Tag: Music

Album Review: The Sound of Ghosts Deliver Their Best Album To Date With ‘Delivery & Departure’

 

The Sound of Ghosts

Since their arrival to the scene in 2014, L.A.-based Americana roots collective, The Sound of Ghosts has been wowing audiences with their tight, multi-instrumental attack, well-crafted songwriting and undeniable feel-good charm.

The Sound of Ghosts recent success includes a successful tour of the Pacific Northwest as well as opening for such artists as Big Bad Voodoo Daddy, The Sisterhood and Oingo Boingo. The band also delivered an engagingly intimate performance at The Roswell Film Festival and their music has been featured in nationwide commercials for major brands.

The Sound of Ghosts is: James Orbison (vocals, bass), Anna Orbison (vocals, ukulele), Ernesto Rivas (lead guitar), Phoebe Silva (fiddle) and Jon Sarna (drums).

There is a deep sense of musical maturity and credibility with The Sound of Ghosts latest album, Delivery & Departure, which continues their unique approach of blending the best elements Americana, folk, rock and jazz have to offer into one richly-textured, sonic landscape.

Perhaps no better example of the totality of this quintet’s ability exists than in the album’s lead single, “Train to Nowhere”. An inspired introspection that eloquently showcases the band’s complete musical stew.

Led by charismatic vocalist Anna Orbison’s hauntingly beautiful melodies, the song takes the listener on a multi-layered journey of harmonic goodness. Whether it’s the infectiousness of Phoebe Silva’s fiddle, the sudden changes in tempo or the insanely cool trumpet solo, this is a track that screams for repeated listens.

The contagious “Fall Apart” also exemplifies Orbison’s expressively warm range with a toe-tapping rhythm held together by James Orbison’s dominating upright bass line.

“Guillermo’s Lament” clocks in at more than six minutes but is worth every one of them. What seems almost like spoken word, the track is pure poetry. Complete with empathetic melodies highlighted by Ernesto Rivas’ clean, guitar attack.

“I’m Gonna Be Free” is another thought provoking track that discusses the idea of independence and is driven home by drummer Jon Sarna’s in the pocket grooves and the band’s vicious harmonies.

There’s a cool hint of Nathaniel Rateliff & The Night Sweats in the track, “Dancing Shoes”. A song that’s equally influenced by the band’s love of 1950’s Doo-Wop.

With Delivery & Departure, The Sound of Ghosts have not only given us one of the year’s finest independent albums, but also a friendly reminder that the best is yet to come.

Interview: REO Speedwagon’s Dave Amato discusses upcoming tour with Chicago, career highlights

Dave Amato and Me

Last year, REO Speedwagon had one of the summer’s most successful tours with United We Rock. An extensive, cross-country jaunt with fellow classic rock icons Styx and Don Felder. For REO guitarist Dave Amato, the tour was made even sweeter when he had the chance to perform The Eagles’ monster hit, “Hotel California” with Felder on stage each night.

This summer, REO Speedwagon will once again bring their infectious arsenal of hits when they join forces with Chicago for a 30-city, co-headlining run from June through August.

Combined, REO Speedwagon and Chicago have sold more than 140 million records, and in one of the year’s most highly-anticipated tours, fans will be treated to sets filled with deep cuts and fan favorites from both bands.

REO promises a night filled with monster hits, which includes songs like “Roll With The Changes,” “Keep On Loving You,” “Back On The Road Again,” “Can’t Fight This Feeling” and “Ridin’ The Storm Out,” as well as a few surprises.

Chicago will be performing their historic album, Chicago II in its entirety for the first time ever along with an “encore” filled with their own biggest hits.

REO Speedwagon is: Kevin Cronin, Neal Doughty, Bruce Hall, Dave Amato and Bryan Hitt.

AXS recently caught up with Dave Amato to discuss all things REO Speedwagon in this exclusive new interview.

AXS: You’ve been with REO Speedwagon since 1989. Did you ever imagine you’d still be doing this so many years later?

Dave Amato: No. My average span of doing things with someone was about two or three years. I did three years with Ted Nugent; four years with Cher; and was with Richie Sambora on his first tour. With REO, it’s a brotherhood, with a lot of love and respect. The band may be getting older but we cherish every night and give 1,000 percent. It may be almost thirty years, but it’s still as exciting as day one.

AXS: What do you think makes REO Speedwagon so timeless and special?

DA: It’s the songs. Kevin and Gary [Richrath] wrote great songs. Kevin still writes from the heart. It’s really important to him. Even today, we’ll go to a soundcheck and Kevin will have lines and chord changes that we’ll be working on.

