Tag: Music

Album Reviews, Music

Michael Lynche’s Debut Album A Winner

Let me set the record straight: Michael “Big Mike” Lynche’s journey is about to begin.

After wowing millions of fans with his comforting, yet husky and powerful voice and performing throughout the United States as part of the American Idol LIVE! Tour, the man who finished 4th on Season 9 of American Idol will release his self-titled debut album on August 14th. You can pre-order the album here.

Lynche, whom AI fans recall was famously “saved” by the judges during the competition, has created a sonically rich and lyrically inviting debut album. The first single of which, “Who’s Gonna Love You More” is #27 on Billboard’s Adult R&B Chart and still climbing!

With influences ranging from artists like: 2Pac, Notorious B.I.G., Michael Jackson, Earth, Wind & Fire, Bonnie Raitt and Jimi Hendrix, Lynche’s debut contains the perfect combination of  R&B, Hip Hop and Jazz.

From “Crazy Gina” to “Unstoppable”, there’s an infectious sonic invasion that will satisfy every palette.

Mike’s heartfelt music has been virtually a lifetime in the making. A seed that was planted at an early age and nurtured by his mother, who shared her love of music with Mike and introduced him to a wide range of artistic sounds and styles.

Even though Mike was enamored with music and the arts throughout his school years, his focus eventually shifted to football. Michael’s work on the gridiron was rewarded when he earned an athletic scholarship to University of Central Florida.

It was following a break from school to take care of his ailing mother, when Mike bought a guitar and a remarkable thing happened.

“For the very first time in my life, I could play and sing at the same time,” Mike recalls. “More clicked for me musically. I was writing music to express what I was going through internally with my mom passing.”

Mike then gave music a second chance. Soon thereafter, a friend asked him to play at his wedding in New York. Though Michael was working at a mortgage company in his hometown of St. Petersburg, Florida, at the time he agreed. Mike played particularly well and while he and his wife were standing on a street corner in Time’s Square, she suggested they move to New York in order to pursue his musical dreams.

A few years later, Mike auditioned for American Idol, which launched his recording career.

None of Michael’s remarkable journey would have been possible without the love of his wife and the second chances he has enjoyed throughout his life. Now, with the new album, Michael Lynche gets to live out his dreams, both as a family man and musically.

“I’ve wanted to say these things for a long time. I feel like I was able to express myself more than ever on this album. I was able to get the things I wanted to say out in song and in melody in a way that I’ve never been able to before.”

For more information on Michael Lynche check out the links below:

Official Website * Facebook  * YouTube

Article first published as Michael Lynche’s Debut Album a Winner on Technorati.

Uncategorized

Guitar World Interview

Check out my Guitar World interview with John Parr, the man who wrote the #1 song Man in Motion from the St. Elmo’s Fire soundtrack. John has a new album out now called “The Mission”.

Trivia: His video for the song “Naughty Naughty” featured a young actress in her very first acting role. Check it out and see if you can figure out who it is.

Click Here To Read Article:

A Conversation With, Album Reviews, Interview, Music

Daniel Powter Turns On The Lights
Daniel Powter – Turn On The Lights

Daniel Powter’s best days are ahead.

The man whose signature song, “Bad Day” became a #1 worldwide smash and was named Billboard song of the year in 2006; took an extended hiatus while dealing with his own personal struggles. With the weight finally lifted off his shoulders Daniel is now back, with a vengeance.

On August 14th, Daniel will unleash “Turn on the Lights”, a refreshing set of radio-ready songs that express universal feelings of life, love and the human emotion.

From the infectious grooves of  “Cupid” and “Crazy All My Life” to the emotional messages in songs like “Come Back Home”, “Except the Blue” and “Tell Them Who You Are“; Turn On The Lights showcases Daniel at his best!

I had the chance to speak with Daniel and get his thoughts on the new album as well as the genesis of his #1 hit, “Bad Day”.  As I quickly discovered, the optimism Daniel expresses when discussing “Turn On The Lights” is as infectious as the melodies themselves.

goJimmygo (gJg): Welcome back Daniel!

Daniel Powter (DP): Thanks so much!  It’s been a while hasn’t it? I’m so glad to be back.

gJg: Why did you take such a long break in between albums?

DP: After 2 1/2 years of touring the “Bad Day” record, I was really starting to get burnt out. Around the same time, I was also dealing with a divorce, substance abuse and a few other issues as well. I was becoming a bit discouraged. It wasn’t until a year or so ago that something changed for me.

I was sitting with my 9 year old daughter at the piano working out some melodies when she told me that she really wanted me to come back.  So, with her inspiration and some others encouraging me, I started writing a new record and am really glad that I did. I’m also extremely grateful to all of the fans, both here and internationally, who have welcomed me back. I’m looking forward to getting back on the road.

gJg: Why the title, “Turn On The Lights”?

DP: I think a lot of it had to do with the fact that I was in a pretty dark place. I got addicted to substances and alcohol when I got off the road; which really threw me into a spiral. I also became a bit secluded and the divorce was hard on me as well.

Then, one morning I woke up and said: “I’ve got to change my lifestyle!”  It was almost as if someone had just turned the lights on for me and I realized that my life didn’t have to look like this. So I got sober, went through the divorce and wrote this new album.

gJg: The songs on this album seem to reflect universal feelings.

DP:  I’ve always been about making sure that the songs I write aren’t just about me. With the time I had off, I was able to experience so many different things; things that carried through into my songwriting. I really wanted to write songs that other people can relate to. This record is for everyone.

Cupid:

DP: Cupid was the first song I wrote for the album and a song that I wrote to cheer myself up. Everyone wants to find someone to have fun and spend time with and after everything I had been through, I wanted to experience those feelings again too.

