Category: Interview

Interview, Movies and TV

Flowers In December: Actress Gabrielle Stone Discusses New Film Project

Wallace-StoneWhen writer/director JT Mollner first sat down to write “Flowers in December” a few years back, his main inspiration was his friend, legendary actress Dee Wallace.

Having seen flashes of her real character range in films like “The Frighteners”, Mollner wanted to write something equally dark, but much more realistic for Wallace. But what started out as a sort of one woman show quickly evolved into an ensemble piece featuring other interesting characters and a dark, complex love story. A story that Mollner himself says is one of the most interesting and compelling things he’s ever written.

Flowers in December tells the story of Hannah, a hard living “bad girl” in her mid 50’s who gave up on life years ago when she lost her one true love to uncontrollable circumstances. Now, meandering through her days on auto-pilot, she lives a gritty, yet stable life in a West Texas trailer park with her new husband and 22-year-old daughter, Holly. Even though on the surface it seems she’s picked up the pieces, a deep obsession with her lost love still consumes her, and she will stop at nothing to reunite with him. Even if it means the destruction of her new family, madness, or worse.

The film stars Dee Wallace (E.T, Cujo, The Frighteners) along with her real-life daughter Gabrielle Stone (CUT!, Speak No Evil, Zombie Killers), Robert Craighead (Children’s Hospital, It’s Always Sunny in Philadelphia) and JB Blanc (The Count of Monte Crisco, Breaking Bad).

Mollner, along with producer Chris Ivan Cevic have recently launched an Indigogo campaign to help turn their vision into a “cinema ready” film. With typical film projects, everything is already panned out. But the cool thing about Indigogo is that everyone who contributes becomes more personally involved in the film’s success. Here’s your chance to help make that happen.

As a “thank you” for contributing to the project, there are numerous rewards available. Everything from Executive Producer Credit to signed DVD’s, autographed posters, a chance to visit the set and even a rare opportunity to be the only featured “extra” in the film.

I spoke with actress Gabrielle Stone about her role in the film and how fans can help.

How did you become involved in “Flowers In December”?

I signed on after JT sent me the script. I’ve done two shorts with him before, both that were winners at The Hollyshorts Festival and received distribution. The script was fantastic and he had an amazing cast assembled that drew me to the project.

What attracted you to the story?

I love the theme of the script. It’s all about the positives and negatives of love and relationships. How love can trap us in unhealthy circumstances as well as set us free. In a short film, it explores numerous different outlooks in various relationships.It’s the story of a woman’s undying love for someone and how it affects her and those around her.

Flowers in December Cast (l to r: Robert Craighead, Dee Wallace, Gabrielle Stone, and JB Blan)
Flowers in December cast (l to r: Robert Craighead, Dee Wallace, Gabrielle Stone, and JB Blanc)

Tell me a little about the Indigogo project and how fans can help!

You can simply go to the website and select how much you’d like to contribute. They’ve set up a bunch of perks you can receive. There are some great photos and videos being released every few days for people to check out as well.

Let’s discuss another one of your upcoming projects. What can you tell me about your role in “Zombie Killers”?

I play Nikki Slater, the main characters girlfriend. She’s a tough chick with a good heart. It was definitely an awesome role to bring to life.

As an actress, do you feel any added pressure having to work with your mom?

Not at all. I love my mom and she’s my best friend, but on set she’s just another co-star I’m working with. We had a great time shooting our one scene together. It was the first time we had gotten the chance to work together. She plays my boyfriend’s mom in the film.

What is your favorite movie that your Mom has made?

“Cujo”. I still think she should have been up for the Oscar for it. After that film I knew I would always be safe…cause my mom could kick ass with a shotgun! [laughs].

What else are your currently working on?

“CUT!” should be out later this year and “Speak No Evil” just got picked up by Lionsgate and will be releasing later this year as well. I’ll be shooting “Stray” starting in May for three weeks in Pennsylvania. I get to work with my Zombie Killers co-star Dan McLaughlin again so I’m looking forward to starting it. Then a week after I wrap on “Stray” I’ll be in NYC shooting ‘Once When I Was Dead’, a festival short with Scott Perry.

How early on in life did you know that acting was going to become a passion?

I always thought I wanted to be an actress because I watched both my parents do it growing up. But it wasn’t until I did my first short film (which was with JT Mollner) that I realized I never wanted to do anything else.

For more info on Flowers In December and how to contribute Click Here!
(Even if you are unable to make a financial contribution please help
spread the word with others on social media, email or by word of mouth!)

Books, Interview, Life

Against All Odds: Author / Humanitarian Joey Parker Discusses Inspirational New Book

JoeyParkerMovementJoey Parker was at a crossroads in his life. Growing up in a very conservative town in Idaho, he often struggled with his own personal identity and relationships as well as with college and his purpose in life. It wasn’t until a trip to Africa that Joey was able to find his true calling. A passion to make a difference in the world that would result in the creation of an entire movement.

