Category: Women Who Rock

Katie Daryl Previews New Season of AXS TV’s ‘The Top Ten Revealed’

Photo: Stewart-Volland AXS TV

AXS TV’s popular music countdown series, The Top Ten Revealedreturns for a second season with its premiere on Sunday, January 13 at 8:30pE/5:30pP with “Top Ten Roller Rink Tunes.” Hosted and executive produced by Katie Daryl, the eleven-episode winter season promises more laughs, surprises, and insightful anecdotes from a plethora of musical heavyweights.

Other episodes this season include a salute to some of music’s finest showmen in “Top Ten Crooners”; Double Studio albums and Drug Songs countdowns, as well as a tribute to the final year of the 1970s with “Epic Songs of 1979”.

Returning to join Daryl and lend their voice and rock expertise are icons Lita Ford, Dee Snider, Eddie Money and Steven Adler as well as legends like Mickey Thomas (Starship) Sebastian Bach, Steve Porcaro (Toto) and Kevin Cronin (REO Speedwagon).

In addition to the new season, Daryl is also hosting a FREE Reunion Party for The World’s Greatest Tribute Bands at the legendary Whisky A Go Go on Sunday, January 6th! Although this is not a televised event the evening promises to be a fun celebration of Daryl’s acclaimed show that aired for eight seasons on AXS TV.

I recently spoke with Katie Daryl about the new season of Top Ten Revealed and more in this exclusive new interview.

What can fans expect from the new season of “The Top Ten Revealed” in January?

I think fans are going to be pleasantly surprised at all of the new faces they’re going to see. Not only do we have returning favorites like Lita Ford, Dee Snider, Eddie Money, Steven Adler and Rikki Rockett, but we also have a lot of new faces as well, including artists like Sebastian Bach, Leif Garrett, John Five from Rob Zombie, Mickey Thomas from Starship and Steve Porcaro from Toto. It’s exciting to have this new insight and keep everyone interested not only in what the topic is about, but also in who’s going to talk about it.

Let’s discuss a few of the topics that will be covered this season. Where did the idea to compile a list of the Top Ten Crooners come from?

This is definitely one of my favorite episodes of the new season. I had overheard someone talking about Tom Jones at the office and I was like, “Tom Jones? Wait a minute. How fun would it be to do something that involves Tom Jones?” Then we started going down the list of crooners—Dean Martin, Sammy Davis Jr., Frankie Sinatra. I knew right away it was going to be fun, so we put the question out on social media. The funny thing is, as much as people love Frank Sinatra, he isn’t always someone’s go to favorite. There are a lot of lesser known, obscure, or one-step away from the Rat Pack guys as well. We focused on having a lot of singers talk about this episode because a lot of these guys have admitted to being influenced by these crooners. They have great stories about why they love them and how they influenced their careers.

Another interesting topic of conversation has to be Double Studio Albums.

That one became another big office debate. Originally, it going to be all double albums, but then someone mentioned Frampton Comes Alive and other live albums and it became too hard to narrow them all down. So, we decided to do studio double albums this time and maybe in an upcoming season we’ll do the live double albums.

What was the criteria for choosing a list of Top Ten Drug Songs?

We wanted to be very respectful of our viewers and make sure people didn’t think we were making an episode that celebrated drugs. It’s interesting conversation, not a celebration. The criteria was that the song had to either be about drugs and drug use, or interpreted by others as being a drug song. For instance, “Mr. Brownstone” is clearly a drug song, and we even have Steven Adler talking about how it was written and how terrible heroin was. But then there are other songs that are more debatable, like “Purple Haze.” Even though Jimi Hendrix himself had said it’s not about drugs but about a dream he had a lot of people still interpret it as Hendrix having the dream after being on drugs. It was looser criteria than some of the other lists, but it made sense in the long run.

What’s your favorite part of the process of creating an episode? 

My favorite part is booking the guests because at the end of the day I’m a rock star fan. When these people walk in the room, they’re musicians who’ve played on some of the best songs ever written and toured with some of my favorite bands. They always have interesting backstories and amazing personalities. I will say that my least favorite part is tallying the ranking. Because sometimes you just sit there and scratch your head and go “How is this possible? How is this #1?” [Laughs].

