Tag: Music

Guitar World Interviews, Interview, Music

Guitar World: Bangle’s Susanna Hoffs Discusses 80’s Album with Matthew Sweet

UnderThe CoversFor “Sid ‘n Susie Under the Covers, Vol. 3: The ’80s, Susanna Hoffs’ third album of cover songs with power popper Matthew Sweet, the Bangles vocalist/guitarist stuck to a decade that was very kind to her — the 1980s.

Unlike the duo’s two previous albums, which focused on material from the ’60s and ’70s, Under the Covers, Vol. 3 relies less on mainstream hits and focuses more on deeper album tracks.

Along the way, Hoffs and Sweet paint a broad spectrum of sonic art — complete with totally gnarly renditions of tunes by artists including Roxy Music, the Smiths, XTC, Lindsey Buckingham and R.E.M.

I recently spoke to Hoffs about the new album, which will be available November 12. We also discussed a few of her favorite memories from the ’80s.

As an added bonus, here’s my favorite Bangles song from the 80’s.

GUITAR WORLD: How did you and Matthew Sweet decide which songs to cover for this album?

Because we’re both fans of the music, it was so easy to pick songs. The hard part was actually trying to stop [laughs]. Musically it was a challenge, but it was a lot of fun finding ways to reinvent the songs and put our own stamp on them. We also got to think outside of the box because we approached things as a duet. It gave us a chance to really get into the emotion of the songs.

You can  the rest of my Guitar World interview with Susanna Hoffs by Clicking Here!

Album Reviews, Guitar World Interviews, Interview, Music

Starship’s Mickey Thomas Talks “Loveless Fascination” and Remembers Guitarist Mark Abrahamian

LovelessFascinationAlthough it’s been more than 20 years since Starship’s last album of all-new material [1989’s Love Among the Cannibals], the band’s latest release, Loveless Fascination, was certainly worth the wait.

Not only has vocalist Mickey Thomas been able to maintain his unique sound and range over the decades, but he’s added more of a thickness and growl to his vocals, allowing him to scream better than ever.

Produced by Jeff Pilson [Foreigner, T&N, Dokken], Loveless Fascination stays true to the band’s signature classic-rock sound, providing a much harder edge while taking Starship into the 21st century. I recently spoke with Thomas about working with Pilson on Loveless Fascination and a lot more.

Starship

GUITAR WORLD: It’s been nearly 25 years since your last studio album, Love Among the Cannibals, was released. Why the long wait?

I’ve started several projects during that time period, but for various reasons they never came to fruition. In order to make a really great record, you need to have a great team, and that means great songs, production, management and label. All of those elements never seemed to come together at the same time for us, but when this album came along everything just fell into place. I teamed up with Jeff Pilson, who’s not only a great producer, but also a great musician and songwriter. We instantly had this great chemistry and I realized this was the kind of Starship album we needed to make.

You can read the rest of my Guitar World interview with Mickey Thomas
by Clicking Here!

Album Reviews, Interview, Music

Little River Band Talks Amazing New Album, “Cuts Like A Diamond”

CutsLikeADiamondLittle River Band is showing no signs of slowing down. The band continues to perform up to ninety shows a year, bringing along its arsenal of radio hits that include “Take It Easy On Me”, “Cool Change” and “Reminiscing”. To date, Little River Band has scored 13 Top 30 Hits and has sold more than 30 million records.

“Cuts Like A Diamond” is the first disc of new original Little River Band material since 2003’s Test Of Time. For this project, the band went for a more west coast 80’s sound, while still embracing the harmony guitars, big vocals and contemporary feel they’re known for. The result is a well-produced album that’s easily on par with the rest of its classic catalog.

I spoke with bassist Wayne Nelson and guitarist Richard Herring about the new album and more.

What type of sound were you trying to go for with “Cuts Like A Diamond”?

Nelson:  The record label (Frontiers) approached us with a sound they had in mind. They wanted an 80’s AOR Little River Band album. There’s a wide range of material that the band has already done, and Rich gets a lot of credit for creating the landscape of this record. He’s a great producer and was in charge of the guitar parts and overdubs.

Herring: We strove to satisfy the label’s request for an 80’s production, but preserved the signature sound of LRB like big vocals and guitar harmonies. That’s what people think about when they think of Little River Band; the big vocals and high harmonies. That’s the key, and the guitars play a supporting role in that.

What was the writing process like?

