The Story of “Doodle”

doodlecoverI suppose it’s best to start from the beginning. It was somewhere in tenth grade when our paths crossed for the very first time. Now, thirty years is a long time to hold on to such memories but bear with me here. It was definitely the first year of high school; a time when the future seemed oh, so bright and the feeling of being in the home stretch of public education was finally starting to settle in.

Although I had just started playing guitar and dreamed of one day being the next Eddie Van-Halen, my original intent going into high school was to become a doctor. I had even taken some courses to help prepare me for my journey, including algebra and Latin. I really wanted to help people.

Anyway, I was sitting in tenth grade history class; a required subject, but one that I fell in love with right from the start. It was the only class in all of my years of education where I actually sat in the front row. I know this not because I was a nerd or anything (seriously, I wasn’t), but because last spring, Michele reminded me.

Michele, who also happened to be in the same class, could tell you exactly where I was sitting in proximity to her location and the classroom door. She has an amazing memory (in fact, when we reunited with each other last spring after too many years, it was one of the first things she pointed out remembering). I’m sure that if she thought long and hard about it, she could probably even tell you exactly what I was wearing. My guess is that it was a J’s Subs T-shirt and Lee jeans that I liked to wear religiously in those days.

High school years can be trying times, and mine were no different. But with all of the peer pressure and trying to find out where I fit in, I always found solace in art and music. And although we had never become friends and were nothing more than “another classmate” to each other, I do remember that Michele was also in my art class at one time too. Perhaps it was because she had written the word “Dokken” or “DIO” on her math book that jars my own memory about it. After all, she was a “metal head” too!

I always enjoyed doodling and writing poems in those days, never realizing what it might eventually turn into. But as the years went by, the hunger to become “Eddie” soon began to outweigh the desire to take the Hippocratic Oath, and music and art would become my life.

runbees

After high school was over, Michele and I both went our own separate ways. She would go on to become an educator and artist. As for me well, I did what most struggling musicians often do: bounce from job to job, attend community colleges and play the occasional bar gig or party. Eventually, I was able to balance my love of art with steady, full time employment.

Over the years, I have been extremely blessed to have been able to write and record my own songs and interview many of my favorite musicians for news articles, but there was always another dream I had running in the back of my mind: to one day write a book of my own. But as is often the case, life always seems to have other intentions and the dream would always wind up being placed on the back burner. Then last year, I began to have this idea for a rhyming story about a little girl and a dog. It was a spiritual story; one where both characters wonder about how things were made. The time was finally right. It was something I knew I had to do, but what I really needed was someone to come in and do the hard part: the illustrations. That’s when fate stepped in.

With our “big” 25th high school reunion approaching, the class of 1987 students began reuniting with each other via Facebook. It was there that Michele and I connected again. She was now living in Ohio but mentioned that she was going to be visiting the area and (along with another amazing friend) we all hooked up for dinner one night. I bounced the idea off of Michele, who coincidentally, also had the same dream of publishing a book. After a series of back and forth emails and months of organizing, proof-reading and spell-checking, “Doodle” finally came to life. It may be a children’s book about innocence, spirituality and wonder, but on a personal level, it’s also about friendship, reunions and good memories.

But the story doesn’t end there.

Shortly after the release of the book, Michele asked me if it were possible to donate her share of the profits of the book to her friend, whose daughter Ashley has been ill for quite some time. Ashley will soon require a bone marrow transplant and her medical bills are astronomical. Without hesitation, I decided the best thing to do was to donate 100% of all of the profits we make from the book to Ashley.

Check out the video of my interview discussing the Story Of Doodle and our mission:

The cost of each book is $7 and can be purchased online via Create Space or Amazon.Com. Depending upon where you order, we will receive a different royalty rate per copy. If you order through Create Space, we receive a royalty of $1.95 for each book. Purchasing through Amazon’s website will give us a royalty of .55 cents per copy ordered.

If you get a chance, please check out our “Doodle” Facebook page. Even if you don’t purchase the book, please consider giving the page a “Like” and share it to help raise some awareness. We’d greatly appreciate it!