Today, Joey’s humanitarian efforts have not only resulted in raising funds and awareness for those suffering in third world countries, but also for the major social and ecological issues here at home. Joey also regularly contributes articles and interviews highlighting the positive side of Hollywood for his own website as well as for MTV Act.

Joey’s first book, The Joey Parker Movement: Against All Odds is an insightful collection of personal stories offering today’s youth encouragement in overcoming life’s obstacles. From dealing with anxiety to coping with heartache and death, the book is a primer for building a better perspective and world. With celebrity contributions from the likes of Denise Richards, Lisa Rinna, Kristin Cavallari and even a foreword by Paris Hilton, Joey’s book is a story of one man’s dream for the future and a how-to guide for living a better life.

I spoke with Joey about his inspiring new book and movement.

How did the idea for the book come about?

I always thought my story was unique and interesting and the idea of writing a book was something that was always on my bucket list. About two years ago, I reached out to a publishing company that was following me on Twitter and about a week or so later we had a conference call. They loved the idea and concept for it and the process began.

What was the writing process like for you?

I’ve never done anything like this before so I spent a lot of time writing at night, writing in coffee shops and going back and forth with my editors. It was a learning process, but such an amazing project to work on. In the book I talk about many different subjects that were tough for me to go through. I think it will really help other people come into their own as well.

A lot of celebrities made contributions to the book. Tell me a little about that.

All of my relationships in the book came about randomly through Twitter, interviews or through some of the work that I’ve done. I’ve maintained many of those relationships so when the opportunity came to reach out with the idea for the book, they all loved it and wanted to write-up pieces for it.

Joey-ParisWhat made you decide to include the foreword by Paris Hilton?

Paris has such a unique voice. A lot of people tend to see her through a different lens (i.e. tabloids), but she’s a smart entrepreneur who’s grown such an incredible business empire. She’s a fascinating person in pop culture and there’s a lot of pop culture throughout the book. I really wanted to add her voice to the foreword.

What was the inspiration that started The Joey Parker Movement?

It was during a time when I was trying to decide what I wanted to do with my life and figuring out who I was as an individual. I decided that one of the things I wanted to do was go on a really big trip, so I went to Africa. While I was there I saw a whole other side of the world I never thought I would get to see. When I came back I knew I wanted to do something. I just wasn’t sure what it was.

What did you do next?

I decided to start blogging and writing about the positive side of pop culture. I began writing articles, Tweeting and reaching out to celebrities for interviews. I wanted to show a different side of Hollywood. The positive side. There’s so much negativity out there and people just tearing each other down. I want to embrace the good. That’s where the theme of my website and book came about.

How would describe The Joey Parker Movement?

It’s an evolving theme that’s based on living with a positive attitude and embracing the good in life. For the website, it’s about embracing the good in Hollywood and showing a different side that people don’t often get to see.

What disappoints you the most about what’s going on in the world today?

I am disappointed in the lack of compassion that so many politicians around the United States have when it comes to LGBT rights. I was just at a hearing in Boise, Idaho where I was able to talk with protestors who were urging Idaho politicians to “Add The Words” to the Idaho Human Rights Act (adding “sexual orientation” and “gender identity”). For months, activists went to the capital to protest yet politicians throughout Idaho once again ignored the people. After my visit to Boise, three LGBT teens committed suicide.

The time is now to speak up, and politicians need to wake up. We must begin to pass laws that protect our people. The youth of our country need support and I hope through my book the younger generation can find some extra hope that boosts them forward.

Joey Parker (Photo by: Christopher Loke)
Joey Parker (Photo by: Christopher Loke)

Consequently, what excites or encourages you about what’s going on in the world today?

How passionate our generation is. I believe we are a unique generation that is ready to push toward a positive future. We truly are ready to make a difference. We are sick of the cycle we have seen in the past and are ready to take it into our own hands. We are vibrant go-getters ready to take on the obstacles we have ahead and pave our own ways.

What’s the message you’d like people to take from reading your book?

Happiness is an inside job. Looking within ourselves may be scary, but it’s facing our inner battles that unlocks the path toward true happiness.

For more on The Joey Parker Movement
Be sure to check out his official website by Clicking Here!

Interview, Movie Reviews, Movies and TV

Pretty Rosebud: Chuti Tiu and Oscar Torre Discuss Emotional Film

Pretty Rosebud

While working on various film and television projects, actress Chuti Tiu was motivated to write a story about the reflecting values of women in Asian-American culture. Together with actor/director (and real-life husband) Oscar Torre they’ve brilliantly captured that vision as well as the essence of crossing from one stage of life to the next with their emotional new film, Pretty Rosebud.

