For the remastered version of his trio’s groove-laden and hit-filled “The Body and Soul Sessions,” renowned maestro Philippe Saisse teamed up with Grammy-winning engineer Colin Leonard for a package that’s nothing short of an over the top listening experience.
The acoustic jazz trio’s eclectic, 12-song collection of pop, R&B and jazz covers spawned no less than four singles when it was originally released in 2006, including #1 interpretations of “Do It Again” (Steely Dan) and “September” (Earth, Wind & Fire). With this fresh update on Saisse’s spirited piano, Fender Rhodes and keyboards, along with David Finck’s probing acoustic bass and Scooter Warner’s percussive rhythm, The Body and Soul Sessions Remastered is an even more fun and enjoyable ride, and the perfect soundtrack for summer.
The Body and Soul Sessions Remastered contains the following songs:
“Do It Again”
“September”
“Lady Madonna”
“Harley Davidson”
“Lovely Day”
“Fire and Rain”
“Constant Rain”
“The Dolphin”
“Comment Te Dire Adieu”
“Body and Soul”
“We’re All Alone”
“If I Ever Lose This Heaven”
I recently spoke with Philippe Saisse about The Body & Soul Sessions and more in this exclusive new interview.
How did the trio come together?
The genesis of the trio was something that happened organically. I had met the bass player, David Fink, when I was working on a George Michael session twenty years ago. I was doing a lot of work for Phil Ramone at the time and David was also in the studio. I’d never heard of him before, but once I heard his sound I knew that if I ever wanted to do a trio he would be the guy to call. Scooter had already been with my electric band for years and I thought it would be an interesting mix to put someone like Scooter, who’s an urban, street drummer, with David. I remember as soon as I counted off and heard that groove for the first time that it was going to be fun. It felt so good.
Do certain songs lend themselves better to jazz interpretation?
The only real trick is that the melody has to be moving and not too repetitious. Melodic songwriters like Michel Legrand, Boz Scaggs and Leon Ware quickly come to mind. Most modern pop music is more lyric-oriented and rhythmic. Those songs don’t translate well. You have to a have song that has a wide range and is harmonically interesting.
Let’s talk about a few tracks from The Body & Soul Sessions, starting with “Do It Again.”
I used to be part of the house band for David Sanborn’s “Night Music Show” and every night we’d play all of this super-complex and great music. Then, for the encore, we’d always play Crusader’s “Put It Where You Want It.” It was such a simple song with a great groove and every time we played it the crowd was jumping off their feet and dancing. I had it in my mind that I wanted to include a song that would have that same feeling and “Do It Again” has exactly that same vibe.
“September.”
I grew up listening to Earth, Wind & Fire so that was always one of my favorite songs. The beat is so great. A lot of songs in those days were more guitar-oriented. So it was interesting to hear the piano/keyboard. I knew it would be a great song to feature. Scooter just nailed that groove, and when you hear David’s upright bass it takes you to a completely different dimension.
Read the rest of my Interview with Philippe Saisse by Clicking Here!
AXS TV’s original series, “TrunkFest” returns for a second season beginning Sunday, July 7 at 9:30 p.m. ET / 6:30 p.m. PT. The show airs as part of AXS TV’s Sunday Night Rocks lineup, which includes the talk and rock series “Rock & Roll Road Trip With Sammy Hagar,” and the hilarious and heartfelt reality series “Real Money” starring Eddie Money and his family.
The new season kicks off with Trunk visiting Sammy Hagar’s High Tide Beach Party and Car Show, where Trunk takes in all the sights and sounds at one of summer’s ultimate beach bashes. He’ll also spend time with a slate of musical heavyweights, including The Red Rocker himself, along with Eddie Money, Vince Neil and Kevin Cronin (REO Speedwagon).
Future episodes of “TrunkFest” include Trunk experiencing Vail Snow Days with Nathaniel Rateliff & The Night Sweats; hanging out with Judah and the Lion and lovelytheband at Gulf Shores’ Hangout Music Festival, and visiting Country Jam for a weekend of tricked-out trailers and interviews with Jon Pardi and Craig Campbell.
What makes the new season even more exciting is the addition of several special events which include the Monsters of Rock Cruise (featuring Tesla and Extreme), the NAMM festival—with guitarists Dave Amato (REO Speedwagon) and Vivian Campbell (Def Leppard), a visit to a Rock & Roll Fantasy Camp, and a celebration of the 50thanniversary of Woodstock.
