Category: Interview

Extended Interview: Actress Julie Piekarski’s Mission: Dancing With The Stars

Julie Piekarski

Julie Piekarski is on a mission.

The former “Mouseketeer” and “Facts of Life” alum is on a quest to join the cast of the ABC hit show, “Dancing with the Stars”. Julie is no stranger to the art of the dance, having honed her chops from a very young age performing in front of huge audiences at The Muny, the nation’s largest outdoor theater located in St. Louis, Missouri.

In the mid-1980′s, Julie took time off from acting in order to marry and raise her three children, and keep the artistic talent they inherited from their Mother alive in their own way.

I had the opportunity to speak with this amazing woman as she prepares to become the first Mouseketeer to do the Fox Trot in prime time.  In this interview, Julie discusses her career, including her time on “The Mickey Mouse Club” and “The Facts of Life”.  She also talks about a certain celebrity she rebuffed for a date and why she believes now is the perfect opportunity to once again showcase her dancing talent.

goJimmygo (gJg): Tell me a little about yourself and how you got started in acting?

Julie Piekarski (JP): Growing up, my mom enrolled me in dance classes. When I was five, one of the ladies there thought I had potential, took me under her wing, and became my mentor. She saw that I was a quick learner and had that “X factor” gift that can’t be taught. I started participating in community theater and shows as well as professional venues like The Muny Opera.

gJg: How did you get involved with The Mickey Mouse Club?

Disney was doing a nationwide talent search for their new TV show and several of my relatives, friends, and teachers were asking me to try out. After sending in a resume and photo for the preliminary casting, I received an invite to come for an audition.  I traveled to Chicago for a two-day audition. At the time, I remember thinking that I’d be really lucky if I could just be made an “Honorary” Mouseketeer and appear on the show just one time. Instead, after the auditions were complete, I got a call to go to a local TV station for an on-camera interview and eventually was chosen for the show! Out of the 15,000 kids auditioned, only 12 were picked.

Mickey Mouse Club

gJg: What was that experience like?

JP: It was amazing! Such an awesome experience to be that age and to work with Disney. Imagine growing up and hearing about Disney and seeing all of the animated movies and now I was actually getting to be a part of that.

It was such a “family” working there. We went to school for 3 hours a day and then either filmed a segment, skit, or musical number, or were in rehearsals. The show was on every day. That meant that the turnaround time for new material was fast and a lot was expected of us. But we loved it. It never felt like work for me. In the summer and for our Friday segments, we would get to film in Disneyland. I will never forget that. We were in the park before it opened sometimes remained even after it was closed. Only a handful of people would be in the park.  It was magical.

Though the taping of the show was fun, I loved performing live at Disney land and Disney World. We did 3 shows a day and 2 parades for five days a week for 13 weeks. On our lunch breaks, we were allowed to come in the back way and ride the rides for free. But it was hard on me when it came to my family. My mom stayed with me since I was only 13 and my dad and grandma stayed back with my sister in St. Louis to allow her to continue her life uninterrupted. So I’d usually work for three months and then come home for two weeks. That’s when I would go back to my school and take tests or exams (this was before email remembers), make up for lost time with friends, and catch up on family time with my sister and Dad.

Julie on Facts of Life with Lisa Whelchel (left) and Charlotte Rae (right)

gJg: That’s where you met Lisa Whelchel (Facts of Life) for the first time!

JP: Yes, Lisa was there too. There were eight people from the LA area and four of us from out-of-town. Lisa was from Texas and I was from St. Louis. We both bonded quite a bit during our time together. Since we were the out-of-state “Mice”, we tried to get lodging near each other and do things together on the weekends or after work.

The show was really doing great.  They were talking about making dolls of each of us, touring across the U.S., and cutting a record (yes I said a record). I remember plans were being made to come to everyone’s home over the summer break and film special segments about each of us and what our home life was like and our other passions, but all of sudden we received word that the show was cancelled.

gJg: What happened?

JP: “The Black Hole” movie came out. It was the first big, one of kind Sci fi movie that Disney had poured everything they had into. They made a choice and obviously chose wrong since the movie didn’t do very well. We still continued performing and doing appearances at Disneyland and Disney World as well as the TV movie for another year or so but the show part of it was over.

By this point I had acquired an agent and started doing more television work: The big Dr. Pepper campaign “I’m a Pepper” commercials, Taco Bell Girl, made guest appearances on “Three’s Company”, Quincy, General Hospital and others. That was when “The Facts of Life” came along.

gJg: Coincidentally, that’s also where you were reunited with Lisa again!

JP: Yes! What’s funny is I honestly don’t remember her being up for a part until close to the end of auditions. One day, I literally walked in and found out that we would be reading together. [laughs]

Facts of Life Cast

gJg: What was your experience like on that show?

JP: I enjoyed it. The seven of us girls got along great. Actually, Kim Fields and I became very close and still keep in touch. I looked forward to going in every day. I also enjoyed doing the photo shoots and publicity events. I was thrilled to be chosen to be on Hollywood Squares with Charlotte Rae.

But most of all, the charity events really touched me and I was honored to participate and help out in any way. As for our show, we’d usually rehearse on a Monday, then there would be re-writes over the next few days and finally, we’d do a taping in front of a live audience. Now that was the best part.

It was like doing real theater again for me. It’s such a high to hear the immediate response of the audience.  It was a great process.

gJg: Why do you think they down-sized the show and decided to only go with four girls?

JP: I heard that the reason was they didn’t feel audiences could relate to all of the different characters. They couldn’t find enough specific “niches” for each girl to conform to and identify with. Maybe the writers were not able to write in that many characters for only a half hour sitcom? Even Julie Anne Haddock’s character (Cindi), who was sort of a tom-boy, wasn’t quite as “tough” as they wanted. That’s when they decided to bring in Nancy McKeon as Jo.

gJg: Do you still keep in touch with people from the show?

JP: Lisa and I have kept in touch a little. When she comes to town with her Christian Women’s Group, we try to get together. I’ve been involved with a great bible study, CBS, for the past ten years and that’s how I found out that Lisa was coming to St. Louis. Kim Fields and I talk more often.

gJg: From there you went on to a show called “The Best of Times” which not a lot of people know also starred Nicolas Cage and Crispin Glover (Back To The Future).

JP: Yes, they were on that show too. I remember them both being really nice guys. Nicolas Cage was a riot. To think back then I was considered top bill. Now look at him! <laughs> That sitcom was more a variety style production. It was a good entertaining show but just way ahead of its time. It would’ve fit in perfectly now with shows like Glee, Smash, and High School Musical.  I enjoyed it because I got to sing and dance again. Plus we did outrageous comedy skits. It reminded me of “The Carol Burnett Show”. Now I am really dating myself.  <laughs>

gJg: Why did you decide to take a break from acting?

