though this is a project we’ve believed in from the beginning; artistically, we’ve shopped it around with tons of enthusiasm and Hollywood was well, interested, but we most definitely heard the words “too gay” come out of more than one person’s mouth. Rather than that unfortunate statement, we like to think of the project as something that’s just a little too groundbreaking for what Hollywood is currently churning out.  The executives and producers who dole out money for projects are very single-minded about making their money back. That’s why we decided to take it to the Internet and to the PEOPLE!  We felt this was the kind of project that should exist, NOW and not whether or not executives at film and TV companies were ready to put money behind it. The people doling out Hollywood dollars, (God love ’em) have been very wrong before.

How can people help with funding and what are some of the perks supporters can receive?

You can help by contributing to the project and becoming a backer! Join us! Just visit here.

We have a lot of tantalizing perks, like a naked picture of Drew Droege (where we’ll mail you a beautiful female nude with Drew’s head superimposed on her neck). And on the more expensive side are workshops with our filmmaking gang, a custom oil painting by me and even a walk-on role on “The Genderton Project”!

Genderton2What are you plans for “The Genderton Project” once it’s successfully funded? Do you see it as a more long ranged project?

Our plan is to start production very soon after we’re funded and plan to debut the finished project this summer. The project might go to film festivals, it might act as a TV pilot/ proof of concept for a series or it could end up as a stand-alone piece. We’ve designed it and wrote it with all of those possibilities in mind.

Why do you think people should support “The Genderton Project” in this campaign?

Gender roles and how they define how we live our lives and interact with one another is a hot-button issue right now, and one that’s consumed me for a long time. I’ve been fascinated with the way that being female has defined my life choices and the way that I’m perceived. I’m also obsessed by the idea of maleness and how different or the same my life would be if I was born a male.

I’ve also been frustrated with the portrayal of both women and men in mainstream Hollywood storytelling, and the clichés that tend to dominate many of the narratives we consume on a mass level. Gender roles are strange little boxes that society puts us in. With this project, we’re seeking to upend the way we’ve always seen gender portrayed in cinematic works by creating a cinematic world in which gender means something else entirely, or rather, a world where it ceases to have any meaning. By swapping every character’s gender with that of the actor cast to portray them ,we are calling attention to the rigidity of gender roles in our mainstream stories, and how ridiculous gender stereotyping can be.  

We hope this technique will call attention to the sheer humanity of the characters within each storyline. After all, we’re all human and we all bleed red. Shouldn’t our stories at least attempt to reflect the complexity of the human spirit in the same way that life does? 

It’s going to be a worthwhile, wacky journey and hope people come with us for this wild ride! It won’t be boring, we can promise you that!