With such wide variety of festivals and events to choose from the stage is set nicely for the second season to connect with its existing audience and give even more people the chance to discover it for the first time. Unlike his radio show and work on his previous series like “That Metal Show,” “TrunkFest” takes host Eddie Trunk out of his comfort zone, which is what really excites him the most.
I recently spoke with Eddie Trunk about the new season of “TrunkFest” music and more in this exclusive new interview.
Photo Courtesy: AXS TV
What can fans expect from the new season of “TrunkFest” on AXS TV?
It picks up where first season left off. It’s the same format of me going to various music festivals and events. The difference this season is the diversity. We’re getting a little wider in what we cover. There’s one episode in Las Vegas at a Rock & Roll Fantasy Camp. Then there’s another where I’m at NAMM, which is the biggest gathering of music merchandisers in the country. Then there’s one from The Monsters of Rock Cruise. So in addition to the regular traditional festivals, this season also features a wider variety with a trade show, cruise and a rock camp.
What were some of the things you did this season that took you out of your comfort zone?
Skiing in Vail, Colorado was pretty cool. I’d only ever skied once and to get out in one of the most beautiful locations in the world and get a lesson was a lot of fun. I also went to Gulf Shores, Alabama and a festival called Hangout. It’s not something I’d normally go to as a fan but it exposed me to a completely different world. That’s what the show is really about. Me going into the festival and having that first time experience right along with the audience.
How much work goes into filming an episode?
Traditionally, most festivals happen over the course of a weekend. My shooting is normally a day or day and a half and then the crew spends an extra day shooting footage of different things going on that can be cut into the show. I have to give a big shout out to the crew because they put a lot of work into it. You have to deal with the elements at a lot of the places we go. I’m only there for a short time but they’re carrying around heavy gear and sound equipment for days. It can be grueling and not always in the most comfortable conditions. People who watch the show know it’s not glamorous. Since there’s no make-up or wardrobe, I can look rough, hammered and sweaty at times [laughs]. But that’s me. I don’t try to fake it. I’m out enjoying the festival and bringing the experience to the people as best I can.
Photo Courtesy: AXS TV
Were there any cool revelations you learned in doing the interviews this season?
A lot of what I do during the interview segments is talk to the artists about the day and what’s going on. One of the cool things this season was an episode we did on the 50thanniversary of Woodstock. One of the most well-known guys from that day was John Sebastian, who told me a great story about how he had no intention of even going. He just stumbled upon it and got roped in to help out and it became one of the event’s most legendary performances. That was really revealing.
You’ve interviewed some of the all-time greats in the world of hard rock and heavy metal. Is there one person you haven’t interviewed that you’d like to?
After so many years in the industry I’ve checked off a lot of boxes as far as that’s concerned. Jimmy Page would certainly be one along with Howard Stern (who’s not really music}. I interviewed Eddie Van-Halen briefly over the phone once but I’d also love to do an in depth interview with him.
Speaking of Van-Halen, there’s been a lot of rumors circulating again about a reunion. Do you think one will ever happen?
It’s funny you mention that because Michael [Anthony] was on my radio show recently and told me he wasn’t doing anything at this time because they [Van-Halen] were supposed to be rehearsing for shows this year. The plan to go out was real but it was aborted. Michael’s technically not in the band and doesn’t know why. It just kind of went away. I think they just have a hard time getting everything in line and deciding what they want to do with who and how. They’re very quiet and no one really talks. It’s a band I’m asked about daily and the reality is no one really knows but them.
Photo Courtesy: AXS TV
You’re a big Dio fan so I wanted to get your thoughts on the Dio Returns show with the hologram. Have you had a chance to see it?
I haven’t had a chance due to scheduling but many of the people who go say that they enjoyed it. Others aren’t so sure. Something that people may not realize is that the guy produced the show, Jeff Pezzuti, is a huge Dio fan. People think this is being done just to make a cash grab but that’s not the case at all. Jeff built his business around his love of Dio and trying to keep his music and legacy alive. I think that’s important for fans to understand.
Are there any other projects you’re currently working on?
My daily radio show has been my main thing. It’s like sports talk for rock fans on Sirius/XM Channel 106. We do a live show from 2-4 with a replay every night, 9-11 E.T. I also do a monthly show from The Rainbow in L.A. and it’s been a blast to do. Outside of that, I’m doing a bunch of hosting and speaking engagements. I also recently found out that my publisher wants me to do a revised edition of my first book, “Essential Hard Rock and Heavy Metal”, with updated sections on the bands along with a new forward. Every day is a different adventure.