Nelson: All of the songs came to me first, and the ones that moved the meter I sent to the record company’s ears. The road map was already in place so I knew where to aim for, but there were certainly some things about the 80’s that I wanted to leave behind, like reverbs that never end and the bad keyboard sounds [laughs].

Let’s talk about a few tracks from the album: Lost and The Lonely

Nelson: You can stack that song up against “Lonesome Loser” or some of the others, but that’s a Little River Band chorus. The interesting story was the original arrangement of the song had the uplifting chorus, but the verses were kind of dark and followed a different path. I remember asking the writers to change the verses to match the inspiration of the chorus and they came back the very next day with what you hear on the album. The video for the song is also powerful, especially considering the times we live in now. Those guys are defending people who are lost and lonely and can’t standup for themselves, and I couldn’t be prouder.

Who Speaks For Me

Nelson: The record label was concerned about the song’s subject nature at first, but I insisted we do it. It’s been a passion mine for years to try and do something to shed light on domestic abuse. When I started writing, I immediately thought of the kid alone in the dark and scared to death. The story just unfolded from there. A lot of people have asked if the message in the song was from personal experience. I tell them that it didn’t happen to me, but it’s happened to plenty of others and it was something I felt needed to be said.

Wayne, let’s discuss ‘Time Exposure’, which was the album right after you joined Little River Band.

Nelson: So much of the success and impact of that record came from George Martin (producer). When I joined the band, they were about ready to come apart at the seams. Four different people each wanted to take the band in four very distinctly different directions. No one was really getting along, and the band was literally being held together by its success. We all knew we had to do a record and suddenly, here comes the producer for the Beatles. George literally smoothed out the waters and got us through those six weeks to get the record out. We wound up getting three top tens out of it: Night Owls, Man On Your Mind and Take It Easy On Me.

left to right: Wayne Nelson, Ryan Ricks, Chris Marion, Rich Herring, Greg Hind
Little River Band (l to r: Wayne Nelson, Ryan Ricks, Chris Marion, Rich Herring, Greg Hind)

Rich, what’s your current set up like?

Herring: I’m using two class-a amps in stereo. They’re called New Vintage and were built in Minnesota by a guy named Nick Patullo. We were on a fly date using rented gear and they had some of Nick’s amps there. I remember playing through it and couldn’t believe how great it sounded. I bought one and started using it in stereo with my Matchless C-30. Later, I called Nick to see if he had a head version of the same thing. He told me that he didn’t have one, but he could build it! The one that he built me one sounded exactly the way I wanted it to. He didn’t have a name for it, so he decided to call it the RH-36. So I now have my own amp [laughs].

Now that the album is finished, what satisfies you the most?

Herring: It’s put new life into the show. It’s also an honor for me personally to play the old hits and deliver them night after night. I like to tell people that I get to play “Cool Change” every night, and I never get tired of it.

For More on Little River Band

Official Website: http://littleriverband.com/

Facebook: https://www.facebook.com/littleriverband

Album Reviews, Interview, Music

Flood The Engine: Firehouse Guitarist Bill Leverty Discusses New Project

FloodTheEngineFirehouse guitarist Bill Leverty’s latest project, Flood The Engine is classic, melodic hard rock at its finest. Together with Keith Horne (bass), Andre LaBelle (drums) and Jimmy Kunes (vocals), Leverty’s managed to channel elements from many of his favorite guitarists while also adding his own personal flair, giving the album a much broader appeal.

In addition to the killer vibe this combination of players brings to their own original compositions, the eight track opus also includes two tasty renditions of mid-70’s gold: “All The Girls Are Crazy” (Back Street Crawler) and “Love Is Alive” (Gary Wright).

I sat down with Leverty to talk Flood The Engine and more.

What started the Flood The Engine project?

Keith Horne called me up one day and asked if I’d be interested in putting together a recording project. I knew that he had recently moved back to the area and doing anything that Keith’s involved with is a huge honor. I asked him who he had lined up for a drummer and he said Andre (LaBelle); who I’ve known since the early 80’s. Andre and I had always wanted to work together, but were both in different bands.

How did you hook up with Jimmy Kunes?

When we were looking for singers, I suggested him. Jimmy has elements of all of the great classic rock singers all rolled into one. When his vocal cords rub together, it sounds so good. Once we had all of the pieces in place, Jimmy came down on a train from New York City and we wrote and recorded the album.