JP: Education was always important to me. It’s something that no one can ever take away from you.  While in LA and still pursuing my acting career, I was going to school at UCLA and originally considered getting a degree in biochemistry because I was into genetics and cloning. But the workload became intense and something had to give. Instead, I decided to go into business and communications.

That’s also around the same time when a boy from St. Louis came out to visit. He was going to dental school and had a promising dental practice waiting for him back home. When I went home for the summer, we started dating and ten months later we got engaged.  I knew I wanted to raise a family away from the craziness of Hollywood and unfortunately around that same time my father passed away. A lot of things pointed me to being home. So I moved back. And then once I started having children I knew I had made the right decision.

But I still do industrial films, spokesperson projects, and training videos here in St. Louis. I also am involved with three worthwhile charities that keep me busy beside all my volunteer activities for my children’s schools and extracurricular activities.

gJg: Tell me about your kids!

JP: I have three absolutely amazing children: Patrick, Jacqueline and Christian. I feel so very blessed and am thankful that I was able to be a stay at home mom for them. And you know what, that term is so ironic because I was never AT HOME when I was “being mom”. I was running all over the place with them. <giggles>

Patrick Probst

Patrick, my oldest, graduated from SMU with a double major in Biology and Economics and a minor in Spanish and Chemistry is now in his first year of medical school. He wants to be some type of surgeon. He’s an avid sports fan and a really strong soccer player. And he also has a creative side. ….  He has a beautiful voice and performed professionally at The Muny, The St. Louis Rep, and Stages St. Louis while growing up. He was President of Southern Gentlemen; an A Capella group at SMU where he arranged the music and helped produced their CD as well as sing solo on it.  He’s also starred in two films: Logan and Moon Ring. 

Jacqueline Probst

My daughter Jacqueline is now in her junior year at Alabama…Roll Tide! She received a full scholarship and is part of the prestigious Fellows program as well as in the Honors College. She was actually recruited to be a gymnast for Bama.  She was an amazing gymnast and it truly is her first love. She qualified at an early age to go to a special program with Bela Karolyi and was well on track to accomplish great things. It is a grueling sport and does take a huge toll on one’s body.

Unfortunately, after two months at Bama her old back injury returned and she had no choice but to retire. Luckily for her, she is extremely gifted in dance and singing as well. She too has performed professionally at The Muny, Stages St. Louis, and The Cincinnati Rep. She is now dance captain of her college show choir and choreographs for Phi Mu, her sorority as well. She is also teaching gymnastics and ballet while focusing on getting her degree in order to become a physical therapist. Check out YouTube under her name to see her gymnastics demo and some of her performances.

Christian Probst

My youngest, Christian, really wants to pursue entertainment.  He truly has that special something that you can’t help but notice. He has this amazing smile that just lights up a room. I am proud to say that he is a freshman at Yale and plans to double major in theater and economics. Though he’s a state champion racquetball player, I am trying to convince him to take up squash for Yale. He has been blessed with major roles in professional theater since the age of seven. He’s been very close to landing a Broadway role several times in shows like Mame, Tarzan, Billy Elliot and most recently Newsies where he was kept as part of the final 20 and sang in front of Alan Menken. They said he was just too young. He just got the lead in the musical at Yale as a freshman and is part of the infamous a Capella group The Dukes Men. He studies ballet, tap, jazz, hip hop, and lyrical. Tap is his favorite. YouTube his name and “I love a piano” and Once in Love with Amy” to see him.

When my children started showing talent and a desire to perform, I consciously chose to cut way back on what I did.  I really wanted them to earn anything they would get because they deserved it and not because I was their Mom.

gJg: What’s your plan now?

JP: Now that my kids are all grown and on their own, I’m opening up the door again and getting back into the business. Last year, I portrayed Elle’s mom in “Legally Blonde” at The Muny and I recently performed the role of Lilly St. Regis in a professional production of “Annie”.

Which brings me to my next endeavor: I’ve begun a crusade to get on “Dancing With the Stars!”

gJg: You would be terrific on that show!

JP: I really think I could do it. I’d like to get a following going to show the producers I’m serious about it. And besides, they’ve never had a “Mouseketeer” on there!

It’s been a while since I focused on myself. I’ve spent these last years putting my energy into being a mother and wife. My children are now situated, happy and confident. I couldn’t ask for more. Now it’s my turn! [laughs]  I really miss the dancing and the singing and I think “Dancing with the Stars” would be a great opportunity for me. I would thoroughly enjoy it: high kicks, splits and all!

gJg: What’s it like when you go back to Disney now?

JP: It’s surreal. It honestly seems like yesterday. There are times when I go there that, in my head; I think that I’m 18 again. Then I suddenly realize that I’m actually there with my own children! [laughs] It’s still such a rush to think I am a part of Disney history.

gJg: Do you find that people still recognize you?

JP: Yes people do and a lot of times it’s because of my voice. It’s funny, here in St Louis where there are so many private high schools, the big question isn’t so much: “Do I Know You?” but rather: “Did I go to high school with you?” So, when I see that look on their face that they know me but not sure why, I’ll usually wait until it really starts bugging them and then give them a hint. I’ll say something like: “Well, it may be because of a TV show…” and then they’ll realize who I am.  They usually say something like I knew it but yet couldn’t imagine why you would be here in St. Louis. Then it’s nice to hear that they think I still look the same and haven’t changed at all.

gJg: Tell me something not too many people know about you from those days.

JP: Here’s something that always cracks up my fellow women friends: When Tom Cruise was first getting started; I had met him on several audition calls. It was on one of these occasions where he actually asked me out on a date. You know, this was before Tom Cruise became “Tom Cruise” and I remember… I turned him down! 

I thought at the time he seemed a bit full of himself! [laughs]

gJg: Do you have any regrets?

JP: Honestly I don’t. Life happens for a reason and it takes you down a certain path. The only “regret”  I think about as I get older is the amount of money that’s being made out there in Hollywood that people could use for good things rather than squandering it on things like drugs and alcohol. There’s money that can be used for education or to build a foundation or for charity.

I always tell my kids: “Leave this world a better place then you found it.” And most of all, What you are is God’s gift to you, what you make of yourself is your gift to God.

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Lions, Tigers and Guitars: A Conversation With Jim Peterik

Guitarist Jim Peterik still has the Eye of The Tiger. Whether it’s performing, songwriting, mentoring and developing new talent or holding his annual World Stage events, the man who penned the #1 anthem from Rocky III continues to deliver the goods.