What’s the biggest thing you’ve learned about the musical tastes of AXS-TV viewers from doing these shows?

Our salt and pepper demographic really loves classic rock, but what’s also surprising is that they also tend to lean toward metal. The same person who says they love The Who and Rolling Stones is also voicing their opinion on a Megadeth song. It just goes to show that just because you like classic rock it doesn’t mean you’re old or not progressive with your musical tastes. It just means you have a core that you love but can still learn to appreciate other music as well.

Click here to watch the trailer for the new season of The Top Ten Revealed.

Although it won’t be televised you’re also having a reunion party for The World’s Greatest Tribute Bands at The Whisky a Go Go in January. What can you tell me about it?

This is going to be fun. The World’s Greatest Tribute Bands had eight fantastic seasons with so many bands to pay tribute to. In talking with the fans of the show I realized how much fun we had getting together every week at The Whiskey and doing the show. It was a fun, bonding experience and we missed each other. So, we decided to get the band back together and have a party. We’ll start by having an alumni/crew private VIP and then open the doors to the public. We’ve invited all past ticket holders to get a free ticket and we have K-Tel performing as our “house band.” They play a lot of the best and one-hit wonder songs of the 70s, so it will be easy to bring tribute guest stars like our Elton John and our Stevie Nicks up on stage with them. It’s a natural fit to have this backing band performing with some of the frontmen we’ve loved over the years with The World’s Greatest Tribute Bands.

The allure of tribute bands has never been stronger. To what do you credit to their success?

When I first started doing research for The World’s Greatest Tribute Bands I spoke to a very influential booking agent. He pointed out that the interest in booking these types of bands started shortly after the financial markets crashed in 2008. A lot of it was due in part to venues like casinos and the 2-3,000 seat venues who could no longer afford the expensive “real talent”.  People just weren’t spending their disposable income on a ticket. So, they turned to tribute bands to fill the void. It allowed people to not only save money but also see a high-quality performance. Of course, “The World’s Greatest Tribute Bands” and AXS TV helped knock it out of the park just as they were gaining their footing. It gave them a national platform to perform on.

Are there any other projects you’re currently working on?

We’ll actually be doing nineteen episode, split-season of The Top Ten Revealed in 2019. We have eleven episodes in January and then another batch of eight in the summer. The show has been so successful that Mark Cuban has specifically requested a spin off. Right now, I’m in the middle of pre-production on a new show launching in the spring that will complement this show very nicely on the network. If you like Top Ten Revealed you’re going to love this.

The new season of The Top Ten Revealed premieres Sunday, January 13 at 8:30 p.m. ET / 5:30 p.m. PT on AXS TV.

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Interview: Brooke Josephson discusses working with DJ Rocky G on infectious Re-mix of ‘Mr. Fix It’

Following the release of her acclaimed pop-rock EP, Sexy N’ Domesticated, singer-songwriter Brooke Josephson teamed up with international house producer Rocky G for an infectious remix of her single, “Mr. Fix It.” The electro-house version, complete with a progressive beat and dreamy synths, taunts female domestication by encouraging women to find someone who can cater to her needs.

The accompanying music video for “Mr. Fix It” showcases psychedelic visuals of the artist intermingled with scenes of a Rocky G live performance as well as Josephson’s adorable nine-year-old daughter, Shira.

AXS recently spoke with Brooke Josephson about the remix of “Mr. Fix It” and much more in this exclusive new interview.

AXS: How did the idea to do a remake of “Mr. Fix It” come about?

Brooke Josephson: Over the summer I was reading stories about other women who were pursuing being independent artists (and other careers) while at the same time juggling being a full-time mom. I came across Rocky G’s video where she shared her story about being an international DJ and a mom of six. I thought that was amazing. So I reached out to thank her for her work and inspiration as well as to let her know what I had going on. She responded and the two of us started talking about collaborating. I sent her my music and we started dialoguing about the song and bouncing ideas for a video. She told me that she would be performing at an event in Amsterdam, so I flew over and that’s where we shot the video. We even incorporated some of the events into the video as well.

AXS: What was the process like for re-mixing your original song?

