Tag: Entertainment

A Conversation With, Books

Steve Guttenberg: A Sermon On The Guttenberg Bible

Steve Guttenberg’s book, “The Guttenberg Bible” reads more like a novel. A story of one man’s quest to overcome all obstacles and become something more.

Steve had always dreamed about becoming an actor but faced adversity right from the start. In fact, the book begins with one of his very first agents telling him he’d never amount to anything in the business.

He was told everything from not looking “Hollywood” enough to having an odd last name. But rather than give up on his dream Steve decided to take a chance.

After graduating high school he put off starting college and made an exodus to Hollywood with the intention of staying for only a few weeks. His plan was to come back home if things didn’t work out. But instead, he wound up staying and becoming one of the most successful and sought after actors of the 1980’s.

With nothing to lose Steve snuck onto the lot at Paramount Studios lot and set up his own office. From there he would eventually go from driving a Pacer to driving a Ferrari. From sleeping on a sofa to hosting parties in lavish homes. From bit parts in commercials to starring in major motion pictures.

Along the way he kept journals documenting his experiences if for no other reason than for his own personal keepsake. These experiences became the genesis for “The Guttenberg Bible”.

In “The Guttenberg Bible” Steve chronicles the journey through the first ten years of his illustrious career and tells amazing stories along the way. From becoming buds with Colonel Sanders in an early Kentucky Fried Chicken commercial through his own personal encounters with acting kings Gregory Peck and Tom Selleck as well as young up and coming actresses Kim Cattrall and Sharon Stone.

Steve also tells tales from some of his biggest movies: “Miracle on Ice”, “Diner”, “Police Academy”, “Cocoon”, “Short Circuit” and “Three Men and A Baby”.

The Guttenberg Bible is much more than just a memoir. It’s also a story about family, a journey of self discovery and a how-to book for success. To never allow anything to stand in the way of reaching your goals.  To me, its gospel.

I had the pleasure of speaking with Steve and getting more details about the creation of The Bible. Along the way, he even tells another story that didn’t make the book.

Judging from my own experience reading “The Guttenberg Bible” and speaking with the man himself I can only hope there will eventually be a “New Testament”.

goJimmygo (gJg):  Steve, the thing I like the most about your book is that it doesn’t read like a typical memoir. It reads more like a story.

Steve Guttenberg (SG): Thanks. I loved writing it.

gJg: Why did you decide to write a book at this point of your career?

SG: You know, I’ve actually been telling these stories to a lot of friends for a long time and a friend of mine told me that they would be a great idea for a book. So what I did was write about forty or so pages, shopped it around and before I knew it I wound up having a deal.

gJg: You said before that you kept a whole bunch of meticulous journals from your experiences that you were able to draw from.

SG: Yeah I did. I kept a lot of journals. I really wanted to be good about chronicling that trip because I really didn’t know where it was going to take me or what was going to happen. So I just decided to just write it all down so that one day even if didn’t work out I could say look back and say: “See? look where you were!”

gJg: What was the writing process like for you?

SG: In the beginning I would go to my office every day and pretty much write from nine to five.  At one point I actually had around 600 pages. I sent them to my editor and he said “Uh oh! And this is only the first ten years of your career?” After I explained to him that it was he said: “I think we’re done. We can’t do the whole career right now.” <laughs>

So we whittled it down to 300 pages and it worked out great!

gJg: Did you have any moments of self discovery while you were re-living all of these moments again?

SG: Absolutely. When you start really examining your life it takes you to whole other place that you don’t go to during your normal work day. It can be wonderful but then there are times you don’t really want to re-live as well. There’s a certain amount of uncomfortableness involved with it too.

I’ve been lucky. I’ve had a great career so far and a great personal life. I’m one of the luckiest guys in the world and I never forget that.

gJg: I love the way the book ended where you’re back where you started from again. You mention your parents quite a bit in this book. How are they doing?

SG: They’re well! Everyone is good. Thanks for asking.

gJg: How about your Red Ferrari?

SG: Ah, I wound up selling it. You know, it was just SUCH a bother to have. <laughs>

gJg: One of the stories I enjoyed was about the stalker you had.

SG: Yeah, you haven’t really lived until you’ve had a stalker… <laughs>

gJg: You’ve worked with some really great actors over the course of your career. What was it like to work with Gregory Peck and Colonel Sanders? <laughs>

SG: You’d be surprised, Sanders was a lot more dedicated to the material than Peck was. Harlan was a stickler for the written word. <laughs>

gJg: As a guy here’s a question I absolutely have to ask: What was it like to kiss Sharon Stone?

SG: Nice.VeryNice.VeryLovely.LovelyGirl.NiceLips.VeryGood! <laughs>

gJg: I’ve heard rumors about there being another “Police Academy” and “Three Men and A Baby”. Any truth to that?

SG: Oh absolutely. “Three Men and A Bride” is being developed as is “Police Academy” and even another “Short Circuit” as well.

gJg: Would they be bringing back all of the original characters from Police Academy?

For Police Academy I think it would be wise to bring back all of the original characters. Kim Cattrall, David Spade, Sharon Stone. Audiences always like to see familiar characters and what’s happened with them.

gJg: Any regrets over the course of your career?

SG: I really don’t have many regrets. I’ve been very lucky. I’m living my life the way I want to live it. I’ve been fortunate to have a big backbone that my parents gave me. It’s all about character. Your character is what’s going to make everything work.

gJg; Were there any films that you turned down that went on to become hits?

SG: Not really. I have a pretty good nose for these things. The ones that were successful I had a feeling would be at the time. I remember I enjoyed the script and then as we started filming I would begin to envision myself being part of the audience and knowing that it’s going to be a great film to watch.

I put myself into a “movie” mindset. Movie makers don’t really think the way “normal” people do. That’s why we’re all oddballs. <laughs>

gJg: Weren’t you afraid at all about the repercussions of sneaking onto the Paramount lot and creating an office?

SG:  I wasn’t afraid of anything. I didn’t have anything to lose. I feel the same way today.  Everything that I value I will never lose. The people who love me. The people I love. I’ll never lose the ability to sit in a park and watch the wind blow or play ball in Central Park.

We have great liberties in this country. I can go anywhere I want to go in this country and I don’t need a lot of money to do it. You don’t need to have a fancy car. As Cee Lo Green might say: “I may not be able to afford a Ferrari but I can get you there!”

That’s what everybody wants… to just get there.

gJg: Are there any good stories not in the book that you can tell?

SG: I tried to put as much as I could into the book but here’s one for you:

One night my friend Epstein had invited twenty of the Oakland Raider cheerleaders (The Raiderettes) over to my house for this party. Woody Harrelson had helped set it up with him.

So the party was really rockin’ but I am a real stickler about my place. So they were passing around potato chips getting crumbs everywhere and one of them was having sex in the bathroom with one of my friends and somebody else was in my bed….

But the last straw came when one of the Raiderettes said to me: “You don’t have any food? You just have chips?” At that point I just had enough and said:

“All of the Raiderettes… OUT!!!”

My friends just couldn’t believe that I wanted them out. But I said “Look, I don’t know who these people are and they’re making a mess”. I said: “That’s it I want them all out!”

Woody laughs about this now but back then I remember he just got on his knees and started crying. He kept saying: “You CAN’T!! You CAN’T make these girls go!!”

I said “Woody, you’ve got to help me get them out of the house. I’m uncomfortable with them here.”

It was the only time I ever saw a grown man cry. The day I threw out the Raiderettes… <laughs>.

gJg: Since your memoir reads just like a story I’m curious: have you ever considered writing a novel?

SG: I would love to write a novel. The next one will probably be one. I love writing, it’s really fun.

gJg: What’s next for you now?

SG: I’ve just got done completing a run of the Woody Allen play “Relatively Speaking” in New York and we’re planning to take it now to LA. I also have a few other projects that I’m setting up around town.

Other than that, I’m just enjoying life. I’ve got a wonderful family and I’m really taking advantage of the time I have to spend with them. Life is too short, you know?

gJg: What message do you want people to take after reading your book?

SG: That you can be anything you want to be in this great country of ours. This is the only country in the world that everyone wants to come to and live in. The freedom and liberty we have in this country makes it possible for a guy who’s failing in school to become a doctor and a guy who has a funny last name and an odd look to become a leading man.

It’s the greatest country in the world.. and I sure do love it!

Article first published as Steve Guttenberg: A Sermon On The Guttenberg Bible on Technorati.

A Conversation With, Album Reviews, Interview

Lita Ford: Living Like A Runaway

There’s something to be said about royalty. Especially when it comes to music.

Elvis Presley is known as “The King of Rock And Roll”, Michael Jackson is the “King of Pop” and Ozzy Osbourne is considered to be the “Prince of Darkness” in musical circles.