Because in the end, while creating this book has fulfilled a life-long dream for both Michele and I, there is nothing greater than accomplishing that dream than with a true purpose.

For more information about Ashley’s Army Click Here

Click here to purchase your own copy of “Doodle”.

Guitar World Interview: Stryper’s Michael Sweet Discusses New Albums, Book, Tour

Stryper

Michael Sweet may just be the busiest guy on the planet. For 2013, the Stryper front man has plans for no less than three albums, two tours and an auto-biography. The revival officially begins on March 26th when the band releases the appropriately titled “Second Coming”; a sixteen-song collection of classic Stryper re-records as well as two brand new tracks.

In an era when such “re-makes” are generally frowned upon, Stryper has managed to take their already vintage sound and moved it to a much heavier level. Fans of the band’s first three albums will be blown away with the freshness from “new” versions of songs like “Loud N’ Clear”, “Soldiers Under Command” and “Calling On You”. ‘Second Coming’ also features two brand new Stryper tracks that balance out an already amazing effort and puts the spotlight squarely on Sweet’s own phenomenal guitar prowess.

In addition to the new album, Sweet’s own solo album and auto-biography are planned for release this year. And, if that isn’t enough, Stryper will enter the studio in April to record an album of all new material that will coincide with a summer tour.

Stryper is: Michael Sweet (Guitars/Vocals),  Oz Fox (Guitars), Timothy Gaines (Bass) and Robert Sweet (Drums).

I spoke with Sweet and got the scoop on all of these projects. In addition, he also lets us in on yet another “scary” surprise that he has planned for the end of the year.

What was the genesis for Second Coming?

Initially, we intended to make this record for our publishing company. Usually, people tend to roll their eyes at the thought of doing re-records because you’re already used to the original and sometimes think, “What’s the point?” Typically, it’s hard to recapture the same “magic” that you had on the originals. But what’s cool about these songs and this record is that not only we were able to capture all of the magic from the original songs, but in some ways surpass and add some new magic to them as well. When people hear this album as whole, they’re going to be blown out of the water.

Check out the rest of my Guitar World interview with Michael Sweet by clicking here.

‘Paralyzed’: Devyn DeLoera Discusses New Single, Rock For Autism and ‘The Voice’

DevynParalyzedInfectious. That’s the one word to describe “Paralyzed”, the new single by former ‘The Voice’ contestant Devyn DeLoera. It’s a song that gets inside of your head and just won’t leave. A follow-up to her time spent on the show, the catchy pop single is available on iTunes as well as many other digital music outlets.

Inspired by the music of Christina Aguilera, Kelly Clarkson and Paramore, the beautiful songstress has overcome her childhood shyness and is now forging her own musical path, with confidence.

On April 26th, Devyn will take part in Rock Now for Autism; a benefit concert for Jenny McCarthy’s Generation Rescue and sponsored by Los Angeles Magazine.

I spoke with Devyn about her music and upcoming show. We also discuss her time on ‘The Voice’ and what she has planned for the future.

How did this new single come about and how would you describe it?

A few writers who I’m also friends with knew what kind of style I wanted to do musically and approached me with it. It’s a fun pop song that you can jam out to in your car. [laughs]

Tell me a little about the ‘Rock Now For Autism’ benefit concert.

It’s a great opportunity to really help raise awareness. I’ll be doing an acoustic show and some of my friends from ‘The Voice’ will also be performing as well. We’ll most likely perform original songs and a few cover songs that people are familiar with as well. It will be a great show and I’m excited to be a part of it.

What was the audition process like  for ‘The Voice’?

I originally had a private audition in Austin, and there were about 40 people there. Afterwards, I flew to LA for a week and auditioned for 20 NBC executive producers, which was very scary! [laughs].

After that, there’s a month where you’re busy rehearsing your first blind audition song as well as taping your realty life story. Then, you finally go in one day and do the part where they film the chairs. There’s a big process to it, but it was a great experience. I learned a lot about myself and music and made a lot of friends.

What was going through your mind when those chairs turned around?

It was a like dream. I just remember at the time being so excited because I got who I wanted (Christina). The whole experience was just surreal.