In Pretty Rosebud Tiu plays the role of Cissy Santos, a career driven woman desperately searching for what will truly make her happy and in the process makes questionable decisions and encounters family rebellion. Moving and at times controversial, the film explores the traditional roles of women in immigrant culture and what happens when those expectations are ignored. Pretty Rosebud also stars Kipp Shiotani as Cissy’s out of work husband Phil, himself going through a transitional struggle of his own.

In addition to his supporting role, Oscar Torre shines in his directorial debut. With no formal education in film production but having spent countless hours on set as an actor, Torre delivers a true sense of Tiu’s flawed, believable characters going through transition. A coming of age for adults and a passion project for both Tiu and Torre, Pretty Rosebud takes a personal, intimate look at family rebellion and infidelity. More importantly, it’s a story about about striving to find your own voice.

The film is set to premiere at the Reel World Film Festival in Toronto, Canada in early April to be followed by a theatrical run in select cities across America. More festival and release dates will soon follow to make this must-see film accessible to all.

I spoke with Tiu and Torre about the making of Pretty Rosebud and more.

Chuti Tiu
Chuti Tiu

What inspired you to write the story?

Chuti Tiu (Tiu): In terms of values, I really wanted to explore the conflict between immigrant parents and first generation American born children. As children, we’re taught to follow the sometimes stereotypical pressures from family tradition, religion and culture. It’s only when we become adults that we realize it might not be something we want. Then there’s the idea of infidelity. When a man is unfaithful, society doesn’t seem to be as antagonistic as much as if it were a woman. I wanted to explore that as well.

 

 

Oscar Torre
Oscar Torre

Oscar, did you always plan to direct the film?

Oscar Torre (Torre): Originally, I hoped to just have a part as an actor, but as we started looking at directors and thinking about what we were looking for I began to think that it might be something I could do. I had never directed anything before and wasn’t sure if I wanted to take on that pressure and responsibility. Finally, I just threw it out there and to Chuti’s credit, we were both on the same page.

Tiu: I remember the first time Oscar read the script. He really loved it and wanted me to make it. Then as our relationship grew, he encouraged me more and more. I have to credit his encouragement and belief in me that it got done.

What was the filming process like?

Torre: It was the most stressful thing I’ve ever done but also one of the most rewarding. I really enjoyed the creative aspect of putting it all together. From story boarding, to determining camera shots and even choosing colors for the walls. Then being able to go out and actually shoot a film that had already been inside my head for months. There were some challenges along the way when things didn’t work out the way I had originally envisioned, but I really enjoyed the process of overcoming them.

What was it like working with Kipp Shiotani?

Tiu: Kipp was wonderful and was really involved in the creative process. For us, it was almost like playing tennis. You’re really able to volley back and forth when you find someone who is just as passionate as you are about the craft and story.

What can you tell me about the film’s upcoming theatrical run?

Tiu: We’ll have our Canadian premiere in Toronto next month and will then be having showings in LA, Salt Lake City, Chicago, Milwaukee and Miami.

Torre: We’ve also been chosen for the Big Island Film Festival in Hawaii at the end of May and have a few more festivals lined up. Then we’ll be looking into a larger theatrical release and VOD.

What other projects are you currently working on?

Tiu: I’m currently writing a project of my own that has to deal with the issue of death and how we wrap our heads around it. I also play Nurse Lailani in a series called Chasing Life which premieres this summer on ABC Family.

Torre: I play a lead role in a film called “Eenie Meenie Miney Moe” that’s coming out April 15th on Red Box. I also have a script for a short film that I’ll direct and also star in with Chuti. It’s the story about two characters from two different worlds who have nothing in common but meet once a week in a motel room. There are a few twists in the story as well. Then there’s Lunarticking, which is a film Chuti and I co-wrote along with a friend. It’s an emotional thriller that we hope to start filming at the end of the year.

Chuti Tiu and Oscar Torre
Chuti Tiu and Oscar Torre

How does completing this film compare to some of your other projects?

Torre: It’s much more rewarding. In a way, it’s like having a child. You don’t know what he or she is going to grow up to be like or how they’ll be perceived by the world, but you’re proud with each step that you take. Having people come up and tell us they identify with the characters is the real gift. It was our vision, but it took the help of a lot of people behind the scenes to make it happen. As an actor and director you often get a lot of credit, but if you don’t have a great team bringing their own creativity and input you don’t have a film. Our cast and crew was extremely diverse in background and it was important to have that kind of family to work with. They’re all part of this journey and its been fantastic.

