Tag: Entertainment

Guitar World Interviews, Interview, Music

‘Wolflight’: Guitarist Steve Hackett Discusses His New Solo Album and Genesis

WolflightYou could call Steve Hackett’s new album, Wolflight, a rock record, but it’s so much more than that.

Besides its healthy doses of rock, R&B and jazz, the album, which will be released April 7, reveals the Influence of 19th-century composers and features some unusual instrumentation, not to mention a healthy dose of Hackett’s inspired guitar work.

“Love Story to a Vampire” uses tension to describe an unresolved domestic drama, while “The Wheel’s Turning” finds Hackett recalling nostalgic childhood memories.

Musicians on Wolflight include Hackett’s longtime collaborators Roger King (keyboards), Gary O’Toole (drums) and Nick Beggs (bass), along with Yes bassist (and Squackett bandmate) Chris Squire on “Love Song to a Vampire” and drummer Hugo Dagenhardt on “Dust and Dreams.”

I recently spoke with Hackett about Wolflight and Genesis, as well as his plans to celebrate the 40th anniversary of his first solo album, Voyage of the Acolyte.

GUITAR WORLD: It’s been nearly four years since your last solo album, Beyond the Shrouded Horizon. Why such a long wait?

For the past few years, I’ve been actively involved in bringing back to the viewing public the Genesis dream that was. It’s taken up so much of my time that I had to put new stuff on hold for quite a while. The effect of that allowed me to concentrate my mind on what it was I’d like to do outside the confines of Genesis. I think that helped create a more broad based album than before.

What can you tell me about Wolflight?

Although the influence of world music is very strong, it’s essentially a rock album. Having said that, there are many guest appearances of things that go well beyond just the guitar, bass and drums. There’s a fair amount of orchestra; instruments such as the tar [from Azerbaijan], in this case played by Malik Mansurov, who kicks off the title track.

We’ve also got some duduk played by Rob Townsend, who normally plays sax with me as well as whistles and flutes. Along with Malik, we’ve twinned the tar with a digeridoo, which is played by Sara Kovacs. All of this is in addition to electric and acoustic guitars. I really wanted to mix things up and felt the genres that normally don’t get mentioned would be rich seas to plunder. There are even moments where there are hints of flamenco and French chanson as well as rock, pop, blues and jazz.

You can read the rest of my
gw_logoInterview with Steve Hackett by Clicking Here!

Guitar World Interviews, Interview, Music

‘Cannibals’: Richie Kotzen Talks New Album, The Winery Dogs and Gear

CannibalsIn a career that has spanned more than 25 years, guitarist extraordinaire Richie Kotzen has built an impressive resume of albums that showcase his unique shredding prowess, vocals, songwriting and vast musical knowledge.

On Kotzen’s recently released 20th solo album, 2015’s Cannibals, we find the guitarist exploring some interesting new territory.

“In an Instant” and “Come on Free” offer a tasty, Seventies-AOR sound, while “The Enemy” showcase Kotzen’s slide guitar skills. Kotzen also makes the new album a multi-generational affair by including his daughter’s piano-driven song, “You.”

I recently spoke with Kotzen about Cannibals, his songwriting and his current gear setup. He also provides an update on the next Winery Dogs projects and more.

GUITAR WORLD: Lately, you’ve been busy with the Winery Dogs and releasing a compilation package called The Essential Richie Kotzen. What made you decide to release a new solo album?

I felt like it was time. I really had not released a new solo record since 2011. I remember saying to myself around that time that I’d like to take a break from myself and do a collaborative project. The Winery Dogs came at a very good time because the songs I was working on at the time, “Elevate,” “Damaged,” “I’m No Angel” and “Regret,” all ended up on that record.

They were things that we either finished or ideas that were started that ended up on the record. Plus we all wrote new material. After spending the last year and a half doing the band, I really wanted to get back to what it was I’ve been doing for the last 20 years. So I went back into the archives and found some songs I started writing many years ago. There also are brand-new songs, like “Cannibals,” on there too.

This is one of those records where I did what I felt and one that creatively and artistically was true and accurate. I don’t like having to meet a deadline or live up to someone else’s expectations. I’m at my best when I’m left to my own devices.