Come Back Home:

I wrote that song after I came back from a ten-hour training mission with the Navy on the USS Ashcroft; a nuclear submarine stationed in San Diego. I was amazed with just the attitude these young men have who were going away to be at sea for such a long time. It inspired me, and really put things into perspective. The song was written for them, and for them to come home safely. 

gJg: You know, I have to ask you about  “Bad Day”; a song I really love.

DP: Thank you! Some people might think that I get tired of performing that song, but the truth is, I still love it. Whenever I play it live, there’s a new audience participating in it with me and keeping it fresh!

gJg: How did you write it?

DP: I had written the melody for the song and was getting ready to drive to the studio to record. As I was walking downtown towards my car, I noticed a sign hanging outside of a travel agency. There was a picture of a huge cruise liner ship on it and a caption that read: “Having a Bad Day?” with the emphasis being on taking a cruise. I thought that was cool and that’s actually where the idea came from.

So, I wasn’t having a bad day or anything like that. I was just walking along, fit what I saw into the chorus, and the rest is history! <laughs>

gJg: Congrats again on the record and hope to catch you on the road.

DP: Thanks for your time!

Article first published as Daniel Powter Turns On The Lights on Technorati.

Album Reviews, Music

Metal Band Virgin Steele Remasters Life Among The Ruins
Virgin Steele – Life Among The Ruins

Originally released in 1993, “Life Among the Ruins” was the fifth full-length studio album by US heavy metal band
Virgin Steele. But, as any fan of the genre will tell you, sometimes its good to revisit a great album.

Virgin Steele’s “Life Among The Ruins” album has been digitally remastered and is part of a newly released compilation that is a fan’s ultimate dream. This 2012 version, released by SPV / Steamhammer contains not one…but TWO discs including a large amount of extras.

The first disc contains the original album along with five rare & unvarnished acoustic recordings, plus a full band bonus track. Disc #2 contains twenty newly recorded songs as well as alternate mixes of some of the album’s original tracks.

All of the material has been digitally re-mastered, and the CD package also features copious liner notes along with rare photos.

The music from “Life Among The Ruins” is bluesy, hard rock and melodic metal; more similar to early Whitesnake recordings than the epic power metal of albums like “Noble Savage” and “The Marriage of Heaven and Hell” releases the band is known for.

Line-Up on “Life Among The Ruins”: David DeFeis (vocals) , Edward Pursino (guitars), Rob DeMartino (bass) and  Joey Ayvazian  (drums).

Current Virgin Steele Lineup: David DeFeis – (vocals), Edward Pursino – (guitars), Josh Block – (bass, guitars) and Frank Gilchriest (drums).

For more information on Virgin Steele: www.virgin-steele.com

Article first published as Metal Band Virgin Steele Remasters Life Among The Ruins on Technorati.

1980's, Childhood Memories, Music

A Reunion With Lita Ford
Me, John, Lita Ford, Mike

Once upon a time, back in the 1980’s if you really must know, there were three kids who used to hang out together on the south side of Easton: James, Michael and John.

For the most part, these three friends would spend summer days playing Dungeons & Dragons, reading comic books, shooting basketball or occasionally, making Spiderman home movies.

Music was also a huge part of their lives. The boys loved buying the latest albums, wearing out the vinyl while playing state of the art video games on the Atari 2600, and attending concerts. Sometimes in pairs but rarely as a trio.

As time wore on these three people (let’s just call them “The Trio”) kind of lost touch with each other and went their own separate ways. Michael started college and entered the world of finance, John put down his imaginary +2 sword in favor of an army rifle and James entered the health care field and continued to play guitar on the side.

Prelude over….

Through fate, and the social networks, the three of us were able to reconnect a year or so ago. We had always talked about getting together for a drink and reminiscing, but of course talking about something and actually doing it are two different things. Work, families and other commitments tend to get in the way. Days quickly turned into months and although I’d see John at the gym every so often or receive a text message from Mike when our football team was playing, we never pulled the trigger and made The Trio reunion happen.

Then one day, a few weeks ago something really cool happened. I was offered concert tickets to see Lita Ford at Penns Peak. Now, readers of my blog already know of my admiration for Lita. Heck, I walked for miles in the summer heat with my guitar to lesson to learn how to play her songs. But, as I thought about the opportunity of seeing Lita some more, a huge smile came across my face. What better way to reunite The Trio than with the one thing we all had in common: our love of music?

So, instead of texting Mike I decided to do it “old school” and actually call him. You know, just like if it were the 1980’s. Mike and I had seen plenty of concerts while teenagers back in the day. From the first concert we both ever saw: The Scorpions and some new band named Bon Jovi to REO Speedwagon, Survivor, Cinderella, RATT, Poison, Night Ranger, Ace Frehley… the list goes on. Mike checked his schedule, and it was a go.

Next, a quick message to John, who also was also immediately on board. “Dude” he said, “I haven’t been to a show with you since we saw Stevie Nicks and Frampton back in ’86. You KNOW I’m there!”

Wow! I knew John and I had seen Stevie Nicks in Philadelphia, but had completely forgotten that Peter Frampton was the opening act. But that’s what’s cool about seeing concerts with friends; they help remind you of these things.

So…..

At approximately 6:10 pm on July 12th, 2012 The Trio were officially reunited in the parking lot of Penns Peak. The first time the three of us stood together in probably 25 years. In between handshakes, hugs and pats on the back was a bit of sadness too. How was it possible that the three of us all still lived within 30 minutes of each other and never got together?

My self-imposed depression was short-lived as we made our way to the bar (yes, it’s good to be an adult sometimes). It was there that we ate, drank and talked about how great it was to be together again and do something we all loved.