What excites you the most about the new season of “TrunkFest”?
The thing I’m looking forward to the most is watching the show grow and connect with new people. In season one we only had eight episodes. Now, we’ll have about eighteen in total and my hope is that more people will get to see it and talk about it. We have more music festivals in this country now than we’ve ever had, including a lot that most people don’t even know about. This show is the eyes and ears to these festivals and what goes on. We still pay attention to the genre of music and who’s playing, but it’s also about seeing what goes on in the ultra-VIP areas, backstage, on stage and in the audience. It’s a travel and experience show. People who loved season one will love the new season and we’re looking forward to getting some new people on board as well.
Season Two of AXS TV’s original series, “TrunkFest” premieres Sunday, July 7 at 9:30pE/6:30pP on AXS.
Originally intended to be part of double-compilation called Blood Red Viral Black, The Alarm’s infectious new album, Sigma acts as the sequel to 2018’s critically-acclaimed Equals and features contributions from such musical giants as original Alarm guitarist Dave Sharp and Billy Duffy from The Cult.
Sigma, as well as its predecessor, mark a creative change for Peters, who crafted most of the songs from lyrics he’d written while he and his wife, Jules, were going through cancer treatment. The result is a second volume of material fueled by heartfelt emotion, angst, and revelation.
In addition to the new album The Alarm will soon embark on one of summer’s most highly-anticipated tours, where the alternative British rockers will join post-punk auteurs Modern English and the charismatic Jay Aston’s Gene Loves Jezebel on what’s being hailed as The Sigma LXXXV Tour.
Peters’ Love Hope Strength charity will also host bone marrow drives at each concert aimed at finding finding donors for people suffering from blood cancers. To date, the charity has registered in excess of 200,000 people, with more than 4,000 potentially lifesaving matches.
Sigma will be released on Friday, June 28.
I recently spoke with Mike Peters about the new Alarm album, touring and more in this exclusive new interview.
How does the new album compare with some of The Alarm’s previous work?
Mike Peters: It’s very much a sequel from our last record, Equals, which came out last year. The music of both albums was conceived at the same time. Originally, it was going to be a double-album called Blood Red Viral Black, but on the eve of release we decided to switch focus and release a single album, Equals, with the knowledge that a sequel would be released twelve months later. There’s a lot of connection between the two records.
The material for these two albums came about a little bit differently than what you’ve done in the past. Can you talk a little about the songwriting process?
In times gone by I’d usually start at the top of the mountain. Where you’d have that initial expression, phrase or chorus, and then you’d work your way down to find the bridge, verse and finally, the lyrics. With this set of music I started at the bottom of the mountain with lyrics first. A lot of songs came out of the turmoil of the situation when I found myself relapsed from the leukemia I’ve carried most of my adult life. At the same time my wife, Jules, was diagnosed with breast cancer, so it was a double whammy. I put everything on hold while we faced this challenge together. There were lot of places where I found myself threatened, emotionally, and I’d write down my feelings. It was only after we came through the worst of these times that I showed my wife all the things I’d written down. That’s when she said to me “This is the start of a new Alarm record. Then I printed all the lyrics out and laid them on the floor around me and started looking for the music in the lyrics to go back up the hill. These albums are very different from how I’ve worked in the past. It’s been quite liberating.
Read the rest of my Interview with Mike Peters by Clicking Here.
Singer-songwriter Jean Watts’ music can best be described as an eclectic combination of beautiful but dark. But the alluring songstress also proves she’s a force to be reckoned with. Case in point, her ethereally charged single, “Feel The Same,” which is equally as evocative as it is addicting. With a hauntingly infectious groove, soulful vocals and an accompanying music video that’s one part symbolic metaphor (complete with car explosion) and one part action film, Watts sings of taking back control in times of deep despair.
In addition to “Feel The Same” Watts is currently preparing to release even more new music that will be followed by a proper round of touring.
I recently spoke with Jean Watts about “Feel The Same”, her creative process and much more in this exclusive new interview.
To those who might not be familiar, how would you describe your sound?
Jean Watts: I’d describe it as beautiful but dark. Anthemic, but also real and inspiring. I want it to touch a lot of sensitive areas in a special way. That’s what I strive for with every song.
