For Light In The Dark, the sophomore album from monster trio Revolution Saints, we find Deen Castronovo (vocals/drums), Doug Aldrich (guitars) and Jack Blades (bass/vocals) once again teaming up with producer/songwriter Allesandro Del Vecchio for an infectious compilation of inspired songwriting and tasty guitar work, highlighted by Castronovo’s amazing vocal prowess.
Light In The Dark [which is set for an October 13 release] continues to build off the classic, melodic rock style of the band’s debut and their collective musical resumes (which includes Journey, Night Ranger, Damn Yankees, Dio and Whitesnake), but fans should also prepare for a more unique set of performances, as we all as a few surprises.
In this interview, I spoke to Aldrich about Revolution Saints, his gear and The Dead Daisies.
How does Light in The Dark compare to the band’s debut album?
It’s similar in that everything is representative. It’s a little bit heavier in some songs but it’s still got the melodic rock guitar sound and a real riff rock feel. Overall, it’s a little bit edgier.
I like it because we all had a chance to write on this one. I brought in a bunch of guitar parts and arrangements and Deen threw down an mp3 of him playing guitar that I got a few riffs out of as well. Jack also wrote on a few of the songs and Alessandro co-wrote pretty much everything except for one of the ballads.
Let’s discuss a few tracks from the new album, beginning with the title track.
That originally started out as a song that Allesandro had with simple, blocked down guitar parts, a verse and a chorus. I worked with him on an arrangement and started out by taking the guitars in one direction.
Once I got to Italy to record and started playing against the real drums I changed the riff a little bit to toughen it up. It’s right in the same vein of the last record and a good leadoff track.
What about “Freedom”?
I had brainstormed a song that was kind of our version of Phil Collins’ track, “In The Air Tonight.” That was the initial inspiration behind it. Deen had sent me an mp3 of a drop D riff he had recorded and I took a little piece of that and simplified it. In the end, it has a little flavor of “Separate Ways” by Journey with how the three of us played it.
“I Wouldn’t Change A Thing”?
That was a song written by Richard Page, the singer from Mister Mister. When I first heard it I was excited to see what I could do with it. Allesandro had done a rough demo where the guitar solo broke into a melody. I really liked it but when I picked up the guitar and started to play around it, I got a hit for a completely different melody that really set well with the vocal. I’m happy with how it turned out.
Read the rest of my
Interview with Doug Aldrich by Clicking Here!
It’s been 35 years since Night Ranger released their guitar-driven debut, Dawn Patrol. The album ushered in the band’s hook-laden, twin-guitar sound—a sound heard on songs like “Don’t Tell Me You Love” and “(You Can Still) Rock in America.”
The band also helped define the Eighties with songs like “When You Close Your Eyes,” “Sentimental Street” and, of course, “Sister Christian.”
Today (March 24), the band released a new album, Don’t Let Up, and it’s an obvious next step for a crew that’s been rocking for more than three decades. Songs like “Somehow Someway” and “Nothing Left of Yesterday” conjure that blistering, dual-guitar attack—now featuring trade-offs by Brad Gillis and new guitarist Keri Kelli—while “Comfort Me” and “Truth” offer hope in uncertain times.
In the end, Don’t Let Up reflects exactly what Night Ranger continues to be: a kick-ass American rock band. Night Ranger is Jack Blades (lead vocals/bass), Kelly Keagy (lead vocals/drums), Brad Gillis (guitar), Eric Levy (keyboards) and Keri Kelli (guitar).
I recently spoke with Blades and Gillis about Don’t Let Up, gear and a lot more.
This year marks the 35th anniversary of Dawn Patrol. What goes through your mind when you look back to that era?
BLADES: A sea of emotions. It’s interesting to think that it’s been 35 years because sometimes it feels like 35 days. When you start out, you figure you’re going to be in a rock band for a while and then hope for the best. Who would have thought we’d be here now, 35 years later, talking about a new Night Ranger album? We’re one of the survivors.
GILLIS: What goes through my mind was how exciting the Eighties were and the Cinderella story of how I got the gig with Ozzy Osbourne and toured the world. Then taking everything I learned from that experience and carrying it into Night Ranger. I think about how Ozzy’s Speak of the Devil and our Dawn Patrol were released on the same week in October 1982 and then jumping right into a major Night Ranger tour. It was a great era, and to still be doing it 35 years later is pretty amazing.
What’s it like having guitarist Keri Kelli in the band?
BLADES: Kerri’s great and is a perfect addition. He brings in a unique groove and Stones-ish feel to the band. He’s the guy who pulls everything all together and fits in perfectly with Brad. They get along great, and he and Eric Levy are very in tune to the history of Night Ranger and the music we’ve created. They bring ideas and an attitude that’s really worked out well.
What was the writing process like for Don’t Let Up?
GILLIS: Basically, we started out by going to Kelly’s home in Nashville with the nucleus of the band [which consists of myself, Jack and Kelly] and wrote about six songs in a few days. Then we came back to my place and wrote a few more, and then flew to Jack’s to do a few more. Then we brought in Keri and Eric to put the icing on the cake and round out the record. We stuck with our format of big choruses and the dual-guitar assault with different styles of soloing.
BLADES: The process was laid out like we’ve always done: Let’s get in there and jam. That’s exactly what we did.
Read the rest of my
Interview with Jack Blades and Brad Gillis Here!