As we watched the concert, much like we always did back in our heyday, Mike and I would constantly look over at each other, nodding in approval of Lita’s performance. It was just like the days of yore and the three of us basked in the glory of metal. Lita was supporting her brand new album and never sounded better.

After rocking together at the show, we actually had the opportunity to meet Lita backstage. Of course, I already know that she’s the “Queen” so it was one of the coolest things ever for me to meet her personally. But for some reason, having the three of us there together at that moment bumped it up a notch in cool.

As we stood there for a group picture, another smile came across my face (this now seemed to be a recurring trend). I kept thinking that Lita was part of something really special and had absolutely no idea about it.

Afterwards, we made our way out into the late summer night, the last ones left in the now empty parking lot. We stood there for fifteen minutes absorbing what had just taken place.

“Jimmy, I KNOW you want to wait here and follow her bus!”, John said. I laughed out loud thinking that was probably something he would have said after we saw Stevie Nicks, and in both cases my answer would still the same: “Hell, yes!”

After a final handshake, high-five and promise to keep in touch we all went our separate ways again. Brothers in music, hoping the time between now and our next reunion isn’t quite so long.

A Conversation With, Interview, Music

A Conversation With Artist and Choreographer Bobby Newberry
Bobby Newberry

As an in-demand choreography powerhouse, Bobby Newberry has spent years crafting innovative stage material for the likes of Missy Elliot, The Pussycat Dolls and Eminem. His work has been featured on such show as X-Factor, America’s Got Talent and Dancing With The Stars to name just a few.

He’s also been impressing audiences with his seductively soothing vocals on an acoustic rendition of La Roux’s “Bulletproof” , a duet with former Pussycat Doll, Melody Thornton.

Now, combining his love for dance and passion for music, Newberry takes center stage for the very first time with his debut single and music video: “Dirrty Up”, featuring Jessie & The Toy Boys.

In my interview with Bobby, we’ll discuss the making of Dirrty Up, his collaboration with the amazing Melody Thornton and how, through hard work and never losing sight of his goal to inspire others, is making his dreams come true.

goJimmygo (gJg):Bobby, congratulations on your video and all of your success so far.

Bobby Newberry (BN): Thank you so much! I really appreciate that!

gJg: The video for “Dirrty Up” is amazing. How tough was it to make?

BN: It was intense. I’ve done a lot of videos before but this was the first video with me as an artist. It was an eighteen hour shoot day, throwing ourselves on the concrete floor over and over again.. <laughs>

gJg: Is “Dirrty Up” a song you had written?

BN: It’s a song that I co-wrote with The Invaders. We’ve just released it on i-Tunes!

gJg: How did the “Bulletproof” collaboration come about with Melody Thornton?

BN: That was interesting. I had originally recorded a version of that song a while ago. After I played Melody my version of it, she came up with the idea of re-recording it as a duet!

Afterwards, she wanted to put it on her mix-tape. It’s gotten a lot of great exposure.

gJg; What was it like working with Melody? She’s phenomenal!

BN: I’ve known Melody from working with The Pussycat Dolls. We’ve been great friends for a long time. I’ve always known she was an incredible singer and was honored that she wanted to work with me on this song.

gJg: What’s the message of the video?

BN: We wanted the video to have a very cold, stoic feeling but yet be beautiful at the same time. The finished product really captures the desperation.

gJg: Where was it filmed?

BN: The middle of the Mojave desert! <laughs>

It was definitely interesting dealing with the elements but, it was worth it in the end.

gJg: Was singing and dancing a big part of your life growing up as well?

BN: Yes, I started singing and dancing at a very young age. I grew up watching Michael Jackson, Prince and Madonna videos and teaching myself the choreography. Then, I’d invite my family over and put on shows for them in the living room.

From there, I started entering myself in talent shows and choirs. Eventually I received a scholarship from The Edge, one of the biggest dance studios in LA, and really started seriously training. I still sang in the choir but made dance my priority because it’s really difficult and takes years of training to be a strong dancer.

gJg: Tell me something most people don’t know about you.

BN: I love to eat! I secretly love eating more than anything. I love going to restaurants and trying everything. Sometimes I’ll even order three desserts. <laughs>

gJg: What’s next for you?

BN: To keep growing as a choreographer and artist. I also want to keep releasing new music. The plan is to release a new song and video every six weeks. I start shooting again at the end of July.

gJg: Where do you see yourself a few years from now?

BN: I see myself as an artist that continues to grow and one that people can find inspiration from. For me, the best feeling in the world is when people tell me they’ve been inspired by listening to my music or watching my videos.

Article first published as A Conversation With Artist and Choreographer Bobby Newberry on Technorati.

A Conversation With, Interview, Movies and TV, Music

A Conversation With Multi-Talented Singer and Actress Elly Stefanko

Multi-talented singer/songwriter Elly Stefanko is making her mark in the music world. A true, natural singer since the age of eight, she’s been working hard performing in theater and releasing her own music without the need of auto-tuning or robotic accents.

Elly’s also begun to forge her own path as an actress as well and if the results of her first endeavor are any indication, the future looks bright indeed.

Elly’s first major film role is “HUFF“,  a twisted take on the story of “The Three Little Pigs” and a film that’s already generating a lot of buzz at festival screenings throughout the US prior to its official release this fall.

In “HUFF“, Elly plays the role of Shay, the youngest of three step-daughters who must escape the wrath of their brutal stepfather, HUFF (Charlie O’Connell) when one of his drug deals goes awry. The film also stars scream queen Elina Madison as the matriarch, Lorelei and Marie Bollinger (Pelt) and Jenna Stone (A Haunting in Salem) as Shay’s sisters Brixi and Styx respectively.

Elly recently attended The Texas Frightmare Convention along with the rest of the cast and crew to view the completed film for the very first time.