But for metal-heads like me there is only one Queen that we pay homage to:

Lita Ford

Picture this: It’s a hot summer day in June of 1985 and I’m walking downtown to guitar lesson with a black electric guitar strapped over my shoulder.

My guitar case had broken the night before and my parents had no means of getting me to lesson but I wouldn’t let anything stand in my way. So I footed it the two miles to guitar lesson in the searing heat with literally a six string on my back.

With sweat dripping down my face and obnoxious truck drivers honking their horns and poking fun at me all I remember thinking was: “It doesn’t get more rock and roll than this!!” I was a metal head in the making.

For more than the heat, the cat calls or the long walk to lesson the thing that sticks out more than anything else for me that day was listening to the song that blared from my Sony Walkman cassette player. The song that I had spent countless hours listening to over and over and loved. The song that I was now finally about to start learning how to play at lesson that day: “Gotta Let Go” by Lita Ford!

To me, Lita was (and still is) more than just a beautiful woman. She is one of the best rock guitarists ever! So for me to be able to learn some of her guitar licks was a dream come true.

I know Lita must have faced plenty of adversity for being a female guitarist but it never bothered me one bit that she was of the opposite sex. All I knew was, she ROCKED! It was the thick of the metal years and her music was universal. We stood together and I felt a kinship with her.

Back when I was learning how to play guitar I faced my own adversity. There were plenty of times where I was berated by siblings and friends for making them endure the sounds of me practicing the same riff, scale or song countless times until I got it right. Or maybe it was my parents bitching up a storm because I brought the guitar to the dinner table. I imagine Lita went through similar situations while trying to make her mark in what was always considered a “male dominated” instrument.

But Lita persevered and continued to tear down walls with her phenomenal playing and songwriting skills. She became my beacon of light. So much so that a few years later I really brought the metal to school. One of my high school music theory projects was to transpose any song of my choosing into an orchestral piece for jazz band.

I recall the assignment was to rewrite the music from the song and change it into something that could be played for everything from trumpets to saxophones. Guess which song I chose?

“Gotta Let Go” by Lita Ford.

Over the years I’ve been an avid follower of Lita Ford. From the songs “Kiss Me Deadly” and “Close My Eyes Forever” (her duet with Ozzy Osbourne) to the guilty pleasure of “Shot of Poison” her music and guitar work never ceases to amaze. Although that grueling summer of 1985 may be a distant memory to many I’ll never forget the day Lita became the Queen to me.

And now, the Queen has returned with a vengeance.

On June 19th Lita Ford will release her latest album: “Living Like A Runaway” (SPV/Steamhammer). Produced by Lita Ford and Gary Hoey (another amazing guitarist) “Living Like A Runaway” is quite honestly one of the best rock albums of the 21st century.  To me, it simply is Lita’s BEST record to date.

Whereas most albums usually contain one “hit” song buried within eight or nine other tracks of filler, “Living Like A Runaway” is a true album experience from start to finish.

With contributions by lyricist Michael Dan Ehmig, Nikki Sixx (Mötley Crüe) and Doug Aldrich (Whitesnake) Lita has brought out some “big guns” for this project.

There’s even a bonus track containing a killer rendition of the Elton John classic: “The Bitch Is Back” which features The Uptown Horns.

Lita and Gary Hoey’s guitar work on this album is genuine and nothing short of bad ass. The record contains enough killer riffs, solos and guitar harmony to make even an army of male metal-heads bow in reverence.

In addition to the killer grooves from songs like “Branded”, “Hate” and “The Devil in My Head” the album also takes you on the musical journey of Lita’s life. From her days carrying her own guitar on her back on the title track to the personal song for her children in “Mother”.

Then there’s my personal favorite, “Relentless”; a song that best sums up the will of Lita to not let anything stand in her way and a message we can all take to heart when the odds are against us.

To support the new record,  Lita will embark on a tour this summer with Def Leppard and Poison as well as doing select headlining shows in between.

I had the honor of holding court with the Queen and discussing the genesis of “Living Like A Runaway”.

In this amazing interview, Lita discusses the long distance songwriting process she and Gary took creating this new music. We’ll also talk about her early years playing guitar, The Runaways, the origin of her big hit with the Prince of Darkness himself and one of the best “rock and roll” stories ever!

Before I begin, you must understand how much this woman’s music has influenced me. So if this interview comes across to you as a bit biased I make no apologies for it. Lita Ford is one of the greatest guitarists (male or female) of all time.

Interestingly, while I was waiting on hold for Lita I had to listen to some really interesting “elevator music” playing in the backgroundwhich started the conversation off nicely:

goJimmygo (gJg): Lita! It’s Jim. How are you?

Lita Ford (LF): Hi! I’m doing great! How are you?

gJg: I’m great too. It’s so awesome to be able to speak with you! WOW!

LF: Same here!

gJg: I was listening to some funky on-hold music while I was waiting for you and all I kept thinking was: “Man, this is the TOTAL opposite of your new record!” <laughs>

LF: I know, isn’t that funny? I don’t know why they put that music on there. <laughs>

gJg: “Living Like A Runaway” is the BEST record I’ve heard in years!

LF: Awesome! Thank you!

gJg: It’s one of those rare records where every track on it is killer. You listen to the first song and it’s great. Then the next song is just as good and so on. The entire album is an experience!

LF: I am so happy about it!

gJg: For me: It’s like the return of Lita… and a punch in the face thrown in for good measure! <laughs>

LF: You know it! <laughs>

gJg: It’s reliving the metal years again. Everything from the riffs, the lyrics, the way you deliver the vocal. My weakness has always been harmony guitar and this album is filled with it.

LF: So cool. Thank you! I miss those days too and am so glad to bring it back! It’s what I think people want. People miss those times and the heavy guitar riffs. They miss what used to be called “Hair Metal”. Hair has nothing to do with how music sounds. People long for the metal years again and this record gives it to them.

gJg: How is everything going?

LF: It’s going great. I’m just getting prepared for this tour.

gJg; How does it feel to being going out on the road with Def Leppard and Poison this summer?

LF: It’s awesome! The record actually comes out the day before the tour starts so it literally is perfect timing. The whole thing is a Godsend. The new record is just so good and now we have this tour on top of it. So we get to give it a good kick in the ass and hopefully people will respond to it!

gJg: You also have some solo headline dates mixed in with that tour as well right?

LF: Yeah, we’ll be filling in some of the days off in between with shows. It will be busy but that’s rock n roll! <laughs>

gJg: What are you looking forward to the most on this tour?

LF: Well, we’re the opener and it’s a tough slot to have. It’s at a time when people are still stuck in traffic getting there. We have a 30 minute set and don’t get to play much so we really have to make a statement in thirty minutes. It’s a challenge but I’m up for it.

Fortunately, we have the headliner shows in between and at those shows we really get to go nuts! I can’t wait! <laughs>

gJg: What’s it like when you walk out on stage and you see a sea of humanity there to see and support you?

LF: It’s the best. I honestly just want to take everyone in my arms and give them all a big hug. But since that isn’t possible instead what I do is throw my fist in the air and say: “YEAH… RIGHT ON!” and get the response that way. It’s just as good as a hug.

The Genesis of “Living Like A Runaway”

gJg: The guitar work on this new album is phenomenal.

LF: Thank you! Gary Hoey and I do the guitars on this record.

gJg: What’s the genesis of this new album and what was your songwriting process like for it?

LF: It all started when Gary called and invited me up to his studio in New Hampshire to record. I thought about it for a while and decided to take him up on the offer.

So I got on a plane, flew up and the very first song we wrote together was “Love 2 Hate U” which was a duet!

I know love’s a sacrifice – no doubt
It’s something we can’t live without
Yeah, I think I’ve worked it out
Why “I Love 2 Hate U”

We came out of that session and on the way home I was thinking: “Wow, this is a really GREAT song! We need to do another one!” So I booked another flight, flew back to Gary’s and we wrote “Branded”.

From that point on we just kept writing together. We didn’t have a record deal at the time so what we did was put together four tracks plus our version of “The Bitch is Back”. Through that we got the deal with SPV; who have been so supportive and wonderful with this project.

So every two weeks or so I’d hop on a plane to Gary’s and we’d hang out, jam and write. If we ever got stuck we would call up our third songwriting partner, Michael Dan Ehmig. His specialty is lyrics. Michael had a broken back at the time and was in some serious pain. So he was laid up writing all of these really deep, deep lyrics. At the time I had just gone through a divorce so I was in a dark place myself. So tie all of that in with Gary’s arrangements and ideas and we were able to come with this brilliant record.

gJg: I noticed that Doug Aldrich contributes to this record as well.

LF: Yes, “Bad Neighborhood” is a song I wrote with Doug Aldrich.

gJg: Doug is amazing. His playing is like a freak of nature!