Peterik’s resume and collaboration reads like a veritable who’s who of the music industry. His bands have included The Ides Of March, Survivor, Pride of Lions and Lifeforce. He’s written and/or produced songs for artists like 38 Special, Sammy Hagar, Jimi Jamison, Lisa McClowry, Mindi Abair, and his son, Sijay among others. His musical journey knows no boundaries; having ventured into melodic rock, jazz, pop, inspirational and country genres.

Peterik’s latest endeavor is a reunion with vocalist Toby Hitchcock for the new Pride of Lions album, Immortal. Containing the best elements of 80′s melodic rock combined with Peterik’s signature songs and modern-day production, Immortal is an album sure to satisfy.

I spoke with Jim and got his thoughts not only on Immortal, but also on his days with Survivor and the music; including the iconic song he co-wrote thirty years ago that continues to inspire generations of fans all over the world.

goJimmygo (gJg): What made you decide to do another Pride of Lions album?

Jim Peterik (JP): I wanted one and Frontiers Records are such great boosters of the whole 80′s crowd. They actually wanted me to make a new record a few years ago, but I wasn’t ready at the time. I had just completed the “Crossroads Moment” album with Jimi Jamison and my juices were just gone for that direction. I got into doing Lifeforce (my smooth jazz project) just as sort of a respite from melodic rock. Their (Frontiers) initial plan was to have me release a record and then they were going to do a Toby (Hitchcock) album. I asked them to do it the other way around and by that time I’d be ready. That’s what happened.

I was playing on the road with a group called The Fabulous Armadillos. They’re the best players in the St Cloud/Minneapolis area. Every year, they host shows for two weeks where they feature a guest and last year, it was me. That was where I wrote “Coin of The Realm”. I was back in the green room with Pamela McNeil, one of the backup singers and a very good songwriter in her own right. I was jamming a thing in the green room and she started chipping in with some lyrics. Coin of the Realm really started the whole ball rolling. From there, the floodgates just opened. Delusional, Are You The Same Girl and on and on.

gJg: Where do you come up with ideas for your songs?

JP: Everywhere. “Delusional” is a song from the new album that comes from my personal life.  I see too many kids these days being over medicated with Ritalin just to calm them down. It does that but it also makes them walk around almost in a zombie like state. I had that hook in my mind: “Let the boy dream. Let him be different. Let him be delusional.” Even Einstein probably would have been diagnosed ADD if he were alive today. Things like that get me going.

gJg: You’ve also got a song called “Vital Signs” on the Pride of Lions album.

JP: That was actually a song I was trying to finish back in ’84 when we were cutting the record [Survivor: Vital Signs]. A lot of times the songs that were written became the title of the album. Like “Caught in The Game”, “When Seconds Count” and “Too Hot To Sleep”. At the time, I couldn’t quite get that song to work and we ran out of time so I never cut it. Fast forward to now: I was getting material together for the new record, “Immortal”,  found the old tape and said to myself: “I think I know how to finish this now!” [laughs].

gJg:Toby Hitchcock’s voice is so pure on Immortal. At times he sounds like Jimi Jamison and at other times, Dennis DeYoung.

JP: It’s a great voice. One of the best out there right now. I think the vocals on Immortal are his best yet. There’s more depth and dimension to his voice.

gJg: Do you have plans to take it on tour?

JP: We just recently had a great show where we opened up for Styx. At the time, I made a conscious decision that we weren’t going to do any Survivor material, no Ides of March and no 38 Special. We were going to either make or break it. We did five new songs from Immortal plus the cream of the crop: Sound of Home, Unbreakable, Gone and the people loved it. We even had the heroine of our video for Delusional (Maggie) come up on stage with us at the end and sing the last chorus and it was just killer.

gJg: A lot of people know you from primarily being the keyboardist in Survivor. But the truth is, you’re main love is guitar.

JP: Guitar is my passion. Survivor originally started as a twin lead band. You hear a lot of double leads on the demos for the first album. I love keyboards but my heart’s really in guitar. At last count, I think I own 178 and every one of them has a story. And it’s not like they’re in cases. My wife is a saint. They’re all on stands at various parts of the house. I have a wall three racks deep and I use them all. But I don’t begrudge it (playing keyboards in Survivor). Hell, I had two of the best singers in the business (Dave Bickler and Jimi Jamison).

gJg: How must that be for you to write songs with those voices in mind?

JP: My singers inspire me to do my best work. I write different for each singer. I wrote more grittier for Dave because that’s the kind of voice he had. Then Jimi came along and he had this beautiful pop voice. I remember the first thing I showed him when we met was the song ‘Broken Promises’.  He sang it back to me right next to my ear. It was a magic voice! Especially the purity of his upper range.

Jim Talks Survivor

gJg: This year marks the 30th Anniversary of “Eye of The Tiger”.  What’s the origin of that song?

JP: I came home from shopping one day and heard a message on the answering machine from Sylvester Stallone. At first, I thought it was a joke, but I called the number and sure enough, Stallone answered. He told me that he loved the band and had heard “Poor Man’s Son” and “Take You On A Saturday” from our “Premonition” album and wanted that same kind of “street” sound for his new movie, Rocky III.

He sent us a video montage of the movie and Frankie (Sullivan) and I watched it together. There were scenes of Rocky getting a little “soft” (doing the Visa card commercials) and Mr. T “rising up” with his Mohawk. It was electric. The temp music they used to accompany the montage was “Another One Bites The Dust” by Queen. I remember asking Stallone why he just didn’t use that song for the movie and he said it was because they couldn’t get the publishing rights for it.

At that point I just said, “Thank You, Queen!” [laughs]

I had my Les Paul and a small amp that we had set up in the kitchen. I turned down the sound and just started playing the little intro [mimics the intro], just feeling that pulse. Then I added to it when I saw the punches being thrown, trying to score the chords in time with the punches. We couldn’t get any farther because we didn’t have the whole movie. Fortunately, we were able to get a copy of the finished movie with the promise that we’d send it right back the next day. At that point, we had become totally enamored in the movie and when I heard that phrase: “Hey Rocky, you’re losing the eye of the tiger” I remember turning to Frankie and saying, “Well, there’s the name of our song!” Once we had the title, the challenge became telling the story.

I have to give Frankie the credit for coming up with the seed lines. He said, “How bout this: Back on the street, doing time. taking chances?” I said, “Yeah that feels good. How about: Risin’ Up, back on the streets. Did my time, took my chances?” Before we knew it, we had the first verse.

Four days later we gathered the troops, went into the Chicago Recording Company and recorded it. Frankie and I both wanted that big “John Bonham” type of drum sound and I’ll never forget the feeling and the way our drummer, Marc Droubay captured it. As soon as he hit that beat I said, “Oh SHIT – this is going to be HUGE!” And there was the sound of Survivor. It was just magic!

