After many years of being out in the wilderness when it came to playing in America, Midge Ure is back!
With a vast career of accomplished guitar work from his days with Rich Kids and Thin Lizzy to the synth sounds he utilized with Visage and Ultravox, Ure will be teaming up with fellow 80s giants Howard Jones and Tom Bailey for this year’s Retro-Futura Tour. A jam-packed show that will cross the U.S and also features China Crisis and Katrina (ex-Katrina And The Waves).
Coinciding with Ure’s visit to the States will be the release of his brand new studio album, ‘Fragile’ (coming August 19). It’s Ure’s first new studio album in more than a decade.
I had the pleasure of speaking with Ure about Retro Futura, “Fragile”, his first taste of America with Thin Lizzy and how he helped change the world with one little Christmas song.
How did you get involved with the Retro Futura tour?
I had been away from America for quite a long time and about a year and a half ago decided to go back and play clubs and just enjoy the feeling of being there again. I had a fantastic time. This year, I was thinking of doing some more acoustic shows when my agent told me about the tour. He told me about Howard and how Tom would be doing Thompson Twins material for the first time in years and about the other artists. I thought it was a great idea and jumped at the chance. It’s a fantastic package.
What can fans expect from your set?
I think the answer can be found in the title of the tour. It’s looking at the old hits and playing the soundtrack of people’s lives. So I’ll be doing the hits: a few Ultravox things; maybe a few Visage things and a few solo songs as well.
What made the 80’s so great?
I think the Eighties were very similar to what it was like in the early Sixties. It was a time when The Beatles came along and a musical revolution was happening. The revolution involved fashion and teenagers having their own music and not just something that was a hand me down from their parents. There were also some really diverse songwriters and bands that came out of the Eighties. On top of that, there was a technical revolution happening where synthesizers and small four-track recorders came into the mainstream. All of these things came together to form a fantastically creative period that still resonates now.
How would you describe your new album, “Fragile”?
It’s a culmination of influences from the day I was born – and not just the musical ones. It’s the people I’ve met, the books I’ve read and the things I’ve experienced. All of the stuff that makes us who we are. For instance, I wouldn’t be where I am now if I hadn’t fallen in love with Mick Ronson’s guitar playing back in the early Seventies, or if I hadn’t been a fan of Thin Lizzy. I want people to put this album on at the beginning and play it straight through til the end. Not just cherry pick tracks. Just listen to the entire thing and let it take you on a little journey.
What is your songwriting process like?
I see an album as a diary where you write about the things that affect you. The good, the bad, the things that you’re happy about. Life is a rich pallete of colors. I usually start with a seed of an idea and then sit down and add little bits of music to it. It’s almost like building a jigsaw puzzle. You put the elements together and start seeing it all come together. The more pieces you put in, the bigger it gets. It may take weeks or even a few years but eventually, you know that it’s finished because you’ve got a completed picture.
Will you be touring the new album here in the US?
Yes. My plan is to come back to America in January for a few weeks and do an acoustic show featuring a substantial amount of the “Fragile” album. Then I’ll come back again sometime in March to cover more of the country.
After Gary Moore abruptly left Thin Lizzy, you were asked to fill in for the rest of the tour. Can you tell me how you got the gig?
I was a fan of Thin Lizzy from the first album. They actually derived from another band called Skid Row, a three-piece Irish band who had a 16-year-old Gary Moore playing guitar for them. I was a big fan of them. And then I heard about this other guy, Phil Lynott who fronted his own band and I went to see them when they came to Glasgow in Scotland. Phil was such a great writer, singer and charismatic front man.
One day, I remember bumping into Phil walking around the streets of Glasgow. This was before Thin Lizzy became really big. I was driving my band’s van at the time and drove Phil to my parents’ house where my mother fed him – because she thought he was too skinny [laughs]. Phil and I became friends and met up in London after I had joined the Rich Kids in 1978. We just started hanging out together and I did a few sessions with him.
I was actually in the studio putting the finishing touches on the Visage album and had just joined Ultravox when Phil called. He told me that the band was in Arkansas and that Gary wasn’t in the band anymore. Then he asked me if I could hop on a plane and come out and finish the rest of the tour with them. It was an unbelievable experience and my first taste of America.
This year marks the 30th anniversary of The Band Aid project, “Do They Know It’s Christmas?” What was your original goal with that song?
Our big goal was to see if we could get a #1 record at Christmas in the U.K. We originally thought we could raise £100,000 ($200,000), but no one in the industry saw that there would be this massive media machine surrounding it. Once the record company said they were going to donate their profits, the pressing company said they would donate theirs and then the dealers did the same thing. So instead of £100,000 we wound up raising £3m on that single!
At what point did you realize the real impact the song was going to have?
When we had all of those artists come in on that day to add their strength, we knew we had something special. But the moment I remember most is driving home at the end of that 24-hour period. After having recorded all of the vocals, Phil Collins’ drums and completing all of the mixing, I remember being completely exhausted. Just before I turned into my driveway, I heard Bob Geldolf on BBC Radio 1 with a cassette and they played the song. Literally, an hour after I had finished mixing the song I was listening to it on my car radio. I had never experienced anything like that before and it was spectacular. Radio 1 didn’t play anything that was unsolicited, but they played that cassette every hour on the hour. It was then that we knew something big was happening.
Are there any other memorable highlights of your career you can share?
The great stuff that happens to most musicians is the stuff you don’t see or don’t recognize. For me, one of them was sitting one on one with Eric Clapton playing old blues tunes. There was no one there to witness it and no photographs or recording of it exists, but I know that it happened. Then there’s doing a duet with Kate Bush. How cool is that? Going into Kate’s studio to hear what she had sung on my song. Figuring she may have spent ten minutes knocking off a vocal when it turns out she must have spent days multi-tracking all of these choir-like vocals on my song. It was so incredible. Stuff like that is just as powerful as the big stuff the world sees. It’s the little things in the big picture that are the big picture for me.
What are you most looking forward to about The Retro Futura Tour?
I love the idea of coming back to America and getting to places that I might not get to play on my own. There are a lot of people out there who still remember and appreciate this music. I also remember going out with Howard back in 1989 when I was touring the “Answers to Nothing” album. So, we’re kind-of completing the whole circle by going out with Howard again. I’m really looking forward to it.
Retro Futura Tour
Aug. 21: NYC – Best Buy Theater
Aug. 22: Philadelphia – The Keswick Theatre
Aug. 23: Brookhaven, NY – Pennysaver Amphitheater
Aug. 24: Boston, MA – Wilbur Theatre
Aug. 25: Cleveland, OH – Cleveland Performance Arts Center
Aug. 26: Toronto, ON – Koolhaus
Aug. 27: Chicago, IL – Ravinia Festival
Aug. 29: Los Angeles, CA – Greek Theatre
Aug. 30: Saratoga, CA – Mountain Winery
Aug. 31: Lincoln, CA – Thunder Valley Resort & Casino
Sept. 3: Tempe, AZ – The Marquee
Sept. 4: San Diego, CA – Humphreys Concerts By The Bay
Sept. 5: Las Vegas, NV – Mandalay Bay Beach
Sept. 6: Sandy, UT – Sandy Amphitheater
Sept. 8: Dallas, TX – Verizon Theatre
Sept. 10: Orlando, FL – Hard Rock Live