What’s your songwriting process like these days?

I don’t believe in consciously setting aside a time to write. For me, writing is an emotional, creative thing that requires a lot of variables to line up. To write a real song, there are a lot of things that have to go on emotionally. In my experience, the most truthful material I’ve written comes from unexpected moments. Ideas will come at you many different times and in many different ways. You just have to be prepared to recognize that inspiration and roll with it.

Read the rest of my
gw_logoInterview with Richie Kotzen by Clicking Here!

Guitar World Interviews, Interview, Music

Ron “Bumblefoot” Thal Discusses His Eclectic New Album, ‘Little Brother Is Watching’

BUMBLEFOOT1 - Photo by Catherine AsanovFor the better part of 20 years, guitar virtuoso Ron “Bumblefoot” Thal has performed at sold-out shows and festivals around the world.

Thal, whose unique guitar work is an undisputed highlight of Guns N’ Roses’ Chinese Democracy album (2008), also headlines as a solo act and helps raise awareness for several constructive causes, including the Red Cross, Operation Smile and the Earthquake Relief Fund.

Although it’s been nearly seven years since he’s released a solo album, Bumblefoot is back with Little Brother Is Watching, his 10th full-length solo release.

It’s an inspired collection of eclectic, modern rock that’s packed with tasty guitar work and lyrics about life in the digital age and beyond. The songs, including the album’s title track, reflect a change in perception of who’s watching who, while “Don’t Know Who to Pray to Anymore” and “Livin’ the Dream” focus on self-reflection and the need to question everything.

Although he’s unable to discuss his current Guns N’ Roses status, you can tell in speaking with Thal that he’s at a good place in his life right now, and it’s even more obvious when listening to Little Brother Is Watching.

I recently spoke with Bumblefoot about the new album, his songwriting, gear and another new project, Art of Anarchy.

GUITAR WORLD: What spawned or inspired this new album?

It’s been too long since I’ve done an album. Although I did some one-off singles in 2011, it’s been a while since I did a full collection of music. Due to touring, there was never enough time to dedicate and keep momentum in a studio. Now that I’ve got that time, it was time to make that happen.

How would you describe Little Brother Is Watching in terms of how it relates to some of your previous work?

The foundation for everything I’ve done has been punk and classic rock. That’s what I grew up on. Everything else is icing on that cake. As I got older and with all of the time that’s passed and life experiences, there were more stories to tell. I just got more direct about telling them.

Read the rest of my
gw_logoInterview with Bumblefoot by Clicking Here!

Horror, Interview, Movies and TV

Actress/Producer Brooke Lewis talks new films, career and life coaching

LewisWhen it comes to Hollywood actresses, you’d be hard pressed to find one who is as confident, inspiring or more hardworking than Brooke Lewis. Because whether she’s acting or producing, this beautiful Philadelphia, PA native has made a name for herself in the film and television world.

As an actress, Brooke has appeared in many different genres of film but is perhaps best known for her work in thrillers and mob themed stories like “iMurders” and “Sinatra Club” as well as for the comedic portrayal of her vampire “alter-ego”, Ms. Vampy.

If all that weren’t enough, Brooke is also a board certified life coach; using her talent and experience to encourage her clients to become more courageously confident and to discover their own inner voice.

Brooke has another busy year ahead of her with passion projects like “The Mourning” as well as the sequel to the hugely successful film, “Starship: Rising”. I had the pleasure of speaking with her about her upcoming roles as well as her work as an actress and life coach!

Tell me a little about your background.

I’m one of those people who knew what they wanted to do in life early on. As a child, I was very sensitive and a bit insecure. It wasn’t until I started taking drama classes that I discovered that acting was a great outlet for me to express myself and feel emotion. I started my career back East in Philadelphia where I did a lot of theater work. Then I went to New York where I did a few off Broadway shows like Tony n’ Tina’s Wedding before finally making the move to LA.

What can you tell me about your new film, “The Mourning”?

