During the first week of August, actor/director/producer David Rountree and a team of other notable filmmakers will undertake the 48 Hour Film Project in Los Angeles, CA. Their mission? To write the script, cast the actors, shoot, edit, and hand in a completed film project in two days.
Rountree, along with his partner Jeremy Jordan have teamed up with James Blakeman, Ashley Ayre, Dustin Henderson and Shahriar Rahman (visual effects producer and supervisor, “Harry Potter and the Deathly Hallows”, “Smurfs”, “Scandal)” to produce the top-quality short film in one weekend as part of The Los Angeles 48 Hour Film Project and premiere it at the festival the following week. The Best Film will receive a grand prize of $5000 and move on to screen at The Cannes Film Festival in France.
David Rountree is no stranger to this blog. His feature-length feature film, “CUT!” — which he co-wrote, produced and directed, was voted one of the top five horror films of 2015. The multi-talented filmmaker has also received praise for work in his baseball themed film, “108 Stitches” (which, along with “CUT!” received a national theatrical release) as well as acting in the new horror film, “The Dark Tapes”. Over the course of his career in TV and film, Rountree has worked alongside such iconic actors as Samuel L. Jackson, Ben Affleck, Josh Hartnett, Rob Lowe, Amy Adams, Kate Beckinsale, Jennifer Garner, Ice Cube, Willem Dafoe, Bruce Davison and Kate Vernon.
Although it’s been seven years since Rountree last did this film competition, his team has won Best Film all three times its entered. This time around the team has rented out Air Hollywood studio, which where almost any movie having an airplane, including the original “Airplane” movie, was shot. The cast and crew of the film are all volunteers, but in order to continue to get the best locations and equipment, they’ve begun a fund-raising campaign.
Watch below to see one of Rountree’s previous 48-Hour Film Project films, “Life For A Life”.
For those who donate, there are definite perks, including film credits that would be given including digital copies of the completed film, signed scripts, invitations to the set and the opportunity to be a “featured background” actor in the film.
Check out the campaign and film above and consider being part of the team for one of the most creative people I know.
Whether she’s portraying the frail but formidable paraplegic, Nica Pierce in “Curse of Chucky”, the crazed assassin, Bart Curlish, in “Dirk Gently’s Holistic Detective Agency” or the young nurse, Diane Jones, in the ABC mini-series, “When We Rise”, Fiona Dourif has proven that her versatility and talent as an actress is as genuine as the person she is in real life.
The beautiful Dourif will soon reprise her role as Nica in the upcoming horror/slasher film, “Cult of Chucky”; the seventh entry in the “Child’s Play” franchise scheduled to be released in October. The film, written and directed by series creator, Don Mancini, also reunites Fiona with her real-life father, Brad Dourif (the voice of Chucky) and features Alex Vincent (from the original “Child’s Play”) and Jennifer Tilly (“Bride of Chucky”, “Seed of Chucky”).
I recently spoke with Dourif and got a sneak peek at “Cult of Chucky”, the second season of “Dirk Gently’s Holistic Detective Agency”, her career and more in this exclusive new interview.
It’s been four years since we’re seen you as Nica Pierce in “Curse of Chucky”. Was this new film, “Cult of Chucky” something that had always been planned?
I think Don [Mancini] is always thinking about ways to re-invent the franchise, even though he may not have a set timeline for it. It’s his life’s work. So, there was definitely talk about it on the set of the last film. I even remember Don coming up with idea of the mental asylum while we were shooting the last movie. With this new movie, he combines the old with the new, but it’s not a reboot. It’s a reinvention. It’s seeing Chucky in a way we’ve never seen before. There are definitely some surprises and I’m excited to see what people think.
What was it about the script that originally attracted you to the role of Nica?
I feel very close to the franchise in a way that’s there no parallel. When I was initially given the script, I auditioned for the role of Nica’s sister, Barb. But after watching my tape, Don said there was a quality in my performance that was right for Nica. It wasn’t obvious to me at first but they had me come in to audition and through the process made me understand that my own instincts as a person were very similar to Nica’s. But everything about the project attracted me. The idea that I could lead a franchise I felt this close to and to do something with my dad was an utter dream come true. It was my first studio film and a coming of age for me.
What makes horror such a great genre?
I think it’s fun to feel afraid. It takes up all of your attention in a way that’s exhilarating. It’s a baseline human experience and when you dive into it, it’s like riding a roller coaster.
What are some of the biggest challenges of playing Nica?