LF: Doug is awesome! “Bad Neighborhood” was the very last song we wrote for the album and I remember at the time we were in need of some guitar riffs. So I called up Doug and asked him if he had any riffs up his sleeve. Something that was really “ass-kicking” and “up-tempo”.

Next thing you know he comes back with the riff for “Bad Neighborhood”. It has a “Drop-D” tuning and is the most “attitudinal” (if that’s a word) song off of the album. It’s real cocky.

gJg: Where did the idea for the song come from?

LF: It’s a saying that came from a friend of mine who used to run Narcotics Anonymous. He used to always say: “Get Out Of Your Head, It’s A Bad Neighborhood”… <laughs>

gJg: My favorite song from the album is “Relentless”. I love the guitar work and the message of tearing down walls.

LF: That’s Gary Hoey. He’s playing the solo. I love the solo on that song.

gJg: The song “Asylum” is really deep. Is that about an actual place you stayed at?

LF: Yeah, that’s a pretty heavy-duty song.

We had lived in a house in the Caribbean for ten years and it was like my asylum. When you live on a deserted island for decade you start to go a little bit crazy. I suppose a lot of people have their own “asylum”. Maybe a day at the office is your asylum or maybe going to school. Everyone has their own “asylum” to deal with. At one point in time we all run into something like that we have to deal with.

gJg: Then the album ends with “A Song to Slit Your Wrist By” a Nikki Sixx contribution.

LF: Yeah, he actually wrote that song about his ex-wife 15 years ago. <laughs>

It’s definitely not to be taken seriously though. In fact, I actually have the lyrics for all the songs printed on the album and in my own handwriting I put right next to that one:

“Please Do Not Try This At Home – Or Anywhere Else For That Matter!” – I put the “Lita Advisory” sticker on it.

Growing Up

gJg: Where did you grow up?

LF: I was born in Britain and moved to the US when I was 4. I worked my way from Boston to Dallas and then to Long Beach, California.

I’ve always considered myself a California girl though. You know, growing up on the streets of Hollywood. Just like the song: “Living Like A Runaway”.

gJg: When I listen to that song I actually feel like I’m right there with you. It’s awesome when a song takes you some place and infects you.

LF: I agree. I listen to it sometimes and cry and think: “Why am I crying?”.. Then I realize it’s because it’s so “real”!

One day I left town with just the shirt on my back
And a guitar on my shoulder yeah I wasn’t comin’ back
I had to break the spell my heart was under
So I rode out-of-town on wheels of thunder
…. “Living Like A Runaway”

gJg: Who were some of your influences when you were growing up playing?

LF: Richie Blackmore was one of my biggest. I think he’s one of the best guitar players I’ve ever heard. Especially the way he would double-pick everything like on “Highway Star”. It was so brilliant. He also used to play the cello. He’s such a brilliant musician.

I was also a big fan of Black Sabbath because their riffs were just so heavy!

gJg: Did you have a hard time growing up being a girl and playing guitar?

LF: I did and I never really understood that. People would see me play and they’d say “But… you’re a GIRL!”.  And I’d say: “Yeah, AND??” Truthfully though, that would just make me want to play more!

I love a door slammed in my face
Told me a girl needs to know her place
I never listened,  I proved ’em all wrong
I rocked their asses from here to Hong Kong

I’m not invited but I’m comin’ anyway…. “Relentless”

gJg: How did you practice?

LF: I would never put the guitar down. I would walk around with it. I’d sit and watch TV and play. If I went out on a date with a guy I’d go over to his house and I’d sit and jam with him. Of course, he wasn’t too happy about that but that’s what I wanted to do. <laughs>

My whole life pretty much revolved around playing guitar.

gJg: Can you tell me one of your best “rock and roll” stories?

LF: I have so many… Hmmm? Here’s a good one. And this one actually involves my Mother:

One year I was invited to an awards show in New York City for all of these huge celebrities like Keith Richards, Tina Turner and David Bowie. You know, all of these huge stars. I decided to take my Mom along with me because she really loved rock and roll. She also knew everyone and was a great person to have around and help me.

I was having my hair and make-up done and it was taking quite some time. After a while, my Mother got bored just standing there so she decided to go off and start talking to people.

So after a few hours I went looking for her and I found her… Sitting on a sofa next to David Bowie!!

I remember walking up to her and excitedly yelling so loudly that my voice cracked. I said: “MOM?!! What are you DOING?? Do you realize who you are sitting next to?”

She says (in this thick Italian accent): “Oh, Lita! I was just talking to Dave!” So I thought: “Oh this is great! My Mom’s hanging out with David Bowie!”

David looks me over from head to toe then looks back at my Mother and says (in his thick British accent): “Is this your daughter?”

And my Mother says: “Yah Dave, that’s Lita!” And David says to my Mom:”Do you always let her dress like that?”

My Mother replies: “Yah Dave, THAT’S rock and roll!” <laughs>

gJg: That IS rock and roll! <laughs>

LF: It sure is! <laughs>

gJg: What is one of the strangest things a fan has ever asked?

LF: A few weekends ago someone actually asked me to sign their neck. So I autographed his neck and within an hour he came back and showed me it had been tattooed.

Then the guy asked me if I would kiss a napkin for him. When I asked him why he said it was because he wanted to use the lip prints and have them tattooed on his neck right next to my name. He did all of this within a couple of hours. It was pretty unbelievable. <laughs>

gJg:Would you ever consider doing a Runaways reunion?

LF: I would love to. The girls know that I want to and I think now would be a good time to do it. I’m all for it and told Cherie (Currie) and Joan (Jett). Unfortunately, we don’t have Sandy with us anymore. We’ll see.

In the meantime though… I’ve got “Living Like A Runaway”! <laughs>

gJg: What’s your relationship with BC Rich guitars now?

LF: It’s great! I’ve actually got a BC Rich Signature Model coming out soon: “The Black Widow Warlock”.  I’m very excited about it!

gJg: I hear you’re also working on a book now. What’s the status of that?

LF: I’m looking for publishers right now. It’s going to take some time because I want this to be a very visual book;  just like the songs are on the new CD. They’re visual. You can actually “see” the picture I’m trying to paint. That’s what I want this book to be.

gJg: I have to ask you: what was the origin of “Close My Eyes Forever”?

LF: That song was kind of an accident really. Ozzy and Sharon came over to the recording studio one night while we were working on the “Lita” record. They had brought me over a house-warming gift for my new home.

So we opened a bottle of wine and were playing pool and after a while Ozzy and I decided to go into a side room where we had a guitar and amp set up. We just started playing and singing and wound up writing “Close My Eyes Forever”.

What’s interesting was at the time I was voted Best Female Rock Vocalist and he was voted Best Male Rock Vocalist.

gJg: How has the reception been for the new album?

LF: It’s been absolutely insane. We’ve actually gotten some really good quotes. One of the best was from a guy in Germany who put it this way:

I fall to my knees and I say: Thank you God for this wonderful album!!

*****

As far as I’m concerned, truer words have never been spoken. Welcome back Lita!!

Article first published as Lita Ford: Living Like A Runaway on Technorati.

A Conversation With, Movies and TV, Music

Tell It To My Heart: A Conversation With Taylor Dayne

1987 is a year I’ll always remember. It was the year I graduated high school and said goodbye to old friends. The year of my coming of age and the start of new beginnings.

A time when the future was wide open and the sky was indeed the limit.

I remember I was stocking shelves at a local supermarket one night dreaming about starting college in time for the spring semester. That’s when I heard that incredible voice for the very first time coming from the radio playing on the overhead speakers:

I feel the night explode when we’re together…
Emotion overload in the heat of pleasure…

As the song played on I remember just standing there among boxes of Lucky Charms cereal thinking to myself:

“WOW!”

That was the only word to describe what I was hearing. Although I was a diehard metal-head music fan from the very beginning there was something about the music I was listening to that appealed to me. Her voice was infectious. It was the beginning of something very special.

For little did I know that 1987 was also the year that a singer from New York named Leslie Wunderman was about to set the floor, and the music world for that matter, on fire for the very first time.

Leslie had just transformed herself into Taylor Dayne and together with producer Ric Wake released “Tell It To My Heart”, a song that would eventually reach #7 on the Billboard Hot 100 Chart and usher in a sound that would take the world by storm.

A few weeks later, Taylor’s debut album of the same name would be released on Arista, produce three more top-ten singles and achieve double-platinum success in the United States.

One of those two million albums belonged to me.

Taylor’s first tour was as the opening act for none other than Michael Jackson and it was there where she would meet Frank Dileo, Jackson’s long time manager and the man who would go on to represent her for many years.

Her follow up album, “Can’t Fight Fate” would yield four more hit singles including her first number one: “Love Will Lead You Back”.  Her journey had begun.