What attracted you to the song, “Feel The Same?”
I was in a session, working on my own tracks, one day when my producer showed it to me. Usually, I don’t partake in tracks that I didn’t write or have a hand in producing but I loved this track so much and felt it was a perfect fit with everything else we’re about to put out. I love the meaning behind it.
Read the rest of my Interview with Jean Watts by Clicking Here!
Rising from the musical landscape of Astoria, a neighborhood in Queens, NY, blues-punk band Stop Thrust has been slowly making a name for themselves.
What makes the band so incredibly unique, aside from the often dual-perspective comparison to acts like July Talk and The Dead Weather, is that all four members of the group are seasoned pros of the musical theater. This offers another dynamic layer of craft to the band’s already impassioned performances.
The band will be performing at the legendary Rockwood Music Hall on Monday, July 8th before celebrating the release of their long-awaited EP at The LetLove Inn in Astoria, Queens on Wednesday, August 14.
Stop Thrust is: Jordan Kai Burnett (vocals), Claron Hayden (vocals, guitar), Will Schnurr (bass) and Matt Wills (drums).
I recently spoke with Jordan Kai Burnett and Claron Hayden about Stop Thrust and more in this exclusive new interview.
How would describe your brand of music?
Jordan Kai Burnett:We went down a rabbit looking at all kinds of bands we love and how they identify themselves and the way that music has evolved. When it comes down to it we like to call it blues-punk.
Claron Hayden: We’ve been influenced a lot by the associated acts coming out of Third Man Records — Jack White from The White Stripes, who’s now with Alison Mosshart [The Kills] in The Dead Weather. There’s also a Canadian band, July Talk, that’s inspired us. They add two perspectives the entire time and not just in a one or two song thing.
JKB: They’re a huge influence because of the male/female dynamic and the gritty, sexy nature of their music.
How did Stop Thrust come together?
CH: All of us have worked professionally in theater and other projects in music. Matt and I have actually known each other since we were kids. Jordan was in the process of developing material for a solo project and the two of us had done a few songwriting sessions where we compared notes and music. It came to a head that what we both actually wanted was to build a band that was fun, energetic and had a shared, dueling perspective between both angles inside of a relationship.
Read the rest of my Interview with Stop Thrust by Clicking Here!
It’s been a surreal four-year journey for L.A-based pop artist Caly Bevier. Following a trajectory that included overcoming a stage-three cancer diagnosis, earning herself a Golden Buzzer on NBC’s America’s Got Talent — where she was sent directly to the semi-finals by judge Simon Cowell — and an insatiable debut single, “Head Held High,” the inspiring singer-songwriter is back with her brand-new track. The edgy and ethereal “Hate U Sometimes.”
The song is a hauntingly inspired, groove-ridden track with universal appeal. One that describes the empathetic, and at times confrontational, feelings between significant others, partners, and family members.
All relationships have their ups and downs, but Bevier’s message resonates on much a deeper level. A sentiment that says even though we may not always agree, at the end of the day, we can still hold firm to our commitments to each other and say, “You know I love you, don’t you?”
I recently spoke with Bevier about “Hate U Sometimes” and more in this exclusive interview.
What can you tell me about your new single, “Hate U Sometimes?”
Normally, I’ll write all of my songs, but “Hate U Sometimes” was one that was sent to me. I could relate to it on so many different levels. I went in and helped re-write a few parts and the bridge. That’s how it came about.
What’s your typical songwriting process like?
It all happens naturally with producers and writers. Sometimes I’ll go into a session with a bunch of ideas that I may or may not use. Typically, the producers are the ones who will start a track, and then I’ll go lay down some melodies and lyrics.
How would you describe your sound?
I’ve been living in L.A. the past few years building a sound that I’d consider to be edgy-pop. What’s cool is that, in the future, I can go deeper into a more alternative-pop sound. Artists that inspire me are Halsey and Billie Eilish.
You’ve gotten to work with songwriters like Bonnie McKee, who’s worked with Katy Perry among others. What was it like collaborating with her?
It was extremely cool. Bonnie was in one of my first sessions and taught me how to do melodies and be comfortable with getting my ideas across. As a woman, you sometimes feel shy and might not want to say the line. She taught me to be confident and that’s really helped me grow as an artist.
Read the rest of my Interview with Caly Bevier by Clicking Here!
