Life

Atlanta

AtlantaWelcomeMy job in information technology requires me to every so often take a trip out of state for a three-day educational class. Usually, the topic is something bland that would bore the average person to death; myself included. I mean let’s be honest, is there any sane person who would want to travel to a major city and then have to spend the better part of the next three days stuck inside some old stuffy classroom talking about databases and SQL queries?

I’m not a big fan of these excursions, and I’m what you call a last-minute person when it comes to preparing for these kind of trips. Call me a homebody or whatever but the truth is, I’m not one of those people who starts making plans and packing a week before leaving. I also don’t research the city I’m going to very much and always wait until the very last-minute before digging out the small suitcase that’s just small enough to be used as a carry-on (yeah, I’m cheap that way). Considering that the weather was going to be beautiful and that I would be making the trip to Atlanta solo this time around, it only made me lament having to go even more.

My arrival in at Atlanta on Monday was pretty uneventful. I rode the Marta from the airport to Dunwoody station with the biggest bunch of Louisville basketball fans I had ever seen in my life. These folks were on their way to the NCAA Championship game and were dressed all in red and whooping and hollering about how in just a few hours, their team would be crowned king. It was pretty cool to watch them.

It wasn’t long before I arrived at the hotel and took to my room. The first thing I noticed after dropping my baggage onto the bed was this giant device sitting next to the nightstand. It was a piece of technology that I had never seen before. An electrical, unplugged contraption that had more knobs and controls than the space shuttle. It didn’t take long for me to realize that this thing that was almost as big as a toaster oven was actually some new fangled, 21st century alarm clock. But rather than try to figure out how to work it, I thought it would be easier to just use my phone’s clock to wake me up each morning. I set the alarm for 6 am and used a song from my music collection as the alarm. I knew that I would probably never needed it though. I don’t sleep well these days and would most likely be up before the alarm sounded and turn it off.

The class itself was as you might have expected – dull and boring. I met some interesting people who worked at a hospital in Alabama, took long walks with our 90 minute lunch breaks and hung out in the outside gardens enjoying the crisp, spring Georgia weather in the late afternoon. It wasn’t until yesterday that things started going south.

During class, someone mentioned that there was a huge line of rain and thunderstorms that would arrive in the area on Thursday, just as class was getting over and I had to make my way back to the airport. Wonderful. Being the worry wart that I am when it comes to airline flights, I could already see that long delays at the airport were in my future and my 8:55pm flight home would be pushed back to well after midnight… or later.

Then on the walk back to my hotel after class, I began to have this weird feeling in my right foot and when I touched it, a sharp pain ran up my leg. I took off my sneaker and sock to discover that the pinky toe on my right foot had turned into a purply, blistered mess from all of the walking I had done the last two days. (Note to self: get better sneakers)

Remember when I said that I don’t sleep well most nights? Well, last night was one of the worst. I kept dreaming that I had left my wallet at the airport security checkpoint and when I went back to retrieve it, all of my money and credit cards were gone (hopefully not an omen of things to come).

This morning, I woke up in a daze and jumped out of bed at 4:45; nearly ninety minutes early. I decided to clear my head and take a walk to the local Starbucks before class. But just to be safe, I checked my wallet and confirmed that I still had money and a usable line of credit. All good.

As I’m leaving the hotel I start hearing music coming over the intercom. It’s Jimi Jamison’s song, “Never Too Late”, one from his recent solo album. “WOW”, I thought to myself. They actually have that song playing in the hotel mix in Georgia. Pretty cool. I continued my short walk to the coffee shop next door enjoying the music playing off in the distance.

It wasn’t until I walked up to the Barista that I noticed something wasn’t right. Everyone in Starbucks was staring at me. It was then that I finally felt the vibration in my pocket. I pulled out my phone and noticed that my alarm was going off and was playing (you guessed it): Never Too Late.

In all of my worrying about getting to the airport, having my wallet hocked and a delayed flight, I was oblivious to the alarm that had been going off in my pocket for the last ten minutes.

Yeah, I think it’s time to go home.