Over the last twenty-five years Taylor Dayne has sold more than 75 million records worldwide, garnered three Grammy nominations and has branched out into the film, television and stage world including her most recent film project: “Telling of the Shoes”. She is one of the industry’s most dynamic artists.

In addition to her own songs Taylor’s also flexed her muscle on some other artists’ biggest hits and made them her own. From her awesome cover of the Barry White smash “Can’t Get Enough Of Your Love” to her version of The Red Hot Chili Peppers’ “Under the Bridge” from her most recent album “Satisfied”; Taylor makes it all look so easy.

She’s also ventured into reality television as well, having recently appeared as part of Team Rachel on the show “Rachel Vs. Guy: Celebrity Cook-Off” where she competed for the Cambodian Children’s Fund Charity.

Last summer, Taylor released the single “Floor On Fire” which broke into the Billboard Top Ten further proving that this vocal powerhouse has no intention of slowing down.

I had the pleasure of speaking with this amazing woman and getting her thoughts on everything from how she became Taylor Dayne to her songwriting process.

We also discuss her upcoming greatest hits package and her admiration for young up and coming singers competing on reality television.

If the past is any indication, I can’t wait to see what the future holds for Taylor Dayne.

goJimmygo (gJg): It’s so great to speak with you Taylor. How are you doing?

Taylor Dayne (TD): I’m doing great! Thanks for asking. I’m keeping busy by making appointments and getting on planes. <laughs>

gJg: When you look back on your career thus far what’s the first thing that comes to your mind?

TD: It’s actually difficult to put into words. When I think about everything I’ve been through all I can say is “Wow!”  I really can’t believe it”. <laughs>

gJg: For me, as far as 80’s female vocalists are concerned, you complete the trifecta. First there was Madonna, then Whitney and then there’s you!

TD: Thank you! I was actually a label mate with Whitney’s on Arista. I signed in 1987 when the single came out and then the “Tell It To My Heart” album dropped in 1988.

I think Whitney’s first album was released somewhere around 1985. She was more into pop where as I was more into the dance genre.

gJg: You’ve had so many hits over the course of your career and just last year had yet another one with “Floor on Fire”. How did that single come about?

TD:  I remember at the time I wanted to do a Techno/Electronica dance single. So I searched for a producer and found Niclas Kings and Ivar Lisinski who are both absolutely amazing.

One of the other writers on the song is Tania Doko who is a big artist in Australia. They sent me the track and Tania and I went through melody and lyrics. We all just collaborated on it.

gJg: What is your process like for writing songs?

TD: For me, songwriting is a building process. I like to compare it to filling in the spots of a puzzle. Sometimes pieces fit and sometimes they don’t. The trick is you just have to keep building. That’s the art of songwriting.

gJg: What inspires you to write?

TD: It’s moment to moment. Experience to experience. For me it’s actually living in the moment. When I write something and feel inspired by it what you see is a picture window of what’s going on in my life at the time. It’s generally done in that way. You always have to stay true to yourself.

Although, I’m not going to say that “Floor on Fire” was done that way.. <laughs>

Sometimes songs are easy to write and sometimes they’re not. That’s why I like to collaborate. 

gJg: I have to tell you that  “I’ll Be Your Shelter” is one of my all-time favorite songs.

TD: Thank you! One of the things I like to look for when I’m writing or looking for songs to use is how they’ll feel when I perform them live. “Shelter” is one of my favorite songs to perform.

gJg: I also loved your take on The Chili Peppers’ “Under The Bridge” from the “Satisfied” album.  That was incredible!

TD: Thanks. That is such an amazing song!

gJg: What’s the story about your transformation from Leslie Wunderman to Taylor Dayne?

TD: That’s an interesting story: It was when I was recording “Tell it To My Heart” with my production partner, Ric Wake. Coincidentally, Ric also happened to be working with Dee Snider (Twisted Sister) around that same time. Dee and I were both ‘Long Island” kids.

Ric was in session with Dee and they were becoming friendly. So Ric begins to tell Dee about my deal to do a single with “Tell it To My Heart” and how he was now looking for a new name for me. So someone had mentioned the name “Taylor”. That seemed to stick but we needed a last name to go with it.

So later that night a bunch of us all went out together and literally got out the baby book and went through it line by line:

“Taylor Dann?… No….”, Taylor Dunn?…Nah!…”…Hmmmm? Taylor “DAYNE!”

That was it!

gJg: What are some of your best memories from being on the road?

TD: Meeting a lot of my own inspirational artists tops the list. I was able to meet a lot of people who really inspire me. Artists like Prince, Bo Diddley and Robert Plant. I got to meet a lot of the biggest blues artists in the world.

gJg: Prince is such a genius.

TD: He really is. Prince is an incredible musician and artist. He used to play these “after hours” shows in small clubs and a bunch of us would all go. Before long he’d call to me and the next thing you know I’m right up there on stage with him. He liked to do that for all of the breaking artists at the time. It was amazing.

gJg: You also had the opportunity to open for Michael Jackson on the BAD Tour. What do you remember most about that experience?

TD: For me, the best part about the Michael Jackson tour was getting to meet Frank Dileo who ended up becoming my manager. Frank was a long time manager of Michael and really helped facilitate a lot of the success of his record sales.

gJg; What do you like to do when you’re not in the studio, on the road or on TV?

TD: I love being outdoors. I’m a real nature buff.  It’s a big touchstone for me and really connects me to the Earth. Prayer time is especially strong for me. I’m passionate about it and it really helps keep me grounded.

gJg: Is there anyone you’d like to work with?

TD: There’s a lot of really great talent out there I’d love to work with. People like Justin Timberlake, Dr. Luke and Stanley Clarke are just a few that immediately come to mind.

gJg: I was watching you showcase your cooking prowess on “Rachel Vs Guy: Celebrity Cook Off”.  I wanted you to win it so badly.

TD:  As far as I’m concerned we did win. Joey (Fatone) and I were just thrilled to wind up where we did. Anything more than that would have been insane. It was such a great experience. <laughs>

gJg: What are your thoughts about the new wave of singers coming from shows like “American Idol” and “X-Factor”?

TD: Amazing. I think they’re awesome!

gJg: Your voice is so instantly recognizable. Do you think these kids spend too much time trying to sound like someone else?

TD: I think that the kids on those shows are just now starting to find their own voice. 

There’s this whole way of singing: the use of syllables, expressing the melodies, feeling the song and making it your own. That’s what they’re doing now.  Finding their way through the wilderness.

Most of them have never been in a recording studio or performed on that kind of a level before. Then all of a sudden they’re pushed into this big beast and the next thing you know, they’re developing. They actually develop right before our eyes. It’s pretty cool.

gJg: What projects are you working on right now?

TD: Right now I’m working on several different projects one of them being a new Greatest Hits package. This new album will include re-records of all of my big hits as well as some new material. I’m very excited about it.

Article first published as Tell It to My Heart: A Conversation with Taylor Dayne on Technorati.




Music

The Death of Queensrÿche

Whenever a band that I admire breaks up it’s always sad. Usually the problems arise from drama within the group amongst members. Some problems we hear about and some are kept from the public.

Steve Perry and Dennis DeYoung both left Journey and Styx respectively due to medical issues (although there were plenty of underlying drama within the band as well).

Sometimes drugs and alcohol are to blame as was sadly the case with Janie Lane in the band Warrant.

I’ve seen my fair share of favorite bands undergo massive line-up changes or break up altogether over the years but I don’t think I can ever remember witnessing the one event that’s the nail in the coffin. That is until today.

As far as I’m concerned there are only two unwritten rule for every band. This goes for your local band just starting out right up to U2 and The Rolling Stones:

First, ALWAYS give your best every night. Whatever your “best” is then bring it. Leave the stage (or club) knowing that you didn’t just phone it in.

Second (and more important): NEVER under any circumstances berate or come across negatively to your audience.

As evidenced by this video clip of Queensrÿche from their Rocklahoma performance a few days ago – you’ll see lead singer Geoff Tate break Rule #2.

“You guys suck!” …. that’s all that kept replaying in an endless loop in my head…. “You guys suck!”

How dare you say that to a crowd of people who paid MONEY to see you?

I don’t care if there are thirty thousand people or just three: If the crowd isn’t into the show then Dude, its your ‘effing JOB to make them get into it.

Let me say that I’m a fan of Queensrÿche from the “Operation Mindcrime” and “Empire” days. I know that the years since have probably not been as kind to them but that’s no excuse for Geoff to tell a crowd of people they suck.

Not surprisingly, members of the band (sans Geoff Tate) have announced a “side project” called Rising West which will make their live debut next weekend in Seattle. There are also plans to record a full length album.