How was writing for this album different from writing with Firehouse?

It’s kind of similar in some ways and different in others. Generally, I’d come up with a guitar riff and then send it off to Jimmy; or Andre, Keith and I would assemble a song instrumentally together and send it to Jimmy. Sometimes we’d give him an idea of what we had in mind, but we always gave Jimmy the freedom to do what he wanted to with his voice and lyrics. We wanted to make sure that everybody could put their own individual style into the project and then we’d showcase it all as a group.

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Let’s talk about some songs on the album: “Lay It All On Me”.

That was the first song we wrote for this record. I had sent Jimmy a demo of some music with just a basic beat and a guitar riff. He immediately got some lyrics and a melody together. He also had an idea of what to use chord wise. In addition to being a phenomenal singer, he’s also a very accomplished guitarist.

“All Your Trouble”.

That one started with a guitar riff as well. I remember we had worked out the music and then Jimmy [with his creative mind] came in and just started scribbling down lyrics. To watch him work is amazing. He just has a pad of paper and a pen and scribbles like there’s a typewriter going off inside of his head and he’s just trying to keep up with it [laughs].

“Open And Undone”.

That song started out with Andre’s drum beat. He and I sat in a room together for a few hours and put together the music for it. The song has a simplistic rhythm, but a very unique beat. It creates such a perfect mood.  I remember Jimmy listened to it for a while and then had another scribble session where he got very spontaneous. It was another one of those things where we gave him a skeleton of a song and he just went to town on it.

In addition to six originals, you also have two covers on the album. [“All The Girls Are Crazy” & “Love Is Alive”]. Was there a reason why you chose those particular songs?

Jimmy and I had recorded a version of “All The Girls Are Crazy” together a few years ago. He and I have a common ground appreciation of Paul Kossoff, and that song in particular was one of our favorites. What Andre and Keith added to it was awesome.

Keith was the one who mentioned that he had always wanted to do a version of “Love Is Alive” and it was the perfect suggestion. I remember hearing that song when it first came out and thinking what a great tune it was. People who hear it today can still identify with it lyrically and the melody works so well with Jimmy’s voice and soulful delivery. It’s such a unique song and it also gives Keith a chance to shine as well.

What gear are you using for your live rig now a days?

I’m using a Fractal Audio Axe Fx II. I go from that direct into a monitor console and straight into the front house PA. It’s a two rack space unit that you plug into. It has over a hundred different amp and speaker cabinet combinations along with every rack effect you can imagine. So it can be used to sound like any amp you want. I’ve actually sold nine of my amps since I’ve gotten it. It’s the greatest thing that’s happened to the electric guitar since the pickup.

What satisfies you the most about Flood The Engine?

The goal of this project was to put together an album that we all felt good about.  For me, being able to get together with these guys was an honor, and I’ve enjoyed every minute of the process.

For More On Flood The Engine:

Official Website:  http://floodtheengine.com/

Flood The Engine Facebook: https://www.facebook.com/FloodTheEngine

Album Reviews, Interview, Music

Vocalist John Elefante Discusses New Solo Album, Video and Kansas

ElefanteCoverSince the mid 1980’s, John Elefante has been forging his own path as a multi-award winning vocalist, producer and member of the band Mastedon. Elefante and his brother, Dino also founded the popular Sound Kitchen studio which became a hot spot for artists like Buddy Guy and Bruce Springsteen.

But Elefante is perhaps best known for his tenure as lead vocalist for the band Kansas in the early 80’s, contributing (among other things) the guitar driven song “Fight Fire With Fire” while performing alongside guitarists Richard Williams and Kerry Livgren.

Fans of the Kansas sound will be delighted to discover that Elefante’s new solo album, “On My Way to the Sun” showcases Williams’ guitar work (along with Kansas violinist David Ragsdale) on the roller coaster track “This Is How The Story Goes.” The album also features the song, “This Time” which Elefante wrote about his adopted daughter who was nearly aborted. The video for the song has since gone viral on You Tube.

I spoke with Elefante about his latest album and video. We also discuss how he joined Kansas and his most memorable moment with the band.

Tell me a little about the making of On My Way To The Sun.

The record industry has changed so much over the past few years that for this project I decided to hook up with Kickstarter. The cool thing about it is, your fans don’t give you money apprehensively. They’re glad to be a part of the project and that really inspired me. It was a team effort and I really wanted to deliver the best record I could.