Tiu: As an actor, I always thought of myself as one of the colors being used for an amazing painting. For this project, Oscar and I have been the painter and the canvas as well as some of the colors. It’s been our baby from the blank page on up and it’s great to see that we’ve been able to move and inspire people. It’s why we create art in the first place.

For more information on Pretty Rosebud Click Here
Follow Chuti Tiu and Oscar Torre on Twitter: @ChutiTiu @OscarTorreActor

Guitar World Interviews, Interview, Music

Chris Robinson Brotherhood Guitarist Neal Casal Talks Gear and New Album, ‘Phosphorescent Harvest’
Neal Casal (Photo by Gary Waldman)
Neal Casal (Photo by Gary Waldman)

Phosphorescent Harvest is the third studio release from the Chris Robinson Brotherhood.

The album — which features Robinson, the former Black Crowes vocalist/guitarist, along with guitarist Neal Casal, keyboardist Adam MacDougall, drummer George Sluppick and bassist Mark Dutton — is a treasure trove of soul that advances the band’s bluesy, kaleidoscopic sound.

Songs like “Shore Power,” “Badlands” and the beautiful “Wanderer’s Lament” contain tasty, inspired guitar arrangements; meanwhile, Robinson’s lyrics are thoughtfully constructed from dreams and casual observation.

Starting in April, CRB will embark on a tour in support of the new album. It’s a tour that will take them through the highways and byways of the U.S. for remainder of the year.

In addition to working with Robinson, Casal has performed alongside other heavyweights, including Ryan Adams and Phil Lesh. He’s also released a reflective book of personal photos that were shot during his years touring with Adams.

I recently caught up with Casal to ask him about the new CRB album (which will be released April 29), his playing, photography and more.

Christ Robinson Brotherhood (Photo by: Alissa Anderson)
Chris Robinson Brotherhood (Photo by: Alissa Anderson)

GUITAR WORLD: How do you approach doing a Chris Robinson Brotherhood album as opposed to some of the other projects you’ve been involved with?

CRB is the most expansive band I’ve ever been in terms of freedom of expression in guitar playing. Chris really encourages us to bring our adventurousness, personality and whimsical character into our playing. I got to really do my thing all over this record. It’s a guitar player’s dream.

gw_logoRead the rest of my Guitar World Interview with Neal Casal
by Clicking Here!

Interview, Music

KXM: Guitarist George Lynch Talks New Album, Film Project and Dokken

KXM

Born out of the jam sessions of drummer Ray Luzier (Korn), bassist dUg Pinnick (King’s X) and guitarist George Lynch (Lynch Mob), KXM’s self-titled album is an inspired collection of song and musicality that stretches the limits of traditional power trios.

Taking its name from the combination of each member’s ‘day jobs’, KXM delivers a very deep, thought provoking debut. Songs like “Stars”, “Rescue Me” and “I’ll Be Ok” showcase elements from each’s respective bands, but the album is more than worthy to stand on its own. For a project that was neither pre-determined or planned, there’s a lot of unique interaction going on within the confines of KXM. It’s the trio’s strong musicianship and creative personalities that’s produced such an inspired, eclectic album.

In addition to KXM, guitarist George Lynch is working on several other projects, including a second Dokken-esque album with Jeff Pilson and Mick Brown and another super-group project with Michael Sweet (Stryper), James Lomenzo (Megadeth, White Lion) and Brian Tichy (S.U.N, Whitesnake). He’s also in the finishing stages of editing the “Shadow Nation” documentary. A film which illuminates the cost of destruction of the Native American community; to both the indigenous population as well as to their European conquerors.

I spoke with Lynch about KXM and also got an update on some of his other projects.

How did the KXM project come about?

Initially, the three of us were together at Ray’s house for a birthday party and wound up hanging out in the studio. That was when one of us brought up the idea of maybe throwing some stuff down. And it wasn’t like we all just went home the next day and didn’t think about it again. We kept following up and enthusiastically pursued it. The interesting thing is that we didn’t do any pre-production or write any songs going in. We just found this eight-day window of opportunity where we all trucked our gear up to this place in the mountains. We all hung out there and just started writing. It was that simple.

How would you describe the sound of this album?

One of the good things about this record is that it has a unique sound and formula to it, and that’s a product of the chemistry of the three of us. We had no preconceived idea of what we were going to write. Maybe I would come up was a riff that was a little “Lynch Mobby”. Then Ray would come in with a beat that was more syncopated, tribal and complex. Then dUg would come in and do things that were very unique and unexpected, which I loved.

What was the process for writing lyrics?

dUg wrote most of the lyrics. He and I got together for a few days at my studio. We really got to know each other and had a lot of long talks and I really enjoyed that. Some of the subject matter from our conversations late into the night translated into the lyrics. dUg’s lyrics are very personal, but those are the kind that really resonate with people more than anything else. You’re telling the story or describing the emotion. It’s direct, meaningful and cathartic.

