Tag: Entertainment

Childhood Memories, Music

Car Drives: The 4 Songs I Remember Most
Next to the 1977 Malibu - Guess which one is me.
Next to the 1977 Malibu Classic – Guess which one is me.

I was driving in to work Monday morning and doing what I sometimes do at 5:20 am: switching between channels on my satellite radio system.

Normally, the fifteen minute commute along the highway known as Route 22 near my home is laden with the sounds of Smooth Jazz echoing through the cabin of my 2022 Ford Bronco Sport.

I know, shocking.

You’d probably expect a metal-head like me to have Hair Nation turned up to ten at all times. But I’ve come to realize that whether it’s because I’ve started to open myself up to small changes in musical taste or just the fact that I’m getting old (I prefer the former); listening to smooth jazz in the morning relaxes me and helps me face the day.

But on this particular Monday it just wasn’t cutting it. So I started switching the dial around to find something different and eventually stumbled upon the 70’s on 7 station. That was when a tune came on that I hadn’t heard on a car radio in more almost 40 years. Hearing that song again not only brought back some good memories but also gave me the ammunition I needed for today’s post.

What I’ve done is compiled together a list of the Top 4 songs I remember most listening to on the car radio. The caveat of this list is, all of these songs were on occasions when I was riding in the back seat while my parents drove.

You may find some of these choices a bit strange but these songs, when played on the car stereo at a particular moment in time, placed a permanent bookmark in my memory bank. Memories that still to this day stick with me whenever I hear them.

So here you go – The Top 4 Songs I Remember from Car Drives.

4. Lido Shuffle (Boz Scaggs) – 1977

This was the song that came on the radio on my drive into work this morning. I still have never taken the time to figure out the lyrics but what I do know is that hearing this song still takes me back to 1977 and those drives in my Dad’s Malibu Classic. It didn’t even really matter where we were going or if I was riding in the back seat or had the honor of riding shotgun next to him.

I can still picture my dad, sitting in the driver’s side with his white t-shirt and dungarees. The windows are down and the wind is blowing the sweet smell of summer honeysuckle into the car’s cabin. Thinking about it again now (much like I did on the drive in to work), I can still taste the innocence of childhood.

3. Happy Days Theme – 1976

This one may shock you but considering my fascination with the power of The Fonz it was inevitable that I was going to like this theme song. This song was recorded in 1976 and actually charted at #5 on the Billboard Hot 100 and received quite a bit of radio play.

There was this little fishing spot up along Bushkill Drive that our family used to take excursions to on summer weekends. My parents always referred to it as ‘The Creek.” I remember sitting in the back seat next to a half-dozen or so fishing poles when this song just happened to come on the radio one day while we were pulling in. I’ll never forget begging my parents not to turn off the ignition and for us all to just sit and listen to the radio until the song was over. Fortunately they complied or else I might have thrown a hissy fit.

Speaking of hissy fit…..

2. Bad, Bad Leroy Brown (Jim Croce) – 1973

It was sometime in the mid-70’s when Dad took me and my brother on our first overnight camping trip with a bunch of people to Camp Hugh Beaver in his 1965 Mustang. I remember this because I was  extremely excited about going camping, that is until we arrived. From then on, I immediately wanted to go home for a reason that to this day still eludes me.

I remember voicing my opinion for home very loudly, and eventually through tears. My dad would ignore my pleas and made us stay there that first night, but once the sun came up I was back at it again; crying and wanting to go home. Eventually, he gave in to my demands and we all packed up early and headed home.

Why do I remember this, you ask? Because on the drive home the song “Bad Bad Leroy Brown” came on the car radio. In addition to really digging the song, the thing I remember most is asking Dad about it and him telling me that Jim Croce had recently been killed in a plane crash.

and you KNEW this one was coming!!

1. Cum On Feel The Noize (Quiet Riot) – 1983

It was several years after the camping debacle; sometime in 1983 for sure. Dad was driving my siblings and I along a rural stretch of Pennsylvania road when the drums kicked in. My immediate instinct was to yell “TURN IT UP!!!”

I don’t know what it was, but something about that song hooked me in from the get-go. It was unlike anything I had ever done before. It was the first time I had ever heard the song and I still recall telling the rest of the people who were in the car with me to shut the f#ck up so I could listen (Ok, I said “heck” – after all, my Dad was there).

Now it’s your turn. Feel free to share your own list of songs. The ones you remember most from driving as a kid!