You have Dave Cleveland doing a brunt of the guitar work on this record. What’s it like working with him?

Dave Cleveland is one of the most underrated guitar players in the world. He’s carved out a niche in the Christian market and is the go to guitar player for any style of music. I can’t say enough about him. He’s the most imaginative guy I’ve ever worked with.

Tell me how you recruited Kansas members Rich Williams and Dave Ragsdale for the song “This is How The Story Goes”.

Originally, I had sent the song to Phil Ehart (drums) and asked him if he’d like to play on it. Phil loved the song, but couldn’t commit because of a scheduling conflict. That’s when I decided to send it to Rich. He loved the song and then sent it to Dave, who also wanted to be a part of it. You have to admit, for a song that sounds a lot like Kansas by nature it becomes even more validated when you have a few of the guys in the band playing on it [laughs]. I really wanted one roller-coaster ride of a song that takes you on a journey, and this one was it.

What was the inspiration behind the song, “This Time”?

I wrote that song from a very honest point of view. It’s based on the true story of how my daughter came into the world. She was almost aborted and thank God she wasn’t. I was literally writing two lines at a time and singing it when I wrote it. The song just flowed line by line.

Were you aware of the controversial nature of the song as you wrote it?

When I sat down to write, there was never any intention of me writing a pro-life or anti-abortion song. But in telling the story, I had to write about how she almost didn’t come into the world. When you put the visual to it from the video, all of that stuff suddenly comes into play. The first week we had over 100,000 views. Comments on it were both good and bad, but that’s to be expected. People are passionate on both sides. But I believe in the sanctity of life, and this is my side of the story.

Tell me how you got into Kansas.

I was out in California trying to score a record deal when I heard that the singer in Kansas had left the band. So I called up my attorney and asked him what he thought about trying to get my demo to those guys. He says “Done”. I said “What do you mean, ‘done’?” Apparently, the attorney for Kansas was literally right in the next office. So my attorney walked my demo over to their attorney [laughs]. Next thing you know, I’m hearing from their manager. Everything all came together.

Kansas was one of the biggest bands back then. What was it like going to the “big time”?

Everything was happening so fast that I didn’t really have much time to think about it. I was concentrating on getting songs on the new record and putting my best vocal performances forward. Then, we immediately started rehearsing for a tour.

Elefante

Can you tell me the origin and meaning behind the song “Fight Fire With Fire”?

My parents had converted their garage into a studio and my brother and I used to spend hours and hours there. That’s where we wrote it. I think the whole song came together in about 45 minutes. The message behind it is “I’m not going to be a wimp about what I believe. I’m going to stand up and fight fire with fire”. It’s kind of the world we live in. Whenever the band plays it live now, they dedicate to the military, which is awesome. Everyone’s fighting for some kind of cause.

What’s your best memory of being in Kansas?

I remember we played this all day event in Hershey, Pennsylvania. It was in a big stadium and there were probably around 50,000 people there. It was us and bands like Journey and REO Speedwagon. We were going on right as the sun was going down; the perfect time. I remember feeling like there was a competition going on, and I wanted to show everyone that Kansas was the best band there. Everything was perfect and the band was so on. I’ll never forget that day.

For more on John Elefante, check out his official website by clicking here!

Music

Boston’s Highly Anticpiated New Album Arrives in December

BostonThis December, BOSTON’s latest studio album, Life, Love & Hope will be released on Frontiers Records. More than a decade in the making, Life, Love & Hope features 11 tracks replete with the classic and beloved BOSTON sound, as well as the latest in the evolution of Tom Scholz’ musical artistry.

Diverse yet cohesive, this long-awaited album has something for everyone and will fulfill the expectations of existing fans, while exposing a new generation to one of rock and roll’s great acts. Scholz says, “These are songs from the heart, each of them taking many months of effort to write, arrange, perform and record, always up to the demands of BOSTON’s harshest critic, me. They have all been meticulously recorded to analog tape on the same machines and equipment used for BOSTON’s hits for the past 35 years.”

BOSTON burst onto the music scene with their eponymous best-selling debut album in 1976, and never looked back. With over 17 million copies sold, Boston generated hits such as “More Than a Feeling,” “Peace of Mind,” and “Smokin’,” rock staples that are still in heavy rotation today. Their second effort, Don’t Look Back was another chart-topper that confirmed their place in rock history, followed by Third Stage, which hit #1 on the charts, with the top single of 1986, “Amanda.” With over 31 million albums sold to date, BOSTON’s music has stood the test of time, as evidenced by live BOSTON audiences that spans generations.