Interview, Music

Boney James Delivers ‘The Beat’

The BeatThere are so many different influences in musical style these days that artists sometimes find the need to blend them together in order to make music that’s sonically appealing. But saxophonist Boney James believes there are really just two kinds of music: good and bad. His latest album, “The Beat” falls into the former category by cleverly combining the elements of R&B and Latin, and is already my choice for album of the year, in any genre.

From the moment I first heard this album, it immediately became clear that it would become the default soundtrack in my car wherever I went. It has elements of sound that make you want to move your feet, while others are best absorbed in the evening twilight, perhaps with a fine glass of wine. From the fresh version of Stevie Wonder’s “Don’t You Worry ‘Bout a Thing” that kicks off the album to the smoothness of “You Can Count On Me” and everything in between, the album is nothing short of brilliant. Repeated listenings find you choosing a different favorite song, something unheard of for an album in the day and age of instant gratification.

James pulls no punches in bringing out the heavy hitters for “The Beat”, including Rick Braun (“Batucada, The Beat”), Raheem DeVaughn (“Maker of Love”) and U.K. poet/musician The Floacist on “The Midas (This Is Why).”

James once envisioned himself in another career role, even having achieved a degree in History from UCLA. But that was before he decided that music was going to become his life. After four gold albums, three Grammy nominations and sales totaling more than 3 million records, it’s hard to argue that he’s made the right choice. With “The Beat”, he is certain to add to that total.

I had the pleasure of speaking with Boney James about the new album and more.

What was the spark that ignited “The Beat”?

I’ve always played around with the idea of one day doing a full-on Latin record. I began by thinking about how I could pull it off and decided to try working on an arrangement of one of my favorite Latin songs, Batucada (The Beat); which Sergio Mendes recorded. I’ve always loved the song and as I was working on it, I decided to try and take out the samba beat and put on more of an R&B back beat. It was so fresh sounding that it became an a-ha moment where I discovered that if I combined the Latin with my R&B groove, it would become this whole new thing. That’s what sparked the whole record.

BoneyJames1Your fresh take on Stevie Wonder’s “Don’t You Worry ‘Bout A Thing” follows a similar formula.

Stevie had done a similar thing with his version by mixing the Latin with the R&B. He’s an R&B singer, but he incorporated a lot of Latin percussion into that song.  So I figured I would do my version of his version of that, and it became this whole third thing.

Tell me about how you connected with Raheem DeVaughn for the track “Maker of Love”.

I had written the music for that song and needed a vocal. Raheem was someone who was on the top of my list of artists I was hoping to work with someday. So just as I’m having that thought, I get an email from Twitter saying that Raheem DeVaughn had started following me. Out of the blue, he  just followed me. I emailed him and asked if he’d like to do a collaboration. I wound up sending him the track and a few days later, he sends me back this whole finished thing. I thought I was just going to get a demo, but he wrote and sang it it all in one night. It was pretty awesome.

What’s your process for songwriting?

It happens in many different ways. Usually though, I’ll be sitting in my studio practicing my saxophone when I’ll get an idea. A little shred of melody or rhythm will pop into my head and I’ll go over to the keyboard and pound out a few measures of the idea. I’ll put it down and save the file and then later on, I’ll go back to it and it starts me on this incredible journey of taking a little nugget of an idea and turning it into a song. It’s a great experience and one of the best parts of what I do. Taking something that once didn’t exist and turning it into something real. I love it.

Where do you get your song titles?

What I like to do is listen to the song many times, close my eyes and try to imagine what kind of feeling I’m getting from it and then see if there’s some kind of poetic, clever way I can communicate that in a song title. ‘Mari’s Song’ is named for my wife. Her real name is Lily, but the family calls her Mari. It’s an old nickname she has.

For ‘Sunset Boulevard’ I was thinking about driving. It’s a great street in LA that goes from downtown all the way to the beach and I thought that was an apt title.

For “Acalento (Lullaby)”, I was already thinking lullaby, but since the album had a Latin element I thought to myself, “How do you say “Lullaby” in Portuguese?” I looked it up online and luckily, it was poetic sounding. [laughs]

How would you classify your style of music?