What do you enjoy most about these collaborative projects?

I enjoy playing different kinds of music and building something up from nothing and turning it into something tangible. Also, most of the people I play with I love musically and as people. I like to say that my bands are like my second family. They’re people you care about, respect and create with. Even if it’s just a brief relationship on a project or for something that’s more longstanding.

This year marks the 30th anniversary of the Dokken Tooth and Nail album. What are your thoughts when you think back to those days?

That album was the turning point for Dokken. We had already done one record [Breaking The Chains] and had learned a lot, but were really determined to let people know that we mattered. Tooth and Nail was our real shot to prove that we had what it took to be where we thought we should be. We had a lot of energy and a lot to prove and were also starting to mature in our songwriting and tightening up as a band. All of that really peaked with the Under Lock And Key album, but I think what people love about Tooth and Nail is that it really captured the band when it was very hungry.

What’s the status of the second T&N album?

We’ve got six Dokken re-records finished but are going to change things up a bit. We’ve been talking about it and there are two things that could happen. First, we’ll change the name of the project and instead of using multiple singers, we’ll stick with two dedicated ones: [Jeff] Pilson and possibly Michael Sweet. Michael has such an angelic voice and a great sense of melody and hooks. It’s an obvious, wonderful replacement for the Dokken-esque sound that we’re known for. But then there’s a very slight chance that it could actually become a Dokken record, if a miracle happens and Don decides to play ball and play fair.

What can you tell me about your other collaboration with Michael Sweet, Brian Tichy and James Lomenzo?

It should be out sometime this Summer. Anyone who loves the older Dokken stuff and Michael Sweet is going to love this record. It sounds like the Dokken record we should have done after our last big one (Back For The Attack).

Do you have an update on the Shadow Nation Film and Shadow Train band project?

We’ve been working really hard on finishing up the editing. It’s a complicated process that takes a lot of man hours but we’re very close to finishing and then it will move on to post (production). After that, we’ll have the business of distributing it, getting it out to people and into film festivals. What I’m excited about too (beyond the film) is the record. Initially, we recorded a one CD record a few years ago that has a 70′s vibe to it. Then we went back in the studio a few more times and decided to go in a whole different direction. We went heavier and more in your face. Afterwards, we realized that we had really evolved as a band and with our writing and decided to put it out as a double CD. So, there will be a volume one and two with 19 songs that will be the companion to the film/DVD. It’s a very eclectic soundtrack.

KXM (l to r: Ray Luzier, dUg Pinnick, George Lynch)
KXM (l to r: Ray Luzier, dUg Pinnick, George Lynch)

What other projects are you working on?

Right at the moment, I’m working with Mandy Lion and an engineer and a programmer who came out of the Rob Zombie & Nine Inch Nails camps. We’ve finished seven songs a few weeks ago and have another big session where we’ll finish up the writing and recording of the basics for the rest of the record. I’m also working on another project called The Infidels with Sal and Pancho, the rhythm section from War. They’re monster funk/rock players who are just great. It’s a fun bunch of heavy, jammy funk songs with a Hendrix “Band Of Gypsys” kind of vibe.

Will Lynch Mob be touring this year?

We have some dates coming up in April and then we’ll be going to Europe this summer for some of the big festivals. We also have some plans for the States once we get back.

Has there been one moment over the course of your career that you consider most memorable?

There’s been a lot of beautiful moments and smaller ones that were just as gratifying. There was the Loud Park gig that Lynch Mob did last October in front of 25,000 people where we tore it up. That was beautiful. But then it could just be in a little club packed with 300 people. Where it’s all hot and sweaty and you just come out and blow the doors off. Or it could be as simple as a solo in the studio that you just nail. There are a lot of those kind of moments that stand out. There really isn’t just one.

For more on KXM, check out the band’s official site by Clicking Here

George Lynch’s Official Website  – Click Here * Shadow Nation Film: Click Here

 

Interview, Movies and TV

Machine Head: Actress Sharon Hinnendael Talks New Horror/Thriller

MachineHeadThe deserts of Los Ranchos, CA aren’t exactly what you would call your typical spring break destination. But for long-time college friends Rachel (Sharon Hinnendael), Chloe (Nicole Zeoli) and Mila (Christina Corigliano) it’s the perfect place for a week of booze, boys and fun in the sun.

When Rachel’s wealthy father offers her the keys to a friend’s amazing desert house, it’s almost a dream come true. That is until she discovers that access to the beautiful home comes with a catch…

Rachel has to take along her two younger, obnoxious sisters (real-life twins Morissa and Alana O’Mara).