Movie Reviews, Movies and TV

Movie Review: The Rambler

TheRamblerWhen I was growing up in the 1970’s, I remember my grandfather taking us kids to the drive in movies on Saturday nights in his 1964 AMC Rambler. I have a lot of good memories of my cinematic experiences with my elderly patriarch; sitting within the confines of his green machine and gorging on buttered popcorn and Pepsi. So you can imagine the nostalgic glee I had when the time came to review the new Calvin Lee Reeder film “The Rambler”. But in this particular case, the title refers more to a drifter (Dermot Mulroney) and not to Granddad’s car.

The film begins innocently enough. “The Rambler” has just been released from prison and is waiting for his girlfriend to pick him up. After finding himself kicked out off her house and being forced to sleep in a junkyard, he receives a letter from his brother in Oregon asking him to join him as a farm hand on his ranch.

Thus, with nothing more than the clothes on his back, a pack of butts, guitar and a desire to start a new life, “The Rambler” begins  hitchhiking west. Which is pretty much where any sense of rationality seems to end.

Mulroney, who bears a striking resemblance to a young Mel Gibson with his cowboy hat and shades, is seemingly oblivious to the events he encounters along the way. Whether it’s becoming an assistant to a dream recording scientist (James Cady); hanging out with a woman who disappears over and over again (Lindsay Pulsipher) or being witness to exploding heads, blood, monsters and an obese boxer with a hook for an arm; he just goes with the flow. Where this sort of thing would be an obvious cause for concern to any rational person, “The Rambler” seems more content to just light up another cigarette.

At times, it’s difficult to describe what writer and director Calvin Lee Reeder had in mind for his dream-sequence movie. Instead of being a film with a set purpose, “The Rambler” feels more like several “Twilight Zone” short stories; none of which having any sort of beginning or finite end. Rather, the film feels like one big circle of itself from point A right back to point A again.

Reeder is known for his uniquely wild style of film making, but everything that “The Rambler” encounters just seems to happen, with no real reason or time for absorption. It’s this lack of continuity that left me feeling a bit empty.

Overall, the film combines elements of dark comedy, sci-fi and horror; and had a few sequences that really piqued my interest. In particular, the build-up to seeing if the dream recording machine would actually work and whether or not “The Rambler” could beat an alternate universe “Butterbean”  like boxer. But even when both of these issues were finally resolved, I was still left with more questions than answers.

I’d like to say that watching “The Rambler” made me long for those days when Granddad took the kids to the movies. Sadly, it did not. But if campy, over the top sequences of blood and apathy are your thing, and you enjoy watching multiple cigarettes being lit up then this film is certainly worth a view.

Depending on your interest and tolerance level for the aforementioned film types, “The Rambler” will no doubt be a different experience for every viewer; which is perhaps what Reeder had in mind all along.

The Rambler will be released on DVD and Blu-Ray on June 25th, 2013

Guitar World Interviews, Interview, Music

Guitar World: Zakk Wylde to Pay Tribute to Les Paul at The Iridium in NYC

ZakkWylde

Zakk Wylde has pretty much done and seen it all — and tonight he’ll take the stage at New York City’s Iridium Jazz Club, aka “The Home of Les Paul,” to pay tribute to the legendary guitarist and inventor.

Wylde, known for his incredible six-string skill, work ethic and custom bullseye-painted Gibson Les Paul, was recently invited to perform with the Les Paul Trio at the Iridium tonight, June 10, as a tribute to the late guitarist.

The Iridium celebrates its patron saint (who performed there weekly for more than a decade until his passing in 2009), every Monday night by inviting special guest guitarists to sit in with the trio.

Wylde’s appearance at the Iridium include two additional shows — June 11 and 12 — during which the Black Label Society guitarist will perform acoustic versions of his own material and host a Q&A session and read from his book, Bringing Metal to the Children: The Complete Berzerker’s Guide to World Tour Domination, which recently was released in paperback.

Following his performances, Wylde is scheduled to return home and complete Unblackened, a DVD filmed at the Nokia Theater that also coincide with an accompanying CD. Black Label Society will then begin gearing up for this year’s Gigantour, which features Megadeth, Newsted and other metal greats.

I spoke with Wylde about his Iridium shows and Les Paul. We also discussed his days with Ozzy and Sharon Osborne, two people he still affectionately refers to as “the Boss” and “Mom.”