I Can’t Hold Back

JP: One of my favorites. That song and Search is Over are my two favorite Survivor songs (of course, Eye of The Tiger is in a whole different league). We had tracked all of the songs for Vital Signs with Ron Nevison (producer) and were just about ready to pack up the equipment for the day when Frankie started playing that arpeggiated guitar lick. I was in my piano booth when I heard it and said, “Hey, stop! Hold on! what is THAT?” He said “Eh, I don’t know. I was just messing around.”

I started doing the chord changes and it fit so well with that lick. I had already had the pre-chorus part (I can feel you tremble when we touch) and Frankie had the line “There’s a story in my eyes, turn the pages of desire.”

By the time Ron came over and asked us what we were doing, we already had some of the song. He said “Guys, stop the presses! We’ve got to cut this tomorrow. The next day, we came back in and cut it. It was the only thing we did that day and on the fourth take we nailed it and knew we had something really special. Frankie was a perfectionist when it came to overdubs and then Jimi came in and did the final vocal. Ron helped us so much with the arrangement of the song, that’s why it’s stood the test of time.

Here’s my favorite story: The record had just come out but wasn’t really on the radio yet. Jimi (Jamison) and I were in San Diego and I was coming out of my hotel when I noticed someone riding by on a Harley. It was this guy with a really hot chick on the back. They were whizzing by and their radio was blasting and I hear “I can feel you  tremble when we touch…”  [laughs]. To hear it from a Harley going down the street was the shit. That was the last song  we recorded for the record and the first one you hear.

gJg: What’s your greatest memory of your days with Survivor?

JP: There were so many, but I think I’d have to say Japan. When you realize that you’ve made it all the way over there and people are going crazy. We were they’re in ’85 and ’88 and each time the people were screaming our names. All of a sudden, it just hit me that we were worldwide. Both of those tours were great.

Some of the more subtle moments are my favorites as well. When “Eye of the Tiger” was first starting to zoom up the charts, we were out on the road with REO Speedwagon. I remember it was late in the afternoon and I went into a restaurant to get something to eat. While I was there, somebody played Eye Of The Tiger on the jukebox. There was a little girl there with her family. She must have been around four years old or so. When the song started playing, she immediately got up from her family, started spinning around and said, “Mommy! Daddy! That’s MY song! They’re playing MY song! Out of the mouth of babes. You can’t fool them and you can’t hide from them. They either love it or they don’t, and they loved it.

gJg: Have you ever thought about writing a biography?

JP: It’s almost done and should be out by April. It’s called, “Through The Eye of The Tiger: A Survivor’s Tale”.  I’ve been working on it for the better part of a year. I’m really excited about it.

gJg: What other projects are you working on now?

JP: The Ides of March are still very active. We do a Christmas show every year and this year, it’ s on the 8th. 

Lisa McClowry has a song charting on inspirational radio called “Brand New Hallelujah” from the album, “Lisa McClowry Sings Acoustic Alchemy”. Acoustic Alchemy is one of my favorite bands. All instrumental, from Britain. To me, they are the ultimate New Age/Smooth Jazz group.  I’ve always wanted to write lyrics to their music and they told me to have a go at it. I took one song they had called “Overnight Sleeper” and turned it into Sleepless Nights and had Lisa sing it. They fell in love with it and we ended up doing a whole album. It was a labor of love.

Gearing up for World Stage the 19th of January. We’re just putting the line-up together now.

I’m working with Mindy Abair (who is fresh off the Aerosmith tour) on her new album. This time around, Mindi’s going to sing about half of the record.

I’m working with my son Sijay, whose new self-composed album Detroit Club just hit iTunes.

Lisa McClowry and I finished a video for the troops called “Before the Tree Comes Down” . It’s a song about a little boy wishing his father comes home for Christmas before they take the tree down. The reaction for it has been overwhelming.

I’m also working with a young country artist Andrew Salgado, a 23-year-old singer who I’ve been producing. He has a very unique voice.

And, if that’s not enough, [laughs] I’m also working with the kids group Ariel & Zoey & Eli, Too. They have a pop variety show on theCoolTV network. They needed a song about bullying. It was something that was near and dear to my heart so I wrote a song called “Hey Bully”. The video for it went viral.

As a songwriter, I love putting different hats on. It’s an interesting thing.

247°F : A Suspense/Thriller That Turns Up The Heat

It’s hard to imagine how being locked inside of a sauna with two beautiful women could be a bad thing, but such is the case in 247°F.

Scout Taylor-Compton plays Jenna, a girl who experiences unspeakable horror when the car she is a passenger in becomes involved in an accident that claims the life of her boyfriend. Unable to escape the wreckage, she is traumatized at having to view the mangled corpse until help arrives.

A few years later Jenna, along with her friends Renee (Christina Ulloa), Ian (Travis Van Winkle) and Michael (Michael Copon) travel to a lakeside cabin for a carefree weekend retreat. The fun quickly becomes a nightmare when three of them end up getting locked inside of a compact, hot sauna. As fear begins to set in and Jenna reconnects with the claustrophobic horror of “the accident”, things quickly spiral out of control.

247°F reunites Scout with Tyler Mane, who plays Ian’s uncle, Wade. The pair previously worked together on the Rob Zombie Halloween remakes.

As a fan of horror and psychological thrillers, I really enjoyed this movie. It’s definitely a different take on the genre, which as of late has gotten quite stale at times. There are no slashing hockey mask wearing madmen or demonic spirits menacing the group. Rather, it’s the power of the mind and realization that there may be no escape that becomes the real horror. The question quickly changes from how they got locked inside to how long can they last?

I had the pleasure of speaking with Christina Ulloa about her role and experience working on 247°F.

goJimmygo: Tell me a little bit about your character, Renee.

Christina Ulloa: Renee comes across as someone who thinks that everything revolves around her and someone that’s maybe a little bit spoiled. But when you look at it, she’s really a good friend and a loyal person. Once you get past that first layer of her sassy sort of vibe, she’s a good person at heart.

Where was the movie filmed?

We filmed in the Republic of Georgia and were there for about a month. It’s a beautiful part of the world to be in. It’s very European. Everywhere you looked you could see the mountains or the water. Traveling to that unique part of the world was incredible. That and getting to work long hours. I shot 23 out of 27 days. That was the best.

There certainly wasn’t much to worry about in terms of make-up or wardrobe.

Not really. There wasn’t much of that. [laughs]

What was the chemistry like among the cast?

When you’re on location and stuck like we were, both literally and figuratively in this case – [laughs], you bond quicker and spend more time together than if you just went home every day after work. We all formed genuine friendships and that chemistry really comes across well on-screen. It was a lot of fun.

How would you describe 247°F?