Horror itself is challenging because you have to bring a lot of energy to it. Nica goes through some very dark places, so there was a lot of trying to find freedom in the idea that everyone you love is dying in front of you. Working with the dolls can also get challenging because Chucky gets a lot of takes. You’re also working with a puppet that has six people in green suits around you. There’s someone controlling his eyebrows, someone controlling his lips, someone controlling the way his mouth moves, two people controlling his arm movement. You’re acting in this high intensity moment and in order to make the moment correct all six people have to be in sync together. So, if it’s a two-shot and Chucky’s getting twenty-six takes, you have to keep that energy and terror alive for all twenty-six. I remember getting home from those first days shooting with Chucky and just being a puddle on the floor [laughs]!
Without giving too much away, how would you describe “Cult of Chucky”?
“Cult of Chucky” is like a Chucky movie on drugs. I think that’s the way Don describes it. It’s a psychedelic, hospital movie with a lot of surprises. We’re going to see Chucky in a way we haven’t seen him before. It’s going to be fun.
What’s it like working with Don Mancini?
Don is a really generous director. He’ll let me bring to it what I think is right and then he’ll come in with opinions and an intelligence that I find very rewarding. We became good friends on the last movie and this year there was a fun synergy between us. I feel very close to this franchise and where the story goes. It’s fun to be able to make something with Don that people really dig.
When did you realize that acting would be your calling?
I remember the exact moment. I had been working on documentaries for a production company for The History Channel when I got the opportunity to take an acting class. I was doing an improv of a pizza delivery scene and when I got up there and performance kicked in it was the most exhilarating thing in the world. That’s when I thought if I could do this with my life, what could possibly be better?
Are there any other projects you’re working on right now?
I’m in Vancouver shooting “Dirk Gently’s Holistic Detective Agency”, which is in its second season with BBC America and Netflix with Elijah Wood and Max Landis at the helm. I play a “Beetlejuice-like” monster who is the assassin of the universe. I’m this dirty, creature and the least sexualized feminine character that has ever been written. It’s maybe my favorite character I’ve ever played.
What can fans expect from the new season?
Mayhem! Max is a very smart, emotional writer. Sometimes the show feels like a graphic novel in the best possible way.
What’s the best bit of advice your dad’s given you as an actor?
There are kernels of things he’s said to me over the years that have become clearer in my journey. I remember a piece of advice I think about now-a-days with “Dirk Gently”. He said this cryptic thing: “You just have to step over the line.” The more I think about what he meant by that is more crystalized for me now.
Would you like to work with your father on another project at some point?
We talk about that all the time and would love to do something together. There hasn’t been a project yet that’s worked but I would really love that. It would be a gift.
What excites you the most about this next phase of your career?
I’m most excited about finding more freedom in the chances I get to perform. Like anything, the more you do something the better you are at it and the freer you become. It’s a fun ride and I’m so incredibly lucky.
Terrorized at multiple stops on a road trip to Joshua Tree, three friends realize something unexpected is pulling the strings.
“Voyeur” is the feature-length thriller written and directed by Delaney Bishop. The film includes a diverse cast that includes Riker Lynch (“Glee,” “Dancing with the Stars” and founding member of R5), Ayla Kell (“Make It or Break It”), Lisseth Chavez (Netflix’s “One Day at A Time”) and Robert Romanus (“Fast Times at Ridgemont High”). In addition to an inspired script and the unique use of cameras Bishop promises “Voyeur” will also have a cinematic twist that’s never been done before.
Bishop and his partner, Felix Brenner have begun a Kickstarter campaign for fans to help push “Voyeur” to completion. Perks for supporting the film include everything from social media shout outs, posters and screenings to an executive producer credit. Bishop and Brenner’s past collaborations include the award-winning films, “The Death of Salvador Dali” and “Metermaid”.
I recently spoke with Delaney Bishop about “Voyeur”, his career and more in this exclusive new interview.
Where did the idea for “Voyeur” begin? How did the project originate?
It was actually inspired by two trips I took to Joshua Tree. On the first trip, I noticed there were some kids up on the rocks that seemed to have less than benevolent intentions. They were terrorizing people, and the people really had no recourse because they were so far away from civilization and cell phone reception. It got me thinking, this terrain could be very dangerous if someone had bad intensions and was able to track someone down.
The second trip was more of a magical one where we went to the Integratron. It’s located on what’s supposed to be a cosmic gathering point in the desert and is said to have a lot of mystical properties. When I came out of there the idea really came into place and the story unfolded in my head. I was able to get home and write the entire outline in a few hours and wrote the first draft in about three weeks. I teamed up with my partner, Felix Brenner, who’s worked with me on a number of short films. We said let’s do it and that was it. We were up and running.