A band that has been around for thirty years and sold over 20 million records is essentially finished. But even if they do somehow manage to come back all of their accolades will forever be overshadowed by these three words: “You Guys Suck!”

Ironically, Geoff would have been better off taking his own advice from the band’s magnum opus “Silent Lucidity”

A Conversation With, Interview, Movies and TV

A Conversation With Actress Marie Bollinger
Marie Bollinger

It’s not often you come across someone as cool as Marie Bollinger, an actress making her mark on the Hollywood scene in commercials and movies like “Pelt” and the soon to be released suspense/thriller: “HUFF“.

Marie is an adventurous powerhouse and a force to be reckoned with. One look at her video reel shows that she can play a multitude of roles.

From scream queen to dramatic actress to comedy she’s the total package. Did I also mention she’s cool?

My first encounter with Marie was from her role as the voyeuristic Jessica in “Pelt”, a Richard Swindell film that pays homage to the classic camper/serial killer movies of the 1980’s. Marie was fantastic as the promiscuous camper who winds up getting captured, caged and, well you’ll just have to watch the movie to find out.

Marie’s latest role is that of Brixi in the Paul Morrell directed film “HUFF”, a twisted take on the classic story of “The Three Little Pigs” which also stars former “Bachelor” Charlie O’Connell, scream queen Elina Madison, Elly Stefanko and Jenna Stone.

“HUFF” was recently screened to an enthusiastic crowd at the Texas Frightmare Weekend and received rave reviews from hardcore horror fans. With an official release scheduled for September, Marie’s star is certain to rise to new heights.

I had the pleasure of speaking with Marie and discussing her roles in both “HUFF” and “Pelt”. In addition to being a phenomenal actress, I also discovered that Marie has amazing athletic prowess, an interesting musical hobby and an awesome sense of adventure.

Yeah, she’s cool.

goJimmygo (gJg): Marie! It’s so great to speak with you!

Marie Bollinger (MB): Yeah! Same here!

gJg: Was the “HUFF” screening at Texas Frightmare Weekend your first experience at a horror convention?

MB: Yes it was. It was the first time I’ve been to any convention actually. It was something I’ve never experienced before and it was amazing! I couldn’t believe how many horror fans were there. They’re so loyal. Texas Frightmare was really a great place to premiere the film.

I remember at one point meeting a guy who told me that it was his sixth time coming. He said he keeps coming back to them because he likes meeting the film makers and hanging with friends watching films. Everyone there just shares their love of the genre together. It’s pretty cool.

gJg: What was the screening like for “HUFF”?

MB: It was awesome! There was such a great turn out and most of the cast was there too which made it even better. I actually sat next to Elly and Jenna and we watched the completed film together for the very first time.

gJg: When is “HUFF” going to be released for the rest of us?

MB: We’re being told sometime in September. That’s what we’re shooting for.

gJg: How did you the role of Brixi come about for you?

MB: I actually landed the role in part from a movie I had done previously called “Pelt”.

A mutual friend had introduced me to Paul Morrell (the director of “HUFF”). Paul had seen “Pelt” and liked my performance. He found me through Facebook and called me in to audition for the role of Brixi.

gJg: How did it go?:

MB: I remember the first audition went really well. But after the callback I remember walking out thinking I had just blown it. I went home down on myself. And then on 11-11-11, of all dates, Paul called me up and offered me the part. <laughs>

gJg: What’s the premise of “HUFF”?

MB: It’s actually a really twisted take on the story of “The Three Little Pigs”. There’s an abusive step father, Huff (Charlie O’Connell) and a selfish mother, Lorelei (Elina Madison) who is blind to what is going on between her daughters and Huff.

My character, Brixi knows that she has to get out of the situation and ends up taking on the role of martyr in order to protect her sisters Shay (Elly Stefanko) and Styx (Jenna Stone).

Meanwhile, Lorelei takes Huff’s drug money and gives it to us to start new lives. That’s when Huff comes after us and the real horror element of the film begins. Up until that point the movie is more of a thriller.

So we run off and without giving too much away, let’s just say we make some decisions that got the crowd going at Texas Frightmare. <laughs>

gJg: What was it like working with Elina Madison?

MB: Elina is awesome! I’ve known her from seeing her at some of the commercial auditions I’ve been to. It wasn’t until later that I discovered she had this extensive resume of horror which was very cool.

I remember her coming to the table read and just laying all of her cards on the table right away. She just told everyone that she was going to do her own thing and for us to not be offended if she went off by herself. She was that focused on the story. I respect that. She was very professional.

gJg: I have to ask you this important question: Did you know that Charlie O’Connell (Huff) was “The Bachelor”?

MB: I honestly didn’t. I had never watched “The Bachelor” before and had to look it up. I went in blindly so I really didn’t really know anyone. <laughs>

gJg: Any interesting stories you remember while filming the movie?

MB: Well, I actually lived on the set pretty much. We were offered places to stay while we were filming but I didn’t want to drive so I just decided to stay on location. Our casting director, Meg Hairell, didn’t feel comfortable with me staying there by myself so she stayed there too.

I remember having to wake up every morning before anyone, even if I wasn’t due on the set, because the makeup room also doubled as my bedroom.

If I wasn’t shooting I was often napping. Meg has a whole collection of photos showcasing my skills of being able to nap anywhere but mostly curled up in a corner of the room. <laughs>

It was a creepy place because it was next to a burial ground and people had said they saw ghosts walking around on the property. I was really hoping for something scary to happen but nothing did.

gJg: Having now seen the movie, what do you like most about it?

MB: I think the fact that there was a subtle comedic element to it. Some of my favorite horror movies all have a little bit of comedy in it. It’s not always obvious but it’s there. Charlie really brought some awesome comedic elements to it. I was surprised at how well the sprinkle of comedy worked. It’s all so subtle, yet also real.

Pelt

gJg: What was your experience like filming “Pelt”?

MB: “Pelt” was a really fun shoot. I remember we all stayed in this great cabin-like hotel and really bonded together. It was great fun.

Here’s an interesting story:

One of my favorite movies from a few years ago was a film called “The Signal”. I remember that there was this guy in the movie who I thought was absolutely phenomenal but I didn’t know who he was.

Justin Welborn (who plays Jon in “Pelt”) and I became good friends during filming. After we had completed shooting the two of us were hanging out together and he asked me to check out this movie he had made: “The Signal”.

I was like: “No way, that’s YOU??” I had just gotten done working with him and had no idea that he was in one of my favorite movies, which says a lot about his ability to transform as an actor. He’s a chameleon of sorts. <laughs>

gJg: I found “Pelt” to be just like some of the other horror movies I loved watching during the 80’s. The “Friday the 13th” types with the over the top kills, the promiscuous ladies, the funny one-liners at the “wrong” time….

MB: Exactly! It’s supposed to be fun!

I remember being at the table read and Richard Swindell (director and a really cool dude) told us: “I’m not reinventing the wheel here. Let’s just have fun. It will be a great experience.”  And he was right, it was.

gJg: I remember reading where Richard said he knew a joke was going to work in “Pelt” if it made you laugh during the table reading.

MB: Yeah, I have a sense of humor of a 12 year-old boy and so does Richard. It was a blast. <laughs>

Acting:

gJg: When did you decide you wanted to become an actor?

MB: I think it was when I was in elementary school. I remember being involved in a poetry contest and at the time just thinking to myself that acting was something I really wanted to do.

I had always been involved in plays and drama during school but I was also an athlete. I won State my senior year in the high-jump and went to college on a scholarship. Being an athlete was a big part of my life.

I graduated college with a BFA in Electronic Media but was never brave enough to take that first step and do what I really wanted to do. Then one day my father, who always knew I had the desire to act, told me to just go for it. So I did. I moved to LA and immediately started booking commercials.

gJg: I was watching your video reels and saw your sky diving adventure. What was that experience like?

MB: It was such a great experience. For one second, and quite possibly the longest second of my life, I literally thought I was going to die. But once I realized that I was actually just free-falling, it was awesome! I love stuff like that: heights, being scared, adventure.

gJg: What do you like to do in your spare time?

MB: One of the things I like to do is collect vinyl record albums. I have a lot of classics like David Bowie, Brian Eno, Phil Collins, Patti Smith, Billy Joel. A lot of punk rock from the 70’s. Some garage rock from the 50’s and 60’s. Just a wide range of music.

I’m actually going through a big Leonard Cohen/Patti Smith phase right now. I think if I could have been born in another time it would have been the 60’s.

gJg: What’s projects do you have coming up?

MB: I have a couple of short films in the works along with a feature film called “Listening”.  It’s a story of two broke college grad students who invent mind-reading technology. If it gets into the wrong hands, well then it may just be the end of free will.  I play a brainy vixen in this one.

It’s a fantastic screenplay and I’m very excited about it! 