With her first film now under her belt, Elly has begun work on a brand new blues-inspired album of original music.

I had the opportunity to speak with Elly and get her thoughts on “HUFF” as well as her music career.

gJg: What was your experience like seeing “HUFF” for the first time?

ES: It was very cool! I remember feeling nervous right before the screening because I hadn’t seen it and no one else was really talking about it. But, having now seen it freshly for the very first time, it’s awesome! I love scary movies and the fact that this is a thriller on top of it makes it even more appealing!

There were a few moments during the film where I originally questioned what audiences might think of some of the biblical elements. It was a big risk to take but Cort Howell (Writer, Producer) took a leap of faith and it really turned out amazing!

gJg: When is “HUFF” going to be released?

ES: We’re all hearing September and I’m looking forward to it.

gJg: “HUFF” is actually your very first movie right?

ES: Yes it is.

gJg: How did the role of Shay come about?

ES: I initially had read for the role of Styx and afterwards was asked to also read for the part of Shay. The producers felt that the role of Shay would suit me better and I thought so too! Even though Shay is only 15-16 years old, she knows how to handle herself in certain situations because shes kind of been through a lot and she’s also seen her sisters go through a lot of bad stuff as well!

gJg: What are some of the things you like most about the movie?

ES: There were quite a few things that I thought were cool. I liked the way HUFF was testing the daughters but in different ways. I also remember that at one point, Brixi (Marie Bollinger) quotes a bible verse and to me, seeing that she still had faith after everything everyone had gone through was amazing. I loved the little moments like that.

gJg: What was the chemistry like?

ES: It was amazing. Even on my first day on set I remember asking: “Are all movies this easy?” <laughs>

It was a great first experience.

gJg: You were also able to work with Clint Howard as well, a real acting legend!

ES: He definitely is. Clint and I became good friends. He’s actually a musician as well. He saw my You Tube videos and called me up to tell me that I was doing the right thing with my music. That was very encouraging!

gJg: What was it working with Charlie (O’Connell)?

ES: Charlie is such a cool dude. He’s inspiring. I love meeting actors like him who are just so down to Earth.

gJg: What’s your favorite horror movie of all time?

ES: “The Devil’s Rejects”. I like the whole vibe of it and I’m a big Rob Zombie fan. He has his own little niche. I really like the comedy elements in that film. It’s so hard to add in little things like that but it worked. “HUFF” has a lot of those kinds of elements too!

gJg: What is the one thing you’d like everyone to know about “HUFF”?

ES: “HUFF” is not at all what you would expect to see from a typical horror movie. It’s something different and it’s a breath of fresh air!

gJg: Let’s talk about your music! How long have you been writing and performing?

ES: I’ve been singing since I was eight and I’ve been writing since 18. I also play piano and have released a few EPs.

gJg: Was music always a big part of your life growing up?

ES: It was. When I was nine I recorded a lullabies album called “Sing Me To Sleep” which was classical music with a huge fifty-piece orchestra.

I went to school at the Crystal Cathedral and did quite a bit of work with them as well. I met a lot of amazing people including the Schullers and Michael Crawford, an opera singer who performed as the original “Phantom of the Opera”. They needed a girl to sing a duet with him for a big Christmas event and I was chosen to sing with him!

gJg: Did you have formal training?

ES: Yes, I did have a lot of training. I was doing quite a bit of theater too at the time and learned how to protect my voice.

gJg: What kind of music do you strive to make?

I really love music where I can hear the purity of the voice. Where there’s no tampering and it doesn’t sound like a robot. I was so happy when Adele won all of those Grammys.

gJg: What projects are you working on now?

ES: I’ve been focusing a lot on writing songs for a new album. It has elements of blues, pop, jazz, a little bit of everything! Once I’m finished writing, I’m going to find a producer to deliver it. I really want to go into a studio and record it “old school”. That’s where all of the musicians are set up in one room and I’ll be in another. Then we’ll all record together at exactly the same time.

That’s the only way to capture the true essence of the moment and that’s my goal!

Article first published as A Conversation With Multi-Talented Singer and Actress Elly Stefanko on Technorati.

1980's, Music, Thought and Opinion

My How Times Have Changed: Music

I’m getting on my soapbox.

You kids today don’t know how good you have it. Why, back when I was growing up thirty years ago….

Music was so much different. We didn’t have all these new fangled contraptions like eye-phones and you-tubes. We got our new music in one of two ways: radio or attending live concerts.

I remember we used to have to walk miles and miles (sometimes in a foot of snow in our bare feet) to the local record store to pick up a copy of our favorite artists’ new album. Then we’d spend the next few days wearing out the vinyl while absorbing the sonic nirvana.

Sharing music with our friends in those days was usually done via word of mouth. There was none of this copying files onto a CD or emailing an mp3. We’d much rather say: “Hey, so-and-so’s new album is awesome. You need to go buy it”.  And if your friend trusted your musical judgement chances are they DID go buy it!

It was an extremely rare event for someone to lend someone else their new album. Our music was sacred. If you want to hear my new music and you didn’t get your allowance yet, then come over to my house, sit in my bedroom with me and listen.

The alternative to our version of “file-sharing” was taking a portable cassette player (if we were lucky enough to own one – Who knows? maybe your Dad was a doctor or something) and copying the music coming from the speakers onto the blank tape. Sure, the sound quality went down tremendously but at least the song was there.

Most of the time though, going to concerts was the best way to hear our new music. A time when you could see four or five bands over the course of the summer for the same price it costs you to see just one of these new acts now. Don’t get me started on Ticketmaster.

And another thing….

You kids are over saturated with new music! Every time I turn on that damn local radio station they are playing the exact same six songs over and over again.