I don’t feel like I belong to any certain style of music. I just try to do my own thing and people respond to it. It’s really gratifying.

BoneyJames2Growing up, you started out playing clarinet and then switched over to sax. What prompted the change?

There were so many clarinets in the band at the time and the teacher needed a sax player. I was one of the better clarinet players and my teacher thought it would be easier for me to transition over, so he sort of leaned on me to do it. Right away I loved it. It opened up more of a Pop and R&B repertoire for me, as opposed to the classical style that the clarinet had been.

Who were some of your influences?

I grew up listening to a lot of Motown: Aretha Franklin, Marvin Gaye and Curtis Mayfield. As I picked up the horn, I started listening to more fusion like Grover Washington Jr., Weather Report and Chick Corea.

You have a history degree from UCLA. Was there a time where you considered pursuing another career?

I was very interested in history and originally thought I was going to be a lawyer. I thought it would be a good pre-law degree to have. About a year into college was when I discovered that music was my true love and decided to pursue it as a living.  But since I had already started college, I figured I’d finish it.

What’s next for you?

I’m so proud of this new record that I’m going to dedicate the next 18 months of my life to getting out there and letting people know that it exists and making some noise.

For more on Boney James check out his official website by clicking here.

Guitar World Interviews, Music

Guitar World Interview: Gunnar Nelson discusses father’s legacy, James Burton and Scrap Metal

NelsonConsider a world where Bob Dylan, Johnny Cash and The Eagles were all regular visitors to your house. A world where George Harrison was literally “Uncle George” who lived next door, and one where Mama Cass Elliott was your babysitter. Now consider guitarist Gunnar Nelson and his brother Matthew, for that was the world they grew up in.  Where most fans could only dream of meeting their musical heroes, the sons of the legendary Ricky Nelson were privy to music royalty nearly every single day of their childhood.

Ricky Nelson’s music (and particularly the guitar prowess of James Burton) has been cited as a major influence for such players as Brian May and Jimmy Page. Proving that the apple doesn’t fall from the tree, the brother’s own 1990 debut album went multi-platinum and spawned the #1 hit, “Love and Affection”.

The Nelson Brothers are currently involved in several different projects. Their recent album; “Lightning Strikes Twice” is a follow-up of sorts to the hugely successful “After the Rain”. They’re also involved in a traveling road show called “Ricky Nelson Remembered” which pays tribute to their late father and his music.

In addition, the brothers are also performing as part of “Scrap Metal”, a show which features the lead singers of popular 80’s bands doing nothing but their biggest hits. Finally, Gunnar and Matthew are working on a brand new Brothers Nelson experience that’s been five years in the making and promises to showcase the duo as a modern day Everly Brothers.

I sat down with Gunnar Nelson to get the scoop on these projects as well as what it was like growing up in a musical household and performing alongside legendary guitarist, James Burton.

What was it like growing up in such a unique musical environment?

I was born too late for my Dad’s first go around in music, but when Matthew and I were becoming musically conscious, it was vintage garden party Stone Canyon Band. I remember my Dad rehearsing in the pool house that was right down the hall. Bob Dylan would stop by the house and George Harrison lived next door; always encouraging him to write his own songs. When Matthew and I were growing up, this stuff was in our house all the time. I mean, these guys were doing what the Eagles wound up doing four years later, but in MY house. [laughs]

Read more of my Guitar World interview with Gunnar Nelson here.

Guitar World Interviews, Music

KRUSH: Bassist Billy Sheehan Discusses New NIACIN Album

NIACIN-CRUSHFrom his early days with Talas and David Lee Roth, to his time spent with Mr. Big and Steve Vai, bassist Billy Sheehan’s has worked alongside some of the giants in music. But, perhaps there’s no better outlet that allows Sheehan to flex his bass muscle than when he’s working on a NIACIN project. After a seven-year hiatus, Sheehan has once again reunited with acclaimed keyboardist John Novello (Chick Corea, Ritchie Cole) and world-renowned drummer Dennis Chambers (Santana, Parliament) to release KRUSH; a tour de force of sonic blues goodness. Combining exceptional musicianship combined with the rich vocabulary of Hammond B3, it’s a sound that also delves into the territories of jazz and rock without being limited by the boundaries of either.