How would you describe the story of “Voyeur”?
It’s the story of three young friends who take a trip to Joshua Tree desert to hike, spend the night in Palm Springs and attend the festival. But something is following them in the shadows and their trip quickly turns to terror as they’re mysteriously harassed by the same people everywhere they go. The twist reveals that everything was happening for a reason and something very close to home is pulling the strings.
What was the casting and filming process like?
We had a relationship with a manager who represented Riker Lynch and Ayla Kell. When they were cast that’s when the whole project became real and something I could visualize much more easily. They were absolutely perfect. We also have Lisseth Chavez, who I had auditioned before for another project and Jennifer Blanc, who’s done a lot of horror. We were looking for a father for the three brothers in the film and Robert Romanus was perfect. The whole cast and crew was incredible. It was a very positive set and a lot of fun.
Were there any challenges you experienced during filming?
Part of the twist in the film involves the cameras. There’s a secret that’s revealed at the end that had to consciously be avoided during every scene. There was a certain way we had to shoot in order to hide certain things. The framing was very crucial and quite challenging.
What made you decide to begin a Kickstarter campaign?
With some of the effects that we’re doing and the intricate sound design, we really wanted it to be a notch above what we had originally budgeted for. So we decided to reach out to friends and fans and bring it into the community. So far, it’s been going great.
Was having a career in entertainment something you always aspired to do?
My father was a director and by the time I was sixteen it was pretty much all that I knew how to do. I was taking a lot of pictures and writing quite a bit and went straight to film school while still in high school. It’s always been my passion and something I’ve always been working toward. There was never an alternative.
What excites you the most about “Voyeur”?
We worked so hard on this film and there are things that have never been done before as far as the reveal and the twist. It’s a bold turn that we take but I think people are ready for it. It’s like piecing together a puzzle and I can’t wait for people to see and appreciate how intricate the puzzle is and recognize how much planning went into the story and the way of shooting. Because the technology and the cameras in the film play such a big role this had to be a film and not a novel or an essay. The way of shooting goes hand in hand with the story and I can’t wait for people to have a conversation about it.
Straight from the comics to the mean streets of Los Angeles comes veteran Hollywood producer Patrick Durhan’s action packed sequel to 2011’s “Cross”– “Cross Wars”.
Given incredible power by an ancient Celtic Cross, Callan [Brian Austin Green] and his team of weapons experts continue to wage war against the forces of evil in Los Angeles. But when a ruthless villain named Muerte (played by Danny Trejo) threatens to kill his crew, Callan and his team must join forces with an all-girl crime-fighting squad to help save the day.
What they don’t realize is that Muerte is not working alone. He’s resurrected the evil immortal Gunnar (Vinnie Jones) who has a plan more sinister than anyone can imagine. Can Callan and his team prevent the looming apocalypse and save humanity? The superhero adventure was released on February 7 from Sony Pictures Home Entertainment and also stars Tom Sizemore and Amy Jane.
Durham wrote, produced, directed and stars in the offbeat, action-packed sequel and is known for being one of Hollywood’s most in demand horror film producers. He’s also the genius behind such films as “Creepshow Raw,” “Tooth and Nail” and “Cabin Fever 2”.
I recently spoke with him about “Cross Wars” and more in this exclusive new interview.
Where did the idea for “Cross” begin?
I’ve always been a fan of superheroes and one day decided that I’d love to see a Celtic-themed one. I’ve always liked the idea of Green Lantern’s ring and Iron Man’s chest plate. Heroes that have things with power, but that power can eventually run out. It’s the reason why Callan’s cross also runs out of power. It makes him more human by proving that he’s not invincible.
How would you describe the story of “Cross Wars”?
Vinnie Jones is back as Gunnar. He’s a villain who’s cursed to live forever and as a result, he wants to kill everyone on Earth because it’s the only way he can die. Callan and his team are out to get him but they also understand that that they can’t kill him because he’ll only come back. So, they have to figure out a way to imprison him before he can destroy the world. Things get very crazy in end. In the first film, Michael Clarke Duncan’s character was running L.A. Michael who was a great guy who sadly passed away. Danny Trejo had a cameo in the first film and he came back for this one.
What was the writing process like?
The first film we wrote and developed and changed up a little bit along the way. It was a great success. The new film has so many interesting characters to it. We’ve got 6-7 lead females and 6-7 lead Cross guys. We’re going to do a part three which will be a very dark finish to the franchise.