Why I remember you considered yourself LUCKY if you heard the big “hit” from the band you loved thirty years ago played in its entirety on the radio. Most of the time you caught it halfway through. I can’t tell you how many times the DJ would announce my “song” was coming up and I’d be glued to my radio (or sitting out in Mom and Dad’s car) waiting for it to come on.

And you could forget about calling them up and asking them to play it again if you missed most of it. They’d laugh you to scorn. But if they just got done playing a Katy Perry tune today and I called and asked them to do it again my gut feeling is they’d be more than happy to oblige. Either that or tell me not to worry because it’s scheduled to be played again in an hour.

And what’s with all of these artists collaborating with each other on songs? Seems like every new song title has the word “featuring” next to the artists’ name. What happened to the days when you rocked out all by yourself?

But you kids can take your Justin Bieber (Boyfriend), Nicki Minaj (Starships) and Katy Perry (Wide Awake) and stick it where the sun don’t shine.

I’ll take Survivor (Eye of The Tiger), Asia (Heat of The Moment) and Joan Jett (I Love Rock and Roll).

We’ll see which ones we’ll still be talking about thirty years from now when you whipper-snappers are taking care of me in the old folks home.

A Conversation With, Interview, Music

A Conversation With Skye Stevens
Skye Stevens

Set to become the first-ever Armenian pop star, 18-year-old Skye Stevens has dominated the internet with his first-ever music video “Takes All Night”. The catchy “boy meets girl” dance video has become a YouTube hit and so far has raked in over 1 million views.

With his boyish good looks, fresh sound and alluring persona, the singer, dancer and songwriter is gaining attention from pop music lovers everywhere.

I had the chance to speak with Skye as he begins preparations for a club tour that will take him nationwide to cities all across the US.

In this interview Skye discusses his musical journey, what his vision was for the “Takes All Night” video, his plans for touring, pre-show ritual and who he’d like to collaborate with in the future.

goJimmygo: How are you Skye?

Skye Stevens (SS): I’m doing great! It’s good to talk to you!

gJg: Did you ever expect to get this kind of reaction from your very first single?

SS: In my head I’ve always believed every day that good things were going to happen. Then it becomes real. It’s a lot to take in but I’m so appreciative of the fans, the DJs and the radio stations that have all embraced the song. It’s amazing!

gJg: Was music something you’ve been into all of your life?

SS: I started at a very young age. When I was five my Mom enrolled me in all kinds of activities: sports, dancing classes, singing classes. All of the activities parents put their kids into to see what kind of things they tap into.

For me, as soon as I had my first dance class at five it just became a part of me. From that it escalated into singing and then theatrical shows. I really got fascinated with music and recording.

gJg: Who are some of your musical influences?

SS: Growing up, I was a huge Michael Jackson fan. His music was my very first record. I would listen to his music and in my head wonder what it “looked” like.  I remember just being obsessed with videos like “Smooth Criminal”. That really propelled me because I said: “I want to do that!”

Today, artists like Usher and Ne-Yo both influence me. They inspire me. I really respect them.

gJg: “Takes All Night” is your first single. Are there plans for an album?

SS: Definitely! We have more songs but right now we’re focusing on this single. “Takes All Night” is my introduction to the music scene. We started in the clubs and on dance radio. From there, we landed in the Top 20 of the Billboard Dance Chart which is extraordinary!

gJg: Amazing when you consider it’s your debut single!

SS: It really is! We also landed in the Top 5 of several dance radio stations across the country which is big especially when you consider how hard it is for a male to break into the dance market. It’s primarily a female dominated market so as a new act succeeding in a market you’re working against means a lot!

But so many people believed in this record, including one really famous DJ and Remixer I admire a lot: Dave Aude. He’s had over 100 Billboard Dance Chart hits and made my single his “Record of The Week”. For someone of his caliber to do that was very flattering.

gJg: What’s the inspiration for the “Takes All Night” video?

SS: The record is based on a club/electric/dance type setting. For most people you’d imagine the video might be in the club. For me though, I really wanted to take a risk and create something completely different. I wanted to make a short film, a  movie almost. A love story. That’s where the heart of the song is when you really listen.

The video is a love story and I wanted to show that side of me as well. As I mentioned before I’m also very inspired by Michael Jackson and wanted to pay tribute to him in the video.

So when I dance you see the lights following my feet. That’s my take on the Billie Jean music video. It’s my spin on it and tribute to him.

gJg: Do you have plans to tour?

SS: Absolutely. I’m actually trying to get myself together today. I had a late rehearsal last night and we have another one today. We’re working on the show performance, then it’s off for a session with the dancers, then wardrobe. Every hour of the day is 100 mph. I love it!

gJg: Do you have any pre-show rituals you do prior to a performance?

SS: Yes! Even before a rehearsal. I usually get to the stage about 30 minutes beforehand. What I do is change into my stage clothes and then spend about twenty minutes or so listening to a variety of hip hop records. Just to feel the urban sound that’s the undertone for my own music.

I’ll listen to everything from Diddy to Timberland to Lil’ Wayne and Drake and just absorb it all. That and I also have a sugar-free Red Bull to wake up! <laughs>

gJg: Do you have any hobbies when you’re not recording of performing?

SS: If you want a real honest answer, this is my life. I could make something up but this really is everything to me.

gJg: Where do you foresee yourself a few years down the road?

SS: In my mind I know where I’ll be in five years. I think any artist starting out sees that. It’s success. But right now everything is moving so fast and evolving.

Realistically, we worked really hard to create something this unique. It took a lot of time to develop a sound that was different.

Right now we’re preparing to tour in clubs across the country. You start with club shows then radio shows. Then hopefully you open for an artist, then collaborate with an artist. Then you do your own tour. It’s a process. I like to think of it as the “Law of Attraction”.  If you believe in your dream and work hard, it will happen.

gJg: Tell me something not too many people know about you.