 

Article first published as A Conversation With Actress Marie Bollinger on Technorati.

1980's, Childhood Memories

Asia – 30 Years Of Rock

It was mid May 1982, a time period I remember fondly even though I can’t recall the exact date.

I was a young thirteen-year-old boy in the home stretch of seventh grade and actually loved going to school. And before you go making assumptions: no, I wasn’t on drugs or suffering from some serious mental ailment.

Just hear me out.

As a student, the end of the school year is always the most exciting time of the year. At least it was for me. Worries about final exams, peer pressure and girls would soon give way to dreams of summer sun, picnics and marathon sessions playing Pitfall on the Atari.

I actually looked forward to getting up in the morning and going to school. If for no other reason than to spend the day just hanging out with my friends in class. Because let’s be honest, there sure wasn’t a hell of a lot learning going on when there was a summer itch that needed to be scratched.

The middle school I attended sat in the center of the city’s west ward. A two-story brick structure that I think doubled as an oven from May through September. The building itself had no central air conditioning and by mid morning the temperature in the classroom rose to almost unbearable levels. And there’s only so much relief open windows and small portable fans can provide to a class of two dozen antsy students.

But the heat from the unusual May weather pattern did not deter my enthusiasm one bit. On the contrary, as the sweat ran down my brow it only reinforced the notion that before too long, summer would officially arrive.

It was during one of those final hot days when I was sitting, ironically enough, in music class when it happened. As I said, there was very little left to learn and aside from each student cleaning out their desks and getting old test papers back the teacher had pretty much given us a free period. As a sort of “going away present” he even offered to let students bring in some record albums to listen to rather than to just sit in silence.

That was when this kid, who I will forever remember as Danny, put it on the turntable. As needle met vinyl the crackling hum began and it would be the first time I heard that infamous guitar riff and opening line:

I never meant to be so bad to you.
One thing I said that I would never do..

My eyes lit up and my heart began to race as a smile ran clear across my face (did you like how that rhymed?). Anyway, I think if Mom and Dad would have been there what happened next would have been justifiable cause for having my mouth washed out with soap.

“Who the HELL is this?”, I almost blurted out. Thankfully, someone else said the exact same thing to Danny and spared me the trouble of a reprimand from the teacher thus keeping my goody-two shoes status in tact.

“Asia“, Danny replied with a smile. Danny was one of those lucky guys whose parents had just gotten him the record from the first real “super group” of the 1980’s. A band formed from the nexus of YES, Emerson, Lake and Palmer and King Crimson.

Not only was the first song killer but they even had a picture of a dragon rising from the sea on the album cover. I LOVE dragons!

I resisted the urge to reach out and “touch” the record album Danny held in his hands for fear that it might appear to be sacrilege. Or at least grounds for a punch in the arm.

As Danny explained the premise of Asia my ears were glued to the turntable. The music coming from the spinning disc was different and exciting. As “Heat of The Moment” played on not only do I recall thinking it was apropos to the oppressive situation we were experiencing in the school but I also remember thinking how great my life was to be able to bear witness to this new music.

The next song was just as catchy as the first: “Only Time Will Tell”.  An amazing keyboard intro and a video I would later find on the then fledgling MTV channel. You remember, the one with the girl gymnast jumping over TV sets with the bands faces on them?

Have I mentioned before how much I loved the 80’s?

I think we had just gotten half-way through the third song: “Sole Survivor” when it was time to pack things up and head out.

Although my tenure in seventh grade would soon be coming to an end the seed was planted for my love of hard driven guitars and keyboards.

It would be years before I would finally get to see Asia perform live. They are one of the very few bands from that era (RUSH, Mötley Crüe and Poison also come to mind) that are still performing with all of the original members and sound better than ever.

On July 3rd, 2012 Asia will release “XXX” (pronounced “Triple-X”) an album which celebrates three decades as the original super-group. Still with the same powerful line-up as when I first heard them in the sweltering heat of the middle school I’ll once again be able to hear new music and recall those care free days of youth.

Thanks Danny, wherever you are. Now bring on the heat.

Things I Think

Five Things I Think: The Top Rock Vocalists of All Time

Yesterday they announced that Britney Spears and Demi Lovato would be joining the judges panel for the Simon Cowell talent show “X-Factor”. I was dumbfounded by this revelation. What credentials could these two individuals possibly possess that qualify them to be judges of singers?

So while I was thinking about how shows like this have “sold-out” and now only seem to be launching pads for celebrities to jump start their stagnant careers (hello J-Lo) I started thinking about some of the best rock singers I knew.

Singers. I’m a big fan of them. Especially ones that do it with ease. Because what they do is something I long for but know I’ll never achieve, even with years of training. It’s something you’re born with. And it makes me love them and hate them all the more. But in a good way.

So I decided to give you a quick list of who I think are the five greatest rock singers of all time. We can debate about it all you want (and I hope we do) but let’s see if you agree:

Lou Gramm

#5. Lou Gramm: When I first heard “Hot Blooded” for the first time I was blown away. It was one of the first songs I ever attempted to sing for real and subsequently realized that I wasn’t a singer. Thanks Lou!

Lou’s vocals also shine on songs like “Waiting For A Girl Like You”, “Juke Box Hero” and of course “I Wanna Know What Love Is”.

 

Robert Plant

 

#4. Robert Plant: I’ll probably take a lot of heat for this one but truth be told I was never really into Led Zeppelin all that much. I know, a travesty. Especially for a metal-head like me.

I was one of the ones who knew about them but like most people grew incredibly tired of hearing “Stairway to Heaven” being played ad nauseam on rock radio.

Perhaps that’s why I never opened myself up to some of their other great songs. But I give credit where credit is due. Robert was one of the best ever.

 

Steve Perry

#3. Steve Perry: You know how you can tell you’re an awesome singer? When you get kicked out of the band and the remaining members proceed to spend the next 15 years replacing you with guys who sound exactly like you. Sorry, but in this case, nothing comes close to the original.

Kids these days can’t seem to get enough of “Don’t Stop Believin”. But I like to remind them how great it was for me to be living during the years when songs like “Any Way You Want It”, “Lights”, “Stone in Love”, “Open Arms”, “Separate Ways'” and “Faithfully” were actually new!

Try to find any singer out there today that comes close to equaling a resume of songs like that.

Freddie Mercury

#2.Freddie Mercury: Without a doubt the ultimate front man. Watch their Live Aid performance from 1985. Or check out the video from their “Kind of Magic” tour. Not just a phenomenal singer, Freddie also knew how to play to the audience.

Listen to him on the magnum opus “Bohemian Rhapsody”, his swagger on “Crazy Little Thing Called Love” and his fun side on “Fat Bottomed Girls”. And even those are just the tip of the iceberg.

It’s still hard to believe that this guy’s been gone for over twenty years. Just think of all the great music we’ve missed. I still believe that if he was still alive Queen would be the biggest thing on the planet.

 

Even when they replaced him with Paul Rodgers (an honorable mention on my list) they STILL played in front of crowds in excess of 300,000 people.

Jimi Jamsion

#1. Jimi Jamison: In my view the ultimate rock singer. And no, it’s not just because he’s the only one on my list that I’ve actually met in person (although he is one of the most humble, down to Earth people you’d ever meet).

Just listen to him on any of the 1980’s Survivor albums (my favorite songs being “Can’t Hold Back”, “Man Against The World” and “Desperate Dreams”) or any of his solo material. The man’s voice never changes. It’s as powerful as ever and he does it with ease.

Survivor guitarist Frankie Sullivan once said Jimi could sing the phone book and quite honestly, I’d really like to hear it.

Your turn. Who are your favorite male rock vocalists?

1980's, Survivor

Survivor: The Next Generation

It’s been 27 years, 2 months and 15 days. But who’s counting?

Nearly 10,000 days. That’s the duration of time between when I first saw the band Survivor perform at Stabler Arena in Bethlehem, PA and the day I took my daughter Jillian to see them for the very first time this past Sunday at Penns Peak.

Oh sure, we went to Hershey Park a few summers ago when the band was there but let’s be honest: when you put an 8-year-old girl in an amusement park surrounded by chocolate it’s damn near impossible to get her to sit still for an audio assault of classic rock.

So, while Mom and child made their way around the park Dad took one for the team. I know, it’s a tough job.

But Sunday night was the ideal night. It had been almost seven years since Jimi Jamison fronted the band and it would be Jillian’s first time to see and hear the band her Dad’s been clamoring about since she first wondered what that “Vital Signs” album was doing hanging on the wall in his office.

If you are a classic rock, hair-metal or country music lover Penns Peak is the absolute best place to see a show. It reminds me so much of the intimacy that Stabler Arena had. A venue that when you first walk in you can literally read the band’s name on the drum header without the need of binoculars. As far as I’m concerned a concert isn’t just a band playing for you. You need to be part of the experience. A concert is when the band is playing WITH you.

