Today, AXS premieres the video for Brooke Josephson’s “Crazy Called Normal”. It’s the new single from the singer/songwriter’s upcoming EP, Sexy N’ Domesticated. An album that’s a snapshot of the songstress’ personal journey and features an eclectic mix of musical influences and genres.
With an array of visual metaphors, the video for “Crazy Called Normal” is a tongue-in-cheek look at how silly and mundane the world has become, and how things that were once considered patently absurd have suddenly become acceptable.
AXS recently spoke with Brooke Josephson about“Crazy Called Normal” and more in this new interview.
AXS: What inspired the song, “Crazy Called Normal”?
Brooke Josephson: The song came about after I had just experienced “one of those days.” I remember I had just picked up my daughter from school and she was telling me about some drama that happened at recess. Halfway through the conversation, she just stopped talking and said, “How was your day, Mommy?” Just hearing her little voice; it took everything in me not to start crying. I was able to hold it together and told her that everything was fine. I didn’t want to get emotional, and on the drive home I found myself chanting this mantra: “laugh don’t crack” over and over under my breath. That night, after the kids were in bed, I went into the studio and started writing out the events of the day, keeping that mantra in mind. There’s so much we have to do to be productive, and the things we consider crazy have suddenly become normal. That’s how the song came about.
Read the rest of my Interview with Brooke Josephson By Clicking Here!
There are few artists who are as multifaceted as Kathy Troccoli. Whether it’s her fierce commitment to comforting the broken-hearted with her books and public speaking engagements, or the encouragement and inspiration she brings with her voice in a career that spans more than three decades. With a musical resume that includes eighteen #1 radio hits, along with a pair of Dove awards and three Grammy nominations, Troccoli remains one of music’s most authentic and versatile artists. Her success in Christian music has even crossed over into the mainstream, which includes her #1 hit from 1991, “Everything Changes.”
Troccoli’s newest project of encouragement is “KT’s Comfort Box,” a package-collection filled with songs, sentiments and Scripture, creating a perfect gift for those who may be hurting. She’ll also be launching another series of live dates in support of the package with her “Comfort by Candlelight” events.
AXS recently spoke with Kathy Troccoli about “KT’s Comfort Box,” her new tour and more in this exclusive interview.
AXS: What inspired you to create a “KT’s Comfort Box” package?
Kathy Troccoli: I’ve done so many concerts and have met so many people over the course of my career. Whether it’s a conference room in a hotel or a large stadium where I opened for Billy Graham, the one consistent thing I hear from people is how much my music (and music in general) has touched their life. I’ve heard many stories of heartache and how my music was able to help people cope. I wanted to give people something they can either buy online or at my shows that will remind them of the experience and came up with the comfort box.
There are a lot of cool little things inside of the box, but one of the major ones is called Comfort by Candlelight. It’s a CD containing a combination of new and old songs that are all songs of comfort. I’ve also included a series of comfort cards with encouraging quotes and lyrics as well as a Comfort Scriptures CD with audio versions of me reading Bible Scripture.
AXS: What can fans expect from your upcoming “Comfort By Candlelight” Tour?
KT: It’s an evening where I’ll be speaking and singing. My accompanist, Michelle Margiotta, and I will be doing a lot of tunes and songs that people will know. I’ll also share stories of my life and how I’ve been able to overcome things by incorporating God’s stories. What’s wonderful about these shows is that I get to see three or four generations of people.
Read the rest of my Interview with Kathy Troccoli by Clicking Here!
Perhaps best known for his role as Kevin Myers in the “American Pie” films, multi-talented actor/producer and singer/songwriter Thomas Ian Nicholas continues to entertain audiences with his clever filmmaking and passion-driven acumen. Nicholas’ new horror film, “Living Among Us” continues this trend by also applying a new twist on the methodical vampire genre.
The film, written and directed by Brian A. Metcalf, is a fictional found-footage documentary where Mike, (played by Nicholas), and two members of his team are invited to film a group of vampires in an attempt to prove or disprove claims of the undead mythos. The documentary crew soon finds themselves in extreme danger after uncovering a deadly secret, and a fight for survival ensues.