SS: My celebrity crush is Kendall Jenner. I think she’s cute! But I feel like if I ever do actually meet her I wouldn’t even know what I would say. <laughs>

gJg: Are there any artists you’d like to collaborate with?

SS: I really admire what Chris Brown is doing right now. I think the sound that we have would blend nicely together. He has an urban pop thing going as well and anything we do together would be explosive.

As far as a rapper goes, I’d love to collaborate with Drake or Lil’ Wayne. I think both of those artists are very driven and know what they want. I can definitely relate to that.

Then there’s Alexandra Stan. She’s a Romanian artist who released an album called “Saxobeats”. I think her sound is so different and so unique. It would be interesting to see what the two of us could create together.

Article first published as A Conversation With Skye Stevens on Technorati.

A Conversation With, Album Reviews, Interview

Lita Ford: Living Like A Runaway

There’s something to be said about royalty. Especially when it comes to music.

Elvis Presley is known as “The King of Rock And Roll”, Michael Jackson is the “King of Pop” and Ozzy Osbourne is considered to be the “Prince of Darkness” in musical circles.

But for metal-heads like me there is only one Queen that we pay homage to:

Lita Ford

Picture this: It’s a hot summer day in June of 1985 and I’m walking downtown to guitar lesson with a black electric guitar strapped over my shoulder.

My guitar case had broken the night before and my parents had no means of getting me to lesson but I wouldn’t let anything stand in my way. So I footed it the two miles to guitar lesson in the searing heat with literally a six string on my back.

With sweat dripping down my face and obnoxious truck drivers honking their horns and poking fun at me all I remember thinking was: “It doesn’t get more rock and roll than this!!” I was a metal head in the making.

For more than the heat, the cat calls or the long walk to lesson the thing that sticks out more than anything else for me that day was listening to the song that blared from my Sony Walkman cassette player. The song that I had spent countless hours listening to over and over and loved. The song that I was now finally about to start learning how to play at lesson that day: “Gotta Let Go” by Lita Ford!

To me, Lita was (and still is) more than just a beautiful woman. She is one of the best rock guitarists ever! So for me to be able to learn some of her guitar licks was a dream come true.

I know Lita must have faced plenty of adversity for being a female guitarist but it never bothered me one bit that she was of the opposite sex. All I knew was, she ROCKED! It was the thick of the metal years and her music was universal. We stood together and I felt a kinship with her.

Back when I was learning how to play guitar I faced my own adversity. There were plenty of times where I was berated by siblings and friends for making them endure the sounds of me practicing the same riff, scale or song countless times until I got it right. Or maybe it was my parents bitching up a storm because I brought the guitar to the dinner table. I imagine Lita went through similar situations while trying to make her mark in what was always considered a “male dominated” instrument.

But Lita persevered and continued to tear down walls with her phenomenal playing and songwriting skills. She became my beacon of light. So much so that a few years later I really brought the metal to school. One of my high school music theory projects was to transpose any song of my choosing into an orchestral piece for jazz band.

I recall the assignment was to rewrite the music from the song and change it into something that could be played for everything from trumpets to saxophones. Guess which song I chose?

“Gotta Let Go” by Lita Ford.

Over the years I’ve been an avid follower of Lita Ford. From the songs “Kiss Me Deadly” and “Close My Eyes Forever” (her duet with Ozzy Osbourne) to the guilty pleasure of “Shot of Poison” her music and guitar work never ceases to amaze. Although that grueling summer of 1985 may be a distant memory to many I’ll never forget the day Lita became the Queen to me.

And now, the Queen has returned with a vengeance.

On June 19th Lita Ford will release her latest album: “Living Like A Runaway” (SPV/Steamhammer). Produced by Lita Ford and Gary Hoey (another amazing guitarist) “Living Like A Runaway” is quite honestly one of the best rock albums of the 21st century.  To me, it simply is Lita’s BEST record to date.

Whereas most albums usually contain one “hit” song buried within eight or nine other tracks of filler, “Living Like A Runaway” is a true album experience from start to finish.

With contributions by lyricist Michael Dan Ehmig, Nikki Sixx (Mötley Crüe) and Doug Aldrich (Whitesnake) Lita has brought out some “big guns” for this project.

There’s even a bonus track containing a killer rendition of the Elton John classic: “The Bitch Is Back” which features The Uptown Horns.

Lita and Gary Hoey’s guitar work on this album is genuine and nothing short of bad ass. The record contains enough killer riffs, solos and guitar harmony to make even an army of male metal-heads bow in reverence.

In addition to the killer grooves from songs like “Branded”, “Hate” and “The Devil in My Head” the album also takes you on the musical journey of Lita’s life. From her days carrying her own guitar on her back on the title track to the personal song for her children in “Mother”.

Then there’s my personal favorite, “Relentless”; a song that best sums up the will of Lita to not let anything stand in her way and a message we can all take to heart when the odds are against us.

To support the new record,  Lita will embark on a tour this summer with Def Leppard and Poison as well as doing select headlining shows in between.

I had the honor of holding court with the Queen and discussing the genesis of “Living Like A Runaway”.

In this amazing interview, Lita discusses the long distance songwriting process she and Gary took creating this new music. We’ll also talk about her early years playing guitar, The Runaways, the origin of her big hit with the Prince of Darkness himself and one of the best “rock and roll” stories ever!

Before I begin, you must understand how much this woman’s music has influenced me. So if this interview comes across to you as a bit biased I make no apologies for it. Lita Ford is one of the greatest guitarists (male or female) of all time.

Interestingly, while I was waiting on hold for Lita I had to listen to some really interesting “elevator music” playing in the backgroundwhich started the conversation off nicely:

goJimmygo (gJg): Lita! It’s Jim. How are you?