What was it like working with Christina Aguilera?

Christina was great. She was such a great coach and really invested in her team. She was very helpful in helping me find the direction for my career.

What would a typical day with her be like?

Our team was always nervous whenever we would visit her. We did a lot of things for the camera with her and got her opinion about our performances. For being as huge a star as she is, she is such a down to Earth, real person. I remember when I met with her and Billy Joe Armstrong (Green Day), they were both laughing and having a great time.  Before the live rounds started, she invited five of us to her house just to hang out and listen to her new album.

DevynDeLoera

Let’s discuss how you had to overcome shyness and build your confidence.

I went through a period in my life where I didn’t like school and thought I didn’t fit in. I was depressed and had issues with making friends. My Mom decided to home school me for a year to help build my confidence and it really helped. After a year, I went back to public school.  Some people might find it hard to believe that I was so shy, but I really was. I still have my shy moments, but nothing like how I used to be. I’m a lot more confident now.

Was there a particular moment when you decided that music was going to be your calling?

I think it was when I got on a stage for the first time when I was nine years old. That’s when I realized it was something that I loved. I decided at a young age it was something that I really wanted to do. Music makes everyone happy.

What’s next for you?

My next plan is to put out another single and then start work on an EP or an album. I also want to start playing shows in LA to gain more confidence and establish my signature. I want to be who I am as an artist and make a career of it.

For more information on Devyn DeLoera check out her Facebook by clicking here
Follow Devyn on Twitter: @DevynDeLoera

REO Speedwagon’s Kevin Cronin Discusses Latest Tour, Guitars and ‘Hi Infidelity’

REO_RandeeSt.NicholasPowered by the vocals and songwriting of guitarist Kevin Cronin, REO Speedwagon continues to bring its brand of mid-west rock and roll to the masses.

Cronin briefly left the band during the recording of the “Ridin The Storm Out” album, but rejoined in 1976 and has been with them ever since.

Guitarist Gary Richrath, whose signature Les Paul sound became synonymous with hits like “Roll With The Changes” and “Take It On The Run” left the group in 1989 and was replaced by Dave Amato, whose resume includes stints with Ted Nugent and Richie Sambora (Bon Jovi).

REO Speedwagon is: Kevin Cronin (vocals/guitar), Dave Amato (guitar), Neal Doughty (keyboards), Bruce Hall (bass) and Bryan Hitt (drums).

I spoke with Cronin about this year’s “Midwest Rock ‘n Roll Express” tour which brings along veteran rockers Styx and Nugent. We also discuss the Hi Infidelity album and a recent encounter he had with Richrath.

Where did the idea for a “Midwest Rock and Roll Express” originate?

We had always been toying with the idea taking a little bit of our mid-west culture and bringing it around the country.  So last year I called my buddy Tommy Shaw and he was in. Then to find that third piece, Tommy mentioned Nugent (from his ‘Damn Yankees’ relationship). The idea worked out so well last year that we decided to do it all again.

Read the rest of my Guitar World Interview with Kevin Cronin Here

Hotel Diablo Guitarist Alex Grossi Discusses New Video ‘Psycho, California’

hoteldiablo2013 is shaping up to be a busy year for Hotel Diablo’s Alex Grossi. Already one of the hardest-working guitarists around, Grossi also performs with Quiet Riot (which celebrates the 30th anniversary of its monster album “Metal Health” this year). In addition, Grossi mentors other up and coming bands and is also involved in a clothing line with Forgotten Saints.

Grossi first met vocalist Rick Stitch back in 2009 when both were members of Steven Adler’s band, “Adler’s Appetite”. After parting ways with Adler, the duo (along with bassist Mike Duda and drummer Mike Dupke) began writing songs together and formed Hotel Diablo.

It wasn’t long before friend, producer and former Guns N’ Roses guitarist Gilby Clarke  took notice and asked the guys to come down to his studio and record. It was also no coincidence that the first song they recorded was “Set It Off,” a track that would instantly catapult an entire project.

Pleased with the result, the band ended up doing a total of nine tracks with Clarke at his studio and two additional ones with LA underground producer Matt Starr. The result? Hotel Diablo’s debut album, “The Return to Psycho, California”, an 11-song arsenal of killer riffs and grooves.