Like many found-footage films, “Living Among Us” shines by delivering seemingly helpless characters in a visually appealing environment as well its use of extended takes. One scene in particular, which takes place in the dining room, will have audiences talking long after the credits have rolled.
“Living Among Us” also stars Andrew Keegan, Esmé Bianco, William Sadler and John Heard (in one of his final film roles).
An acclaimed musician, Nicholas and his band are also gearing up for a new tour this year in celebration of the 10th anniversary of his album, Without Warning.
AXS recently spoke with Nicholas about “Living Among Us”, his music and more in this exclusive new interview.
AXS: How did your involvement in “Living Among Us” come about?
Thomas Ian Nicholas: I have a production company called Red Compass Media, where my business partner, Brian A. Metcalf (writer/director), and I have a slate of projects we’re doing. The first one was “The Lost Tree”, which recently came out on DVD and Blu-Ray and stars Michael Madsen and Lacey Chabert. “Living Among Us” is the second of three that we’re doing. It’s very exciting.
AXS: What was it about this particular story that piqued your interest?
TIN: When we were finishing up “The Lost Tree”, we had the opportunity to do another project. What they wanted was a found-footage film, but one that included an all-star cast. Brian is a film buff and told them that you can’t really do a found-footage film with well-known actors because it would be too difficult for viewers to believe. He suggested that we do a documentary-style American New Wave film. A movie within a movie. One where you’re fully aware of the filmmaking process but are still drawn into the story.
The other thing I really dig about this film is that it’s a new twist on the subject of vampires.
Read the rest of my Interview with Thomas Nicholas by Clicking Here!
Actress/singer/songwriter Brooke Josephson is set to release her infectious new EP, Sexy N’ Domesticated in April. It’s a female-empowered, five-song album that showcases the beautiful songstress’ knack for combing catchy grooves with hook-laden melodies and introspective storytelling.
Fueled by the release of the first single, “Mr. Fix It,” Josephson takes the listener on a journey of brazen independence. Filling her songs with sultry vocals and tongue in cheek takes on topics that include relationships, marriage and motherhood.
Produced by Tony Berg (Edie Brickell, Aimee Mann) and mixed by Grammy-winning engineer Shawn Everett (Alabama Shakes, John Legend), Josephson has tastefully succeeded with Sexy N’ Domesticated. Writing songs that legitimize her own personal and professional experiences while at the same time offering the same validation to women everywhere.
AXS recently spoke with Josephson about her new EP and more in this exclusive interview.
AXS: How would you describe Sexy N’ Domesticated in terms of its sound?
Brooke Josephson: For me, it’s a sonic snapshot of how my life has been going these last few years. It’s a blend of all the different worlds and musical influences that have inspired me. Not just from my experience in musical theater, but also in pop and rock. I took a path very similar to Beck’s Odelay album where I wasn’t going to settle and just pick one lane or genre. I wanted to use whatever style worked for what I had to say.
AXS: What’s your songwriting process like?
BJ: Most of the time, I start off with writing lyrics, like I did with the song, “Crazy Called Normal”. That song came about when I picked up my daughter at school one day. She had asked me how my day went, and it was just one of those days where so much was happening all at once. I was caught up in the moment and was trying to hold it together in front of her, and just started a mantra as I was driving home. Then after everyone was in bed, I went into my studio and started writing lyrics. The next day, I went back and came up with a fast-paced sequence on my OP-1 to be the spine of the song. It’s a story about how crazy life can be.
AXS: Let’s talk about a few more tracks from the EP, beginning with “Mr. Fix It”.
BJ: My brother was over one night and the two of us were talking about things that were going on. As women, we always like to flesh our thoughts out by talking about them. We all have things we need solved, but we’ll find a way to get there. But I remember my brother seemed to have an answer for everything, and then my husband came home and started chiming in. It was an avalanche [laughs]. I like to write in a notebook and started jotting down about Mr. Fix It and about how guys are wired a certain way. The song is really about embracing the differences of the sexes. Celebrating them while at the same time getting my point across and having fun with it. It’s not about dissing guys but more about, “Hey, I like the advice, but right now I don’t need it.”