I spoke with Sheehan about the new NIACIN album as well as his days performing with David Lee Roth. He also reminisces about his very first concert experience: seeing Jimi Hendrix.

How did the Krush project come together?

All of us have been busy working on other project, but our schedules finally worked together and allowed us to get together and do some writing. Our writing process is casual and allows us to dig deep into our past. John and I went to his house, sat around and told stories and played and came up with ideas that over time morphed and evolved into songs. Next, we’ll make a demo with simple drums (just to keep time) and then send it off to Dennis and ask him to wave his magic wand on them. Dennis is the greatest musician I know, on any instrument.

How would you describe NIACIN?

We refer to it as “Bluesion”; like fusion only blues based. Whereas normal fusion is either a combination of jazz and rock or funk, this is more blues based fusion with elements of jazz. The B3 is what takes it down that blues road automatically, just because it’s such an essential instrument. I remember there was a time when I was younger where having a B3 in the band was even more important than having a guitar player.

You can read the rest of my Guitar World interview with Billy Sheehan by clicking here.

Guitar World Interviews, Interview, Music

Guitar World Interview: Joe Bonamassa Discusses The Guitar Center Blues Masters Challenge

bluesmastersGuitar Center’s Blues Masters, through a partnership with Joe Bonamassa, is offering ten musicians the chance to perform in Los Angeles backed by Bonamassa’s band as well as provide one undiscovered blues guitarist with a career-altering opportunity for development and exposure under the tutelage of one of the biggest names in blues rock.

Now through the end of April, guitarists can submit videos of their best lead guitar performance to one of ten official Joe Bonamassa backing tracks. The videos will then be judged through a series of selection processes by both industry professionals and eventually, Bonamassa himself.

The grand prize winner will receive an opening slot at Bonamassa’s headlining show in Los Angeles this fall as well as a cash prize and gear from Gibson, Ernie Ball, Marshall Amplification and Dunlop. In addition, the winner will also receive an in studio mentor session with Bonamassa and producer Kevin Shirley, who has worked with the likes of Journey, Led Zeppelin, Iron Maiden and more.

I spoke with Bonamassa about Blues Masters as well as some of his latest projects.

GUITAR WORLD: Tell me a little about your involvement with Guitar Center and Blues Masters.

I’ve been involved in Guitar Center’s King of The Blues Competition for the past several years and it’s been a lot of fun. Everyone is playing so well that it makes me wish I was 18 again. These guys are so unbridled and enthusiastic. The Blues Masters is a chance for aspiring blues guitarists from across the U.S. to submit their best lead guitar performance to one of my tracks. There‘s a submission and selection process and I’ll be getting involved more towards the end of the year when they finalize the selection, and then we’ll pick a winner.

Check out the rest of my Guitar World interview with Joe Bonamassa Here.

For  official rules and other information concerning Guitar Center’s Blues Masters, please visit: http://www.guitarcenter.com/bluesmasters.

Childhood Memories, Dear Diary, Life, Music

Dear Diary: March 30th, 1988

meI really am grateful that I took the time to semi-regularly write a journal during my high school days. It gives me the opportunity now to look back and see where I was and just how far I’ve come. Back then, the future was bright and there were no limitations. Oh sure, there are definitely some things I lament doing and not doing, but all things considered, I wouldn’t change a thing. The good, the bad, the mistakes I’ve made – they’ve all made me into the person I am today.

This was my situation 25 year ago this very day: I had just graduated from high school nine months ago and was already a college drop out, living at home and without a job. Most of my time was spent either practicing my guitar, driving a beat up 1974 Ford Torino, bumming money off of my mom and grandmother and doing anything I could do to make it to the big time.

One of the biggest regrets I had musically in high school was not being able to participate in my senior year Battle of The Bands competition. It was an annual event held in the high school gym every spring, and gave students the opportunity to showcase their musical talent in front of the greatest audience of all: their peers. Even if you didn’t win, just being in the battle was a right of passage for future rock-star musicians.

