Tag: Music

Dear Diary: March 1988

diaryIt’s that time again. Time for another stroll through the archives of a struggling musician. Today’s journal entry takes us back 25 years to March of 1988; a significant date for me, because it marked the first time I ever joined a band.

My own quest for music glory actually began on May 24, 1985 (the day I took my first legitimate guitar lesson), but it took me nearly three years to get into my first working band. As an aspiring young guitarist, there is no better time then when you join your first band. You’re young, fresh-faced and haven’t yet gotten to the point where bitching, late nights and getting screwed over by club owners is routine. Instead, all you see are Grammy awards, cameras flashing, girls as far as the eye can see, hotel rooms being demolished and your name on the marquee. Ah, to be young again!

One of the things I liked to do with my journal entries back then was pretend that I was being interviewed by some big time journalist. I’d have back and forth discussions with a phantom interviewer (Rolling Stone, MTV, Guitar World – take your pick) regarding my career, and I always liked to answer the questions as if I already had achieved some degree of success in the music business. I found that by doing these “interviews”, it gave me the inspiration to keep pushing on. What’s interesting is that I’ve since discovered (by doing my own “real” interviews) is that a lot of my guitar heroes did exactly the same thing.

My very first band was called ‘Silent Rage’; a name which I’m sure dozens of other groups had. In fact, one such band even had success with it:

Believe it or not, this was exactly what I wanted to look and sound like. If you want to see what my dream band was back then, here it is. Ok, maybe I wouldn’t have named the album “Don’t Touch Me There”, but I mean come on… what’s not to like about hair metal, guitars and hot chicks on motorcycles?  It doesn’t get more rock and roll than that.

But, back to the journal entry….

I began this “interview” by asking myself whether I preferred doing cover songs as opposed to originals. This in turn made me consider the band I had just joined a few days earlier and what our possible first gig might be like.

From March, 1988

Interviewer: You say that you like playing live. Do you like doing cover tunes?

Me: To an extent. As an amateur on the club circuit, or gigging at all I would start out with an even mixture. Here’s how a typical night would go:

“Ladies and Gentlemen, Thank you for coming to Joe’s Bar and Grill. For your entertainment tonight, this is a young band which has a lot of talent: Silent Rage!”

Then we’d come on. All ready to jam.

We’d start off with a good loosen up song to get everyone going: “Shook Me All Night Long” by AC/DC. Then, we’d try something good and challenging like “Still of The Night” by Whitesnake. After that, an original or two (don’t forget to introduce them as such so people won’t go – “What the hell song is THAT?”) Tell them its original, maybe who wrote it or a little story of its origin.

Afterwards, get really going with “Here I Go Again” from Whitesnake. Then another original or two (again, introduce them as such). Take a break for 15 minutes (you should have been playing for about an hour or so by now).

Come back, do originals for the second set (maybe three). Then right back into it with a monster hit, “Crazy Train” by Ozzy. Follow it with “Photograph” by Def Leppard, some more originals and then afterwards thank everyone for coming and go out with “More Than A Feeling” by Boston and maybe (if the crowd is teeny-boppers) “Talk Dirty To Me” by Poison.

For the Boston song: try to get the audience to clap along during the chorus. In fact, try to get them involved in the show as much as possible. No, I don’t mean try to see which section is louder (save that until you’re at Stabler Arena).

Look good, do a few movements, look at your crowd and be friendly.

Above all: Rock and Roll!

***

One of the things I enjoyed most about reading this entry again (aside from having listed every single detail of how a show would go and my Whitesnake fetish) were my own individual song choices. I certainly had a lot to learn about what songs worked in clubs (and would find out the hard way). Having said that, you can definitely see my hair metal influence and the music that was popular at the time.

The days when the sky really was the limit!

Guitar World Interview: The Friggs Guitarist Palmyra Delran Discusses New Solo Album, “You Are What You Absorb”

Palmyra DelranHer music’s been called trashy, surf-rock and punky-pop, but in the end it’s hard to marginalize the sound of Palmyra Delran. Perhaps the best way to describe the music of the founder and creative force behind the 90’s band The Friggs is to say that it’s refreshingly honest.

Delran and The Friggs recorded and toured almost incessantly throughout the ‘90s, opening for such acts as The Selecter, Ramones and Cheap Trick. But it wasn’t until Delran’s 2008 debut solo EP “She Digs the Ride” with its solid guitar grooves and tales of dysfunctional relationship that took her to the next level.