Rachel makes plans for her boyfriend and his pals to meet them at the home later that night, but during the drive up the girls find themselves terrorized by a mysterious black muscle car with tinted windows.

Upon reaching the isolated home things really begin to unravel. The boys never show up and the three friends soon discover that what first appears to be a prank turns out to be something much, much worse.

Although an original story on its own, Machine Head scores bonus points by using mild bits and pieces from several great horror films to help get its message of terror across, including elements of Halloween, Scream and even Friday the 13th. And when you combine that trio of terror with three hot girls and a muscle car, what’s not to love?

I spoke with actress Sharon Hinnendael (Rachel) about her experiences working on Machine Head and what she loves most about making horror films.

What attracted you most to this project?

I really liked the script. It wasn’t a typical horror film. I was excited about it from the first time I read it. It was fun and scary. Then I met Jim [Valdez, Director], Christina and Nicole. Everyone was so cool and we all focused on what our job was and brought it to life. This group of people I got really close to. The whole filming process couldn’t have been better.

How would you describe the story of Machine Head?

It’s a story about girls wanting to go away for a break and have a relaxing time, but then they start getting messed with and can’t figure out why or who. I remember we did a lot of night filming in Palm Springs which was really intense. Sometimes we would be out there late at night and I would think “Wow, this is creepy. If this really happened it would be terrifying!” [laughs].

What makes horror such a great genre?

The thing I really love about these movies is being on set and seeing how they’re made. I remember growing up watching The Shining and just being absolutely terrified by it. I have a very creative mind so in the middle of the night I would sometimes see things that weren’t there, or turn something that was there into something else [laughs]. It really had an effect on me. Making horror movies is a cool process to be a part of. Having something be that strong where it can terrorize you really interests me.

Sharon Hinnendael
Sharon Hinnendael

You have an intense crying scene in this film. How do you prepare for that?

For certain scenes, I think of things that are going on in my life and use that emotion to make it happen. For this one, my uncle had passed away a year before we filmed. I was close to him and remember for that scene I really thought about him and it helped me. Part of the job is having to get to that place pretty quickly.

Did you always know you wanted to be an actress?

I was in plays in high school and loved it but originally never thought about making it a career. I was from Green Bay and started modeling when I was 12 and went to New York and Europe and worked a few other places. The original plan was for me to move to Brooklyn, but a manager I was working with at the time convinced me to come to LA for a month to give it a go. While I was there I booked a few jobs and things started happening. I really love the acting part of the process.

Is there any advice you can give to other actors?

Really love what you do every day and don’t think of money or fame. The whole goal or the process is to come out of a project having had fun and made others feel something.

What other projects are you currently working on?

I have a film that’s going to be doing the festivals called “Anatomy Of A Love Seen”. It’s a lesbian love story that’s all improv and really intense. It’s one of my favorite projects because the creativity was all my own. I have a few other things coming up as well. My life is pretty crazy right now.

Machine Head comes to DVD on March 25th

Interview, Music

Wild Heart: Saxophonist Mindi Abair Discusses Dynamic New Album

MindiAbair-WildHeartSaxophonist Mindi Abair is one of the most creative artists in music today. Already known for her acclaimed jazz prowess, Abair has been the featured sax player on American Idol for two seasons, toured with the likes of Duran Duran and Aerosmith and even did a stint with the Boss himself, Bruce Springsteen. But on May 27th, Abair takes reckless abandon to a whole new level with her new album, Wild Heart.

For this project, Abair brings along some musical heavy weights that include Joe Perry (Aerosmith), Jim Peterik (Ides of March/Survivor), Waddy Wachtel, Max Weinberg and even an emotional duet with the legendary Gregg Allman. By capturing the raw emotion, power and synergy Abair delivers an album unlike any she’s ever done. Wild Heart is definitely not your father’s jazz record, nor one that you sit down with over a glass of wine. Rather, it’s an album to rock out to and savor.

As an added treat, Abair has partnered with Pledge Music to give fans the opportunity to interactively experience Wild Heart. The campaign offers exclusive packages ranging from dinner with Abair and her band to shout-outs at concerts, signed CDs and much more.

I had the pleasure of speaking with Abair about her amazing new album and more in this exclusive interview.

What inspired the Wild Heart project?

Over the last few years, I found myself moonlighting; doing a lot of rock and roll, blues and organic music. I remember touring with Aerosmith and seeing the sheer abandon they brought to the stage night after night. Then I went on the road with Max Weinberg and played with [Bruce] Springsteen for a night. I was inspired and didn’t want it to just be something that I experienced. I wanted to bring some of that energy into my own project. This record really captures the mojo I had been playing with for so long, and it was so much fun bringing in people I love and respect to help me create this sound.