It’s a labor of love project. I first met Marc Clebanoff [writer/director] a few years ago when we did an action film called “Break” with Michael Madsen and David Carradine. I did a supporting role in the film and had a lot of fun. The two of us went on to do a few other films together and we eventually became good friends. In 2011, Mark and Michael Walton came to me and said that they wrote a great supporting role for me in a new film they were working on. It’s a drama with a sci-fi twist where I got to play a tremendous supporting role along with Louis Mandylor, who’s a tremendous actor. It has everything that makes for a great gritty indie film and it was a blast working with true artists who were really committed to the project!

What attracted you to the script?

By nature, I’ve always been a big fan of thrillers, but the thing I loved the most about it is that it’s a love story. Every good film starts with a good script and this is one of the most beautiful stories about love, life and how things change.

How would you describe the story of “The Mourning”?

It’s the story about a young guy who lives in a small town. He and his best friend go off to the Gulf War and without giving too much away, one of them comes back and the other one doesn’t. Now it’s twenty years later (present day) and this person who’s been missing suddenly reappears.

You have another film that’s about to be released, “Starship: Apocalypse”. What can you tell me about that?

Neil Johnson is another director who has been a blessing to work with. The first film, “Starship: Rising” came out last year and was a huge hit overseas. The sequel is a fun, spaceship driven, full blown sci-fi piece that I had the best time working on. I play Staris, who is a bad-ass fighter pilot. She’s strong and sassy and fights for what she believes in. She has integrity and will keep to her beliefs in order to protect her federation. She is one of my favorite roles.

How did you become involved in life coaching?

I’ve always been the kind of person my friends and associates would come to looking for advice and shortly after the economy crashed a few years ago I decided to explore that different side of me. I was so inspired by helping teens and young actresses that I took a year and a half off, went back to school, took the boards and became a certified life coach. I’ve since launched my business, Be You Be Fearless Life Coach. I really love what I do!

BrookeLewis

What other projects are you working on right now?

Director Greg Lamberson came to me about a new film he was working on called “Killer Rack” and told me that he needed me for a specific role. I was a bit skeptical at first but after reading the script was just blown away! It’s comedy at its best with a twinge of horror. Yes, it is literally about a killer rack of boobs, but here’s the catch. I’m all about coaching female empowerment and body image and this film has a great subtext and message to it. It’s a supernatural comedy about what happens when you get plastic surgery because you think it’s going to make you happy but then things go terribly wrong!

What’s the best advice you can give to young actors and actresses who may want to follow in your footsteps?

I tell young actors every day that if there’s anything in this world that fulfills them other than acting then they should go do it, because acting is such a challenging process. But if you’re like me and it’s the only thing you’re passionate about and the only thing that fills that place in your soul, then you definitely have to do it!

Photos by: Roger A. Scheck

Guitar World Interviews, Interview, Music

‘Aerosmith Rocks Donington’: Bassist Tom Hamilton Talks New Film/DVD, Gear and Memorable Moments

When Fathom Events, Cinema 1 and Eagle Rock Entertainment decided to partner up to present a monthly classic music series, they figured what better way to kick things off than by bringing in one of the most beloved rock bands of all time: Aerosmith.

Aerosmith band lineup

Taken from the band’s headlining appearance at last year’s Download Fest at Donington Park in Leicestershire, England, Aerosmith Rocks Donington is a one-night-only concert event that will screen on 300 theaters nationwide 7 p.m. today, Thursday, February 26.

The Donington show once again finds the band at the top of their game. It features a 19-song set that features many of band’s iconic hits, including “Sweet Emotion,” “Walk This Way,” “Dream On,” “Love in a Elevator,” “Janie’s Got a Gun,” “Don’t Wanna Miss a Thing” and “Dude Looks Like a Lady.”

Aerosmith is one of the biggest rock bands of all time. Together, Steven Tyler, Joe Perry, Tom Hamilton, Brad Whitford and Joey Kramer have sold more than 150 million albums worldwide in addition to receiving four Grammys and being inducted into the Rock and Roll Hall of Fame.

In addition to releasing a DVD of the live show this spring, Aerosmith also has announced they will hit the road this summer.

I spoke with bassist Tom Hamilton about Aerosmith Rocks Donington, music, gear and some of his most memorable moments.

GUITAR WORLD: How did this live project begin?