At the time, I had no band and thus couldn’t participate. But for some reason that now escapes me, (I blame it on the ten Zimas I drank on my wedding night), I was somehow able to submit an entry for the competition the following year, 1988. By this point, I had already formed my first three-piece band and had begun the process of taking over the world with our brand of face melting metal. Needless to say, I was elated to have this opportunity (albeit a year later) and wanted to really shine.

Reading this journal entry now, a quarter century later is surreal. I was (still am) a huge Ozzy/Randy Rhoads fan and at the time must have played the song ‘Crazy Train’ a million times. I was also hugely into Poison and AC/DC, so those songs also had to be included on the live demo tape we recorded for the judging panel to see if we had what it took to compete. We never did get a call back about being in the battle that year, and I never followed up on it. By that time, my band had already started playing real gigs and the battle (much like the reason we could compete in it in the first place) soon became a distant memory.

Even better than the entry I wrote about the battle of the bands was the question I posed to myself afterwards. I asked myself what it was that was making me so happy in life. My answer is pretty cool.

Here’s my journal entry from 25 years ago: March 30th, 1988:

explorer3/30: I attended a meeting of the Battle of The Bands. It will be quite a competition. I think we’ll get in. They only take eight bands and I’m confident that ‘Silent Rage’ will be one of them. We have a demo and I think it is really good. My situation has really changed since last year at this time. Back then, I was the high school student who dreamed of being in the battle and now I’m actually living the thing I should’ve done last year. Even if we’re turned down, at least we tried.

All I know is, the other seven bands they choose better be extremely good. We played and recorded Crazy Train three times on my cassette player and kept the best version; the one that’s there now. The first attempt had no bass, then too much bass and on this one, it’s an even balance. I swear, some parts of that song make me think Randy Rhoads was controlling me. Even the Poison shit sounds professional. Where it goes “I’ve gotta have you, oh yes I do!” I swear, that little lead I play is C. C. Deville. My original is quite good too and Shook Me by AC/DC is kick ass.

Why are you so happy lately?

The band is the reason. For once in my life, I’m doing something that I really want to do. I’m in my career. No one understands why I talk about it so much. They think it’s probably a phase. It’s not.

I didn’t want to play guitar to be a hobby. I wanna be the best. I want to someday look in a guitar magazine and see my picture as an artist and be recognized as a guitarist and songwriter. Sure, in the beginning everyone gets into it for other reasons; like girls, money and fast cars. I originally thought girls were the reason I got into it too. But deep down, I had this weird feeling and as each day passed, I fell more in love with music than ever before.

Before my junior year in high school was over, I was taking Music Theory. But even that wasn’t enough. In my senior year, I took Music Appreciation, Choir and Theory II. During that time I had guitar lessons and sometimes practiced for five hours a day. Now, the girls don’t matter. As long as I can live normally, I don’t care about the money or the fast cars either. I’ll drive a Torino until I’m 90. All I wanna do is play and make money that way. I want to write songs and have money to go out to dinner. After three long years it’s starting to happen.

I’m so happy about my life at this point, I can’t help but talk about it. Someday, my hope is that everyone else will understand it too.

Thought and Opinion

Show Me The Money

atmI should have known better. No, really I should have. I was the one who spent the last few dollars I had at the store last week with no concern of replenishing my supply. I have only myself to blame.

Last night, with empty pockets and time to spare I could have easily made the quick trip to tap the MAC machine. But I was too lazy sitting in my nice, comfy sweatpants and t-shirt. “It can wait until morning.” I said to myself.

I really should have seen it coming. The fact is that even though I work with them all day long, machines don’t like me for some reason.

Every so often my procrastination leads me to have to go to the bank early in the morning on my way in to work to get funds. And in order for me to avoid getting dinged with outrageous service fees by using a foreign machine, I am forced to visit one of  my bank’s local branches. But ever since my bank consolidated offices, the “local” isn’t so local anymore, and the trip ends up taking me well out-of-the-way of my normal route.