Mike + The Mechanics’ ninth studio album, Out of the Blue, captures the spirit and power of some of the band’s most beloved hits. Featuring music from throughout their 35-plus-year-career, the new album also gives fans a glimpse of the band’s future with three brand new cuts, “One Way,” “What Would You Do” and the album’s title track.
A special deluxe CD version of the album features six newly recorded “as-live” acoustic versions of “Don’t Know What Came Over Me,” “The Best is Yet to Come,” “The Living Years,” “Beggar On a Beach Of Gold,” “Another Cup Of Coffee” and “Over My Shoulder.”
In June, the band will meet up with an old friend, Phil Collins, joining him for the first six shows of his European tour.
Guitar World recently spoke with guitarist Mike Rutherford about the new Mike + The Mechanics album, touring, gear and more.
What prompted the new Mike + The Mechanics album?
We’ve been touring the last eight years with two singers, Andrew Roachford and Tim Howar, and I observed the way the old hits have become something else. The two singers have made them their own with different interpretations. The sound was something quite special and I thought it would be nice to capture that in the studio.
What’s your writing process like these days?
It always starts with some chords, drum machine programming and bass pedals and guitar synths. Just making a big racket to get some starting ideas. Normally a title comes first but the best ones are when you get the words with the chords.
Let’s discuss a few of the new songs from the album, beginning with the title track, “Out of the Blue.”
I really like the title. In this day and age it has a positive statement on life. It’s fast and, in a sense, it’s also written a bit like a love song. Sometimes you’re looking for someone special in your life and you try and try. Then suddenly, out of the blue, something comes along. At the same time it applies to life and the aspirations and hopes you’re trying to achieve.
How about “One Way”?
I went back to the old Akai to get that crunchy sound again. The intro is my drum machine programming and the strings are me plugging away on the Akai. It’s a nice sound.
Read the rest of my Interview with Mike Rutherford by Clicking Here!
With a career spanning more than four decades and more than thirty million in album sales alone, Kansas has firmly established itself as one classic rock’s most iconic bands. Since releasing their debut album in 1974 the band’s hits like “Carry on Wayward Son,” “Dust In The Wind,” and “Point of Know Return,” have become staples of classic rock radio and continue to be used in film, television and video games to this very day.
In 2016, Kansas released their acclaimed fifteenth studio album, “The Prelude Implicit,” and spent most of the next two years touring it as well as celebrating the 40th anniversary of their landmark Leftoverture album. With even more tour dates, including performing albums in their entirety, and the talk of even more new music, Kansas shows no sign of slowing down.
On Thursday, May 30, Kansas will be bringing its Radio Classics Tour to The Sands Event Center in Bethlehem, PA. A show that promises to feature material that spans the groups legendary career as well as a few surprises.
Kansas is: Phil Ehart (drums), Richard Williams (guitars), Billy Greer (bassist/vocalist), Ronnie Platt (vocalist/keyboards), David Ragsdale (violinist/guitarist), Tom Brislin (keyboards) and Zak Rizvi (guitars).
I recently spoke with vocalist Ronnie Platt about the band’s upcoming performance in Bethlehem, new music and more in this exclusive new interview.
What can fans expect from Kansas’ upcoming performance at The Sands Event Center in Bethlehem, PA?
Fans are going to be in for a fantastic, high-energy, music-packed show. Songs from album number one all the way up to “The Prelude Implicit” and everything in between. Bring your extinguishers because the band is on fire.
What do you think makes the music of Kansas, and classic rock in general, so timeless and special?
I think it’s the depth, diversity and dynamics of the music. It also doesn’t hurt that Kerry [Livgren] was also influenced by classical music. Today, people are still listening to Mozart, Beethoven and Tchaikovsky. These are guys who lived hundreds of years ago. Their music is still being played because there’s a level of musicality and intensity that makes it remain timeless. Kansas has that same element. It warms my heart when I see young kids and teenagers at our shows getting into it and aren’t just sitting there waiting for “Wayward Son.” It’s cool to see an appreciation of this music at all age levels.
Read the rest of my Interview with Ronnie Platt by Clicking Here.
Classic rock pioneers Styx has gone through waves of change over their legendary forty-seven-year career. But perhaps at no time in the band’s history has it shown more diversity, musicianship or the ability to adapt and fire on all cylinders than in 2019. In addition to showcasing its arsenal of radio hits on its current tour, Styx is able to draw material from deep in its catalog, much to delight of diehard fanbase.
