I am super-excited about the release of my new novella, “Neapolitan Sky”. Right now, it’s going through a second round of test readers and the plan is to have a final edit done prior to publishing, which as it stands now appears to be in early spring.
I’d like to use these next few articles to share with you more details about the book that will hopefully pique your interest. First, I should mention that a novella is about half the size of your traditional novel. Some of the all-time great novellas include “Animal Farm,” “Of Mice And Men,” “The Old Man And The Sea” and “A Christmas Carol”. I’m in no way putting my book in the company of those classics, but if you’ve read any of them as part of your high school English class, or even for your own enjoyment, you’ll have an idea as to length of my story, which right now is 155 pages.
“Neapolitan Sky” is a thriller about a girl named Nica Mitchell; a college student with dreams of becoming a professional writer. Nica is forced to return home when her ailing father is hospitalized after suffering a near-death experience while receiving cancer treatment. While there, Nica learns about what happened to her father during those precious moments in between life and death. It’s a haunting secret that will change her world forever.
Interested? Please, read on!
The next thing I’d like to discuss is what actually inspired “Neapolitan Sky”. I’ve had the pleasure of interviewing hundreds of artists, musicians and actors over the last five years, and the idea for writing this story actually came about as a result of an interview I’d done with the amazing actress, Fiona Dourif, in the Summer of 2017.
For those who aren’t aware, Fiona’s father is Brad Dourif, whose film credits include “One Flew Over The Cuckoo’s Nest,” “Eyes of Laura Mars” and “The Lord of The Rings” among many others. He’s perhaps best known for being the voice of Chucky in the “Child’s Play” films, which has also featured Fiona in the last two installments.
Since Brad only plays the voice of the doll, Fiona hasn’t really had a chance to work face to face with her father on screen. So, one of my questions was to ask if she’d ever be interested in working with him in a role outside of “Chucky”, even if it was in a short film.
I remember her exact words to me were, “Absolutely! You write it. Let’s do it!”
Although I realized such a thing would most likely never happen, it nonetheless led me to write a story about a father and his daughter, using Fiona and Brad as inspiration for the main characters–and with that, “Neapolitan Sky” was born.
I hope you’ll stick around to learn more about the story in the days and weeks ahead. For me as a writer, it doesn’t get much better than this!
Whether she’s portraying the frail but formidable paraplegic, Nica Pierce in “Curse of Chucky”, the crazed assassin, Bart Curlish, in “Dirk Gently’s Holistic Detective Agency” or the young nurse, Diane Jones, in the ABC mini-series, “When We Rise”, Fiona Dourif has proven that her versatility and talent as an actress is as genuine as the person she is in real life.
The beautiful Dourif will soon reprise her role as Nica in the upcoming horror/slasher film, “Cult of Chucky”; the seventh entry in the “Child’s Play” franchise scheduled to be released in October. The film, written and directed by series creator, Don Mancini, also reunites Fiona with her real-life father, Brad Dourif (the voice of Chucky) and features Alex Vincent (from the original “Child’s Play”) and Jennifer Tilly (“Bride of Chucky”, “Seed of Chucky”).
I recently spoke with Dourif and got a sneak peek at “Cult of Chucky”, the second season of “Dirk Gently’s Holistic Detective Agency”, her career and more in this exclusive new interview.
It’s been four years since we’re seen you as Nica Pierce in “Curse of Chucky”. Was this new film, “Cult of Chucky” something that had always been planned?
I think Don [Mancini] is always thinking about ways to re-invent the franchise, even though he may not have a set timeline for it. It’s his life’s work. So, there was definitely talk about it on the set of the last film. I even remember Don coming up with idea of the mental asylum while we were shooting the last movie. With this new movie, he combines the old with the new, but it’s not a reboot. It’s a reinvention. It’s seeing Chucky in a way we’ve never seen before. There are definitely some surprises and I’m excited to see what people think.
What was it about the script that originally attracted you to the role of Nica?
I feel very close to the franchise in a way that’s there no parallel. When I was initially given the script, I auditioned for the role of Nica’s sister, Barb. But after watching my tape, Don said there was a quality in my performance that was right for Nica. It wasn’t obvious to me at first but they had me come in to audition and through the process made me understand that my own instincts as a person were very similar to Nica’s. But everything about the project attracted me. The idea that I could lead a franchise I felt this close to and to do something with my dad was an utter dream come true. It was my first studio film and a coming of age for me.
What makes horror such a great genre?
I think it’s fun to feel afraid. It takes up all of your attention in a way that’s exhilarating. It’s a baseline human experience and when you dive into it, it’s like riding a roller coaster.
What are some of the biggest challenges of playing Nica?
Horror itself is challenging because you have to bring a lot of energy to it. Nica goes through some very dark places, so there was a lot of trying to find freedom in the idea that everyone you love is dying in front of you. Working with the dolls can also get challenging because Chucky gets a lot of takes. You’re also working with a puppet that has six people in green suits around you. There’s someone controlling his eyebrows, someone controlling his lips, someone controlling the way his mouth moves, two people controlling his arm movement. You’re acting in this high intensity moment and in order to make the moment correct all six people have to be in sync together. So, if it’s a two-shot and Chucky’s getting twenty-six takes, you have to keep that energy and terror alive for all twenty-six. I remember getting home from those first days shooting with Chucky and just being a puddle on the floor [laughs]!
Without giving too much away, how would you describe “Cult of Chucky”?
“Cult of Chucky” is like a Chucky movie on drugs. I think that’s the way Don describes it. It’s a psychedelic, hospital movie with a lot of surprises. We’re going to see Chucky in a way we haven’t seen him before. It’s going to be fun.
What’s it like working with Don Mancini?
Don is a really generous director. He’ll let me bring to it what I think is right and then he’ll come in with opinions and an intelligence that I find very rewarding. We became good friends on the last movie and this year there was a fun synergy between us. I feel very close to this franchise and where the story goes. It’s fun to be able to make something with Don that people really dig.
When did you realize that acting would be your calling?
I remember the exact moment. I had been working on documentaries for a production company for The History Channel when I got the opportunity to take an acting class. I was doing an improv of a pizza delivery scene and when I got up there and performance kicked in it was the most exhilarating thing in the world. That’s when I thought if I could do this with my life, what could possibly be better?
Are there any other projects you’re working on right now?
I’m in Vancouver shooting “Dirk Gently’s Holistic Detective Agency”, which is in its second season with BBC America and Netflix with Elijah Wood and Max Landis at the helm. I play a “Beetlejuice-like” monster who is the assassin of the universe. I’m this dirty, creature and the least sexualized feminine character that has ever been written. It’s maybe my favorite character I’ve ever played.
What can fans expect from the new season?
Mayhem! Max is a very smart, emotional writer. Sometimes the show feels like a graphic novel in the best possible way.
What’s the best bit of advice your dad’s given you as an actor?
There are kernels of things he’s said to me over the years that have become clearer in my journey. I remember a piece of advice I think about now-a-days with “Dirk Gently”. He said this cryptic thing: “You just have to step over the line.” The more I think about what he meant by that is more crystalized for me now.
Would you like to work with your father on another project at some point?
We talk about that all the time and would love to do something together. There hasn’t been a project yet that’s worked but I would really love that. It would be a gift.
What excites you the most about this next phase of your career?
I’m most excited about finding more freedom in the chances I get to perform. Like anything, the more you do something the better you are at it and the freer you become. It’s a fun ride and I’m so incredibly lucky.