Read the rest of my Interview with Brooke Josephson by Clicking Here!
It’s a program that’s sure to fuel intense debate among music aficionados. AXS TV’s all-new original series, “The Top Ten Revealed” [which premiers on Sunday, Feb 11] is a countdown show unlike any other. One where fans choose the best of the best.
In each episode, host and executive producer Katie Daryl (“The World’s Greatest Tribute Bands”) counts down a list of genre-defining songs and orchestrates discussion with a rotating panel of icons and music industry experts. Each of them examining the musicians and music that have left indelible marks on the rock n’ roll scene.
Episode one opens by counting down the top ten “Guitar Rock Intros” and includes discussion by special guests like Guns N’ Roses legend, Steven Adler, former Pantera percussionist, Vinnie Paul, and the Queen of Metal herself, Lita Ford. Future episodes in the new series include the top “Songs Named After Women”, “80s Rock Ballads”, “Vietnam Era Rock”, “‘70s Hard Rock Hits” and “Hits That Were Covers”.
In the end, “The Top Ten Revealed” is an infectious series where the world was invited to vote and viewers may have to agree to disagree. But if you’re patient and understanding you’ll find that these lists are only a whole lot of fun, but ones that will keep your toes tapping long after the show is over.
I recently spoke with Katie Daryl about “The Top Ten Revealed” and more in this exclusive new interview.
How did the idea for “The Top Ten Revealed” originate?
I’ve worked for Mark Cuban’s TV network since it was created, and being a music-driven network, we’re always picking our brains about what our viewers might like to see. We frequently have water cooler chats about our favorite artists and what everyone is listening to, and a lot of these conversations end up in debate. So, we might be talking about AC/DC vs Led Zeppelin and who does better at X,Y and Z. That’s when we realized that we didn’t have any shows on the network that allowed people to rank and argue classic rock. The idea was spawned. We knew that if our viewers liked to argue and debate music as much as our editors and writers did, then this was going to be a hit.
Katie Daryl – Photo by Stewart Volland
How much research was done in compiling the list of Guitar Rock Intros for Episode One?
Doing the initial ranking was a long process. Before we even began, we made sure that we set some parameters. In this case, it was guitar intros from bands that originated in the 60’s, 70’s and 80s. That’s why songs like “Johnny B. Goode” wouldn’t make the list, because that song initiated in the 50’s. The first thing to do was to create a list of about twenty-five intros that you can think of off the top of your head. Next, we did research to see what other people were talking about. Finally, we put the question out to social media, and people started responding. Just from us asking the question, it fueled debate, which helped us formulate a final list of ten.
What criteria was used in ranking the final ten intros?
The final listing was shaped by social media and from logging on to AXS-TV. It was fun to open it up, cast a wide net and get other people’s opinions.
Were the artists invited to participate in the show aware of the final rankings?
Everyone knew going in what the topic was about, but we didn’t tell any of them how the intros were ranked. Some of the artists were only given a few songs to talk about, and it was fun to see if their reactions coincided with how our social media vote came in.
What else can you tell me about this season of “The Top Ten Revealed”?
There are six episodes this season with topics ranging from “Guitar Rock Intros” and “Songs Named After Women” to “80’s Rock Ballads” and “Vietnam Era Songs”. What’s great about this show is that these songs are going to get stuck in your head. They’re all songs we love and that’s what makes them so classic.
Were there any guitar intros that didn’t make the list that you thought should have been included?
There’s a few Nirvana intros I would have put on the list, but those didn’t make it because of the parameters we set. We also had another parameter where each band could only be included on the list once. Thank goodness, because we could easily have had an all AC/DC list [laughs]. They’re a guitar intro machine!
Did you always know that you wanted to have a career in entertainment?
I did, although I have to admit I thought I’d always stay in radio. I was lucky enough to have a few early opportunities to be on television and make a career out of it. Presenting information in an entertaining or news format has always been something that gets me excited.
What excites you the most about this season of “The Top Ten Revealed”?