Delran’s new album, “You Are What You Absorb” is another intoxicating blend of punk-girl grit combined with hook-laden melodies and deep lyrics. The album’s first single and video, “You’re My Brian Jones” is a psychedelic romp back to the 60’s with an infectious groove and smooth vocals. It’s an album that (much like the title suggests) is best absorbed, with headphones if at all possible.

Delran’s band consists of: Richard Devgreene (guitar), Michael Lynch (bass) and Mark Brotter (drums). I spoke with her about the new album as well as her plans for 2013.

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Read the interview here.

Guitar World Interview: Sevendust’s John Connolly and Clint Lowery Discuss Black Out The Sun

Black Out The SunAfter nearly two decades together, Sevendust remains one of the few bands to come out of the 90’s with all five original members. It’s a testament to the friendship and musicianship the band brings to its fans and each other night after night and album after album.

Sevendust’s ninth studio album, “Black Out The Sun” (available March 26th) is a much grittier, darker release. By using their instincts and taking the second guessing out of the recording process, the result is a much more melodic and creative project. A hybrid of earlier Sevendust albums that fans old and new will certainly appreciate.

Sevendust is: John Connolly (guitar), Clint Lowery (guitar), Lajon Witherspoon (vocals), Vince Hornsby (bass) and Morgan Rose (drums).

I spoke with Connolly and Lowery about ‘Black Out The Sun’, guitars and the longevity and legacy of Sevendust. Read the article in it’s entirety here.

Guitar World Interview: Firehouse Guitarist Bill Leverty Discusses New Album of Classic Cover Songs

DriveCover_Hi ResListeners of Bill Leverty’s new covers album, “Drive” will find that it’s more like a time machine. One that transports you back to the carefree days of the 1970’s, when riding in the backseat of your parent’s car and listening to rock radio was the norm. It didn’t even matter where you were going at the time; all that mattered was the music.

The Firehouse guitarist has released several solo albums over the course of his career, but this effort is one that pays tribute to the most sacred music of all: songs that inspired him as a youth. In addition to a blistering guitar attack on tracks like CCR’s “Fortunate Son”, “Drive” also contains tasteful renditions of Steely Dan’s “Rikki Don’t Lose That Number” and The Guess Who’s “No Time”. Leverty also puts his own spin on such classics as “Free Ride” (Edgar Winter Group), “I Shot the Sheriff” (Eric Clapton) and “Spanish Moon” (Little Feat). Contributing the brunt of the vocal work himself, Leverty keeps the essence of the original songs intact and yet, adds something excitingly fresh and new to the musical equation as well.

I sat down with Leverty to discuss “Drive” as well as his playing and songwriting. During the course of our trip back in time, we also discuss how Firehouse was born. Fans may recall that Firehouse beat out Nirvana and Alice in Chains for the AMA “Favorite Heavy Metal/Hard Rock New Artist” award but as Leverty points out, there’s another band honor he’s even more proud of.

Read the rest of my Guitar World interview with Bill Leverty Here.

When Music Is Just ‘Business’

slayerI was never a big fan of Slayer, but when I saw this letter by their (presumably now former) drummer Dave Lombardo, I had to post. Not because he had some concerns that there may be some shenanigans going on with the band’s finances, but rather to pose this question:

When did the music take a back seat to this nonsense?

Whether you’re into this kind of music or not yourself, take a minute to read Dave’s note and let me know what you think. For those not aware, Dave is a founding member of Slayer, a Grammy award-winning band with sales estimates in excess of twenty million records and also credited as being one of the “Big Four” thrash metal acts, along with Metallica, Megadeth and Anthrax.

Statement From Dave Lombardo Regarding Slayer Australian Tour 2013

I want to personally apologize to all of our fans in Australia who have bought tickets for the tour expecting to see me in my usual place on the drums.

So that you all know the truth, as of the end of the business day on February 14th, I was notified that I would not be drumming for the tour in Australia. I’m saddened, and to be honest I am shocked by the situation.

Last year, I discovered 90% of Slayer’s tour income was being deducted as expenses including the professional fees paid to management, costing the band millions of dollars and leaving 10% or less to split amongst the four of us. In my opinion, this is not the way a band’s business should operate. I tried rectifying it by letting my band mates know, and Tom and I hired auditors to figure out what happened, but I was denied access to detailed information and the necessary back up documents.

I spent the Christmas and New Year holidays realizing I had toured all over the world in 2012, but yet, had not been paid (except a small advance) or provided a proper accounting for a full year’s sweat and blood. On top of this, I was told that I would not be paid until I signed a long form contract which gave me no written assurance of how much or on what basis management would deduct commissions, nor did it provide me access to the financial budgets or records for review. It also forbade me to do interviews or make statements having to do with the band, in effect a gagging order.