As Jillian and I stood in the second row the band ran through a gambit of hits and even a few surprises as well. Truth be told, it’s been a long time since I’ve heard them sound this good. And this was only their fourth show together with this new line-up. A sign of good things to come!

We were extremely fortunate to get back stage passes for a quick meet and greet with the band after the show.

Jillian, an aspiring singer herself, asked Jimi (one of the greatest male rock vocalists of all time) if he had any advice for her. This is what he said:

Persistence. Just keep singing. The more you do it, the better you get. That’s the best advice I can give you!

My mind is a bit faded since that Survivor concert two dozen years ago and for the longest time it was hard for me to try to put into words how I felt the night I saw them for the very first time.

That was until a friend showed me a picture she had taken of Jillian and me after the show was over. Then I figured it out.

After the band said goodbye and got into the van to take them back to the hotel Jillian and i stood there for a minute basking in the glow. It was at this point that a simple song lyric came to mind:

We will remember this first night together. After all the songs fade away and the stage fades to gray.

As we were making our way out a stage hand from the band came over and asked Jillian if she had gotten an “official” Survivor Frankie Sullivan guitar pick.

After she told him that she didn’t he took one that he had gotten from the stage and handed it to her as if it might mean something.

Truthfully, it did.

A Conversation With, Interview, Music

A “Kihn-Versation” with Greg Kihn

I remember it like it was yesterday, as I’m sure any other musician whose ever started a garage band will tell you. The moment where everyone in the band gets together and starts figuring out which songs to learn.

In between the usual shouts for Led Zeppelin and The Rolling Stones everyone puts in their own two-cents and decisions are made.

Some songs rise to the top because they’re fairly easy to learn. Others fall by the wayside due to their technical ability, or perhaps because no one in their right mind would ever want to hear them played in a club.

Eventually though, songs get whittled down until only a handful remain. These are the classic ones that everyone in the band, regardless of instrument, already knows how to play and is eager to put on the set list.

In my experience there was only one song that was the common denominator in every cover band that I was ever in: “The Break Up Song” by Greg Kihn. I liked to call it “Old Reliable” because it was a staple in my band’s arsenal. A song that we were quickly able to pull out on a whim whenever the ladies came within striking distance of the dance floor. A weapon of mass destruction that was both easy for us to play and yet would only reinforce our rock star status to those of the female persuasion.

“The Breakup Song (They Don’t Write ‘Em)” was the song that first introduced me to Greg Kihn. A song that broke the band into the mainstream and as you’ll discover, as all good songs do, has a true “rock and roll” story behind its origin.

But Greg Kihn’s musical legacy goes much deeper than just a single song. Case in point: after losing control of his master recordings from his days on the Beserkley label in the late 1980’s Greg began the monumental task of getting them all back.

A successful journey that now gives us:

Greg Kihn Band: Best of Beserkley, 1975-1984: a 21-track magnum opus that features 19 remastered original hits drawn from Greg’s eight-of-nine Beserkley Records studio albums. Most of which have been out of print for over twenty-five years.

It’s rare when a project this special comes to fruition. Sure it’s cliché to say but quite honestly: they just don’t make ’em like this any more. Both die-hard and new Greg Kihn fans will definitely want to add this compilation to their music collection.

Never one to just rest on his laurels, Greg continues to be involved in music and writing. Today, Greg Kihn is the San Francisco Bay Area’s #1 FM reigning Radio Morning Man and can be heard on Classic Rock KFOX 102.1 San Francisco and 98.5 San Jose – the fourth largest radio market in America. He’s also a prolific novelist and screen writer who has several projects in various stages of development.

In my interview with Greg he discusses how this “new” album came to be and his plans to re-release every one of the Beserkley albums again in its entirety in true digital format.

Greg also talks about two shows he has coming up: a reunion/record release party in Santa Cruz, CA on May 19th and his annual Kihnfest concert which this year features a true 80’s triple-threat: The Steve Miller Band,  Pat Benatar and The Greg Kihn Band.

Finally we’ll find out about Greg’s current gig and what his greatest rock and roll memory is from the days of Beserkley.

But before our interview begins there was one thing I absolutely had to take care of first:

goJimmygo (gJg): Mr. Kihn, as a guitarist myself and on behalf of everyone who has ever played in a garage band I just want to say: “Thank you so much for The Breakup Song.”

Greg Kihn (GK): <laughs> You’re welcome!

I’ve always loved that guitar riff and every garage band has had that one in their repertoire at some point. In fact, in the movie “The Groomsman” that’s the song they’re rehearsing in the garage when they’re getting their band back together.

gJg: What’s the origin of that song?

GK: It’s a long story but basically goes like this: I was coming home really late from a gig one night with the band in our van. I remember it was raining and they were going to drop me off. But when we pulled up outside of my house I noticed that all of my stuff was piled up out on the front lawn.

The guys in the van were like: “Uh-Oh! Looks like you’re not going home tonight!” <laughs>

So we drove to a Sushi bar and I noticed that there was an older Japanese businessman standing there next to the jukebox. He was completely drunk on Sake and kept playing the song “I Remember You” by Frank Ifield over and over again. Just kept pumping dimes in again and again playing this same song over and over and all the while kept muttering:

“They don’t write ’em like that anymore…”
“They don’t write ’em like that anymore…”

I turned to Steve (Wright) and I said: ” You know Stevie, that’s a song right there! “<laughs>

gJg: That’s incredible how an incident like that sparked the song.

GK: The best things in life are like that. They happen by accident.

gJg: Tell me about this “new” record you’ve just released.

GK: It’s really the end of a long journey and the beginning of a new one.

We’ve been trying to get the master recordings back from the various record companies we’ve dealt with over the years. We were on Beserkley which was a notorious independent record label that answered to no law of God nor man.

The problem was, they had a different distributor almost every year that they were in business so every one of my albums was distributed by a different company. They were all on the same label but it was always something like “Beserkley distributed by Warner Brothers” or “Beserkley distributed by Asylum” or a number of others.

Over the years we lost control of those master recordings and about ten years ago my manager and I began a quest to try to get them all back. We started with the EMI material and just kept expanding, hiring lawyers and beating down doors until eventually, one by one, we got everything back.

Now I have the rights to put out all of my original master recordings myself, a lot of which has been out of print for over 25 years.

So on one side it’s great because people will get to hear this material again and on the other it’s also legacy building because I want my grandchildren to benefit from the stuff I did too. I really want the music to be available to everyone.

gJg: What was it like listening to that material all over again?

GK: Surreal. There’s a lot of really good music in our catalog that I had totally forgotten about. When I started remastering it I was blown out by how fresh it all sounded.

In the old days, around 1976 we didn’t know what we were doing. We just went in and did it. We’d have a recording session on a Saturday and the week before I’d write a song or two and rehearse it with the band. Then we’d go in and basically record it live with minimal overdubs. We were on a shoe string budget doing it after hours and at odd ball times but God it was fun. I remember going in and being so STOKED by just being in a professional recording studio.

They would let us use the old CBS studios in San Francisco. It was the size of a gymnasium. It was huge and our equipment took up just a tiny section of a corner of it.

I remember setting up our gear and thinking: “Wow, we’ve made the big time.” Here we are in the same room where Janis recorded. Simon and Garfunkel. Everyone recorded in this room.

When I listen to it now, putting it all together it really takes me back and makes me realize how special it was. All of the things that we did. We were pioneers and we didn’t even know it.

gJg: What are your plans now that the remastering is complete?

GK: We’ve just released “The Greg Kihn Band’s Best of Beserkley“. It has a few songs from each of the records that were released during that era.

The next goal is to release all of the original albums themselves individually, digitally remastered and in chronological order. It will be so great to have this music available digitally because most of it was only available on vinyl back in the day. There have been “Best Of” collections over the years but never anything done like this and I’m grateful for the opportunity.

gJg: What are your thoughts about your days with Beserkley?

GK: Beserkley was the first independent label of the modern era who took a chance on us. We didn’t have a hit record until our seventh album when “The Breakup Song” cracked the top ten. We never would have gotten the chance to make a second album in today’s world.  So in a lot of ways I’ve been really lucky and it was a very fortuitous event that placed me with Beserkley records.

Oh and by the way, I just started thinking about writing “The Beserkley Story” because this is a story that needs to be told. A story of over indulgence, excess, insanity, sex, drugs and rock and roll. It’s funny and tragic at the same time but the amazing thing was, we pulled it off.

The odds were a million to one that we would do anything but we beat the odds.

gJg: Any thoughts about doing a tour?