AXS: What’s your favorite REO Speedwagon song to play in the set?

DA: Honestly? They’re all my favorites, but I get to stretch on “Back On The Road Again” a little more than any of the others. That’s always a lot of fun.

Read the rest of my
Interview with Dave Amato by Clicking Here.

Interview: David Cook Discusses New EP, ‘Chromance’ and his Broadway debut in ‘Kinky Boots’

Singer-songwriter and American Idol winner, David Cook’s new EP, Chromance is the next chapter in the artist’s musical evolution.

The ubiquitous use of love as a theme runs rampant throughout much of the EP, but what’s refreshing is Cook’s incorporation of cinematic, pop elements into the mix. Songs like “The Lucky Ones” speak of love in an alternate reality, while tracks like “Warfare” and “Circles” leave the listener wanting more. Chromance also features the driving track, “Gimme Heartbreak” as well as Cook’s ethereal spin on the Phil Collins smash, “Another Day in Paradise”.

If putting out a new album wasn’t enough, Cook will also be making his Broadway debut as Charlie Price in “Kinky Boots,” based on the book by Harvey Fierstein and with music and lyrics by Cyndi Lauper. Cook’s run is scheduled for April 3 – May 5.

AXS recently spoke with David Cook about his new EP and upcoming appearance on Broadway in “Kinky Boots.”

AXS: How does Chromance relate to some of your previous work?

David Cook: The lyrical content of the songs on this album definitely talks about love, but I wanted to attack it from a different angle and talk about the darker colors. Musically, I wanted to attack it differently as well. Instead of having the guitar be “the” instrument, I wanted to have it be “an” instrument and find other tones, sounds and instrumentation to tell the story. This record has more of a cinematic feel to it, and it’s exciting to take those landscapes on the road and tell the story a little differently.

AXS: What was your songwriting process like for the EP?

DC: It was a mixed bag. Some of the songs started with a lyrical snippet and others began with a chord progression or a top-line melodic hook. All of the songs started in different spots, which made for a more fun and creative process.

AXS: Let’s discuss a few tracks from Chromance, beginning with “The Lucky Ones.” What can you tell me about it?

DC: I wrote that song with Tim Bruns and wanted it to have a dark, “Stranger Things” kind of vibe. I had watched the first season and really liked the idea of love in an alternative universe. A place where everything is backwards and there’s this whole us against the world mentality.

Read the rest of my
Interview with David Cook by Clicking Here!

Brad Gillis Talks Night Ranger’s ‘Midnight Madness,’ Touring with Ozzy

Me with Brad Gillis

Last year, Night Ranger celebrated the 35th anniversary of their debut album, Dawn Patrol by releasing an all new record, Don’t Let Up! The album’s title is fairly appropriate, once you consider that the band, whose beginnings go back to the early days of MTV, is still going strong in the 21st century.

Proving that they have no intention of slowing down, Night Ranger—which consists of Jack Blades, Brad Gillis, Kelly Keagy, Eric Levy and Keri Kelli—will celebrate the 35th anniversary of the band’s monster 1983 album, Midnight Madness and songs like “(You Can Still) Rock in America,” “When You Close Your Eyes” and “Touch of Madness,” with a tour.

Guitar World recently spoke with guitarist Brad Gillis about all things Night Ranger, his current rig, and his memories of touring with Ozzy Osbourne.

This year is marks the 35th anniversary of Midnight Madness. What do you remember most about that whole era?

In the mid-Eighties, we were we were probably on the road nine months out of the year. Then for the remainder of the year, we’d be in the studio recording another record. It was a yearlong job but we had a blast. I’ll never forget pulling into the Coliseum in La Crosse, Wisconsin in late ’83 or ’84 and seeing the marquee that read, ‘Night Ranger—Sold Out.’ That was very pivotal moment in our career.

People may not know this, but back in 1982, you had two albums come out in the same week, Night Ranger’s Dawn Patrol and Ozzy Osbourne’s double-live album, Speak of the Devil. What made you decide to leave Ozzy and go full-time with Night Ranger?

Although we’d done a lot of shows and recorded Speak of the Devil, toward the end of 1982 Rudy [Sarzo] had already decided to leave Ozzy to go join Quiet Riot. I decided to roll the dice and go with Night Ranger because we also had a deal pending. Radio was changing back then and playing heavier stuff, but I remember, even after “Don’t Tell Me You Love Me” had been released, we weren’t sure if it would do well. Fortunately, MTV had just come out and needed content. They ended up playing our video about 25 times a day.