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Check out the rest of my Guitar World interview with Zakk Wylde by Clicking Here

 

 

Guitar World Interviews, Interview, Music

Mindi Abair Talks Touring With Aerosmith, Jazz And Summer Horns
Saxophonist Mindi Abair
Saxophonist Mindi Abair

Her solo career has yielded six albums that have topped the Contemporary Jazz charts, along with producing 10 No. 1 radio singles.

But saxophonist Mindi Abair is definitely no stranger when it comes to rock and roll. A product of the public school music program, Abair has shared the stage with the likes of Bruce Springsteen and Duran Duran.

But it was Abair’s performance as part of the American Idol band that caught the attention of then-Idol-judge (and Aerosmith frontman) Steven Tyler, and ultimately led the band to add its first sax player in 30 years for last summer’s Global Warming Tour.

On Abair’s latest album, Summer Horns, she’s joined by fellow saxophone greats Dave Koz, Gerald Albright and Richard Elliot in covering some of the greatest songs of a generation; including infectious renditions of the Beatles’ “Got to Get You Into My Life” as well as others made famous by the likes of Chicago, Tower of Power and Sly & the Family Stone.

minditylerAbair also is busy with her next solo album project and was recently elected president of the LA Chapter of NARAS, the company that oversees the Grammy Awards.

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I spoke with Abair about Summer Horns and her time on the Aerosmith tour. We also discussed the importance of keeping music-education opportunities alive in schools.
Read the entire interview by Clicking Here.

For more information on Mindi Abair and Summer Horns, check out her website:
Click Here

Movie Reviews, Movies and TV

Movie Review: Dark Skies

DarkSkies“Two possibilities exist: either we are alone in the Universe or we are not. Both are equally terrifying.”

Written and directed by Scott Stewart, Dark Skies begins with an eerie quote from British author and futurist Arthur C. Clarke and goes on to suggest that there is no pending alien invasion. The fact is, they’ve been here among us all along.

Keri Russell and Josh Hamilton play Lacy and Daniel Barrett, a suburban middle-class couple whose peaceful existence is shattered when their family becomes the target of a terrifying, unknown force.

Daniel’s been recently let go from his job as an architect and has been struggling to find work, leaving Lacy (a real-estate agent) as the sole bread-winner trying to sell houses in an already volatile market.

Adding to the stress, son Jesse (Dakota Goyo) is in full pubescent mode; dabbling in watching soft core porn and keeping company with an older malcontent. While youngest son Sam (Kadan Rockett) seems to be content with just trying to rehabilitate an injured lizard.

But it’s not until something begins rearranging items in the Barrett’s kitchen, scaring Sam and setting off the burglar alarm that the family realizes something is wrong. This is followed by rumors of being visited by “The Sandman”, unexplained blackouts, bruises and flocks of birds dive-bombing the family home. Then there’s the discovery of a creepy child drawing which only reinforces the true horror of the unknown.

The question as to whether or not the family is alone is finally answered when the Barrett’s reach out to paranormal expert Edwin Pollard (J.K. Simmons), who himself has been tormented by the same alien beings.

There are quite a few homages to past horror/suspense classics scattered throughout Dark Skies: including kitchen rearrangement (Poltergeist); child communication with the unknown presence (The Shining) and cameras throughout the house (Paranormal Activity). But regardless of paying tribute to old hat, Dark Skies shines on its own by relying more upon the build up of tension and less on the standard “boo” pablum.

It’s the emphasis of the Barrett’s vulnerability that makes the supernatural events they experience all the more real. And as could be the case with any typical 21st century family faced with financial crisis, one has to take into consideration whether or not Clarke’s argument is really valid after all.

Dark Skies is now available on DVD and Blu-Ray. Special features include feature commentary with writer/director Scott Stewart as well as an alternate ending.

1980's, Guitar World Interviews, Interview, Music

Guitar World: Former Madam X Guitarist Maxine Petrucci Discusses New Solo Album

Back To The Garden

Maxine Petrucci likes to call what she does “evolved music.”

The former Madam X guitarist [and sister of former Vixen drummer Roxy Petrucci] has taken much of what she’s learned from the ’80s and ’90s to a completely different level. It’s a sound and style some may find not suitable for the “commercial” world, but Petrucci says that suits her just fine.

Bassist Billy Sheehan has called Petrucci “a true rarity, a lady who has powerful command of her instrument and her voice.” Rick Derringer cites Petrucci’s guitar playing as “masterful” and has referred to her right-hand picking technique as “the hummingbird effect, so fast, it’s a blur.”