I cannot wait to see the social media reaction and the agreeing and disagreeing that will come out of these episodes. People are passionate about their opinions, and especially when they can hide behind the Internet [laughs]. It will be interesting to see how it all turns out and to see if everyone can play nice in the sand box.
“The Top Ten Revealed” hosted by Katie Daryl debuts Sunday, Feb. 11th at 9:30 p.m. ET/6:30 p.m. PT on AXS-TV.
Nashville’s alt-rock quintet Moon Taxi’s highly anticipated fifth studio album, Let The Record Play, marks the band’s first album for a major label. It’s an infectious, ten-track LP that includes their monster single, “Two High,” which to date has garnered more than 64 million streams on Spotify.
Produced and mixed by Spencer Thomson (who also happens to be the band’s guitarist), Let The Record Play lends itself as easily to home speakers as it does to the band’s dynamic live show.
We recently spoke with frontman Trevor Terndrup, Thomson and bassist Tommy Putnam about the band’s new album, and the incredible success of “Two High.”
To someone who may not be familiar with Moon Taxi, how would you describe Let The Record Play?
Terndrup: It’s a continuation of our story. For people discovering the band for the first time, it’s a great introduction, and hopefully, they’ll go through and check our back catalog. For fans who’ve been with us for more than a decade, they’ll appreciate that it’s a continuation of our songwriting and production skills. We’re always striving to become better songwriters, and we’re getting a more worldwide look with this record.
What was the songwriting process for this record like?
Thomson: One thing we tried to do a little more of on this album was to have a lyrical concept up front. So often, you end up having music that you like, but then you have the task of trying to put lyrics to it. It can slow down the process. What we’ve learned is that if you have an idea, lyrics or a title on the front end, it really helps the song move along and it makes it more of a cohesive concept to work with.
Terndrup: Spencer writes a lot of the lyrics, but everyone generally puts a stamp of approval on it. It’s all collaborative, so it has a pretty thick filter. Usually, it’s one person who comes in with the creative spark, and then the rest of us help push it to the finish line.
Let’s discuss a few tracks from Let The Record Play, starting with “Two High.”
Terndrup: The music and the lyrics both happened within a two-week time frame. The idea came from our keys player, Wes, who sent a text that was an auto-correct fail. He had meant to say, “too high” and it came across as “two high”. He told me about it and I immediately thought about the iconic peace symbol from the sixties. It was right around the same time the Women’s March happened and there was a lot of protesting going on. That’s really when the chorus started to shape up.
Read the rest of my Interview with Moon Taxi by Clicking Here!
Kristian Bush, Wheelhouse Records’ recording artist and one half of the Grammy-winning duo, Sugarland with Jennifer Nettles, is celebrating the geek in all of us with his new 12-episode podcast appropriately called, “Geeking Out! With Kristian Bush”.
In each episode, Bush sits down with a guest to talk about something they’re obsessed about that has nothing to do with their job. Along the way, Bush also shares an artist, song, or album that’s got him “geeking out.”
The first episode features Bush’s friend and label-mate, Granger Smith, discussing his new favorite hobby: beekeeping. Future guests include Academy Award-winning screenwriter and Nashville creator Callie Khouri; actress, producer and songwriter Rita Wilson; “Jean-Claude Van Johnson”star Kat Foster and country music journalist, Hunter Kelly.
“Geeking Out! With Kristian Bush” is available for download on all podcast platforms.
AXS recently spoke with Kristian Bush about “Geeking Out”, the upcoming Sugarland reunion tour, new music and more in this exclusive interview.
AXS: Where did the idea to do a podcast originate?
Kristian Bush: My friend, Bobby Bones, was the one who originally asked me about doing it. He’s been passionate about podcasts and the things he was discovering with them. When Bobby approached me about doing one, I initially thought it would be about music, but he I could talk about whatever I wanted. So, I brought him back a few ideas and this was the one we both agreed was the most interesting and sustainable. What’s fun about “Geeking Out” is that it’s based on creating a good boundary, and that boundary is, tell me one thing that you’re obsessed with that has nothing to do with your job. It’s amazing to listen to people talk about the things they’re passionate about.