What’s it like working with Brian Austin Green?
We actually wrote the series with him in mind. Brian’s such a nice guy and a great actor who does his own stunts. He’s a legend who’s so great with improve and timing.
You wore so many hats on this film: writer, director, producer and actor. What were some of the biggest challenges?
There are at least fifty things that you’re doing all at the same time. Everything from finding locations to dealing with talent agents. That’s when you suddenly find yourself on set directing and remember, “Wow! I forgot I’ve got lines in this scene!” [laughs].
What else can you tell me about the next film in the franchise?
In “Cross Wars”, Danny Trejo’s character reveals a new villain with a new amulet. He’s going to be downright, scary, dirty and awful and a lot more violent. If things fall into place, we’re likely to start filming in the next few months.
Was a career in entertainment something you always aspired to do?
Yes! From the first time I saw “Star Wars” and “Raiders of The Lost Ark”. That was when I said, “That’s it. Nothing else will do.” I grew up in the Carolinas and moved to California when I was 18. Forty-six movies later and I’m still doing it.
What’s your role as a producer?
I have a lot of celebrity friends. My job is usually to bring in the celebrities and the money, which are the hardest things to get. That’s my specialty.
Are there any other projects you’re working on right now?
I’m working on a few horror films right now. I’m also working with Victor Miller, who created the original “Friday the 13th”. He and I are going to start work on a film together in the next year.
What do you enjoy most about the creative process?
When you see the finished film. That’s when you can look up and say, “Wow! We actually created that!” There are a lot of actors that have passed on, but when you see them on screen every day it’s like they’re still alive. Once you do a movie, it’s like you live forever.
Sara Coates is perhaps most widely recognized for her recurring role of Serena (Pie Girl) in Syfy’s post-apocalyptic series, “Z Nation”. But the beautiful actress is also versatile enough to have appeared in the Sundance hit, “Laggies” with Keira Knightley and more recently, as the voice of Margeurite Bake in the “Resident Evil 7: Biohazard” video game.
Sara will showcase even more of her dynamic prowess with her next film, “Lane 1974”. Written and directed by S. J. Chiro, “Lane 1974” follows the story of 13-year old Lane [Sophia Mitri Schloss] whose life is uprooted when her mother [Katherine Moennig] forces the family to leave the safe confines of the North Carolina commune where she grew up. After a series of dangerous and isolating events, Lane sets out on a 600-mile journey alone in search of the “normal” life she has always imagined.
Sara plays Clarise, one of the only people in the film that gives Lane’s mother, Hallelujah, a chance. Even though Clarise thinks the best of people and their intentions, she eventually becomes frustrated by Hallelujah’s attitude, especially when the children are put in danger because of it. The film will have its world premiere at SXSW on Saturday, March 11th.
I recently spoke with Sara about Lane 1974 and much more in this exclusive new interview.
Let’s talk about your new film, “Lane 1974”. How did it all come about?
I’m from Seattle originally and was really deep in the theater community. The director and screenwriter, S.J. was also from Seattle and we had known each other briefly. When she was going to do this movie she thought of me and the two of us sat down and had coffee and talked for hours about the movie and the time-period. It was the first time I got to sit down with the creator and ask questions and give my opinions. S. J. is so passionate about her characters and her work and eventually offered me the role.
What was it about the script that piqued your interest?
A period piece was unlike anything I had ever done before. That was a huge thing. The script is based on the book, “The Hypocrisy of Disco” and is so beautiful. It’s a coming of age story about a relationship between a mother and daughter and how that relationship can be confusing and not always perfect. I related to the main character, Lane, who wanted to have this incredible life but realizes she has to make it her own. That was really interesting to me.
What can you tell me about your character, Clarise?
Clarise is one of the only characters that gives Hallelujah [played by Katherine Moennig] a chance. Clarise lives on a bus and is this “Earth Mother” who believes that she can fix everyone. She goes through this journey of realizing that she may have to put up walls and not just let everyone in. What was interesting about playing her was that it went against everything I’m usually comfortable with as a girl. Stepping into this new experience of not brushing my hair for a while and wearing relatively no make up wasn’t something I was used to, but it was very exciting to transform into this character.
What was the filming process like?
Because it was a lower budgeted film there was a lot of team work involved. Coming from community theater where everyone does everything, it was cool to get thrown into that kind of grassroots effort. We filmed at S.J.’s mom’s property in Northern California which was (and still is) a commune. It was very collaborative with lots of long days. This film is close to S.J.’s heart and she was integral in making it a creatively satisfying experience.