Tracks from the band’s most recent release, The Mission, also find their way into the band’s set list. The concept album, an adventurous forty-three-minute thrill ride chronicling the trials, tribulations and triumphs of the first manned mission to Mars, conjures images of the band’s mid-70s sound with with 21st-century appeal.
On Tuesday, May 21, Styx — Tommy Shaw (guitars/vocals), Lawrence Gowan (keyboards/vocals), James “JY” Young (guitar/vocals), Todd Sucherman (drums), Ricky Phillips (bass) and Chuck Panozzo (bass), will bring its well-oiled machine to The Sands Event Center in Bethlehem, PA for what’s sure to be a night to remember.
I recently spoke with bassist Ricky Phillips about the band’s upcoming performance in and more in this exclusive new interview.
What can fans expect from Styx’s appearance at The Sands Event Center?
Every show is different but what I can guarantee is that Styx is running like a well-oiled machine. We still do close to 100 shows a year and are on the road most of the time. We’ll play the hits everyone expects, like “Renegade,” “Come Sail Away” and “Blue Collar Man,” but we also try to go deep into the catalog and find little nuggets like “Snowblind,” “Suite Madame Blue” and “Castle Walls.” We also have a new record out called The Mission and we’ve been having fun playing some of the new songs as well.
Speaking of The Mission, didn’t the band recently do a show in Las Vegas where you performed the album in its entirety?
We did. It was only one night but it was a blast. We had people fly in from all over Europe and Japan just to see it. The Mission is a concept album about NASA preparing its first manned flight to Mars. The music and storyline is right in Tommy’s wheelhouse. He created characters and a storyline that runs throughout the album. It has a sound like the Grand Illusion and Pieces of Eight period of the band, with vintage instruments and analog recording. It was a great feeling to create something that sounds like was recorded in the 1970s.
Read the rest of my Interview with Ricky Phillips by Clicking Here!
Although BBMAK hadn’t released anything collectively since 2002’s Into Your Head, the members of the multi-platinum English-pop group known for hits like “Back Here,” “Still On Your Side,” and “Out Of My Heart,” have remained friends and occasionally found themselves meeting up at various social events.
It was during one of these soirees that an impromptu jam session occurred. A resulting video clip of the performance was posted on social media and instantly went viral, sparking talks of a full-on reunion.
Now, after a fifteen-year hiatus, the reunited members of BBMAK — Mark Barry, Christian Burns and Stephen McNally, are back with an infectious new single, “Bullet Train.” Releasing on Friday, May 3, the track is a small taste of what to expect from the group’s highly-anticipated new album due later this summer.
“Bullet Train” is the logical next step in the band’s evolution. A groove-ridden locomotive of musical maturity, guitar-driven hooks and, of course, the ubiquitous BBMAK signature three-part harmony.
To coincide with the release of the new single, BBMAK will embark on the first leg of the group’s North American “Back Here Tour” which begins May 6 in Boston, MA. Other dates include stops in cities like New York, Detroit, Nashville, Dallas and Chicago.
I recently spoke with BBMak’s Christian Burns about the reunion, “Bullet Train” and more in this exclusive new interview.
How did the BBMAK reunion come about?
Even though we hadn’t done a show or anything together since 2003 we’ve stayed in touch and remained friends and gotten together at various events. We had an event a few years ago where we got out the guitars and had a jam. I posted a video of us singing “Back Here” on Facebook and it went crazy. It had about two million views. We really enjoyed singing together again and it morphed into where we’re at now — our first new album in fifteen years and about to hit the road and go back on tour. It naturally felt like the right time to do it.
What was it like getting back in the recording studio again as BBMAK?
It was like riding a bike. You never forget. We hadn’t written in the same room for many years so we just got the guitars out and had a jam. I remember the first day we came out with four really strong ideas. Two of which are on the new album.
Let’s discuss the new single, “Bullet Train.”
That was one of the ones we wrote on the first day we got together. We liked the feel and drive of it. It’s the glue and transition from the last album to where we are now. We’re excited to get it out there.
Read the rest of my Interview with Christopher Burns by Clicking Here!
For the remastered version of his trio’s groove-laden and hit-filled “The Body and Soul Sessions,” renowned maestro Philippe Saisse teamed up with Grammy-winning engineer Colin Leonard for a package that’s nothing short of an over the top listening experience.
Interview with Philippe Saisse by Clicking Here!
Interview with Mike Rutherford by 
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