Life, Love & Hope includes lead vocals from Brad Delp and prodigy Tommy DeCarlo, as well as Kimberley Dahme, David Victor, and songwriter Scholz himself. This release features tracks that have the characteristic BOSTON trademark guitars, harmonies, and immaculately-crafted sound. “I intentionally stayed close to the early BOSTON style on some of the songs, even using the same amps and instruments; on others I let my imagination run wild,” says Scholz.

A beautiful full-color booklet with notes from Scholz and detailed song credits accompanies Life, Love & Hope, available now for pre-order on Amazon national shops in UK, Germany, Spain, France and Italy and all other fine retailers across Europe.

Life, Love & Hope tracklisting includes: Heaven on Earth; Didn’t Mean to Fall in Love; Last Day of School; Sail Away; Life, Love & Hope; If You Were in Love; Someday; Love Got Away; Someone (2.0); You Gave Up on Love (2.0); The Way You Look Tonight.

Guitar World Interviews, Interview, Music

Guitar World: Kansas Guitarist Richard Williams Discusses Bands 40th Anniversary

Kansas 2013Forty years is a monumental amount of time for any band to be together, but for Kansas guitarist Richard Williams, the milestone event seems almost normal.

In addition to being an integral part of the success of Kansas — a band with record sales in excess of 15 million — Williams’ legacy includes being one of only two members of the band (drummer Phil Ehart being the other) to play on every Kansas album.

Even after four decades, Kansas shows no signs of slowing down. They plan to release a documentary in 2014 and continue to perform as many as 80 shows per year.

I recently spoke to Williams about the band’s milestone anniversary, their hits and his time working with guitarist Steve Morse.

kansas40thlogo

GUITAR WORLD: What can you attribute to the longevity of Kansas?

I think one of the key elements was being fortunate to have songs that have stood the test of time, like “Carry On Wayward Son” and “Dust in the Wind.” We have a catalog of songs that have become the fabric of American life for a lot of people. They’re solidified in history.

Read the rest of my interview with Richard Williams by Clicking Here!

Guitar World Interviews, Interview, Music

Guitar World: Dave Stewart Discusses New Solo Album “Lucky Numbers” and Eurythmics

Lucky NumbersLucky Numbers, guitarist Dave Stewart’s third solo album in as many years, is a well-crafted collection of songs adorned with key elements of blues, country and rock.

Recorded on a boat in the South Pacific with a core group of seasoned Nashville musicians, Lucky Numbers offers a window into the mind of a true modern-day storyteller.

Songs like “Every Single Night,” the album’s first single and music video, delve deep into the circuslike success Stewart achieved with singer Annie Lennox in Eurythmics. Tracks like “Satellite,” “Drugs Taught Me a Lesson” and “How to Ruin a Romance” provide an interesting perspective into Stewart’s personal pain.

I recently spoke with Stewart about the new album, his guitar work and some memorable moments he’s shared with Lennox.

GUITAR WORLD: What was the recording process like for Lucky Numbers?

In the past, I had recorded with players from Nashville at this great studio called Blackbird. This time, I decided to get them a bit shocked and like a fish out of water. So I pulled them out of Nashville and flew them to the South Pacific, where we went on a trip around Polynesia on a boat and recorded the whole album. We would literally all just be standing there in a circle looking at each other while we were recording. It was a very live experience.

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You can read the rest of my Guitar World interview with
Dave Stewart by Clicking Here.

Music

Guitarist Maxine Petrucci Pays Tribute to The Quatro Sisters with New Single, “Lost Girls”

maxine…“Club Hideout, Pleasure Seekers and Cradle, the Motor City mad mothers of rock!”…

Often times the Runaways are credited as being one of the first all-female rock acts, but those from the Motor City know differently.

Detroit guitarist Patti Quatro formed the all-female rock group, the Pleasure Seekers back in 1964, and the band played its first gig at the popular Detroit teen night club, the Hideout.

By 1968, the band was recognized as one of the earliest female rock groups to be signed to a major label, [Mercury Records]. Along with Patti, the original band included Suzi Quatro (bass), Nancy Ball (drums), Mary Lou Ball (guitar), and Diane Baker (keys).