It’s something that’s been building for a long time. This isn’t the first time we’ve filmed a show and presented it, but the ability to capture it and have it sound great and have the visuals for it be really strong has gotten better and better over the years.

Our feelings about playing at Donington is what really inspired us. We’ve played there several times in the past. It’s a festival that’s been going on for years and is very historic. So we got together with Dick Carruthers, who’s one of the best rock filmmakers around, and said, “Ok, let’s see how good we can make it!”

As a performer, do you feel a sense of added pressure knowing that this is live and there’s no going back?

Of course. Knowing it’s live always makes your brain concentrate a little more on making it work. We knew going in that we were filming and that we had a great director and great cameras. But we always try to out do ourselves every night, whether we’re recording or not. For us, it was more of an opportunity to make something exciting!

You can read the rest of my gw_logoInterview with Tom Hamilton by Clicking Here!

News

Hard Rock Icons WHITESNAKE Announce The Purple Album, New Tour

PurpleRock icons Whitesnake are set to return with their 12th studio album this spring. The Purple Album will be released in North America on May 19th via Frontiers Music SRL. The Purple Album is a re-imagination of classic songs from David Coverdale’s time as the lead singer for Deep Purple’s Mark 3 and Mark 4 studio albums.

The album is currently available for pre-order on Amazon in a deluxe edition format featuring 2 bonus tracks, 4 music videos and a Behind The Scenes featurette on the recording of the album. A standard edition and a double LP vinyl format will be available in the near future. Plans are also underway for a special limited box set edition with memorabilia and merchandise. All details will be announced soon.

“It’s a tribute. A homage. It’s a huge thank you from me to Deep Purple for the opportunity I was given over 40 years ago,” states Coverdale. “As I said to Ritchie, you guys set me on an incredible journey that continues today and I couldn’t have asked for better teachers. The University of Deep Purple was an extraordinary, amazing school to learn from. We can’t wait to play these songs in concert!”

From the opening notes of the classic track “Burn,” to album closer “Stormbringer,” Whitesnake are back and better than ever. Songs like “Lady Double Dealer,” “Soldier of Fortune” and “Sail Away” are given a new energy in the very capable hands of the current Whitesnake lineup featuring David Coverdale on vocals, Reb Beach and Joel Hoekstra on guitars, Michael Devin on bass and Tommy Aldridge on drums.

Click below for video of the first single, “Stormbringer’:

The Purple Album: Tracklisting:

1)       Burn

2)       You Fool No One (interpolating Itchy Fingers)

3)       Love Child

4)       Sail Away

5)       The Gypsy

6)       Lady Double Dealer

7)       Mistreated

8)       Holy Man

9)       Might Just Take Your Life

10)    You Keep On Moving

11)    Soldier Of Fortune

12)    Lay Down Stay Down

13)    Stormbringer

 

Deluxe Edition Bonus Tracks

14)    Lady Luck

15)    Comin’ Home

 

DVD Content:

Lady Double Dealer – Music Video

Sail Away – Mix Music Video

Stormbringer – Music Video

Soldier Of Fortune – Music Video

Purple Album Behind The Scenes

Purple Album EPK

Whitesnake – U.S. Tour Dates:

May 28th Airway Heights, WA Northern Quest Casino
May 29th Tacoma, WA Emerald Queen Casino
May 31st Vancouver, BC Hard Rock Casino
Jun 2nd Santa Rosa, CA Wells Fargo
Jun 4th Las Vegas, NV The Joint
Jun 5th Scottsdale, AZ Talking Stick Pool Amp
Jun 6th Pala, CA Pala Casino – Starlight Theater
Jun 9th Beverly Hills, CA Saban Theatre
Jun 11th San Francisco, CA Regency Ballroom
Jun 15th Colorado Springs, CO Pikes Peak Center
Jun 17th Shawnee, OK Grand Events Center
Jun 19th Biloxi, MS Hard Rock
Jun 22nd Grand Prairie, TX Verizon Theater
Jun 23rd San Antonio, TX Majestic Theater
Jun 25th El Paso, TX Socorro Event Center
Jun 27th Greeley, CO Greeley Independence Stampede
Jul 2nd Rama, ON Casino Rama
Jul 3rd Sterling Heights, MI Freedom Hill Amphitheatre
Jul 5th  Northfield, OH Hard Rock
Jul 7th Huber Heights, OK Music Center @ The Heights
Jul 8th Wabash, IN Honeywell Center
Jul 10th Mahnomen, MN Shoot Star Casino
Jul 11th St. Paul, WI Myth
Jul 14th Clear Lake, IA Surf Ballroom
Jul 18th Merrillville, IN Star Plaza
Jul 20th Greensburg, PA Palace Theater
Jul 22nd Hampton Beach, NH Hampton Beach Casino
Jul 24th Lincoln, RI Twin River Casino
Jul 25th Atlantic City, NJ Trump Taj Mahal
Entertainment, Horror, Interview, Movies and TV