There are two ATM machines I can go to on my way in to the office; neither of which is very convenient. But in the end, I decided to choose the one that had drive-up service (you know, so I wouldn’t have to leave my nice warm car). As I pull up alongside of the machine, I am warmly greeted by the familiar neon “Welcome” that’s glowing off of the terminal in the early morning light. I eagerly insert my debit card to begin the transaction.

What follows is a dramatization of the conversation between me and the machine:

*************************************************
Machine: “Hello James, you handsome devil. Would you like Fast Cash? If so, how much?”

Me:  Why, yes. Yes I would. How about $80?

Machine: “You’ve got it James. Would you also like a receipt?”

Me: No thanks.

Machine: “Ok… I’m sorry, temporarily unable to complete this transaction. Want to try again?”
*************************************************

Ok. no need to panic here. The machine probably just doesn’t have enough funds for $80….

*************************************************
Machine: “Hello James, you chisled abbed male model. Would you like Fast Cash? If so, how much?”

Me:  Yep. Uh how’s about $40?

Machine: “Sure. Would you like a receipt?”

Me: Nope.

Machine: “Ok… I’m sorry, temporarily unable to complete this transaction. Want to try again?”
*************************************************

The realization that I may be screwed is starting to set in….

*************************************************
Machine: “Hello James you….”

Me:  Look, shut the hell up you piece of sh$t! Just give me $20 NOW!

Machine: “Sure. Sure. Would you like a recei..”

Me: NO!!

Machine: “Ok… I’m sorry, temporarily unable to complete this transaction. Want to try again?”
*************************************************

At this point it is all I can do to not scream. This particular machine has screwed me over many times in the past, but it’s usually when I drive up and see the “Out of Service” sign in my time of need. This is the first time I have ever been duped after first being welcomed.

Moral of the story? I don’t know, I’m too pissed to think of one right now. But while I do, can someone do a brother a solid and lend me a buck for the vending machine?

It doesn’t take debit cards.

Movie Reviews

Movie Review: The Frankenstein Theory

FrankensteinPart found footage, part documentary and part Paranormal Activity meets Blair Witch, ‘The Frankenstein Theory’  uses the monster story as the backdrop for an expedition into terror.

Based on the assumption that the classic Mary Shelley novel was really a work of non-fiction, John Venkenheim (Kris Lemche); a descendant of the scientist involved in the original project and now a disgraced and desperate intellectual, funds a quest to the Arctic Circle in an attempt to locate the long lost creature.

Together with a documentary film crew (Heather Stephens, Brian Henderson and Eric Zuckerman), the team meets with a French-Guide (Timothy V. Murphy) who takes them deep into the arctic wilderness where below freezing temperatures, night vision cameras and malevolent cries in the night are just the beginning of the horror that’s in store for them.

Although the notion of the Frankenstein novel being a work of non-fiction may seem a bit far-fetched, by the time the real expedition begins, you as a viewer have already become so caught up in the characters that not only does the idea suddenly sound plausible, but any doubt you have about the creature’s existence is quickly forgotten in your own quest to learn the truth.

Writer and director Andrew Weiner has spent a tremendous amount of time researching the subject and the results show. “If we’re going to operate under the assumption that this event actually happened” Weiner says, “then the question becomes, how could it have happened? I spent a lot of time studying both the novel and Mary Shelley as well as researching 18th and 19th century medical books. Much of what you see in this film (in terms of the research I introduce) is real.”

The characters within the film are believable. From the obsessed and oftentimes whiny Venkenheim to the comedic antics of the film crew on their journey to the North Pole, there’s enough humor mixed in with the horror to keep the story interesting and moving.

Frankenstein purists who might see this film as “blasphemous” should keep in mind that even Shelley herself rewrote several parts of the original story in subsequent editions and often referred to it as the progeny she gave to the world. But “The Frankenstein Theory” is not a remake; it merely uses the classic novel as the backbone of the story.

Horror films are designed to be scary, but aren’t very interesting if that’s all they have to offer. Where ‘The Frankenstein Theory’ really succeeds is by taking the idea of a mundane existence and posing the question, “What if?” By the time you realize the truth, you’re so heavily invested that the answer no longer really matters.