GK: I don’t think we’re going to tour for a while. I do my morning radio show every day in San Francisco. I’m not ruling it out but it’s unlikely at this juncture. I do, however, have a couple of big shows coming up in the area.

I’m doing a special Greg Kihn Band Reunion/Record Release Party Show at our old stomping grounds in Santa Cruz, California on May 19th. It will be out on the beach at the Catalyst Club where we used to play all the time back in the 80’s. 

We’re returning there and having as many members of the original band that are still with us perform. Larry Lynch, Steve Wright, Greg Douglass. It’s going to be a reunion of sorts.

We’re going to have the original guys playing on the original songs. It’s going to be pretty cool. Everyone who comes will get a download card for the CD and there will be posters and even a raffle for a signed guitar. It’s going be a very party-like atmosphere.

I haven’t played some of these songs since we recorded them over 25 years ago. So for me, to go back in there and rehearse them with Larry the original drummer and Steve the original bass player was like getting into a time machine!

Then on July 14th we’ll be having my annual “Kihncert”. It’s a mini rock festival that I do every year. This year we have Steve Miller, Pat Benatar and The Greg Kihn Band. A nice little triple bill.

gJg: It’s the 80’s all over again!

GK: You know, as I’m speaking with you I’m currently sitting in a large bathtub filled with the 80’s just soaking in it. It’s like a warm fluid that’s good for the soul.

gJg: Tell me a little about your morning radio show.

GK:  It’s Classic Rock KFOX 102.1 San Francisco and 98.5 San Jose. We’re the fourth largest radio market in America. I get to play great music, talk and do interviews.

gJg: Tell me, how cool is it to be a DJ and be able to spin your own records?

GK: I love it!

It’s “Greg Kihn playing Greg Kihn on the Greg Kihn Show!”  They pay me three times for it. I get paid as the DJ, as the writer of the song and I’m the guy who gets the mechanical royalties because I sang the song!

I don’t know how many professional rock and roll musicians that can actually say that. I may be one of the few in the world. This is now my 16th year in radio. The fact that I’ve been getting up at 4 in the morning all that time just blows my mind.

gJg: You used to be coming home at that time.

GK: Exactly! That was when I used to come home. My whole life is upside down. The nice thing about doing radio though is that I love doing interviews and talking about music. Getting up is tough but I look at it like they pay me to get up and the rest of it is free.

The other nice thing about it is that I don’t have to travel and tour. All of my music friends have to travel all the time but I get to stay home all week and do a lot of writing and hang out with my kids. All I have to do is get up and drive to San Francisco.

gJg: Tell me about the screenplay you’re working on.

GK: There actually are a few of them I’m working on right now but the big one is “45 RPM” which is about the Mafia in the music business. It’s written to be a series, kind of like “The Sopranos with Guitars”.

I also have an adaptation of my first novel “Horror Show” that I’m preparing a script for as well.

gJg: What do you like most about writing?

GK: The part of writing that i find so therapeutic is that you can just let your mind wander and let the creative process take over. I used to only write songs but now I’m writing songs, novels and screenplays. They all use the same muscle in your brain. That creative spark. That’s what I like, coming up with new ideas all the time.

gJg: Just one more question for you.

GK: Fire!

gJg: During your Beserkley years, what is your greatest rock and roll memory?

GK: Wow, there’s been a lot of great ones but I think I would have to say opening for The Stones in the Seattle Kingdome in 1983.

We were like “America’s Opening Band” back in the 80’s. So when Prince got kicked off the Rolling Stones tour Bill Graham called me the night before asking if we could fill in and open for them. I said: “Bill? what time do you want me to be there?”

Bill was always good to me and kept me in mind.  My mother had always told me to thank Bill Graham after every show and one of the reasons I think Bill liked me was because I always did thank him after every gig. <laughs>

So we jumped on a plane and opened the show playing in front of 80,000 people and my heart was pounding. It was a sea of humanity!

Afterwards, I remember walking around backstage with Bill and thanking him for the opportunity. He says: “Shut up, follow me!”. He then proceeds to take me back through level after level of security into the inner sanctum of The Rolling Stones.

So there I am sitting on the couch with Mick and Jerry Hall, who was his wife at the time and Charlie was there. Keith was tuning his guitar and Ronnie was there too. And there was ME in the same room as the Stones!

I was talking to Charlie for about a half hour about under-playing and over-playing and he was telling me: “You’ve got play it like it’s a small club man!”. It was cool.

I remember bumming a cigarette from Jagger. He gives me a pack of Marlboros and says “Here Man, have the whole pack!”. Turns out every guy in the band had requested a carton of cigarettes in their rider at every gig. It was insane. So Mick gave me the pack he was currently working on. I think he had only smoked two of them.

So I took the sacred Jagger cigarettes, smoked one of them and after they went on I took the pack back to my dressing room.

When my band found out that I was hanging with the Stones they were all bummed out and saying “AW, MAN! How come you didn’t come get us?” <laughs>

I said: “I’m sorry guys. I feel bad. But hey, I got Jagger’s cigarettes!” . Everyone was in awe of them. They each pulled one out and smoked them like they were joints. Come to think of it, I think they actually got high off of them. <laughs>

I wound up giving the pack to Gary Phillips, who was my guitar player at the time and the biggest Stones fan.

Turns out, he left the pack on his mantle when we went out and toured with Journey and when he came back two months later they were gone. The guy who was watching his house had smoked them all. He told him: “How could you do that man? Those were the sacred “Jagger Cigarettes!”.  But they were long gone! <laughs>

gJg: Greg it was great talking to you! Congrats on the record and all of your success!

GK: Thanks! It was great talking to you too! Let’s do this again sometime!

Article first published as A “Kihn-Versation” with Greg Kihn on Technorati.

Movie Reviews

Movie Review: The Avengers

I didn’t think it was possible. There, I admit it. I didn’t think it would be possible to put together a movie on Marvel’s “The Avengers”.

How could filmmakers possibly tell the story of an entire team of superheroes being assembled to fight a menace from another world, keep it true to the original comic and get it all done within two hours and thirty minutes without it being terrible?

But they did it. The Avengers is an action packed thrill ride you absolutely must experience.

I was the comic book connoisseur as a child, having made my parents shell out plenty of hard earned money for subscriptions to Spider-Man, Iron-Man and Captain America.

I’ve been there for Thor and The Hulk and have spent plenty of rainy Saturday afternoons in the 80’s catching up with Hawkeye and Black Widow. I know what I’m talking about.

My only regret is that this movie wasn’t made thirty years ago.

The Avengers are a team of super-heroes brought together by Nick Fury (Samuel L. Jackson) who must over come their own personal egos and agendas to defeat the menace of Loki (Tom Hiddleston) and his alien army.

The Avengers stars Robert Downey Jr. (Iron Man), Chris Evans (Captain America), Mark Ruffalo  (The Hulk), Chris Hemsworth (Thor) Scarlett Johansson (Black Widow) and Jeremy Renner (Hawkeye).

If you care to read my thoughts on the movie please continue on. I try hard not to divulge anything regarding the plot but will still post a SPOILER ALERT:

What I Liked:

The Assumption: My biggest concern going in was how the characters would be developed. It was the biggest thing I thought might be the demise of the film: not enough time to do everything. These were things that I hated in movies like “The Dark Knight” and “Spiderman 3”. Too much to tell in too little time.

In the case of The Avengers, most everything is assumed. Its assumed you already know about all of the characters and their powers (and if you’ve read the comics or have been following the prior movies from Marvel, you already do know about them). It worked.

The Ride: I am a huge comic book fan from way back. I grew up reading Marvel comics and especially loved it when the heroes teamed up. My favorite part always being when their own egos get in the way and they’d wind up doing battle with each other before taking on the real threat. The Avengers sticks to this premise perfectly.

AC/DC: Maybe it’s just the metal head in me, but when ever Iron Man shows up and they play AC/DC’s “Shoot To Thrill” I get goose bumps. Awesome.

The Hulk: They’ve tried to use the Hulk several times in other movies but failed every time. This Hulk sticks perfectly to the raging monster he was in the comics.

One Liners: There are several good ones through out the movie.

What I didn’t like:

Samuel L. Jackson as Nick Fury: I’ve gotta be honest and perhaps its because I’ve been inundated with Jackson in the roles of expletive wielding bad-asses over the years (“Pulp Fiction”, “Lakeview Terrace”, “Snakes on A Plane”) but I half expected a few “F” bombs to fly.

Gwyneth Paltrow: Loved her as Pepper Potts (Tony Stark’s love interest in Iron Man) but for some reason it seemed like she just “phoned it in” for this one. Answer the damn phone when it rings Pepper!

I think you get the point. It may be my inner child telling you this but quite honestly this one was a fun ride. 

Oh and one last thing: if you’re a fan of the comics you MUST stay for the credits. Trust me.