BJ: I sent Rocky G all the stems from the original recording. She laid down a beat, took the original vocals and then added filters and a few other effects to give it an electronic vibe. Then she added an original melody at the intro.

AXS: What was it like working with Rocky G?

BJ: It was so much fun. I quickly discovered that she’s the same version of me, only she was doing EDM music. Her normal routine includes doing shows from ten at night until five in the morning. Then she gets home and instead of going to bed, she stays up and gets the kids ready for school. Then she comes back home and naps and does her work until she has to pick them up again. The same juggle I do in L.A. is what she’s doing in Amsterdam. Even though our styles of music are different our lives are very similar and the drive for what we do is very much the same.

Read the rest of my
Interview with Brooke Josephson by Clicking Here!

Interview: Singer-songwriter Elizabeth Chan discusses her beautiful holiday album, ‘Best Gift Ever’

With a specialty in Christmas music, singer-songwriter Elizabeth Chan’s passion for the holiday has driven her to a career that’s unique from other recording artists. Case in point, her new album, Best Gift Ever, which is sure to become a soundtrack of the season.

Led by the infectiousness of the album’s title-track and Chan’s original renditions of such classics as “O Holy Night,” “The First Noelle” (aptly re-named in honor of her daughter), and the unearthed classic, “For Unto Us,” Best Gift Ever gives listeners a refreshing mix of tradition and universal acceptance.

In addition to the new album, Chan is also lending her voice to various charities and radio shows across the country. For her, it’s an honor to not only share her music with the world, but also to give back for the greater good.

AXS recently spoke with Elizabeth Chan about Best Gift Ever and more in this exclusive new interview.

AXS: What inspired you to take on a career as a Christmas songwriter and producer?

Elizabeth Chan: I’ve always wanted to write Christmas music from a very young age. When I was growing up, there was a radio station in New York City that went all Christmas every year, and I remember whenever the station would turn me and my sister would leave the radio on twenty-four hours a day. It wasn’t something I knew I could make a career out of until after I already had another career. I always knew I wanted to be a musician, but eventually chose a different path. Then about eight years ago, I had what I guess you’d call a quarter-life crisis. I thought, either I could keep working at the career I was at or do something that makes me happy. I think people are given one shot to do something with their life, and for me, it was music. I thought back to the one time in my life when I was truly happy, and that was when I listening to Christmas music and writing poems. I decided to give myself a shot, and here I am.

AXS: What’s your writing process like?

EC: I’m highly inspired by my family but also approach songwriting like a muscle you flex. I write Christmas music all year long. In the beginning, I’d force myself to write at least one Christmas song every day. Most of them were bad but I quickly amassed a vault of Christmas music. I now have my own sifting method where I’ll wait and see if I can recall a melody and lyrics of a song I wrote several years later. That’s how I know it has a classic, timelessness to it.

AXS: Let’s discuss a few original tracks from Best Gift Ever, starting with the title track. What’s the story behind it?

EC: My husband is the most-simple, happiest guy on the planet who never wants anything for his birthday, anniversary or Christmas. I’m always prodding him by asking, “What do you want? What do you want? What do you want” [laughs]. The bridge is always his answer: “Don’t worry about me. I have everything I want.” It’s also a universal theme with people. Every year, there’s always that sense of hey, what do you want this year? It was a good opportunity to write a song about the way everyone feels.

Read the rest of my
Interview with Elizabeth Chan by Clicking Here!

Interview: Nita Strauss Discusses Her Infectious Debut Solo Album, ‘Controlled Chaos’

Photo Katy Cooper

2018 has certainly been a memorable year for Nita Strauss. The guitarist, widely known for her time touring with Alice Cooper and for being one of the most in-demand clinicians on the planet, started the year out by unveiling her first Signature Model guitar, the Ibanez Jiva. This coincided with another round of live dates with Cooper as well as solo performances that included Wrestlemania and for the Los Angeles Rams as part of the NFL’s “Salute to Service”. Now, the beautiful blonde shredder is doing something else she’s never done before: releasing her monstrously cool, debut solo album, Controlled Chaos.