Last Monday, I sat down with Kerry and Tom to rehearse for Australia and to propose a new business model that I felt was the best way forward for Slayer to confidently protect itself so we could do what we do best . . . play for the fans. Kerry made it clear he wasn’t interested in making changes and said if I wanted to argue the point, he would find another drummer. On Thursday, I arrived at rehearsals at 1 pm as scheduled, but Kerry did not show. Rather, at 6:24 pm I received an email from the lawyers saying I was being replaced for the Australian dates.

I remain hopeful that we can resolve our issues. But once again, I sincerely apologize to all of our fans in Australia who spent their money expecting to see the 3 of us original Slayer members.

I look forward to seeing you in the future.

Sincerely,
Dave Lombardo

Jim Brickman To Celebrate the 70’s In A One Night Only Event

JimBrickman

Since the release of his debut album in 1994, Jim Brickman’s romantic piano sound has made him the best-selling solo piano artist of our time. Jim’s best-known compositions include the chart-toppers “Valentine,” “The Gift,” “Love of My Life,” and “Peace.” He’s established a reputation for his collaborations with artists like Lady Antebellum, Martina McBride, Kenny Loggins and Michael W. Smith. His signature style has brought him six gold and platinum albums as well as two Grammy nominations, and he’s also received international acclaim as both a songwriter and concert performer, taking his live shows to more than 125 cities each year.

Now, Brickman is paying homage to the decade of music that influenced his own musical style. Jim Brickman’s Celebration of the 70’s will be held Saturday, March 2nd at the Toyota Oakdale Theatre in Wallingford, CT. Scheduled to appear with Brickman on stage include platinum selling artist and 1970’s heart-throb, David Cassidy; two-time Grammy award winner Rita Coolidge; Billboard Hot 100 chart topper Stephen Bishop; Motown legend Thelma Houston and 70’s pop-icon Yvonne Elliman.

In addition to this one of a kind performance, the show will also be filmed and released later this spring as a part of an exclusive broadcast for Xfinity TV customers across New England through its popular On Demand service.

I had the absolute pleasure of speaking with Jim and getting more information on this one of a kind event.

Photo Credit: Rob Waymen
Photo Credit: Rob Waymen

What made you decide to do a show celebrating this decade of music?

As a songwriter, I began to look back and wonder how I become the musician I am. I asked myself “What shaped my direction and path to write songs in this inspirational, romantic style?” I realized that a lot of my writing comes from being influenced by the great artists and songs from the 1970′s and thought it would be fun to do a show that would pay tribute to it and have a little bit of nostalgia as well.

 

What do you think was the best thing about that decade?

The environment. So much of what came after the 60′s and that revolution made such a big difference in the 70′s. It was after flower power and politically, we were in a different time. It was a very turbulent time too in many ways, but the music (much like today) was more pop in nature. In the 70′s, you had such a wide variety of music. There were the singer/songwriters like Carole King and Joni Mitchell. Then you also had bands like Fleetwood Mac, The Eagles and The Carpenters. Then at the other end of the spectrum, you had Disco and rock and roll with bands like Aerosmith and Three Dog Night.

What can fans expect from this Celebration of the 70′s?

A little bit of everything. We’ve got Yvonne Elliman, who was on the biggest soundtrack of all time (Saturday Night Fever); David Cassidy (“I Think I Love You”) and Stephen Bishop (“On and On”, “It Might Be You”). Thelma Houston is doing “Don’t Leave Me This Way” and a Donna Summer tribute, and David Pack will be performing Ambrosia (“How Much I Feel”). These songs are iconic in so many ways.

I’m also going to be a doing a lot of my music as well, but as it relates to being influenced by these other songs. A lot of them (like “Valentine” or “Destiny”) were influenced by Carole King, Burt Bacharach and other people I loved growing up.

You’re also going to be filming the show for TV?

Yes, we’re going to be filming it for XFinity On Demand as well as for PBS.

Tell me a little about your background.

I started playing piano when I was five. I didn’t come from a musical family, but was drawn to piano and melody and anything that was emotional or connected to a feeling. I played for the feeling more than the music. I still feel that way. Growing up, I loved listening to singers who knew what the lyrics meant and what they were singing about.

In addition to touring, what else have you got planned for this year?