Lita Ford (LF): Hi! I’m doing great! How are you?

gJg: I’m great too. It’s so awesome to be able to speak with you! WOW!

LF: Same here!

gJg: I was listening to some funky on-hold music while I was waiting for you and all I kept thinking was: “Man, this is the TOTAL opposite of your new record!” <laughs>

LF: I know, isn’t that funny? I don’t know why they put that music on there. <laughs>

gJg: “Living Like A Runaway” is the BEST record I’ve heard in years!

LF: Awesome! Thank you!

gJg: It’s one of those rare records where every track on it is killer. You listen to the first song and it’s great. Then the next song is just as good and so on. The entire album is an experience!

LF: I am so happy about it!

gJg: For me: It’s like the return of Lita… and a punch in the face thrown in for good measure! <laughs>

LF: You know it! <laughs>

gJg: It’s reliving the metal years again. Everything from the riffs, the lyrics, the way you deliver the vocal. My weakness has always been harmony guitar and this album is filled with it.

LF: So cool. Thank you! I miss those days too and am so glad to bring it back! It’s what I think people want. People miss those times and the heavy guitar riffs. They miss what used to be called “Hair Metal”. Hair has nothing to do with how music sounds. People long for the metal years again and this record gives it to them.

gJg: How is everything going?

LF: It’s going great. I’m just getting prepared for this tour.

gJg; How does it feel to being going out on the road with Def Leppard and Poison this summer?

LF: It’s awesome! The record actually comes out the day before the tour starts so it literally is perfect timing. The whole thing is a Godsend. The new record is just so good and now we have this tour on top of it. So we get to give it a good kick in the ass and hopefully people will respond to it!

gJg: You also have some solo headline dates mixed in with that tour as well right?

LF: Yeah, we’ll be filling in some of the days off in between with shows. It will be busy but that’s rock n roll! <laughs>

gJg: What are you looking forward to the most on this tour?

LF: Well, we’re the opener and it’s a tough slot to have. It’s at a time when people are still stuck in traffic getting there. We have a 30 minute set and don’t get to play much so we really have to make a statement in thirty minutes. It’s a challenge but I’m up for it.

Fortunately, we have the headliner shows in between and at those shows we really get to go nuts! I can’t wait! <laughs>

gJg: What’s it like when you walk out on stage and you see a sea of humanity there to see and support you?

LF: It’s the best. I honestly just want to take everyone in my arms and give them all a big hug. But since that isn’t possible instead what I do is throw my fist in the air and say: “YEAH… RIGHT ON!” and get the response that way. It’s just as good as a hug.

The Genesis of “Living Like A Runaway”

gJg: The guitar work on this new album is phenomenal.

LF: Thank you! Gary Hoey and I do the guitars on this record.

gJg: What’s the genesis of this new album and what was your songwriting process like for it?

LF: It all started when Gary called and invited me up to his studio in New Hampshire to record. I thought about it for a while and decided to take him up on the offer.

So I got on a plane, flew up and the very first song we wrote together was “Love 2 Hate U” which was a duet!

I know love’s a sacrifice – no doubt
It’s something we can’t live without
Yeah, I think I’ve worked it out
Why “I Love 2 Hate U”

We came out of that session and on the way home I was thinking: “Wow, this is a really GREAT song! We need to do another one!” So I booked another flight, flew back to Gary’s and we wrote “Branded”.

From that point on we just kept writing together. We didn’t have a record deal at the time so what we did was put together four tracks plus our version of “The Bitch is Back”. Through that we got the deal with SPV; who have been so supportive and wonderful with this project.

So every two weeks or so I’d hop on a plane to Gary’s and we’d hang out, jam and write. If we ever got stuck we would call up our third songwriting partner, Michael Dan Ehmig. His specialty is lyrics. Michael had a broken back at the time and was in some serious pain. So he was laid up writing all of these really deep, deep lyrics. At the time I had just gone through a divorce so I was in a dark place myself. So tie all of that in with Gary’s arrangements and ideas and we were able to come with this brilliant record.

gJg: I noticed that Doug Aldrich contributes to this record as well.

LF: Yes, “Bad Neighborhood” is a song I wrote with Doug Aldrich.

gJg: Doug is amazing. His playing is like a freak of nature!

LF: Doug is awesome! “Bad Neighborhood” was the very last song we wrote for the album and I remember at the time we were in need of some guitar riffs. So I called up Doug and asked him if he had any riffs up his sleeve. Something that was really “ass-kicking” and “up-tempo”.

Next thing you know he comes back with the riff for “Bad Neighborhood”. It has a “Drop-D” tuning and is the most “attitudinal” (if that’s a word) song off of the album. It’s real cocky.

gJg: Where did the idea for the song come from?

LF: It’s a saying that came from a friend of mine who used to run Narcotics Anonymous. He used to always say: “Get Out Of Your Head, It’s A Bad Neighborhood”… <laughs>

gJg: My favorite song from the album is “Relentless”. I love the guitar work and the message of tearing down walls.

LF: That’s Gary Hoey. He’s playing the solo. I love the solo on that song.

gJg: The song “Asylum” is really deep. Is that about an actual place you stayed at?

LF: Yeah, that’s a pretty heavy-duty song.

We had lived in a house in the Caribbean for ten years and it was like my asylum. When you live on a deserted island for decade you start to go a little bit crazy. I suppose a lot of people have their own “asylum”. Maybe a day at the office is your asylum or maybe going to school. Everyone has their own “asylum” to deal with. At one point in time we all run into something like that we have to deal with.

gJg: Then the album ends with “A Song to Slit Your Wrist By” a Nikki Sixx contribution.