It’s psychological in that it plays into the common theme of just feeling trapped. I think that’s something everyone can relate to. Whether it’s a relationship, a career or just life in general. We all deal with having to overcome conflicts that suffocate us in any aspect of life.

How do you think you would react to the situation of being locked inside of a sauna in real life?

I like to think that I would find some super human strength to bang the door down [laughs]. I certainly know what it feels like to feel claustrophobic and the desperate sense of needing to get out.

247°F will be released on October 23rd by Anchor Bay Films. The Blu-ray™ and DVD includes audio commentary with writer / producer / director Levan Bakhia and deleted scenes.

Article first published as 247°F : Suspense/Thriller That Turns Up the Heat on Technorati.

Project Happiness: A Conversation With Randy Taran

Happiness. It’s something we all have within us. And something the world so desperately needs.

I have never been so inspired as when I watched the documentary, “Project Happiness”. In the film, youth (our future) from three different continents interview George Lucas, Richard Gere and neuro-scientist Richard Davidson on what their ideas of happiness are.

The group then takes that knowledge with them on a journey to India and an unforgettable encounter with the XIV Dalai Lama. Through their eyes, they gain a new perspective on how to expand happiness and live a more meaningful life.

I had the absolute pleasure of speaking with Project Happiness founder Randy Taran about the movie and latest initiative – Hunger For Happiness. In just our brief conversation, her enthusiasm inspired me to believe that true happiness really is within our grasp. We all just need to look inside ourselves and take the first step. And then, spread the word!

goJimmygo (gJg): How did Project Happiness get started?

Randy Taran (RT): I started the project because I really didn’t have any answers for my own daughter who was going through a period of stress. She really wanted to be happy, but didn’t know how. I had been working with The Dalai Lama Foundation and have always been interested in these types of topics. but nothing I offered could resonate with her. I just thought, if only I had something she could relate to and grab onto, but  I couldn’t find  it. I asked myself, what‘s the best way to this? My background is in film so I said, let’s start with that!

gJg: How did the film come together?

RT: It happened organically. The fist challenge was to find some kids here in the U.S. who could grasp the message that we wanted to give, which has to do with opening up to the possibility of “What is this thing called happiness and what’s the nature of lasting happiness?”

I interviewed several different schools and kids and finally found Mt Madonna school. It was perfect. We were able to get a great group of kids and a teacher, Ward Maillard. The next step was to get a cross-cultural perspective to see if it was the same across cultures and religions.

We soon found out about Emmanuel Ivorgba from Nigeria. He came from a very Christian background but was very open to the universal truth that we were wanting to explore.

Next we thought, what if we brought in a Buddhist perspective? So we looked into the Dalai Lama’s present home town of Dharamsala, India and it was there where we found the Tibetan Children’s Village . We spoke to the Principal there and the kids were very interested, especially with the chance to meet the Dalai Lama. We gave everyone cameras to share video diaries and have online exchanges. We had very profound discussions going.

gJg: What made you decide to bring celebrities into the discussion?

RT: We wanted to bring into the film people who the kids resonated with. So we had the kids make a list. Luke, one from California school had written an essay on the similarities between the Jedi Code and the Dalai Lama’s principles. We sent that to George Lucas and that opened him up to the idea of sitting down and chatting with the kids. He was very kind to give us such a lovely interview.

Richard Gere was terrific as well and because of his relationship with the Dalai Lama he introduced a whole new perspective. He spent quite a bit of time with the kids and even stayed longer then planned.

We also wanted to bring some science into the discussion as well. Happiness actually has a whole scientific underpinning to it.  So we spoke with Richard Davidson. whom we had met at one of his conferences.

Then of course, we had the visit with the Dalai Lama, which was truly a life changing experience for them.

gJg: For me personally, when everyone was talking with the Dalai Lama you could literally feel the energy coming right off the screen.  It was as if  everyone had an epiphany.

RT: Being in that room, it was palpable. There was a real energy about it that knocks you over. It was unforgettable!

gJg: What has the reaction to the film been like?

RT: It’s been terrific. We’ve won many awards all over the US and around the world. The award I love the best is the “It’s Ok To Be Different” award from the Seoul International Youth Festival. We want everyone to feel that it is OK to be different and express yourself.

gJg: There is also a book to accompany the film as well. Tell me a little about that.

RT: The initial idea was to make a movie but also to challenge the kids to tell us what they felt were the most important things about happiness and what other kids around the world would want to know. The feedback we received, combined with some of the best thought leaders in positive psychology, neuroscience and mindfulness became a book to accompany the film. 

gJg: How has the project expanded?

RT: We’ve gotten requests to bring the program into schools so we started working with a group of educators to develop a curriculum and now it’s in all fifty states and fifty-seven countries. We give the program away free to educators.    

Randy Travan – Founder       Project Happiness

gJg: Tell me a little about your new initiative, Hungry 4 Happiness.

RT: It’s a cool way to throw a party for happiness. What you do is invite friends over for a screening of the film. After watching the film, you have dinner together. It can be anything from as simple as potluck to a cocktail party. At the end of the evening, everyone makes a small donation to Project Happiness. The idea is then for someone else to host a party and invite more people. This allows it to become a viral campaign to help spread the word and have more people become a part of this happiness movement.

gJg: What are your plans for the future?

RT: World Happiness Domination! [laughs]

What we really want to do is make these tools available to people all over the world.  Everyone can access the happiness that we were born with; it’s a skill set that you can practice. We want everyone to create a greater happiness within themselves and then spread it out to the world. That’s our mission.

gJg: What would  you like people to take from the Project Happiness movement?

RT: Three things:

1. You are an agent of happiness.
2. You influence people around you more than you know
3. We all have the power to make ourselves and each other happier and bring out the best in one another.

That’s how we change the world!

For More information on Project Happiness Click Here

For Information On The Hungry 4 Happiness Campaign Click Here

Article first published as Project Happiness: A Conversation With Randy Taran on Technorati.

Guitar World Interview: Duran Duran Bassist John Taylor Discusses ‘In The Pleasure Groove’

One hundred million records, 14 Top 10 singles on the UK Singles Chart and 21 hits in Billboard‘s Hot 100.

They’ve traveled the world and back many times over and even scored a No. 1 hit for James Bond. Now bassist John Taylor is opening up the vault on Love, Death and Duran Duran.

Please read and share the rest of my Guitar World article and interview with John Taylor here:

 

Darren Lynn Bousman Discusses His New Film, The Barrens

What do you get when you take a man already losing his mind, place him deep into the forest and then add the Jersey Devil on top for good measure? You get The Barrens; an emotional thrill ride that’s more than just a take on a legendary cryptid.