Grossi explains the story behind one of the album’s strongest tracks, ‘Psycho, California’. “When we all moved out here to LA from different parts of the world, we were all fresh-faced, young kids. But we quickly discovered how this town can just eat you up and spit you out. This place (LA) has a lot of mythology to it, and that’s really what the song is about.”

When it came time to do a video for the song, the band already had a vision for how they wanted it to be. They joined forces with Emmy-winning director Fabio Jafet (Pitbull, KISS, Enrique Iglesias, Children of Bodom), who was instrumental in helping to capture the true essence of the song. It was an organic process that quickly took on a life of its own.

gilby_4Hotel Diablo recently completed a show at the House of Blues in LA, officially unveiling the new video and following it up with a live performance where they were joined onstage by Clarke himself. Bassist Chris Wyse (The Cult/Owl) also joined the band for the song “Bury You”, which Grossi revealed will be the next video released from the album and will once again reunite them with Jafet.

When asked about the future and working on the next Hotel Diablo video, Grossi is quick to point out his admiration for the director. “Fabio is world-class and the fact that he wanted to work with us was humbling.

Our goal now is to keep the creative momentum going.”

HD_2

Click for more on Alex Grossi and Hotel Diablo

When I Became A Metal Head: Metal Health

MetalHealthI’m not sure of the exact day, but I can tell you that it was sometime during the summer of 1983. Back when I was but a wee-lad of 13 and innocence was all the rage.

In those days, my father used to like to take my brother and me on drives to visit his friend Hal, who lived in a small ranch about five miles away. In order to get to his house, we would have to take the winding, back roads that wound along the Lehigh, a river which separated our home in Pennsylvania from the New Jersey border.

With windows rolled down, it was always a pleasant drive to Hal’s; particularly on sunny days when (from my vantage point in the back seat of my Dad’s 1977 Malibu Classic) I could take in the beauty of the scenic overlook, smell the honeysuckle in the air and feel the wind rush by my face. Little did I know at the time, but this was going to be one of those special days.

Our visit with Hal that particular day is not something I have any real recollection of. My brother and I were most likely tossing a football around in his back yard while Hal and my father kabitzed about work or something. In fact, it wasn’t until the ride home that I actually had the epiphany that would change my life forever.

We were nearly home and were listening to the local radio station when it came on. At that precise moment, we could have driven right off the road and into the river and I would have been oblivious to it. Once I heard it, I was hooked. The song was “Cum on Feel The Noize” by Quiet Riot and at the time, I had no idea that it was originally a #1 hit for the band Slade ten years earlier. All I knew was that this updated version was the most incredible song I had ever heard in my entire life. Who would have thought that girls rocking boys would have had such an impact on me? It would be the first time that I would ever make a demand of my father. Three words: “Turn It Up!”, to which he thankfully obliged.

I remember we pulled into our driveway and (much to my father and brother’s chagrin), I made them sit there in the car with me until the song was completely over. Back in 1983, there was no way of knowing when I would hear that song again, which in retrospect actually made me appreciate the song even more whenever I did hear it.

I instantly longed to be the one who vocalist Kevin DuBrow put on his shoulders and played the guitar solo instead of Carlos Cavazo. I wanted to be the one standing alongside the thundering bass of Rudy Sarzo and the infectious drums of Frankie Banali. I wanted to be the one to get wild, wild, WILD!

It wouldn’t be long before the album, ‘Metal Health’ found its way into my possession. But Metal Health was more than just an album. It pushed the metal genre into the mainstream and ushered in a new wave of music euphoria for a generation of starving ears. For me personally, the album went much deeper. It actually became a part of me. So much so, that when I started taking proper guitar lessons a year after that drive along the Lehigh River, the very first song I ever learned how to play was ‘Metal Health (Bang Your Head)’. Perhaps it was the reckless abandon of the songs, or maybe it was because Quiet Riot once had Randy Rhoads in its line-up at one time that made the album appeal to me as a guitarist. One of the all time greatest players was once part of the band whose album I now enjoyed. Whatever the reason, I gave up trying to find an excuse for why I liked it long ago. Good music speaks for itself.