With help from her longtime visionary, Josh Villalta, the instrumental album is a snapshot of Strauss’ life as an artist and features an eclectic mix of emotion and guitar wizardry. From the dark and aggressive sounds of songs like “Our Most Desperate Hour” and “Mariana Trench,” to more peaceful tracks like “Hope Grows” and “Here With You,” there really is something for every taste. Strauss even gives a nod to Queen with a haunting version of “The Show Must Go On.”

AXS recently spoke with Nita Strauss about Controlled Chaos and more in this exclusive new interview.

AXS: How would you describe Controlled Chaos and how it relates to where you are as a guitarist?

Nita Strauss: This is my first album and first chance to show my personality, so I didn’t want to make a strictly rock or a strictly metal album. I wanted to make an album that encompasses all the different styles and emotions I’ve gone through as a person. On Controlled Chaos you’ll hear the dark and aggressive side (of course),4 but you’ll also hear a bright and fun side and a calm and peaceful side. It’s a snapshot of myself as a guitar player.

AXS: What’s your writing process like?

NS: For me, it starts with a story and with me saying this is what I want to talk about and here is how I want to talk about it. A common misconception people have about instrumental music is that it’s all just notes that work together in sequence. I learned from studying my guitar heroes that’s really not the case. I want to tell a story with the song but leave it to the listener to have their own interpretation of what each one is about. It’s not like a song with words where the lyric is already telling you what it means. These songs can be about whatever they make you feel. That’s the beauty of instrumental music.

AXS: What was the recording process like?

NS: I did a bulk of the recording on a break from the tour over the summer in L.A. The rest was done in the back of tour buses, venues and in hotel rooms. Anywhere I could set up my recording rig. Even if I only had a free hour in-between sound check and the show, I’d set up my equipment and get something done. It was grueling at times but was so worth it because I was able to be really hands on. The album came out exactly the way I wanted it to.

Read the rest of my
Interview with NIta Strauss by Clicking Here.

Interview: Rachel Reinert discusses her infectious debut single, ‘Cool’

Photo by Angela Talley

When singer-songwriter Rachel Reinert joined Gloriana at the age of eighteen, she began a whirlwind journey that yielded the band three critically-acclaimed albums, extensive tours and working with artists like Taylor Swift, Rascal Flatts, Alan Jackson and Zac Brown Band. The group was even awarded the Academy of Country Music’s Top New Vocal Group as well as earning an American Music Award for Breakthrough Artist of the Year.

But Reinert had always envisioned herself as a solo artist, and in 2015 the sultry vocalist decided to fulfill her life’s ambition. She stepped away from the spotlight and began developing a sound that infuses her poetic voice with a California-country vibe.

The title of Reinert’s hook-laden debut single, “Cool,” is apropos. For not only does it introduce the beautiful songstress as a solo artist, but it also exposes her unique, groove-ridden combination of pop and country, with tasty elements of artists like The Eagles and The Stone Canyon Band.

AXS recently spoke with Rachel Reinert about “Cool,” her decision to leave Gloriana, and more in this exclusive new interview.

AXS: What was the driving force that made you decide to pursue a solo career?

Rachel Reinert: Time was the biggest factor. I had originally moved to Nashville from California when I was sixteen. I signed a publishing deal and had every intention of being a solo artist. I was on that path for a few years; doing a lot of writing and spinning my wheels. When I turned eighteen, I had the opportunity to be a part of Gloriana. It ended up being one of the most amazing experiences of my life for eight years. We had a great run, but after the third album, I thought in my heart of hearts that it was time to set out on a fresh start. So, I put my head down and started writing. I wanted my sound to be very California-country. Rooted in where I come from and the music I was raised on.

AXS: How did your new single, “Cool,” originate?

RR: I started writing with David Naish and Melissa Fuller. We developed this amazing rapport and friendship. Whenever I feel comfortable in a room with someone and can share my experiences and what’s on my mind, that’s when the best songs develop. That day, I went in and told them I wanted to write a song about my first love. So, we started diving into the story and how the relationship I was in went from first love to first heartbreak and being absolutely devastated. Then, over the span of almost fifteen years, the relationship developed into a true, genuine friendship. It’s an interesting dynamic about time and forgiveness and how all of those experiences make you into who you are and where you’re meant to be.