Our record company really did us a favor back then by holding off on the release of “Sister Christian” on the Dawn Patrol album. They knew that it would become a hit and wanted us to come out heavy with our “sophomore” release [Midnight Madness]. That ended up being our biggest record and took us to headliner status.

Read the rest of my
Interview with Brad Gillis by Clicking Here!

Rock & Roll Fantasy Camp – The Final Chapter

“Put out the spotlights one and all. And let the feeling get down to your soul.
The music’s so loud you can hear the sound. Reaching for the sky, churning up the ground. It’s all part of my rock ‘n’ roll fantasy. It’s all part of my rock ‘n’ roll dream.”

~ Paul Rodgers (Bad Company)

I don’t think there’s a better set of words to describe my experience these last four days. A surreality from day one that culminated in a euphoric explosion of emotion when our band performed on stage at the legendary Whisky A Go Go.

My last day at Rock Camp was similar to the three previous days. Upon our arrival, Bobby, Craig, Tom, Rik and I immediately dove in and polished up our Night Ranger song, “When You Close Your Eyes”.  After three or four passes, including a few without vocals, I was confident we were ready. That is, until we entered the jam room with Jack Blades, Brad Gillis and Kelly Keagy.

As the sound tech is hooking up my guitar, I see Brad walk over and point me out.

“Who’s doing the guitar solo — you?”

A tidal wave of fear swept over me, and at that moment I was extremely grateful to have used the bathroom before we walked into the rehearsal room. Our plan was always to let Brad do the solo. None of us had even bothered to learn it. Thankfully, Brad obliged.

As a guitarist, it’s one thing to hear Brad perform on the records, but when he’s standing right next to you — on stage — and you can fully immerse yourself in his savage virtuosity, it’s mind blowing.

Shortly after our final rehearsal, the buses arrived and took us all over to The Whisky.

To try to put into words the feeling of walking into that venue with a guitar in your hand is nearly impossible. I found myself thinking about all the other bands who did the exact same thing — Jimi Hendrix, The Doors, Led Zeppelin, Van-Halen, AC/DC, Mötley Crüe, Guns N’ Roses. Then to stand on those hallowed steps as the time came to have your name introduced over the PA — MAGIC.

Our performance was incredible and I credit it all to our amazing counselor, Craig Goldy, and his confidence in us. We had an opportunity to get a keyboard player perform with us at the last minute and Craig nixed it. He wanted Tom and I to be able to transpose those keyboard parts on guitar, and we did.

One of the things Craig kept saying to us during our short time together, and something I’ll take with me always, was this:

“You’re better than you think you are.” 

To get to share the stage with Craig during our final performance was just as good as standing there with the guys from Night Ranger.

Finally, the time had come for our performance with Jack, Brad and Kelly. As a fan of this band since their days as Rubicon, and getting to double the guitar intro to “When You Close Your Eyes” with Brad was life changing.

After our performance, I stood upstairs just soaking in the vibe. It was a roller coaster ride of musical emotion. Of course there were flubs, and for a moment, I thought about what it might have been like if we had an entire week to rehearse. But in the end, I wouldn’t have wanted it any other way. We were five strangers who had to learn three songs in four days and bring them to performance level– and we DID it!

As the time came to say goodbye, I embraced Bobby and Rik. As an East Coast dude, I already knew our chances of performing together again was nil. But this band and experience will stay with me long after the music ends.

Sadly, in the confusion of the evening, I didn’t have the chance to properly say goodbye to Tom and Craig, who had slipped out of sight and into the cool Hollywood night.

“Maybe that’s the way it was always meant to be,” I thought to myself as I stood on the corner of Sunset Blvd outside of The Whisky.

That’s a true rock and roll ending.

Rock & Roll Fantasy Camp – Part 3

It’s all about the music

“Someday, I hope to feel as happy as I did as a kid when the teacher wheeled in the big TV during class,” was something I always used to say.

What’s been happening this weekend has surpassed that feeling a hundredfold.

Yesterday, our band, “Foreo-Speed Ranger” (Get it? Foreigner–Reo Speedwagon–Nigh… ah, never mind). The name’s not really important. What is important is the music. It always has and it always will.

Let’s try this again.

Yesterday, our band spent much of the morning going over songs for our performance with Foreigner’s Jeff Pilson and Bruce Watson, and in preparation for our first live show at The Lucky Strike in Hollywood, CA.