AXS: How much time goes into putting an episode together?
KB: It sounds like someone just hits record and we’re off [laughs], but there’s actually a lot of time and production that goes into it. The idea is to collect as much material as you can and then shrink it down, but always respecting your listener and making it the best story it can be.
AXS: What can fans expect from future episodes of “Geeking Out! With Kristian Bush”?
KB: One episode ended up being about rotating restaurants at the top of Hyatt Regency’s around America. Another is about Brazilian Jujitsu. A third ended up being about a person who’s obsessed with Billy Joel and becoming the biggest Billy Joel fan on the planet. It’s going to be exciting for people to discover what some of these guests are geeking out about.
AXS: Let’s switch gears and talk a little about Sugarland. What prompted the band’s recent reunion, new single and upcoming tour?
KB: The hiatus was always based on a question of timing and the things Jennifer wanted to do. She wanted to start a family, have a child and a solo career. When I got a call, the first thing for us to do was get back in the ring and see what we could do. We wound up walking into the room together and thirty-five minutes later, we wrote the song, “Still The Same”.
Read the rest of my Interview with Kristian Bush by Clicking Here!
If you ask The Doobie Brothers’ Patrick Simmons the one thing the band will most be remembered for, he won’t hesitate to tell you that it will probably be the time the band was featured on the black situation comedy, “What’s Happening!!” on January 28th, 1978.
Forty years ago, Simmons, along with the rest of his bandmates at the time, appeared as themselves in a two-part episode called, “Doobie or Not Doobie,” where they returned triumphantly to their former high school only to discover that one of the students, Rerun (played by Fred Berry), had been conned by a two-bit thug into tape recording the band’s concert.
It was an unusual situation and a bit of a risk for the band; whose hits include “Black Water,” & “Takin’ it to The Streets”, to appear on a television series. But in the end, it exposed The Doobies music to an entirely new demographic, and has since become one of televisions most beloved episodes.
AXS recently spoke with Simmons about the 40th anniversary of The Doobie Brothers appearance on “What’s Happening!!”, their new tour with Steely Dan and much more in this exclusive new interview.
AXS: How did the band’s appearance on “What’s Happening!!” come about?
PS: We had done the albums Takin’ It to the Streets and Livin’ on the Fault Line, and had just hired a new publicist named David Gest (who would later leave PR and go on to marry Liza Minelli). A few months into working with us, David came in and told us there was an opportunity to do this situation comedy.
I was already familiar with “What’s Happening!!”, because I’d watched the show a few times. I thought it was hilarious and really liked the character of Rerun (Fred Berry). I had actually met Fred one summer at a show we’d done where he was dancing with The Lockers. Because it was a black situation comedy, I thought it would be an adventurous thing for us to do because our music had always been laced with R&B and soul. Not only would our fans tune in, but it would also expose us to a new audience of people who watched the show regularly, and would begin to listen to our music. I had no idea how we would fit into the show but thought it was something fun and different to do. David had great ideas, and that was certainly one of them.
AXS: The storyline dealt with the subject of bootlegging concerts. Was that something the band was concerned about at the time?
PS: For sure. We had been ripped off more than once, so we were certainly aware of it. I remember at the time, there was a lot of stealing of intellectual property going on. People would record shows and then sell them to some label in some other country. Then the label would produce it and ship it back to America. It was a difficult process trying to get in and record a show without being seen, but there was a certain amount of money to be made. It’s silly looking back on it now because everyone is recording shows on their phones and giving it away on YouTube, but it was a different world in those days.
Read there rest of my Interview with Pat Simmons by Clicking Here!
Los Angeles-based songstress, Jenny March, has always been unafraid about challenging the status quo. That’s why her music is filled with metaphoric innuendos of real life scenarios. As is also the case with her infectious debut single, “California Daze.”
Produced by Tony Rodini (blackbear, Weezer, Terror Jr.), “California Daze” has an ethereal feel to it. With March’s sultry vocals set against a groovy vibe, the track instantly draws the listener in and doesn’t let go. The song is part of a larger EP that March plans to release later this year. A video for “California Daze” is also in the works.