‘Fear Clinic’: Actress Fiona Dourif talks new horror film, career
Fiona Dourif (Photo by: bluestella photography)
Fiona Dourif (Photo by: bluestella photography)

When five survivors of a horrifying tragedy experience trauma-induced phobias a year after the event, they seek treatment from Dr. Andover (Robert Englund) in hopes of finding the answers they need to get cured.

“Fear Clinic” is a new horror/thriller based on the hugely popular  FEARnet web series which also stars Fiona Dourif (“Curse of Chucky”), Thomas Dekker (“Backstrom”, “Terminator: The Sara Connor Chronicles”) and Cory Taylor of Slipknot and Stone Sour.

Dourif plays the role of Sara; one of the five survivors of the tragedy whose own worsening symptoms have led her to seek refuge in Andover’s hyperbaric Fear Clinic chamber.

Dourif is no stranger to the horror world, having already appeared in such films as 2013’s “Curse of Chucky”. Horror enthusiasts also know that Dourif’s father, Brad Dourif, is a legend in the genre for his portrayal as the voice of Chucky in the original “Child’s Play” film and it’s subsequent sequels.

By putting a face to an emotion, “Fear Clinic” has a plot that is surprisingly dark and equally as visceral. It’s a film that also lends itself well to becoming a franchise, as there are many more avenues of phobia that can be explored.

I recently spoke to Fiona Dourif about “Fear Clinic”, her career and what she thinks makes horror such a great genre.

How did you become involved in “Fear Clinic”?

I originally got a call from my manager and was given a skeleton of the script of the story. I immediately thought the concept was really cool. Two weeks later, I was on a plane to Ohio!

What was it about it that attracted you to the story?

I liked the whole concept of cerebrally confronting your fears by acting them out. The whole idea that there’s nothing to fear but fear itself. I thought that was really cool and it comes across well in the finished film.

How would you describe the story of “Fear Clinic”?

A shortened version might be this – a doctor has come up with an instrument where you can confront your fears and be free of them. But then…. there are some problems! [laughs].

What was it like working with Robert England?

Robert is one of the most pleasant people to work with. He’s personable and cool and elevated everyone’s spirit a lot. He really held the ship together.

What was the filming process like?

It was mostly shot in one location. There were long days where we all hunkered down in what used to be an old folks home in a small town in Ohio. It was also used as a church that had services on Sunday mornings.

Fear Clinic
Fear Clinic

What makes horror so great?

There’s something tingly and exciting about fear. In some weird way, it’s also kind of sexy. It’s simple and extreme and makes you feel present. Horror also has an awesome fan base. They’re so loyal and are always excited.

What was it like growing up for you with your dad being the voice of Chucky?

Nothing but cool! Even though I wasn’t really into school as a teenager one of the coolest things about me in high school was being able to tell everyone that I was the ‘Seed of Chucky’! [laughs]. Then when I got the chance to be a part of it as an adult it was mind-blowing. I feel so lucky to be a part of that legacy.

Was acting something that you always wanted to pursue?

My dad put a moratorium on it as a kid, which looking back now was probably a good idea. Although I did produce a few History Channel documentaries in my twenties, it wasn’t until I realized the only reason I wasn’t acting was because I was afraid was when I made the switch. That’s when I said, “Ok. Let’s give this a try!” 

Are there any other projects you’re currently working on?