“No pressure,” a voice inside of me says. “You may have taken a break, but you’ve been performing in bands for years. Including a 30-minute set in front of 6,500 people at one of America’s biggest music festivals.”

As the five of us were polishing each one of our Foreigner and Night Ranger songs, we suddenly realized we needed to have a third song in our back pocket. That was when the familiar question all new bandmates ask each other when they first get together:

“What song do you want to do?”

There were watery suggestions to do something from AC/DC, The Black Eyed Peas, The Doors and Bob Seger, but none of them seemed to fit.

Then our guitarist, Tom, started noodling around on something that parted the sea. It was this amazing riff I knew I’d heard before. But there was something else about it that seemed oddly familiar. It was the way that he was playing it.

“What is THAT?” someone asked.

“It’s a Bob Seger song. One that Thin Lizzy covered.”

Be still my heart.

The song fit the band like a glove.

Next up, was our performance of “Dirty White Boy” with Foreigner. Another surreal moment for me as a musician, because Jeff Pilson (who’s also been with Dokken and Dio) is one of the all-time greats. Not only is he a killer bassist, but the guy can play guitar, keyboards and a bunch of other instruments. He’s also an incredible vocalist.

I thought if I could just stand next to him, maybe some of that mojo would rub off on me.

As if all that wasn’t surreal enough, this day was still not over. Before we knew it, we were loading up the van to take us back to the hotel. Only a short time to get something to eat before our ride over to Lucky Strike.

As I entered the venue and strolled down the ramp toward the stage, the childhood memory reappeared. And in my mind, a teacher is rolling into class the most beautiful, state of the art television you’ve ever seen. This would be the first chance to stand on a stage in front of strangers and perform with four guys I met only a few days ago.

Butterflies began to build when I considered what was going to happen, but I brushed them all away. I’ve been down this road before.

But then I thought about something else.

Still on deck – Night Ranger and The Whisky.

Rock & Roll Fantasy Camp – Part 2

Dave Amato and Me

I am sitting in my hotel room high above Universal City at 10:45 p.m. pondering the events of the day.

For those who many not know, REO Speedwagon is my all-time favorite band, and today, my band got to perform the song “Tough Guys” on stage with Kevin Cronin and Dave Amato.

We chose “Tough Guys” from the list of songs to perform with REO simply because it wasn’t the typical “Roll With The Changes” or “Ridin’ The Storm Out” that we assumed most other bands would be doing. It was upbeat and rocking, with some cool little guitar harmony part that our counselor, Craig Goldy (Dio) had taught us.

One of the sticking points in “Tough Guys” is an unusual chord progression that happens really quickly after the guitar solo. It’s a musical break where the guitar plays an Em – C progression. If you’re not careful, you’ll fly right by and miss perhaps the most important part of the song.

As a band that had formed less than 24 hours ago, we butchered that progression more than a dozen times before we were finally able to play the song straight through without a hitch.

Prior to jamming the song, Kevin and Dave did an hour long Q&A session where people from the audience could ask them about their music and career. One of the campers asked Kevin how the band keeps things fresh after playing their catalog of hits hundreds of times.

Here’s where fate stepped in.

Kevin said that the band always tries to change things up a little every night, and that one of the things he always looks forward to was performing “Tough Guys”, because there’s a quick little section in the song ( Em – C ) that breaks up the monotony.

At this point, I turned around to my fellow bandmates with a sly smile. They all nodded in agreement.

An hour later, our band stood side by side with Kevin and Dave on stage and watched as their eyes lit up when we told them we were doing “Tough Guys”.

There simply aren’t enough words to describe the feeling I had standing on that stage playing with those guys. It was a moment that was gone before it even started, but as a kid who spent hours locked in his room learning every song from their “Hi Infidelity” and “Wheels Are Turnin'” albums, it was a dream come true. Then afterwards, to have Kevin give us kudos for remembering the Em-C chord progression was something even more special.

In the end, we were the only band out of fifteen that performed “Tough Guys” with REO Speedwagon.

Although still high from our triumphant performance, we knew there as no time to rest. We still had a Foreigner and Night Ranger song to learn.

The Foreigner song would be a no brainer.

And then came the hardest decision of the entire camp. Which Night Ranger song to do?  Our decision would be the song that we’d perform with the band on The Whisky A Go Go stage in just two days.

The list of songs to choose from included Night Ranger hits like “Don’t Tell Me You Love Me,” “Sing Me Away,” “(You Can Still) Rock in America” and “Sister Christian” as well as a few cover songs by Damn Yankees and AC/DC.