Written and directed by Darren Lynn Bousman (whose previous works include Mother’s Day, The Devil’s Carnival and SAW II, III and IV), The Barrens stars Stephen Moyer (True Blood) as Richard Vineyard, a suburban husband and father trying to rekindle the relationship with his family by taking them on a camping trip deep into the Pine Barrens of New Jersey.

Along the way, the family discovers the legend of the Jersey Devil, but Richard reassures them that it’s all just pretend (SURE it is) and nothing to worry about. But, there are secrets that Richard has been keeping from them. One of which eventually causes him to spiral out of control and descend into madness as he becomes convinced the family is being stalked by the legendary monster.

The Barrens also stars Mia Kirshner (The Vampire Diaries), Allie MacDonald (House at the End of the Street) and Shawn Ashmore (X-Men: The Last Stand).

I found this film intriguing on many different levels. First, Stephen Moyer’s performance is outstanding. I haven’t seen someone lose their mind this good since Jack Nicholson went bonkers in The Shining. I also enjoyed how the movie deviated from what I initially expected. Just when you think you have it figured out; the story takes you off in an entirely different direction.

Viewers wanting to see a glimpse of the legendary creature certainly won’t be disappointed with this movie. But in the end, the real reason The Barrens succeeds is not because of the monster. It’s the story of a man’s descent into madness that draws you in and keeps you guessing until the very end.

In a world hungering for great dramatic thrillers, it’s unfortunate that films like The Barrens (along with Bousman’s previous film, an amazing re-make of “Mother’s Day” starring Rebecca De Mornay) never saw a wide theatrical release. Both of these films are solid, well-crafted productions with stars who give nothing less than stellar performances. Ones that I highly recommend you see.

I had the opportunity to speak with writer/director Darren Lynn Bousman and discuss The Barrens and much more in this exclusive interview.

goJimmygo (gJg): Before we begin, I have to tell you how much I loved Mother’s Day.

Darren Lynn Bousman (DLB): Thank you very much!

gJg: Whenever I see people Tweeting you that they’ve “finally” seen it, it frustrates me because of how long it took for it to finally be released.

DLB: The whole thing frustrates me as well. Mother’s Day is such a cool, unique film. The problem was, no one gave it a shot. They said it was too “artsy”, not “commercial” enough or not “scary” enough. The good news now is that people are finally getting to see it to some extent, so it’s cool.

gJg: Rebecca De Mornay was fantastic in that movie.

DLB: She certainly was.

Stephen Moyer in The Barrens

And Stephen Moyer is equally as good in The Barrens.

DLB: Stephen Moyer just killed it in this film. I’m a big fan of his from True Blood.

gJg: The thing I liked most about The Barrens is that it’s not a horror movie, it’s more of a thriller.

DLB: That was my whole goal going in. I wanted to do something that was a little bit more dramatic in nature but still had elements of those monster movies that I love. Those are my favorite types of movies.

Some people might say that it’s a “monster movie”, but it’s really not. It’s the story about a man and his descent into madness that just happens to have a monster in it.

 

gJg: What made you decide to write a story based upon the Jersey Devil?

DLB: I’ve always loved Cryptozoology creatures and the Jersey Devil was the one that I felt had not been exploited, where so many of the others have. We’ve all seen Big Foot and The Loch Ness Monster everywhere. The Jersey Devil was one that I’ve never seen done correctly.

gJg: How would you describe the story of The Barrens?

DLB: It’s a story about a father looking to rekindle his relationship with his family. He takes them on a camping trip into the woods and then begins to spiral out of control into insanity… oh, and there happens to be a monster! [laughs]. The best way to describe it:  it’s “The Shining in the woods meets JAWS!”

gJg: What are some of the elements that make up a great horror/thriller film like this one?

DLB: More important than anything else, it’s great performances. Without those, you’ve got nothing. It’s why Mother’s Day is so great (Rebecca’s performance) and why this one is so great (Stephen’s performance). These movies, if done by any other actors would not have had the same impact. In the end, it all comes down to acting.

Misdirects is another big one. That’s where the audience thinks they have it figured out going in, but then you do something that they didn’t expect. I think a lot of people thought that the story was going to be based on the trailer, but then were surprised with something else.

gJg: My particular favorite scene was where the son, Danny (Peter DaCunha) runs up and gets scared.

DLB: That scene makes me so happy, because that’s a genuine reaction. We didn’t show him the dog beforehand. So when we filmed and he was coming up, he really thought he was coming up to see a dog. [laughs]

gJg: Do you have a favorite scene?

DLB: I’d have to say the scene with Danny near the water. It’s a disturbing thing, but you really feel for the family at that moment. And again, it’s not reliant upon the creature or anything like that. It’s just an emotional connection.

gJg: What projects are you working on right now?

DLB: We’ll start filming the second installment of The Devils Carnival in early 2013. Everything about it will be the same, including another nationwide tour. It’s my soul cleansing for the films that didn’t get released theatrically. It’s something that I get to control.

I’m also working on ABATTOIR which is based on a comic book that I wrote. I was one of the writers who created the concept for it and we’re now turning it into a feature. I recommend people check out the comic book.

The Barrens will be released October 9th as a Two Disc Blu-Ray/DVD Combo Pack. Extras include audio commentary as well as a deleted scene.

Article first published as Darren Lynn Bousman Discusses His New Film, The Barrens on Technorati.

Guitar World Interview: The Bangles – Warmth of the ‘Sun’

The Bangles

Bangles’ guitarist Vicki Peterson is no stranger to royalty. The stunning beauty has rubbed elbows and played alongside some of the giants of rock and pop over the course of her career.

Her tasty guitar work, soulful vocals and songwriting prowess continues to be an inspiration to male and female musicians.

 
Read the rest of my Guitar World article and interview with Vicki Peterson of The Bangles here

The Pride of Mike Tramp

White Lion – Pride (1987)

Article Originally Published on Guitar World

Twenty-five years ago, the band White Lion released their breakthrough album, Pride. A record that would feature two top ten hits, peak at #11 on the Billboard charts and sell more than two million copies in the US alone. Pride would become one of the best pop-metal albums of the 1980’s with Vito Bratta’s signature melodic guitar work and the heartfelt lyrics and vocals of Mike Tramp.

From his days in White Lion and Freak of Nature right up to his most recent project, “Stand Your Ground” with Mike Tramp and The Rock ‘n’ Roll Circuz, the man who was the voice of a generation with hits like “Wait”, “Tell Me” and “When The Children Cry” continues to make great music.

But one thing you may not know about Mike Tramp is that his musical roots lie heavily in folk. And this fall, Mike; accompanied only by his guitar, will celebrate those roots by embarking on a vagabond tour of Europe. Mike will be crossing the land performing hits from his catalog and along the way, telling stories that get to the core of his songwriting.

With an arsenal of hits at his disposal and a passion for words, here’s hoping the journeyman brings his tour to the US in 2013.