It’s what we call pilot season right now and shows are getting cast so I’ve been very busy. There are a few films in the air right now, but nothing is set in stone just yet. Although it does look like “Chucky 7” is going to happen. I love Don Mancini [creator of Child’s Play franchise] and would do that series for the rest of my life if they’ll have me. Right now, I’m just putting one foot in front of the other. We’ll see what happens!

Last question: Does Fiona Dourif have any fear or phobias?

You know, I’m really scared of aliens! [laughs]. Growing up, my mom made her living as a psychic and she really believed in them. She would often say that aliens are here, they’re all over the place and they’re going to get me! To this day it still freaks me out! [laughs].

Fear Clinic is available now on DVD/Blu-Ray

Interview, Movies and TV

Filmmaker Anna Martemucci Talks ‘Hollidaysburg’, New Projects

photo 1In the Starz original docu-series, “The Chair”, executive producer Chris Moore (“Project Greenlight” “Good Will Hunting”) gives two first-time filmmakers the opportunity to create their own feature-length film.

Both “rookie” directors are given the exact same script and budget as well as having the final say on all aspects of the film. It was a challenge that filmmaker Anna Martemucci was more than up for, and her finished film is an out of the park home run.

Told from a balanced perspective, “Hollidaysburg” is a beautifully shot, funny, coming of age story about a group of friends who come home for Thanksgiving break after their first semester at college.

In addition to “Hollidaysburg” Martemucci (along with husband Victor Quinaz), have already completed two other films: 2013’s “Breakup At A Wedding” and “Periods”, a collection of twelve short films put together in a Monty Python-esque fashion that was released last December.

I recently spoke with Martemucci about “Hollidaysburg”, her time on “The Chair” as well as some of her current and upcoming projects.

How did you become involved in “The Chair” docu-series?

Chris Moore had seen our first movie, “Breakup At a Wedding”. It was a film my husband, Victor directed and one that I co-wrote, produced and also acted in. I got to work with Victor side by side on the project, so it’s a movie that really means a lot to me. Chris hired us to do some work for him as writers on a web series that he was producing and it was on the set of the series that the idea of me doing “The Chair” began. 

What attracted you to the project and influenced the direction you wanted to go?

The thing that really attracted me to the project was the idea that I would be able to make a teen movie that was set in Pennsylvania. Those two elements sold me right away. It was then just a matter of me knowing what I could to bring to the project as a director. I tend to write from an autobiographical place so I really wanted to make it personal and specific. I knew that I would have to do a major overhaul on the script in order to make it my own, so that’s what I did!

How would you describe “Hollidaysburg”?

It’s a coming of age comedy that deals with sex from a feminine point of view. Even though our main character is a dude, I really wanted to offer something that I haven’t seen before in the genre and something that was a more balanced gender look at sexual coming of age. 

Did you look at your role on “The Chair” as a competition or was the plan always about creating a work of art?

From the beginning I looked at it as an opportunity to make a film. It’s very rare that someone will come to you and say, “I have the budget for you to do a film. Go do it!” There was so much to think about and I was given all of the control. I was completely focused on making the best movie possible within the crazy constraints of budget and time. I kept pushing the envelope to make sure that the movie I was making was something I believed in.

What were some of the challenges you faced making “Hollidaysburg”?

One of the biggest challenges was finding the right actors and getting Carnegie Mellon University to release our two female leads. They were two active students at the time of our shooting. Aside from those things, it was brutally cold and there were always periods where there was a lot of snow, and then times when there wasn’t any snow. We worried about continuity a lot. Keeping everyone warm was also a struggle, for sure! [laughs].

photo 5

Is “Hollidaysburg” reflective of the type of films you’d like to make?

One of the most beautiful things about the whole experience was coming into a directorial voice that I had been honing for a long time and then getting the chance to speak in that voice cinematically. Seeing the final product and getting to share it with people was huge for me. It was a major transformation for me as a writer who did a lot of things with her husband into becoming a director. Although I love to do comedy and drama and films that are somewhere in between, the voice of “Hollidaysburg” is very much consistent with my voice as a filmmaker.

What other projects are you currently working on?