For me, there was really only one song I wanted to do — and I was beyond excited when the band all agreed as well.

For those of you who can’t make our show Sunday night, here is the song we’ll be performing with Night Ranger at The Whisky on Sunday night.

Saturday is going to be another busy day. We’re starting off with rehearsal, followed by a visit from Jeff Pilson and Bruce Watson of Foreigner for a Q&A and jam session. We’ll then be playing our very first show at The Lucky Strike on Hollywood Boulevard.

Tonight we sleep. Tomorrow, we rock!

Rock & Roll Fantasy Camp – Part 1

“Hello. My name is James Wood. It’s nice to meet you,” I said, extending my hand to the three other guys in the room. It was the first time I’d met Bobby, Tom and Rik. The three guys who would form a band with me to perform at The Lucky Strike and world-renowned Whisky A Go Go in Hollywood this weekend.

If my middle-aged brain remembers correctly, it was thirty years ago next month when I formed my very first band. This after many years of guitar lessons, months of starts and stops, and high school dreams fueled by teenage angst and worldwide musical domination.

Back then, bands like Night Ranger, REO Speedwagon, Foreigner, Whitesnake and Dio were on constant repeat on my boom box. And now, in just a few short days, not only would I be jamming with the guys in REO and Foreigner, but I’d also be taking the stage with Night Ranger to perform at one of music’s most famous venues in front of a massive crowd. The same stage that regularly housed legendary bands like The Jimi Hendrix Experience, Led Zeppelin, Van-Halen and countless others.

No pressure.

By the time I arrived at the camp’s studios at 1:30 p.m., our as of yet unnamed band was already behind the eight ball. We’d learned last week that we wouldn’t have a keyboard player (a pretty big deal if you had “Roll With The Changes,” “Keep on Loving You” or “Sister Christian” on your “let’s try” list), and our original counselor, Brian Tichy (Whitesnake, Foreigner) had to drop out of camp at the last minute due to illness.

But it wasn’t until I made my way through the registration line and into Studio D (which would be our home for the next four days), that reality really struck.

Inside the room, already jamming, were counselors Michael Staertow (guitarist for Lou Gramm), Chris Wyse (bassist for Ace Frehley, The Cult) and Steve Ferlazzo (keyboards for Avril Lavigne and now Richie Sambora and Orianthi).

Oh, man.

Before long, our new counselor, Craig Goldy (Dio, Giuffria) made his way into the studio to join them. I was fortunate that I had to wait a bit for my tech (yes, you get one of those here at camp) to set up my guitar. I used that time to subconsciously absorb these guys wailing.

After the open jam formalities had ended, everyone made their way off to begin rehearsal in their own studios. That’s when Rik, Bobby, Tom, Craig and I started talking about which songs we wanted to do.

Since the guys from REO Speedwagon would be coming to jam with us on Friday, we looked at our list of songs to do —and unanimously decided on this one:

After about four passes at the song — where I must say I held my own– it was time to break for camp introductions.

David Fishof (executive producer) welcomed campers to the event and then introduced the all-star array of counselors, which also included Rudy Sarzo (Quiet Riot, Whitesnake), Tony Frankin (The Firm, Blue Murder), Matt Starr (Mr. Big), Tanya O’Callaghan (Dee Snider, Ronnie Wood), Kane Roberts (Alice Cooper) and Monte Pittman (Madonna).

We then returned to our studio for some more rehearsal time, where Craig gave us some cool little solo ideas to use that would help bring the song to life. I’m thinking by now we’re around 85-90% of having a song nearly ready to go — and it was only Day One!

There were several master classes to choose from this night, and I decided to attend the one called “Stories From The Road”, where a group of counselors talked about their careers with some of the all-time greats.

l to r: Michael Staertow, Chris Wyse, Steve Ferlazzo, Rudy Sarzo, Tanya O’Callaghan

The final event of the evening was a welcome dinner followed by an open jam with the counselors. Song performances included everything from The Cars, Eddie Money and AC/DC to Aldo Nova, Ozzy, The Beatles and Loverboy.

As the van took us back to the hotel, I couldn’t help but think about that 15-year-old me sitting up in his bedroom practicing all of these songs. And I think that’s when the true impact of what was about to occur over these next few days finally began to sink in.

Not gonna lie. I thought about getting up on that stage on Sunday night and f#cking up. But you know what? I don’t care. I came all this way to learn from and jam with the best, and here I am.