We have an event coming up on July 18th called the “Brickman Nash Bash”. It’s a three-day, Nashville-centric fan event. We’re going to be getting together with many of my country friends and singer/songwriters for a concert, workshop and tours of Nashville landmarks. Much like the 70′s show, it’s curating with the artists I collaborate with and bringing them together to share with fans. I like to call it, “Brickman-Palooza.” [laughs]

I’m so thankful to have had so many hit songs over the years, and it’s an honor for me to be able to do these shows with the people I admire. I learn so much from them and then in turn, I’m able to share that with others.

Jim Brickman’s Celebration of the 70’s is Saturday, March 2nd. 2013 at the
Toyota Oakdale Theatre in Wallingford, CT.

For More information Click Here

Guitar World Interview: Greg Kihn Discusses New Music, Book and Tour Plans

gregkihnIf you’ve ever played in a classic rock cover band, chances are you had a Greg Kihn song strategically placed somewhere in your set list. In my own experience, that song was “The Breakup Song”. I called it “Old Reliable” not only because it was a staple in our arsenal, but because it was a song we could quickly pull out on a whim whenever the ladies came within striking distance of the dance floor.

Kihn, who has spent the better part of the last sixteen years as a published author and radio fixture in San Francisco, was recently relieved of his morning radio duties and has since discovered a new burst of creative energy. He’s releasing digital remasters of his classic albums from his Bersekley days and is considering a Greg Kihn Band summer tour that will include his hits and possibly some new material as well. With another brand new novel on the way and a chance to wear the rock star moniker again, 2013 will be a big year for Kihn.

I spoke with Kihn about his “breakup” from radio as well as his new book, music and plans for the summer. Read it here.

Guitar World Interview: Reminiscing With Little River Band’s Wayne Nelson

LRBThey’ve been called the greatest singing band in the world by a member of the Eagles. They’ve sold more than 30 million albums and their songs “Man on Your Mind”, “Reminiscing”, “Take it Easy On Me” and “Night Owls” (among others) have become staples on classic rock radio. If you grew up during the 70’s or 80’s, chances are a Little River Band album was part of your record collection.

Bassist Wayne Nelson has been with the band for more than thirty years keeping the Little River Band fire burning and continuing to tour and perform their arsenal of hits. With a recently released Christmas album and a future that includes an album of all new material, Little River Band shows no signs of ever slowing down.

I spoke with Nelson about his bass, his band and about being in the right place at the right time.

Read my Guitar World Interview Here.

Guitar World Interview: Mark Kendall Discusses 30 Years of Great White and New Live Album

greatwihiteSince their debut EP thirty years ago, Great White has achieved worldwide success; including sales of over six million records and even a Grammy nomination for their version of the Ian Hunter song, “Once Bitten, Twice Shy”. During those same thirty years, members of the band have also suffered through great adversity as well. Most notably, The Station nightclub tragedy and the confusion/departure of singer Jack Russell from the band (there was even a time when Jani Lane filled in on vocals). But through it all, the band has persevered and continues to record and tour.

To celebrate the band’s pearl anniversary, Great White has gone back to its roots with “30 Years – Live From the Sunset Strip”; a live album recorded on the same hallowed grounds where bands like The Doors and Van-Halen cut their teeth performing.

The current line-up of Great White is: Mark Kendall (lead guitar), Terry Ilous (vocals), Michael Lardie (guitar/keyboards), Scott Snyder (bass) and Audie Desbrow (drums). 

I spoke with Kendall about the band’s new live album as well as the Great White legacy and more. Read the interview here.

Guitar World Interview: Brian “Head” Welch Discusses New Album and Love And Death

Love And Death
Love And Death

With the discovery of teenage guitar phenom JR Bareis, former Korn guitarist Brian “Head” Welch, together with Michael Valentine (bass) and Dan Johnson (drums), puts forth a solid effort with his band, Love and Death. The new album, “Between Here & Lost” is a melodic, ethereal assault that takes the listener on a spiritual journey from darkness into light. It’s no surprise that the guitar skills that helped define the Korn sound are clearly present, but “Between Here & Lost” also transitions Welch into the role of lead vocalist and brings along with it melodic elements and catchy choruses as well. A refreshing fit that seems both comfortable and natural.

Fans of Korn can take comfort in the fact that Welch (who abruptly departed the band in 2005 following his conversion to Christianity) seems to have made peace with his former band mates as well. After playing a one-off gig with Korn at the Carolina Rebellion festival last year, plans are in place for Welch to join the band again for a few dates in Germany this summer. In the meantime, Welch is ready to once again connect with fans when Love and Death hits the road next month in support of the new album.

I spoke with Welch and Bareis about “Between Here & Lost” and more. Check out the Guitar World Interview Here.