I have to ask about another project you were involved in – the video game, Resident Evil 7. What was that experience like?
It’s funny because even though we knew it was horror game, we worked on it for almost a year and a half before they actually told us what game it was [laughs]. I remember they really wanted to keep the character’s relationships strong. So we had vocal coaches and many, many rehearsals. They were adamant about having relationships that were almost palpable as well as terrifying.
Are there any other projects you’re currently working on?
I have a new web series coming out called “Language Academy”. It’s a funny story about an English as a second language teacher where I got to work with a lot of really funny comedians. And who knows? I may also come back to “Z Nation“. My character has already died twice, but it’s a comedic, apocalyptic world where anything can happen. I love the fans and the ScyFy network and was so excited to be a part of the project.
Was a career in acting something you always aspired to do?
It was always something that I wanted to do but growing up it seemed so out of reach. My mom and brother are both artists and my dad was an engineer and I always did programs in school that allowed me to do improv or plays. It wasn’t until I got to college that I decided I was going to do it. I realized then that this was what I was going to do because nothing else made me feel so alive. Sometimes people will ask me what my main goal is, and it’s hard to answer because I have so many. I just keep working, meeting people and making an impression. It’s about never stopping and being open to the experiences that come to you.
Born in Liverpool, England, actress Natalie Loren Kwatinetz was captivated by American films from an early age.
Although her striking looks would eventually lead her to a successful modeling career –including working with famed British fashion photographer, Bob Carlos Clark, Natlalie eventually became an in-demand DJ before launching an acting carer with a resume that includes appearances in “Entourage”, “Violence” and 30 Seconds To Mars’ short film, “Up In The Air”.
Natalie’s next role will be in the upcoming Jennifer Garner film, “The Tribes of Palos Verdes”.
The film focuses on the lives of two teenagers who move to Palos Verdes, an affluent suburb of Los Angeles. Their mother (Garner) teeters on the brink of a nervous breakdown while one of her daughters turns to surfing to escape her troubled home life. Natalie plays Gina, a member of the local tennis club that their mother dislikes. The film, which also stars Alicia Silverstone and Elisabeth Rohm is expected to be released in late 2017.
I recently spoke with Natalie about “The Tribes of Palos Verdes”, her career and more in this exclusive new interview.
How did this project come about for you?
It was a typical audition process. Originally, I had auditioned for a different role but when I went in to meet with the director, Emmett Malloy, we decided to go with anther role for me. I was very excited to be a part of it.
What attracts you to a script?
Great writing and getting to work with different directors and talking to them. I love great characters and storytelling and being taken on an emotional journey.
How would you describe the story of “The Tribes of Palos Verdes” and your character, Gina?
It’s the story about Jennifer Garner’s character and the lives of her teenagers when the family moves to Palos Verdes. While there, she meets my character. Gina is someone who likes to play tennis and have a perfect life, which is something Jennifer’s character doesn’t find very attractive [laughs].
What was the chemistry like on set and getting to work with Jennifer Garner?
It was great working with Jennifer. Her character was so different from things she’s done in the past. The vibe on set was amazing; everyone was ready to work, and it’s great to be around that creatively.
Did you always know you wanted a career in entertainment? Was it something you always aspired to do?
Absolutely. I started out as a model and had a huge passion for music as well. I was a DJ for a while, performing as Luxury Kills and performing at a lot of clubs in L.A. and fashion shows in New York. It was a fun time. I soon started to get more involved in acting because it was another passion of mine. Although I still love music I eventually decided to give up DJ’ing and concentrate more on film work.
What is it about the creative process that excites you the most?
I love it when you get a script and you know the director and character and can already get a feel for what kind of vibe it’s going to be.
Do you ever see yourself getting on the other side of the camera at some point?
I’d love to eventually get into directing and producing. It’s definitely something I’d like to do at some point.
What’s something people may not know about you?
I like to paint and draw and would actually like to go to art school — if I could find the time [laughs]. I really like drawing faces and trying to capture expressions.
Are there any other projects you’re currently working on?
I’ve been living between New York and L.A. Right now, it’s pilot season now and there are a few things happening that I can’t announce just yet — stay tuned!
What excites you the most about his next phase of your career?
I’m just looking forward to working on more great projects. There’s a lot of things happening in L.A. right now, so it’s very exciting.
“A botched robbery leads down a destructive path for a police officer, an amateur photographer and a strung-out mall Santa as they all converge in one explosive and deadly night.”