The streets of Hollywood are where it all began. The music I grew up with. The music that made me want to pick up a guitar and play. The music I love.

And in just a short time, I’m going to claim a small piece of those streets for myself.

 

‘Psychotic Symphony’: Ron ‘Bumblefoot’ Thal Discusses New Supergroup Project, Sons of Apollo

Photo by:Hristo Shindov

Featuring ex-members of Dream Theater, Guns N’ Roses and Journey, Sons Of Apollo is an exciting new supergroup consisting of Mike Portnoy, Derek Sherinian, Billy Sheehan, Jeff Scott Soto and Ron “Bumblefoot” Thal.

The group’s highly anticipated album, Psychotic Symphony, is a welcome introduction to the band, and pulls heavily from the quintet’s eclectic musical influences, which range from vintage prog to classic and hard rock.

Particularly notable on Psychotic Symphony are Thal’s jaw-dropping runs on his 24-fret Vigier double-neck, and his fluid transitions from fretted to fretless.

Guitar World recently spoke with Ron “Bumblefoot” Thal about Sons of Apollo and more in this new interview.

How did Sons of Apollo come together?

We certainly weren’t strangers to each other. I had worked with Mike on Metal Allegiance and over the years have jammed with him and Billy in various situations. I also jammed with the guys and Derek at Progressive Nation at Sea a few years ago and have been a huge fan of Jeff’s ever since I heard him on the Yngwie album. It was only a matter of time before we [began to make] music together.

How would you describe Psychotic Symphony in terms of its sound?

When I think of the album, I think of the writing and recording process and the personal involvement. To me, when I hear the album, I hear five guys paying tribute to their influences. I hear The Who, Van-Halen, Led Zeppelin and Randy Rhoads. Everything that inspired each member of the band to play music the way that they do. There’s Billy’s distinct, undeniable tone, Mike’s tremendous playing, Derek—who is the greatest guitarist you will ever hear on keyboards—and Jeff, who takes the craziest songs and makes them into something you can sing along to. He’s a great singer with a fantastic voice.

Read the rest of my
Interview with Ron “Bumblefoot” That by Clicking Here!

Interview: David Duchovny discusses his new album, ‘Every Third Thought,’ songwriting

David Duchovny, the award-winning actor, director and novelist has just released his new album, Every Third Thought. It’s the follow up to his 2015 debut, Hell or Highwater.

Crafted with elements of folk, classic rock and pop, Every Third Thoughtshowcases Duchovny’s eclectic influences, which range from artists like The Beatles and David Bowie to the bright, haunting and acoustic-driven songs from 1970’s bands like America.

Recorded in Brooklyn in December of 2016, Duchovny finds a deeper level of lyrical maturity and musical expression with Every Third Thought. His honest storytelling speaks of personal reflection but is meticulously crafted with universal themes.

AXS recently spoke with David Duchovny about Every Third Thought, songwriting and more in this exclusive new interview.

AXS: How does Every Third Thought compare to your first album, Hell Or Highwater?

David Duchovny: This album is more musically varied and ambitious. The songs all started the same way, which was me throwing chords together with an acoustic guitar and then singing my words over it. Once I started collaborating more with my band–who are such advanced musicians–it allowed them to bring in their own sonic tastes. So, it wasn’t just me saying I’ve got this song but was more like I’m hearing a David Bowie, “Heroes” vibe, which was the case with the song, “Half Life.” Or from me saying “Last First Time” feels like a 70’s power rock ballad. They were able to open the song up and execute the things that I couldn’t.

AXS: Have you found that your lyrical style has matured with this new album?

DD: Having written a bunch of songs, I’m starting to get a better feel for how lyrics work. I still very clearly recall writing my first song, “The Things” on Hell or Highwater. I remember thinking that if I’m going to write a song, I’m not going to say anything specific in it because I don’t want people asking me what it means. And what could be more neutral than saying, “It’s about this “thing” [laughs].” I try to straddle the line of a song being very personal but also universal. Everybody’s life has a very similar shape. You try to write as personally as you can and write to the shape of everybody’s life.

AXS: What was the writing process like for Every Third Thought?

DD: It’s always different. Sometimes, I’ll have a melodic hook in my mind and a chord progression waiting for words. Other times, the words will come first and they’re waiting for a melody. I’ve got a bunch of lyrics off to the side on my iPad and a bunch of progressions off to another side. Sometimes, I’ll sit down and start introducing them to one another and see who wants to make out [laughs].

Read the rest of my
Interview with David Duchovny by Clicking Here!