Continuing to forge her own path, Petrucci’s third solo album, Back to the Garden, is an eclectic mix of riff and shred, one that will make even the most jaded critic stand up and take notice. Her new band features Imminent Sonic Destruction members Pat Delon (drums) and Bryan Paxton (bass), plus guitarist Rachel May (Broadzilla).

I spoke with Petrucci about Back to the Garden, her time spent with her sister in Madam X and much more.

GUITAR WORLD: Tell me about Back to the Garden.

This is my third solo album, and it’s completely different from anything I’ve done before. I don’t have a label, so I have the luxury of doing what I want to do when I feel like doing it. For Back to the Garden, I wrote all of the songs and did all the guitars, bass and vocals. Pat Deleon wrote and played the drum parts, and Gaetano Di Falco illustrated the album cover

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Bonus: Know which famous metal singer once fronted Madam X
before hitting the skids? Then read the rest of my Guitar World interview with Maxine Petrucci – Click Here

 

Guitar World Interviews, Interview, Music

Guitar World: Styx Guitarist JY Young Discusses Band’s New DVD, ‘Grand Illusion/Pieces of Eight’
Styx (Photo by: Ash Newell)
Styx (Photo by: Ash Newell)

Styx’s new DVD/Blu-ray, Styx: Grand Illusion/Pieces of Eight — Live, captures the band performing their two classic multi-platinum ’70s albums live in their entirety for the very first time.

The DVD, which was filmed at the historic Orpheum Theater in Memphis, is the ultimate showcase for the albums helped establish Styx as a global phenomenon and defined their sound for a generation of fans.

I spoke with Styx guitarist James “JY” Young about the new project, plus his early days, seeing Jimi Hendrix perform and the future of Styx.

GUITAR WORLD: How did this project get started?

It started as a notion that a promoter who’s close with our manager came up with. He had the idea of us performing the Grand Illusion and Pieces of Eight albums live in their entirety in the order in which they originally appeared on the vinyl LPs using the latest in HD technology. For us, it was an experiment and also a way to give our real die-hard fans the chance to hear some songs that we had never played live before, and some others we haven’t played since the late ’70s.

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Read my Guitar World  interview with Styx’s JY Young by Clicking Here

Guitar World Interviews, Interview, Music

Guitar World: Greg Howe Talks Maragold, Guitars and Playing the Local Club Circuit

MaragoldGreg Howe and I have a few things in common. First, we have a mutual interest in a certain instrument and both cut our teeth playing music in clubs in the Lehigh Valley, PA area. But that’s pretty much where our similarities end. While I remained, Howe went on to score major success with his fretboard prowess; releasing critically acclaimed albums and supporting some of the biggest names in music. Now, Howe finally gets the chance to return to his roots with his new band, Maragold.

Together with bassist Kevin Vecchione, drummer Gianluca Palmieri and powerhouse vocalist Meghan Krauss, Maragold’s debut album is a refreshing change to the monotony that is the current state of music. Bluesy, tasty and soulful are just some of the adjectives that describe an album that’s reminiscent of summer and demands to be turned up.

I spoke with Howe to discuss the new album, working with a female vocalist and his days playing the Lehigh Valley. Howe also lets me in on the real secret to becoming a successful guitarist.

How did you hook up with Meghan?

Meghan was gigging on the east coast in some cover bands and Kevin had heard of her. He was doing some gigs there as well in the Philly area. He went to check her out one night and thought she was great, so he had her come over to his apartment to do some recording. He sent me a picture of her and at the time, I had never even considered having a female in the group. But after he had sent me the recording that was it.

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Check out the rest of my Guitar World interview with Greg Howe by Clicking Here.

Guitar World Interviews, Interview, Music

Guitar World: Frank Turner Talks Guitar Center Sessions, Tape Deck Heart

FrankTurner1.jpgGuitarist Frank Turner’s preferred method of swaying people to his cause is just getting in front of them and playing. With his upcoming Guitar Center Sessions, he gets the opportunity to showcase for the world. Filmed during his hectic SXSW schedule, the show not only includes performances by Turner and his band but also an in depth interview Turner as well.

Since leaving the band Million Dead and going solo in 2005, Turner has released four acclaimed albums and played more than 1,400 live shows. His recently released fifth album, Tape Deck Heart is one of emotional revelation and change. It’s the kind of album Turner says he’s always wanted to make.

I spoke with Turner about the Guitar Center Sessions as well as his new album and one of his most memorable shows.

GUITAR WORLD: What can you tell me about your Guitar Center Sessions appearance?

