Tag: Vicki Peterson

The Bangles’ Vicki Peterson and The Cowsills’ John Cowsill bring harmonies, hits to Sellersville Theater

Photo: Henry Diltz

For Vicki Peterson and John Cowsill, singing and touring together wasn’t part of a grand design. It began almost accidentally — a casual blending of voices that revealed an undeniable spark.

As songs emerged and their unique harmonies locked in, it became clear that the married pair shared more than just a personal bond. They had discovered a rare creative chemistry. Drawing on decades spent inside some of pop music’s most influential bands, Peterson and Cowsill quickly developed a musical shorthand that transformed a chance collaboration into a fully formed partnership.

Peterson first captured the spotlight as a founding member of The Bangles and some of the most indelible hits of the 1980s, including the global smash “Walk Like an Egyptian.” Cowsill’s resume is equally storied, beginning with the platinum-selling family group The Cowsills and continuing through more than 20 years as drummer and co-vocalist with The Beach Boys.

Together, they bring a deep well of pop history to a project that honors classic songwriting while embracing an avant-garde spirit.

That spirit is especially evident on their debut Americana album, “Long After the Fire,” a deeply personal collection built upon songs written by John’s late brothers, Barry and Bill Cowsill.

Many of the compositions date back more than half a century, carrying an unmistakable AM-radio warmth, while never once feeling nostalgic. Instead, the songs sound fresh and immediate, animated by the duo’s distinctive harmonies and shared devotion to their craft.

Fans of Peterson and Cowsill — as well as devotees of their respective bands — will have the opportunity to experience that chemistry firsthand when the duo performs at the intimate Sellersville Theater on Tuesday.

I recently spoke with Peterson and Cowsill about their upcoming performance, the making of “Long After the Fire,” and the remarkable stories that have shaped their careers.

Q: Both of you have performed on some of the world’s biggest stages. What do you enjoy about having the opportunity to perform in a smaller, more intimate venue?

Vicki Peterson: When it’s just John and me, I prefer the more intimate settings. We can hear each other because it’s just two guitars and two voices. From where you’re sitting, it gives you the sense of being in someone else’s living room, hanging out and singing songs. The interesting aspect is that, even though we’ve both been doing this for decades, this is the first project where each of us have our own name on it and not being part of a collective. It’s exciting to be alive at this point in time and have something completely new and challenging ahead of you.

You can read the rest of my Morning Call interview with Vicki Peterson and John Cowsill by Clicking Here!

The Bangles’ Vicki Peterson Talks New Album, Saluting the Paisley Underground

Photo: Autumn de Wilde

It was the dawn of the Eighties when the Bangles (then known as the Bangs), the Dream Syndicate, the Three O’Clock and Rain Parade were all new L.A. bands at the core of the influential Paisley Underground scene.

Five years ago, the four groups got back together for a charity event that went over so well they decided to do something unique to celebrate their success. They each got to work putting their own spin on one song from each of the other three bands. The result is a new 12-song collection, titled 3 x 4: The Bangles, The Three O’Clock, The Dream Syndicate, Rain Parade, which will be released on purple swirl vinyl, double LP and CD for Black Friday Record Store Day on November 23, with a wider release coming early next year.

Guitar World recently spoke with Bangles guitarist Vicki Peterson about the new album and more.

What inspired this new project? How did it all come about?

The record is a delayed outgrowth of a reunion we did a few years back. We all got together, Rain Parade, Dream Syndicate, the Three O’Clock and the Bangs, and did a series of shows in San Francisco and L.A. We had so much fun reconnecting that a week later, I was talking with Danny Benair (The Three O’Clock) and Steve Wynn (Dream Syndicate) about doing an album. But instead of recording new material, we thought a sweet project would be for each band to pick a song from the other three bands and cover it. It was a nice way to pay tribute to each other.

Who coined the phrase “Paisley Underground”?

It’s generally credited to Mike Quercio (The Three O’Clock). He was sitting down for an interview and someone asked him to describe what was going on and what the common thread was and he said, “We’re the Paisley Underground.” It was a movement and certainly not mainstream music. At the time, it was the early Eighties in Los Angeles. Punk was winding down and there was a rockabilly scene. All of us shared a common reverence for the music of the mid-Sixties to early Seventies. It was very contrite, and “paisley” really kind of says it best.

I want to ask you about the tracks the Bangles covered for the new album, starting with the Three O’Clock’s “Jet Fighter.” What can you tell me about it?

Generally, it’s the most pop tune on the album. It’s got such a catchy chorus and a great feel. It was one of the songs that when I heard it again sparked a lot of happy memories of going to Three O’Clock shows.

Read the rest of my
Interview with Vicki Peterson by Clicking Here!

Bangles Guitarist Vicki Peterson Discusses the 30th Anniversary of ‘Different Light’

BanglesWhen the Bangles released their sophomore album, Different Light, in 1986, it represented something of a departure from the guitar-driven, Sixties-oriented sound the band had been known for.

With its eclectic mix of radio-friendly pop, dance and Motown groove, Different Light would go on to become one of the year’s biggest albums, yielding the hits “Walking Down Your Street” and “If She Knew What She Wants,” plus the Prince-penned “Manic Monday.”

The album also gave the Bangles their first Number 1 song, the quirky yet strangely infectious “Walk Like an Egyptian.”

Below, Bangles guitarist Vicki Peterson recalls the making of Different Light and the tidal wave of success that followed. We also discuss her current work with the Bangles, the Psycho Sisters and Continental Drifters, gear and more.

When you look back at Different Light with 30 years of perspective, what comes to mind?

Different Light was a really important record for us and transitional in some ways. We had started out as a very raw garage band, and the first full record that we did with Columbia had more of that Sixties, guitar-rock sound. Different Light has some songs that kind of veered away from that. In some ways, it was a little uncomfortable, but new things always are.

What prompted that change in direction?

We were trying to feel our way through growing up as a band, and that started happening with that record. It was a band decision. Instead of staying in one spot musically and working directly from that Sixties, guitar-based platform, we launched into other things. David Kahne (producer) did a lot to take any ideas we had and was musically creative as an arranger. He was actually the one who brought us “Walk Like an Egyptian.”

You can read the rest of my
gw_logoInterview with Vicki Peterson by Clicking Here!