LF: Yeah, he actually wrote that song about his ex-wife 15 years ago. <laughs>

It’s definitely not to be taken seriously though. In fact, I actually have the lyrics for all the songs printed on the album and in my own handwriting I put right next to that one:

“Please Do Not Try This At Home – Or Anywhere Else For That Matter!” – I put the “Lita Advisory” sticker on it.

Growing Up

gJg: Where did you grow up?

LF: I was born in Britain and moved to the US when I was 4. I worked my way from Boston to Dallas and then to Long Beach, California.

I’ve always considered myself a California girl though. You know, growing up on the streets of Hollywood. Just like the song: “Living Like A Runaway”.

gJg: When I listen to that song I actually feel like I’m right there with you. It’s awesome when a song takes you some place and infects you.

LF: I agree. I listen to it sometimes and cry and think: “Why am I crying?”.. Then I realize it’s because it’s so “real”!

One day I left town with just the shirt on my back
And a guitar on my shoulder yeah I wasn’t comin’ back
I had to break the spell my heart was under
So I rode out-of-town on wheels of thunder
…. “Living Like A Runaway”

gJg: Who were some of your influences when you were growing up playing?

LF: Richie Blackmore was one of my biggest. I think he’s one of the best guitar players I’ve ever heard. Especially the way he would double-pick everything like on “Highway Star”. It was so brilliant. He also used to play the cello. He’s such a brilliant musician.

I was also a big fan of Black Sabbath because their riffs were just so heavy!

gJg: Did you have a hard time growing up being a girl and playing guitar?

LF: I did and I never really understood that. People would see me play and they’d say “But… you’re a GIRL!”.  And I’d say: “Yeah, AND??” Truthfully though, that would just make me want to play more!

I love a door slammed in my face
Told me a girl needs to know her place
I never listened,  I proved ’em all wrong
I rocked their asses from here to Hong Kong

I’m not invited but I’m comin’ anyway…. “Relentless”

gJg: How did you practice?

LF: I would never put the guitar down. I would walk around with it. I’d sit and watch TV and play. If I went out on a date with a guy I’d go over to his house and I’d sit and jam with him. Of course, he wasn’t too happy about that but that’s what I wanted to do. <laughs>

My whole life pretty much revolved around playing guitar.

gJg: Can you tell me one of your best “rock and roll” stories?

LF: I have so many… Hmmm? Here’s a good one. And this one actually involves my Mother:

One year I was invited to an awards show in New York City for all of these huge celebrities like Keith Richards, Tina Turner and David Bowie. You know, all of these huge stars. I decided to take my Mom along with me because she really loved rock and roll. She also knew everyone and was a great person to have around and help me.

I was having my hair and make-up done and it was taking quite some time. After a while, my Mother got bored just standing there so she decided to go off and start talking to people.

So after a few hours I went looking for her and I found her… Sitting on a sofa next to David Bowie!!

I remember walking up to her and excitedly yelling so loudly that my voice cracked. I said: “MOM?!! What are you DOING?? Do you realize who you are sitting next to?”

She says (in this thick Italian accent): “Oh, Lita! I was just talking to Dave!” So I thought: “Oh this is great! My Mom’s hanging out with David Bowie!”

David looks me over from head to toe then looks back at my Mother and says (in his thick British accent): “Is this your daughter?”

And my Mother says: “Yah Dave, that’s Lita!” And David says to my Mom:”Do you always let her dress like that?”

My Mother replies: “Yah Dave, THAT’S rock and roll!” <laughs>

gJg: That IS rock and roll! <laughs>

LF: It sure is! <laughs>

gJg: What is one of the strangest things a fan has ever asked?

LF: A few weekends ago someone actually asked me to sign their neck. So I autographed his neck and within an hour he came back and showed me it had been tattooed.

Then the guy asked me if I would kiss a napkin for him. When I asked him why he said it was because he wanted to use the lip prints and have them tattooed on his neck right next to my name. He did all of this within a couple of hours. It was pretty unbelievable. <laughs>

gJg:Would you ever consider doing a Runaways reunion?

LF: I would love to. The girls know that I want to and I think now would be a good time to do it. I’m all for it and told Cherie (Currie) and Joan (Jett). Unfortunately, we don’t have Sandy with us anymore. We’ll see.

In the meantime though… I’ve got “Living Like A Runaway”! <laughs>

gJg: What’s your relationship with BC Rich guitars now?

LF: It’s great! I’ve actually got a BC Rich Signature Model coming out soon: “The Black Widow Warlock”.  I’m very excited about it!

gJg: I hear you’re also working on a book now. What’s the status of that?

LF: I’m looking for publishers right now. It’s going to take some time because I want this to be a very visual book;  just like the songs are on the new CD. They’re visual. You can actually “see” the picture I’m trying to paint. That’s what I want this book to be.

gJg: I have to ask you: what was the origin of “Close My Eyes Forever”?

LF: That song was kind of an accident really. Ozzy and Sharon came over to the recording studio one night while we were working on the “Lita” record. They had brought me over a house-warming gift for my new home.

So we opened a bottle of wine and were playing pool and after a while Ozzy and I decided to go into a side room where we had a guitar and amp set up. We just started playing and singing and wound up writing “Close My Eyes Forever”.

What’s interesting was at the time I was voted Best Female Rock Vocalist and he was voted Best Male Rock Vocalist.

gJg: How has the reception been for the new album?

LF: It’s been absolutely insane. We’ve actually gotten some really good quotes. One of the best was from a guy in Germany who put it this way:

I fall to my knees and I say: Thank you God for this wonderful album!!

*****

As far as I’m concerned, truer words have never been spoken. Welcome back Lita!!

Article first published as Lita Ford: Living Like A Runaway on Technorati.