It’s not often you meet a woman with the trifecta success of musical theater, film and television, but such is the case for Katie Callaway.
The beautiful actress began her journey studying classical ballet before attending Belmont University and graduating with a BFA in Musical Theatre. During her time there, Callaway appeared in no less than six different musical productions, including the first ever collegiate production of “Les Misérables.” She also wrote, directed, and starred in her senior thesis production of a one-act comedic musical parody of “The Hunger Games.”
With a powerful vocal equaled only by her acting prowess and charm, Callaway served as a key participant in several master classes and workshops by such notable Broadway influences as Jason Robert Brown (“The Last Five Years,” “Songs for a New World”), Benj Pasek & Justin Paul (“Edges,” “Dogfight,” and “A Christmas Story”) and Jen Waldman (Artistic Director at the Hangar Theatre and a part of the Original Broadway Cast of “Wicked”).
As a film and television actress, Callaway’s impressive list of credits includes a recurring role on ABC / Lionsgate’s “Nashville,” as well as being featured in films like “The Clapper” and “Prize Fighter.” She’s also branched out into commercial work and music videos as well. Her latest film, “Inheritance,” is slated for release in 2020.
I recently spoke with Katie Callaway about her career and life in this exclusive new interview.
Did you always know that you wanted to have a career in the arts and entertainment?
Katie Callaway: Absolutely. I’ve always loved performing and the theater and stage. I started really young in life studying classical ballet, and didn’t think being an actress could be a viable career until I was in my pre-teens. That’s when I asked my mom and dad to get me an agent and some head shots. I remember they were a little hesitant at first, but it’s always been on my radar and something that I loved to do. Following your passion and dreams isn’t selfish. It’s a responsibility.
What was it that attracted you to theater?
KC: I’m a big fan of stories and being able to have that one on one, call and response connection with an audience when something beautiful or dramatic happens on stage. There’s something magical about live theater and having an intimate relationship with the people you’re performing for.
You’ve done live theater, movies, commercials and television. As an actress, what are some of the similarities and differences?
KC: They’re all different but it’s all the art of performance. The beauty about live theater is the adrenaline rush you get knowing you only have one shot to get it right. Every night is completely different. In film or TV commercials you might do the take a few times, but once it’s locked in you can put it to bed. You can do a live show twenty to thirty times and still find new ways of falling in love with the character.
Are there any projects you’re currently working on?
KC: I recently filmed an episode of “General Hospital” that aired this past July, which was very exciting. I also have a supporting role in a thriller starring Lily Collins and Simon Pegg called “Inheritance” that’s slated to be released in 2020. There are a few other exciting things coming up that I can’t really discuss except to say stay tuned!
What’s the biggest lesson you’ve learned about yourself as an artist so far?
KC: It’s hard to pick just one thing but I find out more about myself as an artist by the characters I portray. The arts are about questioning the status quo, relying on things that have happened in the past, thinking about what lies ahead and then using the art of storytelling to share it.
What excites you the most about this next phase of your career?
KC: One thing I’m looking forward to is the opportunity to travel for different roles. It’s nice that the hub doesn’t always have to be L.A. anymore. I’m excited to get more stamps on my passport and seeing different parts of the world.
What’s the best bit of advice you can give to someone who may just be starting out?
KC: Keep your foot on the gas. If it’s something you feel called to do then don’t let anyone tell you that you can’t. It’s a viable career for anyone as long as you’re willing to put in the hard work. There’s a lot to be said for talent and networking but at the end of the day it’s all about perseverance. Always work to better your skillset and self as a human being. We need to follow the things we’re called to do.
October 5th, 2019 – My 50th Birthday.
The past 365 days have been some of the best and absolute worst days of my entire life. It started in January when my very first interview, with Dan Donegan from Disturbed, was posted in the pages of Guitar World magazine. I will NEVER forget the day I walked into the shopping center on a misty gray afternoon and saw the new issue sitting on the shelves. It was like when Indiana Jones first saw the golden idol in “Raiders of The Lost Ark.” Or the feeling I had when I opened it up and fumbled through its crisp white pages and saw that my name had been printed under “Contributing Writers.” Knowing that this magazine would be in stores all over the world was surreal. Thinking about it now still gives me chills. I went on to do three more interviews this year – one with Jim Heath (Reverand Horton Heat), one with Vivian Campbell (Def Leppard, Dio) and another with Alan Parsons.

In the years since
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