Read the rest of my
Interview with Rachel Reinert by Clicking Here!

Interview: Punk pioneer Palmyra Delran discusses her infectious new single, ‘Come Spy With Me’

Photo: Fred Lammers

Singer-songwriter and multi-instrumentalist Palmyra Delran has often been referred to as the “Lucille Ball of Rock ‘n’ Roll” by the legendary Little Steven Van Zandt. But the trash-pop maven and punk pioneer is provoking espionage with her infectiously cool new single, “Come Spy With Me.”

The song is the title-track of Delran’s new album that’s due out Nov. 9. The album mixes groove-ridden elements from the early days of punk and explores subjects like today’s volatile political climate. “Come Spy With Me” also features an arsenal of special guests, including Van Zandt, Debbie Harry (Blondie), and John Carlucci (Fuzztones).

AXS is excited to premiere Delran’s new single, “Come Spy With Me” and recently spoke with about the new music and more in this exclusive interview.

AXS: What inspired the new track, “Come Spy With Me”?

Palmyra Delran: Initially, it was sort of a nod to cool spy shows like “Get Smart”. I’ve always liked the image of people talking into shoes and watches, which are things you can actually do now. I also love those clunky flashcubes on cameras. There was always something so funny about snapping a picture, getting temporarily blinded by the flash and then it would click to the next position. Then I made the connection between that and how weird the world has become. You see surveillance cameras on almost every corner and wonder why people even bother committing crimes. Everything is recorded and they’re sometimes in custody by the next day.

AXS: How would you describe your sound?

PD: Trash Pop… not Pop Trash. Trashy Pop describes the sound of the pop music. My stuff is a little rough but still catchy – with harmonies, hooks and riffs. It’s gotta be melodic!

Read my new
Interview with Palmyra Delan by Clicking Here!

Interview: Brynn Elliott discusses her anthemic debut EP, Time Of Our Lives

Photo By Jimmy Fontaine

Brynn Elliott’s debut EP, Time of Our Lives is a beautifully crafted, living diary from the songstress’ four years in college. Her music is inspired by life, feminism, friendship and a deep understand of the human condition.

Songs like her hook-laden “Might Not Like Me” speak to that female empowerment, while the groove-ridden title track and the ethereal “Internet You” talk of living in the moment and not hiding behind faux personas.

Time Of Our Lives is an infectiously palpable debut from a rising star, and better still, just a taste of what’s to come.

AXS recently spoke with Brynn Elliott about her new EP and more in this exclusive new interview.

AXS: How would you describe the new EP, Time Of Our Lives, in terms of its sound?

Brynn Elliott: For this EP, I wanted to write empowering anthems because that’s what I was experiencing in college. Each of the five songs came from that four-year journey. Sonically, there’s a lot of eighties empowerment and angst because that’s what the songs are about.

AXS What inspires you when you write and create?

BE: It usually starts with an idea. I studied philosophy at school and love the process of thinking slowly and trying to understand an intuitive or universal idea about the world or human beings. For me, that’s what songwriting is. The best songs come from that one idea; whether it’s the Internet, being a woman in 2018, or the simple experience of falling in love. It always starts with a concept or idea.

AXS: Let’s discuss a few tracks from the new EP beginning with the song, “Internet You”. What can you tell me about it?

BE: I have a section in my phone filled with concepts and titles and one of them was for a song that was originally called “Internet Love.” It’s weird how the Internet is shaping our romantic interactions. Sometimes, I would be set up through mutual friends and would check out their Instagram before we met. Then, when we did meet in person, I noticed the person I met in real life was different from the Internet version. We spend so much time curating an image of ourselves that we tend to forget to put the same energy into our relationships. It’s about making the real you the best that it can be.

AXS: How about the track, “Might Not Like Me?”

BE: That’s a song I wrote when I was going through this break-up. I was in a relationship with this guy who made me feel like I was too much into music and school. I was very busy with school and on the road touring on the weekends. He made me feel like I needed to dim my light. I was always concerned about what other people thought of me and that song is about the moment I decided to let him know how I felt. It was my decision to be myself and not worry about the opinions of others.

Read the rest of my
Interview with Brynn Elliott by Clicking Here!