In addition to her career in music, March has been predominant in the acting world as well. Having appeared alongside Marisa Tomei and Minnie Driver in the horror film, “Laboratory Conditions” as well as starring in the shorts, “The Stanford Letter” and “Meanamorphosis”.
AXS recently spoke with Jenny March about her new single and more in this new interview.
AXS: What can you tell us about your new single, “California Daze”?
Jenny March: “California Daze” is the first song that Tony Rodini and I worked on for my EP project. I had started dating a guy and the two of us were going through the honeymoon phase. Living in L.A., it was easy to get lost in the relationship, and I felt as if I was losing myself and having trouble getting on with my career. The daze is actually a metaphor about the world being full of distractions and the things that hold us back.
AXS: How would you describe your sound?
JM: It’s definitely edgy pop. I love ballads and upbeat pop songs. I grew up dancing, so I was into Madonna and Britney, but I also love artists like Usher and Outcast and the groovy vibes they have. It’s a mixture of all of that.
AXS: What was it like working with Tony Rodini on this track?
JM: It was great. Tony and I have great chemistry and have become really close friends. He’s a fun guy who totally understood what I was looking for. We worked really well together.
Read the ret of my Interview with Jenny March by Clicking Here!
Having spent the last few years living in South Dakota, veteran artist Ron Keel is primed for one very busy 2018. Following his recent signing to Dave Ellefson’s EMP Label Group, the Metal Cowboy will re-issue his 2014 album, aptly titled, Metal Cowboy Reloaded. The release is a remixed/remastered compilation that draws from Keel’s country/southern rock playbook while still maintaining the monstrous riffs and powerhouse vocals he’s known for.
This summer, The Ron Keel Band will also release their highly-anticipated debut, Fight Like A Band. An album that sticks to earthy Southern charms and showcases a bold musical direction for Keel and his bandmates.
AXS recently talked to Ron Keel about his new projects and much more in this exclusive interview.
AXS: What made you decide to reissue your album, Metal Cowboy?
Ron Keel: After I’d signed with David Ellefson’ s EMP label group so many ideas were being thrown back and forth. I had mentioned the Metal Cowboy album to them because it’s a big part of who I am. By the end of the conversation, we all agreed to reissue it. Because my hardcore fans may already have the album, I thought it best to create a new listening experience for them by remastering the entire disc, remixing all the songs and adding a few bonus tracks. I’m also excited about priming a new audience who maybe hasn’t heard of me or just knows me from Keel. David’s allowed me to evolve as the musician and singer/songwriter I am while still letting me embrace my roots. This is a great way to introduce my music and persona to a whole new fan base.
AXS: What can you tell me about the upcoming Ron Keel Band album, Fight Like A Band?
RK: Right now, we’re right in the thick of the writing process. The title track reflects the story of what I’ve been through these last few years. The guys in the band have been with me for three years now, and they’ve been my support group while my wife has gone through breast cancer treatment. It’s been difficult and tough for she and I these last few years, but we’ve remained positive. The guys have had my back and have been there with me through the hard times, and that message is what the song is all about.
AXS: Has relocating to South Dakota influenced you as an artist?
RK: As an artist, I think you create your own environment no matter where you live. I’ve been a nomad all my life, going from one town to the next. I moved to Nashville when I seventeen and put together the band, Steeler. Then I went to L.A. to become part of that 80’s Hollywood/metal scene. My time spent in Las Vegas and Nashville has also been well documented. Today, I really love the hard working, hard partying and hard rocking mentality of the people in the Midwest. It’s the perfect spot for me to continue my journey of doing what I do.
Read the rest of my Interview with Ron Keel by Clicking Here!
Interview with Brooke Josephson By Clicking Here!
There are few artists who are as multifaceted as 
Perhaps best known for his role as Kevin Myers in the “American Pie” films, multi-talented actor/producer and singer/songwriter 
It’s a program that’s sure to fuel intense debate among music aficionados. AXS TV’s all-new original series, “
Interview with Moon Taxi by 
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