It was filmed in the middle of SXSW and the schedule I was on was hectic. There was one day where we played a show in Austin in the afternoon, and then we flew to Denver for a breakfast show and then flew back to Austin for two more gigs. Throughout my career, the way things have gone for me is getting out there and playing, and that’s what we’re doing with this Sessions performance. Getting in front of people so anyone around the world can watch it. There’s also an in-depth interview session we also did which was great.

You can read the rest of my Guitar World interview with Frank Turner by
Clicking Here.

Interview, Music

Frankie Moreno Talks Music, Vegas And Angel Town

FrankieMorenoA musical prodigy from as early as age three, singer/songwriter Frankie Moreno is a modern-classical genius who’s resume not only includes scoring #1 hits on multiple Billboard music charts, but also serenading industry VIPs like Paul McCartney, performing on the hit ABC show “Dancing With The Stars” and traveling all over the world in search of songwriting inspiration. In between, he still manages to find time to headline his own successful show in Las Vegas to enthusiastic crowds.

For his latest single Angel Town, Moreno discovers a happy medium by mixing the elements of classical, pop and rock genres into one eclectic groove. With an infectious dance beat combined with a tinge of big band sound, “Angel Town” is already a huge success. Moreno is currently working with songwriting powerhouse Diane Warren on new material for an album expected to be released later this year.

I spoke with Frankie about “Angel Town”, his songwriting inspiration and more in this exclusive interview.

Tell me how the song “Angel Town” came to be.

I write a lot with my brothers, Tony and Ricky. We take trips all over the world and bring along our guitars to become inspired and write music together. We were in Vienna, Austria walking around the city and at that time, I had been doing a lot of traveling back and forth to LA from Las Vegas. I began thinking about the way the whole LA scene works; with everyone wanting to be famous and that whole idea of a guy with the big cigar sitting at the bar watching the band play and saying “Hey kid? I can make you a star!” I wound up writing that song in about 30 minutes and we came home and recorded it.

You’re now in the studio with Diane Warren working on new material. What’s it like working with her?

It doesn’t get any better. Diane is an awesome person. She writes the greatest power ballad love songs of all time. Right now, she’s over in London working with Adele. For me to have the opportunity to work with her is amazing.

Tell me how you got on Dancing With The Stars.

The whole cast of the show came and saw my show one night and one of them took a video of me performing “Tangerine Honey”. They sent it over to ABC and three weeks later, I was on the show. Lacey Schwimmer choreographed the entire dance around it.

Let’s discuss your upcoming PBS Special.

We start filming in mid-summer and it will probably be out towards the end of the year. The special will feature our songwriting and traveling around the world just to write music. It begins in Santa Cruz, California where I’m from, then travels the world as we take the songs we write and bring them back to put them on the stage in Vegas.

You also performed for Paul McCartney. How did that come about?

Joshua Bell, a classical violinist asked me to play on his record and we did a version of Eleanor Rigby. After we recorded the song, it became a #1 single and eventually got the attention of Paul, who invited us to play it for him at a private event. It was an amazing experience. Paul McCartney is what every songwriter aspires to be.

Were you always into music?

By the time I was three, I was already playing piano. I was really into Mozart and when I five, I started taking lessons to learn how to read music. Around that same time, the movie “Amadeus” came out as well as “Great Balls of Fire”. I remember wanting to be Mozart, but also wanted to be Jerry Lee Lewis too! [laughs]. So I began thinking of ways to combine being technically good along with the rock and roll fun and doing all of the tricks.

Tell me more about traveling the world to write songs and how you got started.

My brothers and I have been doing it for about five years now. I remember when I first heard about how the Beatles used to go to India, I wanted to see what it was all about. The thing is, we don’t just travel to countries for fun. We like to go to places where musical or artistic events have taken place. Like, sitting where Michelangelo used to paint; or going to Mozart’s house, or sitting on the park bench that Beethoven used to sit on. Maybe not the exact same bench, but in that same spot. You can feel and pick up on the creative energy that’s there.

Moreno

What does the future hold for you?

I’m shooting for a fall, early winter release of my album and will be putting out a few more singles until then. I recently won headliner of the year in Vegas and really want to start touring the US. The band is awesome and we have such an eclectic group of fans. Word of mouth is really pushing “Angel Town” and in a way, it’s kind of old school. Like the way it was done back in the 50’s. The music business is a fun thing to be a part of. I’m going to leave my little stamp on it and see how far I can take it.

 For More on Frankie Moreno, check out his official website by Clicking Here