I was fortunate to catch up with Mike from his home in Denmark and get his thoughts on the milestone anniversary on the Pride album as well as his European tour, a glimpse into his next album and why he thinks the music industry should be run more like a hardware store.

When someone mentions the Pride album, what’s the first thing that comes to your mind?

To me, Pride represents the coming together of White Lion. It’s the band at its core and the purity of the band. It’s the only album where we are the “true” White Lion.

The Pride album everyone is familiar with wasn’t the original version though.

Yes. Back in 1986, shortly after the Fight To Survive album, we recorded a version of Pride over in Germany. But after coming back to America and giving it a listen, we  weren’t satisfied.  So, Vito and I started re-writing, and then went to LA to record it again.

Wait

There’s almost no origin to that song. The story goes: Vito started playing the riff and the very first word out of my mouth was “Wait”.  It’s one of the simplest lyrics I’ve ever written, but it’s also the perfect American, FM song. It’s right up there with Journey, Foreigner and all those other classic songs. “Wait” was just one of those songs that worked really well in the studio and for the video.

When The Children Cry

Even though the words are simple, it has a very powerful lyric. Imagine being a kid from Copenhagen, Denmark sitting there in Staten Island and writing “No more presidents, and all the wars will end…” at the time when Ronald Reagan is the President. But, it was how I felt at the time. That song began by just sitting around and playing. Then Vito changed it to the finger picking style. Even the way I play it now is different; it sounds new to me.

Tell Me

Another classic, radio friendly song. Those three songs together are what made Pride such a strong package and it just proves that the album is timeless. Those songs will live on forever.

Your most recent album with The Rock ‘n’ Roll Circuz, “Stand Your Ground” (2011) is another great record.

My sound is still very much “Americanized”, but there’s no mystery to it; it’s just rock and roll!

The chorus to the song “Straight From The Look in Your Eyes” is one of those ones that give you chills when you listen to it.

I think years ago, that song would have been a massive hit in the States. But now, the music business is more of a bureaucracy. It’s like trying to get an application through fifty offices. The reality is, the music business should be a little bit more like a Home Depot. When you come through the door there’s “plumbing” to the right and “gardening” to the far left and you separate those things. You can have different departments with different things in them. The problem is, when you start having one thing that comes in that completely replaces something else, that’s when everything goes wrong.

Tell me a little about your upcoming record.

The new album was one of those things that I actually hadn’t planned. I had just gone into the studio with the guitar engineer from “Stand Your Ground” and we would up recording an entire album. The songs are very much departed from what most people know me from. But to me, these are my roots. In White Lion, some of the songs came from Vito’s world and others came from mine. I come from the (Bob) Dylan world. I grew up heavily influenced by folk music and that way of playing guitar.

I use high gauge strings because I like to play big chords. I’ve never evolved out from that. I live in the first three frets. My songs all start from there. That’s where I lay the foundation and the main guitar will then come in later and fill it out.

Do you have a release date for the new record?

Not yet. When the time is right, I will announce it.

You’re also about to embark on a new tour.

Yes. I’m going out and touring Europe completely solo. Just me and my acoustic guitar playing more White Lion and more Freak of Nature songs than I’ve ever done before. It’s brought back to my world. But it’s not going to be a guitar exhibition; it’s a singer-songwriter show where I’ll be playing these songs a little differently and talking more about the essence of the core song. I like people to get deeper into the music.

Are you nervous at all about going out alone?

Not at all. I love the fact that I can do anything I want. It’s just going to be me and a few acoustic guitars and it’s actually where I feel the most at home. The further down on the ground I can get, the better.

Keep up with Mike Tramp by visiting his Official Website and Facebook

Diane Franklin’s Excellent Adventure

Diane Franklin’s new book, “Diane Franklin:The Excellent Adventures of the Last American, French-Exchange Babe of the 80s” is a look back at a career of one of the most amazing actresses to come out of the MTV generation.

It’s hard to believe that it’s been thirty years since Diane’s first feature film role in “The Last American Virgin”. The raunchy sex comedy about three friends who were trying to…. well, you know what they’re trying to do.

But, aside from their testosterone fueled quest and Diane’s innocence, for me no single movie exemplifies a slice of the 1980′s better than LAV. When you see the fashions and hear the soundtrack laden with songs by U2, Journey, The Cars and REO Speedwagon; timeless classics now but back then, songs that were fresh and new, it just takes you back. Back to a time of complete innocence.

The thing about Last American Virgin is that it’s not just a movie, it’s a slice of time. And whether it was her beautiful smile or curly locks, I still found a way to forgive Diane for the horrible choice she made at the end of the movie.

I had the pleasure of speaking with Diane about her amazing book and career. The enthusiasm she has for her written word is matched only by the talent she has as an actress.

goJimmygo (gJg): To this day whenever I watch The Last American Virgin, it’s almost like being in a time machine.

Diane Franklin (DF): I agree. LAV brings that 80’s generation back to their teen years. At the beginning of the 80’s, movies that were made had such a rawness to them. The films were real gritty and even the subject matter was grittier. Then in the mid  80’s, movies started to become more polished and upbeat. I’m so happy that I was chosen for that role.  Even though it’s a sex comedy, there’s something that rings true about it, and it doesn’t leave you.

gJg: LAV was also your first feature film as well.

DF: Yes it was. I had actually been auditioning for years prior to getting the role. I was doing good readings but things just weren’t happening. They’d always hire a lead who was someone with a “name’ or some notoriety. And I wasn’t getting the smaller parts because I couldn’t play the best friend; I was told I was too “noticeable”. For my first role to be a lead was just meant to be, and it was a big break for me in my career.

gJg: What made you decide to write a book about your career?

DF: My daughter used to have a crush on Jemaine Clement, a musician and actor. One day, we actually had the chance to meet him and she was in heaven about it. I said to myself, “Look at the happiness that this man brings, and he has absolutely no idea.” I’ve always been recognized a lot and decided it would be great to write a book as a way to give something back to people.

I came to the point of view where I had an “excellent adventure” and was an 80’s “babe”. I found words that were indicative of the 80’s but, I also wanted to talk about everything I’ve done in my career; both the good and the bad. This book exemplifies both my life and journey as an actress. What’s also unique about it, aside from the stories about my journey, is that it also lets you look back and see what the 80’s were really like. There are really are no other books like it. If you know me, you’re definitely going to be into my book. If you don’t know me, but you love the 80’s you’ll love my book anyway!

gJg: What was the writing process like for you?

DF: It felt natural to write and everything just fell right into place. I wanted to make sure I wrote it from my point of view and not someone else putting my thoughts in their own words. This is me. When you read it, it feels like you’ve been sitting with me in Starbucks having a conversation [laughs].

gJg: Where can people get a copy of your book?