Considering their resumes, which read like a who’s who of hard rock and metal, calling Revolution Saints a supergroup is something of an understatement.
The creative trifecta of Deen Castronovo (Journey, Bad English), Jack Blades (Night Ranger, Damn Yankees) and Doug Aldrich (Whitesnake, Burning Rain) has put together an inspired collection of songs packed with monster vocals, driving rhythms and (of course) a blistering guitar attack.
Their debut self-titled album, which will be released February 24, also features appearances by Castronovo’s fellow Journey bandmates, Neal Schon and Arnel Pineda.
I recently caught up with bassist Jack Blade to talk about Revolution Saints, Night Ranger and more.
GUITAR WORLD: How did the Revolution Saints project come together?
It was actually the brainchild of the head of Frontiers Records. He really wanted to give Deen a platform where he could be the lead singer. He talked to Deen about it, and then Deen called me up and asked me if I wanted to be a part of it. I was immediately on board. Then someone mentioned Doug Aldrich. I’ve always been a big fan of Doug’s. He’s such a great guitar player. Boom! There it was!
The new album has elements from all of your other bands, yet has its own unique freshness. How would describe the new album?
It’s pretty hard rocking. Good, classic hard rock with balls is basically what the whole thing is about. I think when you have individuals like us, you can’t help but be who you are. It is who we are in all of those bands we’ve been a part of. But Deen’s voice is so pure and clean on this album. It’s just wonderful.
You can read the rest of my
Interview with Jack Blades by Clicking Here!
I still remember the first time I ever heard Night Ranger. My neighbor Mike, who lived next door to me growing up, called me up one Friday night and asked me if I wanted to go to the Palmer Mall. Back in the early 1980’s, having your parents drive you to the mall was all the rage. I suppose it still sort of is today but not like it was back then.
On the drive over in his parents big blue station wagon Mike asked his Mom to put in this beat up white cassette tape that he had. Mike had copied the tape from someone else and it was old school music piracy at it’s finest. “Jim, Wait until you listen to this band” he said. And from the time the first sounds of “You Can Still Rock in America” started coming over the scratchy speakers I was hooked.
“Who is this?” I asked Mike. I had no idea who this group was but it was different from anything the two of us had ever heard before. We had always been more of a Cars, REO Speedwagon and Rod Stewart type of fan that never let anything “new” enter our musical world. But this was different…and exciting.
“They’re called Night Ranger and they are friggin awesome!” Mike responded and I couldn’t agree more. All the way from our homes on South Side to Palmer Township we listened to that bootlegged tape. Hearing “Sister Christian”, “When You Close Your Eyes” and “Rumors in the Air” for the first time was thirteen year old male audio euphoria.
Upon arriving to the mall our first stop was to the Listening Booth, the only place in town to buy records. That’s where Mike redeemed himself and purchased the full on copy of the vinyl “Midnight Madness” record for us to enjoy as we played video games in his basement.
A year or so later I made one of my own very first vinyl album purchases. A copy of “Seven Wishes”, which was the follow-up to “Midnight Madness”. I remember Mike and I wearing that album out as well. We were so hooked on this band and were fortunate enough to see them live in concert at Stabler Arena. One of the best shows ever.
So now fast forward a few decades. Adult life has taken over for me and I’ve become the one listening to my daughter’s music as I drive her to the mall. As for Night Ranger? Well, they are still touring on occasion and releasing albums every so often. Some of it really great music although sadly, nothing on par with the success of the ones I mentioned earlier. The music industry has changed so much they’re just not welcome in the mainstream any more.
In March of this year, I discovered they had released another new record and were coming to my hometown for the first time in twenty some odd years and knew I had to be a part of it.
Additionally, they were offering ticket packages that included an awesome seat and a meet and greet with the band. In 1985, I probably couldn’t get anywhere near these guys. And now, for a C-note, you could get up close and personal. Which was right up my alley.
Seeing Night Ranger perform this past Wednesday night in Allentown was surreal. Most people today would have no idea who these guys are. Unless you play them a few bars of “Sister Christian” which has become they’re trademark. I found myself being taken back in the 80’s watching them perform those songs. I thought about Mike and that Friday night drive. Listening to this music for the first time. We were young, and everything was new.
Suffice to say, I was ecstatic to be ushered back to meet the band. Even though they had no idea who the hell I was, it was an emotional experience to shake hands with the guys that were indirectly a part of my teenage years.
I still had my “Seven Wishes” album that I managed to dig up from an old box in the basement. The album had sat in silence for years collecting dust. But now it too has become new as the three original members who played on it autographed it for me. The album will now be framed and adorn my wall to always remind me of that night.
The meet and greet also included one photo opportunity with the band and it was at that point that I made an odd request. I didn’t want the photograph to just be a pic of me smiling with the guys in the band. That would be too typical. No, I wanted it to be different. Something to remind me of my childhood. So in the end I brought along an empty box of Count Chocula, my favorite cereal growing up.
The band was very receptive to having the box in the picture with us. In reality though, I suspect they probably thought I was crazy because everyone I’ve shown the picture to tells me so. But the more I think about it, it’s probably a good thing if they think that way.
Because somewhere down the road, someone is going to interview them about their long, stoic career and ask them what was the oddest experience they’ve ever had with fans. And I can just picture them laughing and saying to each other:
“Hey, do you remember that guy that wanted his picture taken with a box of Count Chocula?”.