I picked this up from Wikipedia: Metal Health was released on March 11, 1983 (thirty years ago), bolstered by the #5 hit “Cum on Feel the Noize” and the #31 hit “Metal Health”. The album is notable for being the very first debut heavy metal album to reach the #1 spot on the Billboard 200 and knocking The Police’s Synchronicity out of #1 spot in the US. Metal Health went on to sell over six million copies and it is considered a classic among heavy metal fans to this day.

On my last day of junior high in 1984, I remember blasting “Cum on Feel The Noize” from the back seat of the big yellow school bus on my boom box. It was my final year before starting high school in the fall, and I felt like a king. Me, James Wood was privy to musical greatness and I just had to share it with the world.

There are certain albums that you instantly bond with, and then there are those that remain with you for a lifetime.

Guitar World Interview: Peter Beckett Discusses New ‘Player’ Album and Touring With Eric Clapton

PlayerFrom his days growing up in Liverpool and watching early Beatles performances to performing with his band, Player as the opening act for Eric Clapton on the Slowhand tour, guitarist Peter Beckett has been privy to a part of music history. Together with Player co-founder Ronn Moss, the band struck gold of their own in 1978 with the chart-topping, feel-good smash, “Baby Come Back.”

Player slowed down in the 1980’s as Beckett focused more on film and television projects and Moss gained worldwide stardom playing Ridge Forrester on the CBS television series, “The Bold And The Beautiful.” In 2003, Beckett and Moss began performing again as Player; always featuring an all-star line-up of players that included (at various times) members of The Cars, Mister Mister, REO Speedwagon, Foreigner, and Little River Band. Now, after a near twenty year hiatus, Player is back with a brand new album, “Too Many Reasons”. Featuring twelve brand new tracks as well as a new acoustic version of “Baby Come Back.”, the album showcases songwriting elements from various areas of the musical spectrum. It’s a welcome formula that’s synonymous with the band’s prior albums.

Player consists of founding members Peter Beckett (guitars/lead vocals/keyboards) and Ronn Moss (bass/lead vocals).

I spoke with Beckett about the new album, touring with Eric Clapton and a moment he realized that music was going to be his calling.

Read the rest of my Guitar World interview here

Dear Diary: March 1988

diaryIt’s that time again. Time for another stroll through the archives of a struggling musician. Today’s journal entry takes us back 25 years to March of 1988; a significant date for me, because it marked the first time I ever joined a band.

My own quest for music glory actually began on May 24, 1985 (the day I took my first legitimate guitar lesson), but it took me nearly three years to get into my first working band. As an aspiring young guitarist, there is no better time then when you join your first band. You’re young, fresh-faced and haven’t yet gotten to the point where bitching, late nights and getting screwed over by club owners is routine. Instead, all you see are Grammy awards, cameras flashing, girls as far as the eye can see, hotel rooms being demolished and your name on the marquee. Ah, to be young again!

One of the things I liked to do with my journal entries back then was pretend that I was being interviewed by some big time journalist. I’d have back and forth discussions with a phantom interviewer (Rolling Stone, MTV, Guitar World – take your pick) regarding my career, and I always liked to answer the questions as if I already had achieved some degree of success in the music business. I found that by doing these “interviews”, it gave me the inspiration to keep pushing on. What’s interesting is that I’ve since discovered (by doing my own “real” interviews) is that a lot of my guitar heroes did exactly the same thing.

My very first band was called ‘Silent Rage’; a name which I’m sure dozens of other groups had. In fact, one such band even had success with it:

Believe it or not, this was exactly what I wanted to look and sound like. If you want to see what my dream band was back then, here it is. Ok, maybe I wouldn’t have named the album “Don’t Touch Me There”, but I mean come on… what’s not to like about hair metal, guitars and hot chicks on motorcycles?  It doesn’t get more rock and roll than that.

But, back to the journal entry….

I began this “interview” by asking myself whether I preferred doing cover songs as opposed to originals. This in turn made me consider the band I had just joined a few days earlier and what our possible first gig might be like.