With a cast that also includes Eric Close (Nashville, Without A Trace), Adrian Paul (Highlander) and Mary-Margaret Humes (Criminal Minds, Dawson’s Creek), Sara Castro’s next project, “Christmas Eve” is sure to be one of the most talked about independent films of 2017. The film reunites the beautiful actress with director Richard Friedman, who worked with Castro on the critically acclaimed “Halfway To Hell”.
In “Christmas Eve”, Castro plays the role of Kasey Edwards, a mother trying to manage her husband’s alcohol recovery while caring for her sick daughter.
Castro has also earned praise herself for her powerful work in the film, “The Shift” aa well as the genre-defying, award-winning horror/sci-fi, “The Dark Tapes”.
Although “Christmas Eve” won’t be released until next year, I recently spoke with Castro about the film and more in this exclusive new interview.
How did “Christmas Eve” come about for you?
I had the pleasure of working with Richard Friedman again on this project. Richard has a lot of experience as a director and is always putting together interesting things. But it wasn’t a role that was just given to me. I liked the fact that I had to work for it and earn it. It makes you want to work even harder so you can show them they made the right decision.
What was it about the script that piqued your interest?
It was having the chance to work with Richard again, the story and the role. The fact that it had such good names attached to it was another factor because you learn so much from them. Eric Close (who plays my husband, Randall) has been in a lot of series and just finished Nashville. It’s always cool getting to work with great people. It validates why you do what you do.
How would you describe the story of “Christmas Eve”?
It’s a story about a robbery that leads down a destructive path for a police officer who’s reconnecting with his estranged mother. That leads to another story about an amateur photographer and his vindictive fiancé. From there, it connects to a strung-out, mall Santa. He’s my character’s husband and is a recovering alcoholic who’s having a hard time keeping a job. My daughter is very sick and needs assistance, so we really need the money. I’m a nervous wreck trying to make sure the stress isn’t getting to him but at the same time I have my own demons.
What else can you tell me about your character, Kasey?
Kasey is the strong one in the family and has been through a lot with her daughter being sick. She’s trying to keep everything together and under control.
Is there a certain way you like to prepare for a role or scene?
I always try to put together a backstory for my character: where she came from and what’s led her to this point in time.
What do you enjoy most about the creative process?
I love the process of discovery and surprising myself as well as giving the director different takes. That’s the most fun and beautiful part of the process. It can be a bit nerve wracking when you just throw yourself into a scene but you’ll always be pleasantly surprised and find things you never expected. The unpredictability makes it fun.
Are there any other projects you’re working on?
I recently attended another of “The Dark Tapes”. Michael McQuown (Director) has told me that he has plans to do a spin off of it. I believe we’ll be shooting that in February.
What are you most looking forward to about the 2017?
I’m really excited for 2017 and with the help of my team feel I’m getting closer and closer to my goals. The momentum is going so well and it’s only going to get better!
They say actors can always just sit and wait around for the right roles and auditions to come along. But David Banks was never about the status quo. Instead the actor –who’s credits include more than 100 commercials as well as the features “The Dark Tapes,” and “CUT!” chooses to shine by doing things his own way.
Case in point. Banks’ upcoming project, “Preacher Six” required the wisecracking funnyman to gain more than twenty pounds. To reach his goal in the quickest amount of time, Banks hit the weights hard and supplemented his routine with Optimum Nutrition products.
I recently spoke with him about his dramatic transformation and his upcoming projects in this exclusive new interview.
“Preacher Six” required you to gain some weight. How were you safely able to put on 20 pounds of muscle?
My character is one of those heavily caffeinated, fast-talking lug types. I’ve been the skinny, twerpy guy for a long time. So when they asked me if I’d be ok with putting on ten pounds I said, “Why not go for twenty?” Robert Corbett and the guys at Optimum Nutrition really helped get me get on the gain train! Their gainer shakes and Amino Energy quickly became my new best friends.
What was your exercises routine like?
I went the resistance route. Lifted heavier than normal and whenever I wanted to stop, I did two more. I got to the point of excitement that I’d hit the scales just to see how much heavier I was than the day prior. I also set my alarm clock to wake me up in the middle of the night to devour tuna and protein shakes.
What can you tell me about “Preacher Six”?