There’s a lot of nuance and details about movies that can easily be missed, and if you’re an observant watcher of ‘The Frankenstein Theory’, there are a few little gems hidden within that can be found with subsequent viewings.  It’s something I  highly suggest you do.

Movie Reviews

Movie Review: Shadow People

ShadowPeopleThe phenomenon of SUNDS (Sudden Unexplained Nocturnal Death Syndrome), and the belief that malevolent creatures may be to blame is the basis of the new film, Shadow People. Written and directed by Matthew Arnold, the film stars Dallas Roberts; whose current tenure on the AMC hit TV show “The Walking Dead” is sure to garner interest from horror fans, and rightly so.

Roberts plays Charlie Crowe, a small town radio personality and divorced father trying to juggle his fledgling radio career while attempting to re-establish a relationship with his estranged son.

When Crowe receives a strange call on his radio program one night from a young man fearful of the Shadow People and subsequently dies, it sets into motion the possibility that not only could these manifestations be real, but the story itself could also be news worthy enough to be his golden ticket to the big time. Together with CDC Agent Sophie Lancombe (Alison Eastwood), the pair begins an investigation which ultimately uncovers a dark world and decades long cover-up.

Shadow People explores the actual historical evidence of SUNDS and the real phenomenon of an inverse placebo effect, where the mind can actually kill the body through false belief. Backed by real archival footage from a suspected outbreak which occurred in Kentucky, it uses the “found footage” approach to film making in a new and exciting way by intertwining the story along with actual, real-life participants.

“Shadow People” also stars Anne Dudek (“Mad Men,” White Chicks), and Mattie Liptak (Quarantine 2, The Candy Shop).

What I liked: I enjoyed the mixing of news footage with real world interviews within the context of the story. The combination worked well in not only establlishing the possibility that Shadow People might actually exist, but also calls into question the true power of the mind.

The SUNDS  phenomenon and Shadow People are both interesting topics that have been around for centuries. In Persia they’re called “Bakhtak.” In Japan, they’re the “Kanashibari.”; and in Mexico they’re called the “Subirse el Muerto”. Victims have reportedly been awoken from their sleep to find themselves paralyzed and a noise buzzing in their head while a shadowy figure stands and watches them. Some experts believe that these “appearances” may be tied to SUNDS.

What I didn’t like: Although the combination of footage and interviews is both welcome and appealing, it’s over saturation tends to become confusing and drawn out after a while.

Bottom line:  Although the film tends to drag a bit at times, Shadow People is a film which nicely brings to light the subject of SUNDS and has enough scares and mystery to hold your interest for it’s 88 minute run time.

Shadow People (Rated PG-13) will be released on Blu-ray / DVD on March 19th.

Guitar World Interviews, Music

Guitar World Interview: Warrant Bassist Jerry Dixon Discusses Band’s Legacy and Summer Plans

From his early days playing the LA club circuit, bassist Jerry Dixon saw something in a young up and coming band that piqued his interest. A late night discussion with the band’s guitarist, Erik Turner would soon begin a partnership that planted the seed for one of the most successful hair metal bands of all time. With the arrivals of Joey Allen (guitars), Steven Sweet (drums) and the amazing singer/songwriter Jani Lane, Warrant was soon on the road to stardom.

Having been through many trials and tribulations over the years (most notably, the on again/off again relationship with the Lane, who passed away in 2011), the band has persevered by adding vocalist Robert Mason (Lynch Mob) to the mix in 2008 and released 2011’s Rockaholic, an album on which Dixon summed up his experiences best with the track, “Life’s A Song”.

Warrant

Twenty five years after those early recording sessions for what became the band’s debut album, “Dirty Rotten Filthy Stinking Rich”, Warrant continues to make music and tour to fans that simply can’t get enough of their melodic, in your face anthemic rock.

Warrant is:  Jerry Dixon (bass), Robert Mason (vocals), Joey Allen (guitars), Erik Turner (guitars) and Steven Sweet (drums).

I spoke with Dixon about the early days of Warrant as well as what the band has planned for the summer. Check out the Guitar World Interview here.