It’s great to have partners who keep things moving. Victor, Phil Quinaz and I just finished another movie a few weeks ago that’s very exciting. We’ve also completed a film called “Periods”, which is the feature film version of our short film series. It’s a journey through time that God himself takes you on. Kind of in the vein of Monty Python’s “Meaning of Life” or “Mel Brooks’ History of The World Part 1”. It’s got a lot of “Hollidaysburg” actors in it plus great cameos from such recognizable guys as Zachary Quinto, Penn Badgley, and Willy Garson.

What excites you the most about the future?

I’m looking forward to making more movies and would also love to see “Hollidaysburg” reach a larger audience, which is something that we’re working on. I’m so proud of this film. I know that more opportunities will come my way. This was a huge experience for me and I’m just excited to keep making films with this voice of mine.

Hollidaysburg, Periods and Breakup At A Wedding
are all available on iTunes or at Amazon.com

The Chair is available now on DVD

Guitar World Interviews, Interview, Music

Micky Dolenz Talks Music, Monkees, Jimi Hendrix and The Beatles

MickyDolenz1Fifty years ago, Micky Dolenz’s agent called him about an audition for a new pilot about music and comedy.

It was the beginning of a journey that would take Dolenz, Davy Jones, Michael Nesmith and Peter Tork to the world of super-stardom.

Although the show would last only two seasons, the impact the Monkees had on music cannot be ignored. Their first four albums went to Number 1 and included such hits as “Last Train to Clarksville,” “I’m a Believer,” “(I’m Not Your) Steppin’ Stone” and “Pleasant Valley Sunday.”

The Monkees have sold more than 65 million units worldwide, easily putting them on par with the biggest artists of all time and making a case for their placement in the Rock and Roll Hall of Fame.

Dolenz has seen a lot of musical history up close, including touring with Jimi Hendrix and sitting in while the Beatles were working on the Sgt. Pepper’s Lonely Heart’s Club Band album. Dolenz’s 2012 album, Remember, contains an acoustic-driven version of a Beatles song he heard in those sessions.

I recently spoke with Dolenz about the Monkees, his career and a some of his side projects.

GUITAR WORLD: When you first got word about The Monkees, as in the show itself, did you have any idea how huge it would become?

The Monkees was actually the second TV series I had. I had done a show called “Circus Boy” in the Fifties and had gone to school for architectural drafting. My plan was to become an architect when the Monkees audition came along. But when I read the pilot script and went in for the first interview, I remember thinking it might be something special. There were other shows about music at the time and a few other pilots I had been up for, but I remember telling everyone I knew that I really hoped I get this one.

Read the rest of my
gw_logoInterview with Micky Dolenz by Clicking Here!

Guitar World Interviews, Interview, Music

Revolution Saints: Jack Blades Talks New Album with Doug Aldrich and Deen Castronova

RevolutionSaintsConsidering their resumes, which read like a who’s who of hard rock and metal, calling Revolution Saints a supergroup is something of an understatement.

The creative trifecta of Deen Castronovo (Journey, Bad English), Jack Blades (Night Ranger, Damn Yankees) and Doug Aldrich (Whitesnake, Burning Rain) has put together an inspired collection of songs packed with monster vocals, driving rhythms and (of course) a blistering guitar attack.

Their debut self-titled album, which will be released February 24, also features appearances by Castronovo’s fellow Journey bandmates, Neal Schon and Arnel Pineda.

I recently caught up with bassist Jack Blade to talk about Revolution Saints, Night Ranger and more.

GUITAR WORLD: How did the Revolution Saints project come together?

It was actually the brainchild of the head of Frontiers Records. He really wanted to give Deen a platform where he could be the lead singer. He talked to Deen about it, and then Deen called me up and asked me if I wanted to be a part of it. I was immediately on board. Then someone mentioned Doug Aldrich. I’ve always been a big fan of Doug’s. He’s such a great guitar player. Boom! There it was!

The new album has elements from all of your other bands, yet has its own unique freshness. How would describe the new album?

It’s pretty hard rocking. Good, classic hard rock with balls is basically what the whole thing is about. I think when you have individuals like us, you can’t help but be who you are. It is who we are in all of those bands we’ve been a part of. But Deen’s voice is so pure and clean on this album. It’s just wonderful.

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