The minute I picked up the script I literally couldn’t put it down. Tracy Ray [screenwriter] is onto something really big here! “Preacher Six” is the story of a small town preacher who’s summoned to the big city where he ends up fighting evil. The characters he meets along the journey are something special and unique! The film also stars Naomi Grossman (American Horror Story), Zach Galligan (Gremlins), Kyle Hester (The Chair) and Bill Oberst Jr. (Criminal Minds). Kyle and I have been talking about working together for years, so I’m excited it’s finally happening. He is an absolute talent.
You’ve recently stepped away from commercials to be a little more involved in films. Is there one you enjoy doing more than the other?
I’ve always had a strong love for commercials and enjoy the process of it a little bit more. It’s fascinating with everything that goes into a simple thirty-second spot.
What’s the biggest compliment you’ve heard so far about any of your commercials?
“Wow, you were so annoying!” [laughs]. I think the minute I stop being the aggravating, irritating and imbecilic idiot next door is when I know it’ll be time to quit.
You have two other movies coming out soon, “Half Magic” and “Bornless Ones”. What can you tell me about them?
“Half Magic” is Heather Graham’s directorial debut and was an absolute blessing to be a part of. She really put her heart into this one and is one of the most giving actresses I’ve ever worked with. I also got to work alongside Chris D’Elia and it was non-stop laughs.
“Bornless Ones” will be out sometime in early 2017. Alexander Babaev [director] is absolutely going to be huge! I’m excited about that one as well.
What do you enjoy most about the creative process?
I’d have to say my favorite part is witnessing how it all comes together in the editing process. I also tend to lean more towards the seriously dark and depressing characters in a film and am fascinated by the ability one has to turn on the “crazy” switch.
Have you ever given thought to your next writing / producing project?
Absolutely! I had so much fun watching my last writing adventure; “CUT!” come to life. I’m already working on a new film even more twisted [laughs].
Written and directed by Andrew Cymek, “Night Cries” is a psychological thriller about a man searching for his wife in a post-apocalyptic world.
The film took home the Best Screenplay award when it premiered at the Blood In The Snow film festival last November, and for good reason. Cymek and his partner, Brigitte Kingsley have become masters at delivering multi-layered stories with beautiful cinematography and passionate musical scores to all of their projects. “Night Cries” is a thought provoking film that plays on the ultimate question we have in life, and just how far we’d go to find our one true love.
The beautiful Kingsley plays the role of Sara Morgan in “Night Cries”. A strong, defiant wife and mother who finds herself lost in a world she doesn’t recognize. The film also stars Andrew Cymek, Colin Mochrie, Lauren Williams and Jacob Blair.
Night Cries is available now for pre-order now in various packages and will be shipped on December 14. This will be followed by a world wide digital release in the New Year.
I recently spoke with Kingsley about “Night Cries” and more in this exclusive interview.
How did the Night Cries project originally come about?
I first met Andrew back in 1999 when he and I were both in school. He was doing a ten-minute short called “Night Cries” that was inspired by these characters. We shot the short and I remember thinking that it was a really cool story. Now fast forward to 2012 when we started our company, Good Soldier Films. We were trying to figure out a good pilot project to launch the company with and decided to create a “Night Cries” feature. Andrew had already worked out the characters in his head. He wrote the feature and we jumped into it.
In your opinion, what makes the story of “Night Cries” so special?
I think the main push is the cyclical feeling you get when you watch it. There’s so much thought that went into the imagery and ideas behind the story and you see that in various ways throughout the production. It’s a very in depth look at life and death. Andrew wanted to forward the idea of the end of the world, but he also wanted to go more into a personal apocalypse when someone’s world ends. There’s a lot of layers to it and that’s what makes it so cool.
What was the casting process like?
A lot of the characters were written with certain people already in mind. Colin Mochrie was someone we instantly knew we wanted to work with. He has so much depth to his acting but doesn’t often have a chance to do things this sinister. We thought he’d be great fit for the role of The Hat. A lot the other actors, like Lauren (Angel) Williams and Jacob Blair, we had worked with on other projects before.
You mentioned Colin Mochrie. What was it like working with him?
Colin is one of my favorite people in the world. He’s so defined as an actor and comes extremely prepared. He was only out for a few days but was such a pleasure to be around.
A lot of attention is paid to the music and cinematography in this film. Can you speak a little as to how these are important to you?
They’re both very important to us. We’ve worked with Josh Fraiman (cinematographer) for several years on various projects. Although we had a small crew we made sure to take the time to give him the beautiful shots he wanted. When it comes to the music, Emir Isilay (our composer) is an extremely talented guy. Andrew sent him the ideas of what he had in mind and when the music came back the first time around he had tears in his eyes because it was exactly what he had envisioned. Going from one world to another and bringing sense to a certain level. It was epic and beautiful.