Let’s discuss a few of the songs from the album:

I Can’t Lose:

You can’t just write songs about the bad experiences in your life. Sometimes, you’ve got to write about being on a winning streak. That song came about because I changed a few things in my life and things started happening. I started doing American Idol, then Steven Tyler came to me and asked me to go on tour with Aerosmith. They were always a huge influence on me. I was in this life event phase where things were just going my way and I felt like writing a song about it. Whatever it is, right now I can’t lose.

Mindi Abair (Photo: Greg Allen)
Mindi Abair (Photo: Greg Allen)

Amazing Game / Train.  What’s it like to write a song with Jim Peterik?

I first met Jim on a jazz cruise when he was there to promote his Lifeforce CD. We became great friends and have written a lot of songs together. I love writing with him. Words and melodies just flow out of him. He lives, breathes and cares so much about every note, word and chord. With “Train” we wanted to write something that had energy and really conveyed that change of life attitude. You know you want to change, yet you’re stuck in that rut. But there’s a train coming, and you’re going to jump on and leave it all behind. I always tell Jim that he brings the “eye of the tiger” to his writing, and the two songs we wrote for this album (Amazing Game and Train) both have the eye of the tiger in them. That’s the force of nature that Jim Peterik is.


Kick Ass (with Joe Perry of Aerosmith)

I wrote the song with Matthew Hager who produced my first four cds. I always thought it was a great song but I wanted more power from it. Then I remember sitting in the studio one day and suddenly pictured Joe Perry with his shirt half-ripped open, walking down the runway with his guitar in front of 50,000 people and killing it on guitar. Then I said, “Wait! I KNOW Joe Perry! This could actually happen!” [laughs]. So I made a phone call and we were literally in the studio within a week. He brings so much power and testosterone to a track. It was amazing to sit there and play off him. He pushes you to better yourself and that’s exactly what he did on that track.

The Shakedown (with Waddy Wachtel)

I first started playing with Waddy back in 1995 when he was the music director for Adam Sandler’s band. Whenever I’m on stage with him, that whole atmosphere is my zen. When he said that he wanted to be a part of this project it made me so happy. So we went into his studio and wrote that song. Another cool thing about the song is that my dad actually plays B3 on the track as well.

How did Max Weinberg get involved on the track?

I toured with Max shortly after Clarence [Clemons] died. He needed a sax player and I went in and the two of us hit it off and ended up going out on the road for a few weeks. We became really good friends and I asked him to be a part of the project. Working things out with our tour schedules was tough, but we planned it out for when we were both in New York doing separate gigs. I booked a studio, we each came in before our sound checks and made it happen.

Just Say When (with Gregg Allman)

“Just Say When” is not even a song. It’s Gregg. When he plays he always reaches out and touches the depths of your soul. I spent three days at his house and we wrote that song together. It was crazy to be there with him and live his existence for a few days and just be creative. It was a master class in musicality. It’s real and very representative of both of us.

What made you decide to do a Pledge Music campaign for the album?

I really love what I saw people doing with it. You’re capable of giving so much more than just a CD and letting fans become more involved in the project. I’ve got really incredible fans, so offering up a few things is a way for me to be closer to them and also gives a window into the soul of this record.

What first attracted you to the saxophone? 

My dad played sax and I grew up on the road with his band. He always looked like he was having a good time whenever he played. In school band, I remember they had put some instruments out on the floor and said “choose”. So I thought back to him and chose the sax. It was also a point in music history when there were a lot of great players in pop music: Maceo Parker, Clarence Clemons, David Sanborn and others. Sax was a viable instrument even going back to the inception of rock and roll. There was a time when you couldn’t have a band without a guitar and a sax. With this album, I wanted to make a saxophone record that hearkens back to a time when sax was the coolest instrument on the planet.

Over the course of your career has there been one moment that stands out to you as most memorable?

It’s been an awesome journey. Getting to play with Bruce [Springsteen] was pretty amazing. Going out on tour with Aerosmith was another huge highlight. To get to play and sing with them every night was a dream come true. But the real high for me is every night on stage with my band. I never take for granted the fact that I get to go out there and play music that I wrote and share it with people. To have this beautiful conversation from the stage is really special.

Mindi Abair Official Website: http://www.mindiabair.com/
For more on Mindi PledgeMusic Campaign Click Here

1980's, Guitar World Interviews, Interview, Music

Guitarist Dave Meniketti Discusses Y&T’s 40th Anniversary
Y&T (Photo: Jill Meniketti)
Y&T (Photo: Jill Meniketti)

You’d think a band that’s been around for 40 years might just be going through the motions at this point.

But for Dave Meniketti and Y&T, that’s hardly the case.

The band’s current lineup — Dave Meniketti (guitar/vocals), John Nymann (guitar), Brad Lang (bass) and Mike Vanderhule (drums) — continues to bring its own unique blend of hard rock to legions of fans around the world.