DF: Right now, you can get it on Amazon and there’s also a Kindle version of it available as well. Eventually, I’m going to try for a wider distribution.

Do you have any appearances coming up?

I’ll be at New York Comic Con in October. It’s sort of a bizarre schedule but, I’ll be at the Javits Center in NYC Oct 12th from 4:15 – 5:15pm and Oct 13th from 10:45 – 11:45am. In addition to signings for my book, I’ll also have photos from my films available and be taking pictures as well. It will be a great time and a lot of fun.

gJg: Have you stayed in touch with any of your cast mates?

DF: I have. In fact, I recently hosted a radio podcast for CRAGG called, “Babes of the 80’s”. I brought in people I had worked with and we talked about the movies we did together.  I had Amanda Wyss and E G Daily from “Better of Dead”;  Kimmy Robertson and Winnie Freedman from “Last American Virgin” and Kimberley LaBelle Kates from “Bill and Ted”. It went really well.

This time around, I’m planning to do a Halloween Special with Horror Babes and bring in some friends I know who’ve acted in other shows. There are so many beautiful 80’s actresses and it’s so much fun to get together and reminisce.

What else do you have coming up?

DF: I’ve just finished doing commentary with Tony Ginnane for the Blu Ray release of “Second Time Lucky”. The other thing I’ve been involved with is acting in my daughter’s films.

She’s an amazing writer and director and actually won her first award when she was twelve. I play the voice of the computer in a film she did called “Humanized“. It was recently in the Future Filmmaker category for the Los Angeles Film Festival. She’s also completed another film called “My Better Half “.

I’ve heard rumors of a Last American Virgin remake. What do you know about this?

DF: Good question. Brett Ratner actually talked about me on The Howard Stern Show not too long ago and discussed his desire to do a remake. I understand why they would want to do it for another audience and also probably because of the way the original film ended. That’s the reason we all remember it so well.

It would be interesting to see what became of Karen.

DF: I think people might go crazy if I was in it. [laughs]. It would be interesting to tie it together and bring some kind of closure to the original movie. It would also be cool for people who grew up with the film to watch it and get that nostalgic feeling again. We’ll see.

1980’s This Or That With Diane Franklin….

Nightmare on Elm Street or Friday The 13th?

DF: Nightmare on Elm Street, because I was in and episode of Freddy’s Nightmares: The Bride Wore Red.

The Go Gos or The Bangles?

DF: That’s a tough one. I’d have to say Go-Gos, but I do like The Bangles too.

Diane Franklin

Love Boat or Fantasy Island?

DF: When you say it, the imagery just pops into my head [laughs]. Hmmm, The Love boat had some funny skits. I’ll go with that.

Fast Times at Ridgemont High or Porky’s?

DF: Even though I worked with Roger Wilson in “Second Time Lucky”,  I’d still have to say Fast Times.

A Rubik’s Cube or a Pet Rock?

DF: Pet Rock  [laughs]

Finally, REO Speedwagon or Journey?

Journey – Although every time I hear that song I think, “Uh oh, I wonder if people are thinking of that scene I was in?” [laughs].

Article first published as Diane Franklin’s Excellent Adventure on Technorati.

Inspirational People: Luann Robinson Hull

Luann Robinson Hull’s book “Happily Ever After… Right Now” breaks down the barriers of relationship challenges. By combining spiritual practices and real word exercises, it’s a must-read for anyone stuck in patterns and habits that prevent them from achieving true happiness. It’s more than a self-help book. It’ a model for happiness, and a formula for living in the now!

I had the pleasure of discussing “Happily Ever After…Right Now” with Luann. The inspiration you get from speaking with her is as powerful as her written word. She is an incredibly positive woman who is really making a difference in the lives of people.

goJimmygo (gJg): Tell me a little about your background and what led you to research happiness and write the book.

Luann Robinson Hull (LRH): I had been working in the psychiatric field for several years and saw a lot of pathology and illness and found that it was very difficult to negotiate the positivity. For me, the question became: “How can we work to get people to happiness rather than just getting them to neutral?”

I had also seen a lot of depressed women who were disappointed in their relationships, and I was no exception. I had gone through a very difficult divorce in the 1980s. I thought I had married Prince Charming, but it didn’t work out quite the way I had hoped.

I eventually went from the hospital setting to my own private practice. My goal was to provide health care givers and insurers with a different model and way of doing things. What I found was that it was challenging to create that kind of education.

One night I had a dream and in it, I was just free of everything that was need based. I was in a state of spaciousness and complete freedom. It’s hard to describe but I believe its similar to the state when yogis reach nirvana or in a place of reverence in the moment.

I got the hint that maybe this whole nightmare that we create with expectations and challenges can be juxtaposed if we just think of things a little bit differently. That dream launched my desire. I decided to get up out of my chair and do research on my own and have been doing that for the last ten years. Researching happiness; a very popular, but evasive topic.

gJg: What did you find in your research?

LRH: I discovered that the problem is, we’re still living in a ‘need based’ paradigm where we look outside of ourselves for answers. We want the relationships to bring us the happiness we can’t find in our own hearts.

gJg: What was the writing process like for you?

Luann Robinson Hull

LRH: It took nearly ten years to finish and there were a number of challenges along the way. The one thing I would say about my journey is that if you have an inkling and a passion for something, just hold onto that – even a bit. You will be supported, you just have to set your own fears aside.

gJg: One of the things I loved most about your book is the positive message and the need to maintain course. Even the quotes and poetry you use are positive. Everything about this book is inspirational.

LRH: The more I research, the more I find how powerful our conditioning is. We have global, genetic and other conditioning types (that influence our behavior) but the main thing is to stay aware of what is going on– of what you are thinking. Doing so will be instrumental in how things unfold for you, because you will be catching yourself in recognizing the kind of thinking that serves your growth and highest potential.

gJg: You also include real world exercises to help reinforce your points.

LRH: Our western world minds want to be busy. The exercises included in the book not only give the mind something positive to do, but they also help with the training of the mind in a positive direction.

gJg: If there is one message you’d like readers to take from reading your book, what would it be?

LRH: The one thing I want readers to take is this: To whatever extent you are capable, in any moment of now, bring yourself back to your own passion. Ask yourself, “What is it that you came into this world to offer?”. Each of us is unique and has something extraordinary to share. Our journey here is to make those discoveries. Focus on what that is for you. And when you do, all the people, places, circumstances, and events that can support you, including relationships, will show up.

 For more information on Luann Robinson Hull, be sure to check out the following links:

What a Gem (Luann’s Blog)  *  Facebook   *  Twitter  *  YouTube

Article first published as Inspirational People: Luann Robinson Hull on Technorati