From March, 1988

Interviewer: You say that you like playing live. Do you like doing cover tunes?

Me: To an extent. As an amateur on the club circuit, or gigging at all I would start out with an even mixture. Here’s how a typical night would go:

“Ladies and Gentlemen, Thank you for coming to Joe’s Bar and Grill. For your entertainment tonight, this is a young band which has a lot of talent: Silent Rage!”

Then we’d come on. All ready to jam.

We’d start off with a good loosen up song to get everyone going: “Shook Me All Night Long” by AC/DC. Then, we’d try something good and challenging like “Still of The Night” by Whitesnake. After that, an original or two (don’t forget to introduce them as such so people won’t go – “What the hell song is THAT?”) Tell them its original, maybe who wrote it or a little story of its origin.

Afterwards, get really going with “Here I Go Again” from Whitesnake. Then another original or two (again, introduce them as such). Take a break for 15 minutes (you should have been playing for about an hour or so by now).

Come back, do originals for the second set (maybe three). Then right back into it with a monster hit, “Crazy Train” by Ozzy. Follow it with “Photograph” by Def Leppard, some more originals and then afterwards thank everyone for coming and go out with “More Than A Feeling” by Boston and maybe (if the crowd is teeny-boppers) “Talk Dirty To Me” by Poison.

For the Boston song: try to get the audience to clap along during the chorus. In fact, try to get them involved in the show as much as possible. No, I don’t mean try to see which section is louder (save that until you’re at Stabler Arena).

Look good, do a few movements, look at your crowd and be friendly.

Above all: Rock and Roll!

***

One of the things I enjoyed most about reading this entry again (aside from having listed every single detail of how a show would go and my Whitesnake fetish) were my own individual song choices. I certainly had a lot to learn about what songs worked in clubs (and would find out the hard way). Having said that, you can definitely see my hair metal influence and the music that was popular at the time.

The days when the sky really was the limit!

Guitar World Interview: The Friggs Guitarist Palmyra Delran Discusses New Solo Album, “You Are What You Absorb”

Palmyra DelranHer music’s been called trashy, surf-rock and punky-pop, but in the end it’s hard to marginalize the sound of Palmyra Delran. Perhaps the best way to describe the music of the founder and creative force behind the 90’s band The Friggs is to say that it’s refreshingly honest.

Delran and The Friggs recorded and toured almost incessantly throughout the ‘90s, opening for such acts as The Selecter, Ramones and Cheap Trick. But it wasn’t until Delran’s 2008 debut solo EP “She Digs the Ride” with its solid guitar grooves and tales of dysfunctional relationship that took her to the next level.

Delran’s new album, “You Are What You Absorb” is another intoxicating blend of punk-girl grit combined with hook-laden melodies and deep lyrics. The album’s first single and video, “You’re My Brian Jones” is a psychedelic romp back to the 60’s with an infectious groove and smooth vocals. It’s an album that (much like the title suggests) is best absorbed, with headphones if at all possible.

Delran’s band consists of: Richard Devgreene (guitar), Michael Lynch (bass) and Mark Brotter (drums). I spoke with her about the new album as well as her plans for 2013.

gw_logo
Read the interview here.

Guitar World Interview: Sevendust’s John Connolly and Clint Lowery Discuss Black Out The Sun

Black Out The SunAfter nearly two decades together, Sevendust remains one of the few bands to come out of the 90’s with all five original members. It’s a testament to the friendship and musicianship the band brings to its fans and each other night after night and album after album.

Sevendust’s ninth studio album, “Black Out The Sun” (available March 26th) is a much grittier, darker release. By using their instincts and taking the second guessing out of the recording process, the result is a much more melodic and creative project. A hybrid of earlier Sevendust albums that fans old and new will certainly appreciate.

Sevendust is: John Connolly (guitar), Clint Lowery (guitar), Lajon Witherspoon (vocals), Vince Hornsby (bass) and Morgan Rose (drums).

I spoke with Connolly and Lowery about ‘Black Out The Sun’, guitars and the longevity and legacy of Sevendust. Read the article in it’s entirety here.