Since finalizing their first lineup in 1974, Y&T have performed more than 3,000 shows, released 18 albums and three greatest-hits packages — and they’ve sold more than 4 million units. Many of the biggest acts to come out of the Eighties became popular by opening for Y&T, including Metallica and Mötley Crüe.

Add years near-continuous touring and songs like “Mean Streak” and “Summertime Girls,” and it’s no wonder fans say that Y&T sound better than ever.

With another steady year of touring ahead and talk of more new music, Meniketti and company show no signs of slowing down in 2014. I recently spoke with him about his playing, the band’s anniversary and a few surprises they have in store to celebrate the occasion.

GUITAR WORLD: What are your thoughts when you think about Y&T’s 40th anniversary?

It’s an odd feeling when you say it or stick it on a piece of paper. Throughout our career, we never looked past a year in advance wondering what we were going to do. So it’s a little weird thinking I’ve had this gig for 40 years. But it still feels great to be in this band and play songs for crowds who are always so cool to us. Why would I ever want to stop doing that?

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Read the rest of my Guitar World Interview with Dave Meniketti
By Clicking Here!

Interview, Movies and TV

CUT! Wins Big At Indie Fest!

Congratulations go out to Psycho Rock Productions and the feature film CUT!, which just won FOUR major awards at the prestigious Indie Fest Film Festival.

CUT! won THREE prestigious Awards of Excellence and ONE Award of Merit from the Indie Fest, including awards for Best Feature Film, Best Director (David Rountree) and Best Leading Actor (David Banks). CUT! also won the Award for Merit for Best Overall Sound Impact.

Director/Producer David Rountree was all smiles saying that “we were thrilled just to be accepted into Indie Fest. To win in four major categories was a tremendous accomplishment for our film. Winning has really been a reward for all of the hard work that so many people have put forth into making this film what it has become.”

CUT

The Indie Fest recognizes film professionals who demonstrate exceptional achievement in craft and creativity, and those who produce standout entertainment or contribute to profound social change. Entries are judged by highly qualified professionals in the film industry. Information about the Indie Fest and a list of recent winners can be found at www.theindiefest.com.

AWARDS
Best Feature Film
Best Director: David Rountree
Best Leading Actor: David Banks
Merit Award: Overall Sound Impact

In winning an Indie, Psycho Rock Productions joins the ranks of other high profile winners of this internationally respected award. Thomas Baker, Ph. D., who chairs the Indie Fest, had this to say about the latest winners, “The Indie is a very difficult award to win. Entries are received from all around the world. The Indie helps set the standard for craft and creativity. The judges were pleased with the exceptionally high quality of entries. The goal of the Indie is the help winners achieve the recognition they deserve.”

You can check out my interviews with the cast of CUT! below.
The film is expected to be released theatrically this summer:

David Rountree and Dahlia Salem * David Banks * Lauren Nash * Gabrielle Stone

Guitar World Interviews, Interview, Music

I Am the Fire: Gus G Discusses Debut Solo Album and Working with Ozzy Osbourne

Gus GGuitarist Gus G has spent the better part of the last decade solidifying his place as one of metal’s reigning guitar virtuosos.

He’s recorded more than a dozen studio albums and performed around the world as a member of Arch Enemy, Dream Evil and Firewind. And let’s not forget he was handpicked by Ozzy Osbourne in 2009 to become his new guitarist.

But Gus G’s debut solo album, I Am The Fire, which will be released March 18, is a new adventure. The album, which was mixed by Jay Ruston (Anthrax, Stone Sour, Steel Panther), gives Gus the opportunity to explore a different side of his creativity and showcases his skills as a producer and songwriter.

Apart from a few signature Gus G instrumentals (“Vengeance” and “Terrified”), I Am the Fire veers away from the traditional heavy/power metal vibe and leans more toward a straight-ahead classic rock sound. The album also features a multitude of guests, including vocalists Mats Levén and Jeff Scott Soto and bassists Billy Sheehan and David Ellefson.

I recently spoke with Gus G about I Am the Fire, his playing and how he got the gig with Ozzy.

GUITAR WORLD: How did the I Am the Fire project begin?

I had some time off with Ozzy because he was busy with the Black Sabbath reunion and started coming up with ideas that didn’t really seem like a Firewind record.

They were more on the hard rock side of things rather than metal. One singer I’ve always wanted to write with was Mats Levén, who sang on the Yngwie Malmsteen album Facing the Animal. We’ve known each other for about 10 years and had always talked about doing something together. So I sent him a few demos, and that’s what got things started.

gw_logoRead the rest of my Guitar World Interview with Gus G by Clicking Here!