What are some of the other projects you’re currently working on?
“The Man In the Shadows” is another film that’s available for pre-order. It’s a story by Adam Tomlinson that’s based on the real phenomenon of shadow people. Adam had experienced a man in a hat and coat that that had haunted him a few times. He looked into it and found that it’s actually an apparition that happens to many people around the world. He wrote a script that’s partially based on his experiences and the people he had spoken to. “Country Crush” is also coming out in the New Year. It’s a country musical that stars Jana Cramer, Madeline Merlo and Munroe Chambers.
As a filmmaker, what satisfies you the most about seeing a completed project?
As a filmmaker, the thing you want is for your work to mean something. So when a stranger comes up and tells you that your work touched them or made them realize something they hadn’t thought about before, that’s what matters.
When they asked Sheldon Renan to watch The Killing of America at a recent film festival, it was the first time the director had seen the film he had worked on since it was released thirty-five years ago. Afterwards, Renan remarked how amazed he was at how well the film played more than three decades later and how relevant its message still was in 21st century America.
Originally produced in 1981, Renan, along with co-producers Leonard Schrader and Matachiro Yamamoto set out to document America’s seemingly unending love affair with violence. From iconic newsreel footage to chilling interviews with convicted killers, Renan and his team sought to depict a terrifying aspect of Reagan-era America through a brutally honest lens. Despite some limited theatrical showings, the documentary has never received an official American release, until now.
The Killing of America is told in narrative style. Describing horrifically tragic events of the last half-century with pinpoint accuracy and chilling realism. But perhaps more than anything else, the film is an ominous reminder that social, economic and racial injustice as well as the proliferation of personal firearms has not abated in the thirty-five years since the documentary’s creation.
I recently spoke with Renan about The Killing of America and more in this exclusive interview.
How did you become involved in The Killing of America project?
I had done a lot of heavy research in the world of homicide and gun culture in preparation for a script I was working on when I met Leonard Schrader and Matachiro Yamamoto. They wanted to use the film Faces of Death as a springboard for this new project they were working on about homicide and violence. They were looking to put together a team of young filmmakers that were very ambitions and loved films, but they were having trouble finding clips. I had come out of the film archivist world and put together some clips for them. It was exactly what they were looking for and they asked me if I could help them.
What was the initial reaction like to the film when it premiered and why has it never received a proper U.S. release until now?
The film was initially made to be released in the fall in Japan. It was the seventh highest grosser there that year as well as a hit in a number of other countries. The company that bought the rights to distribute the film in America did a preview for coming attractions, but a high ranking official thought it was taboo and would terrify people. I even remember at the cast and crew screening about a third of the people walked out.
Aside from the fashion and vintage cars, the documentary looks like something you’d see on the news today.
Although it looks like a documentary, nothing is fake or has been rigged. The only change is that the sound has been enhanced in some places. Len’s writing is incredible and Chuck Riley’s voice in the narration could cut through metal. He was telling a complete story. A narrative arc about the subject. By the end, you’re inside the mind of killers, which isn’t very comfortable.
What are some of the parallels you see today as compared to when the film was made?
It’s the same pattern. The main thing is that the person pulling the trigger is usually someone who has a very bad sense of self-esteem. I remember the L.A. coroner telling us that it comes down to the person deciding whether to kill themselves or someone else. When you’re unhappy about something in yourself, you tend to project that flaw onto other people.
What have you learned about us as a society by making this film and seeing it again thirty-five years later?
You observe that if you don’t treat people well or if they’re not raised well and given structure and self-esteem, you’re going to pay for it later in a very bad way. You also can’t let emotion rule you because the long-term effects can be enormously devastating. The third thing is that people have to have the right to have access to and have guns as it says in the Constitution–but not one that can punch a hole in a tank and not without background checks.
Is there a message you think viewers should take away from watching The Killing of America?
If you’ve had a lot of violence in your life this is a film you shouldn’t see or show to your kids, as you’ll find it very upsetting. Early on, the coroner’s office allowed us to film and the day we were there L.A. was in the middle of a crime wave and they were running six autopsy tables at one time. This is a complex phenomenon and something you can’t run away from. This film is one step in thinking about and understanding violence and how epidemic it is in American culture and recognizing that you cannot escape the connection between it and the easy availability of guns. People also need to be careful about this loose talk about destroying our infrastructure because you don’t like one party, candidate or president. Because what lies on the other side is nothing we want to go back to.