In 1969, The Pleasure Seekers morphed into Cradle and in 1974, Patti Quatro joined another all-female rock group, Fanny.

“Patti was my inspiration as a guitar player,” says guitarist Maxine Petrucci. “It was actually Fanny and Cradle and then when I did my own study, I found out about the Pleasure Seekers. I am where I am today because of them.”

In 2012, Patti Quatro announced that she would be performing at the Detroit Music Awards as part of a tribute to the Quatro sisters. “I was so thrilled to hear about it,” says Petrucci. “I pretty much lost sleep over it. I couldn’t believe it was all resurfacing.”

Petrucci says their DMA performance was incredible and was the inspiration behind her new song ‘Lost Girls’.

“I wanted to give Detroit a big plug and acknowledge Cradle, Pleasure Seekers and the Quatro sisters for their work.” she says.

“Detroit rock city is still alive and well and this is our way of keeping the heart beating.”

For more on Maxine Petrucci check out her Facebook page by Clicking Here!

1980's, Music

Letters From Jan
Jan Kuehnemund (November 18, 1961 - October 10, 2013)
Jan Kuehnemund
(November 18, 1961 – October 10, 2013)

I was so sad to hear the news today that Vixen founder and guitarist Jan Kuehnemund had passed away after a battle with cancer.

As a metal head myself, whose never discriminated on the basis of sex, I’m proud to say that Vixen’s music was an integral part of my coming of age in the late 80’s.

Over the past few months, I have been extremely fortunate to have spoken with Vixen members Janet Gardner, Share Ross, Roxy Petrucci and Gina Stile. These ladies (along with Jan) produced some of the best hard rock music ever. For me to not only have the opportunity to interview them, but also actually meet them in person at this year’s M3 Festival (where they performed as JSRG) was nothing short of amazing.

Of course, (being a guitarist myself) I was incredibly interested in speaking with Jan. Jan’s guitar work inspired me right from that very first album. I didn’t even care that she was a girl who could run circles around me on the fret board. I wanted to pick her brain about guitars and songwriting. She’s a musical hero to me.

If you’ve read all of my articles with the girls of Vixen, then you’ve probably noticed that Jan Kuehnemund was the only member of the band that I didn’t interview. But what you may not know is that Jan was actually the very first member of Vixen I approached for an interview way back in July of 2012.

Sadly, Jan and I weren’t able to coordinate a date/time for an interview. But even though I was never able to confirm what I actually already knew about Jan the guitarist and Jan the songwriter; I still learned a lot about Jan the person just through our brief email correspondence.

Correspondence which I’ll now share here.

*

On July 2nd, 2012: I learned Jan was a humble person.

Hey Jim! Thank you very much for the invite to do an interview with you! I would be extremely honored!! Please let me know what your timeline or deadline might be, and let’s set it up! Looking forward to talking to you! Thanks again! Best regards, Jan K

*

On July 14th: I learned that Jan was an exciting and busy person.

Hi Jim –
I’m really looking forward to this, too!!
Will let you know when it’s not soo craaazee around here, so we can schedule something! (This past week has been really busy!)

Enjoy the rest of your weekend and stay in touch! : ) – Jan

*

On October 12th, I learned that Jan was a caring person.

Hi Jim! I have not forgotten, and I was just thinking about YOU the other day!  Let me see how this next week and next weekend looks, and I’ll get back to you… Thanks very much for your patience! Have a great weekend, too! Best, Jan

*

The last time I heard from Jan was December 9th, when I learned that she was human and compassionate.

Hi James!

So sorry once again, for the delay.. I just lost my dog, so it’s been a real rough and sad time. I really, really DO want to speak with you, so I don’t want you to think I’m making excuses, because I am not!

Still no (recording) news, so would still like to have some specifics on some things when we do talk, so please continue to be patient for a little longer, and we will DO this!!!

I hope you had a nice Thanksgiving as well, and wishing you a very Merry Christmas, and happy holidays, just in case we don’t get to talk before Christmas!?!?

Please continue to keep in touch, and I thank you once again for your extreme patience!!! 🙂

Best,
Jan

Do I lament that Jan and I only had a brief email exchange and never actually connected for an “official” interview? Of course.

But I’ll take comfort in remembering Jan Kuehnemund as someone who not only inspired me to be a better guitarist, but also as someone who indirectly taught me how to be a better person.

Godspeed Jan!